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The Menstrual Cramps / Kiss Me, Killer
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 279 October Oxford’s Music Magazine 2018 “What was it like getting Kate Bush’s approval? One of the best moments ever!” photo: Oli Williams CANDYCANDY SAYSSAYS Brexit, babies and Kate Bush with Oxford’s revitalised pop wonderkids Also in this issue: Introducing DOLLY MAVIES Wheatsheaf re-opens; Cellar fights on; Rock Barn closes plus All your Oxford music news, previews and reviews, and seven pages of local gigs for October NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk host a free afternoon of music in the Wheatsheaf’s downstairs bar, starting at 3.30pm with sets from Adam & Elvis, Mark Atherton & Friends, Twizz Twangle, Zim Grady BEANIE TAPES and ALL WILL BE WELL are among the labels and Emma Hunter. releasing new tapes for Cassette Store Day this month. Both locally- The enduring monthly gig night, based labels will have special cassette-only releases available at Truck run by The Mighty Redox’s Sue Store on Saturday 13th October as a series of events takes place in record Smith and Phil Freizinger, along stores around the UK to celebrate the resurgence of the format. with Ainan Addison, began in Beanie Tapes release an EP by local teenage singer-songwriter Max October 1991 with the aim of Blansjaar, titled `Spit It Out’, as well as `Continuous Play’, a compilation recreating the spirit of free festivals of Oxford acts featuring 19 artists, including Candy Says; Gaz Coombes; in Oxford venues and has proudly Lucy Leave; Premium Leisure and Dolly Mavies (pictured). -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
NY ACKER Awards Is Taken from an Archaic Dutch Word Meaning a Noticeable Movement in a Stream
1 THE NYC ACKER AWARDS CREATOR & PRODUCER CLAYTON PATTERSON This is our 6th successful year of the ACKER Awards. The meaning of ACKER in the NY ACKER Awards is taken from an archaic Dutch word meaning a noticeable movement in a stream. The stream is the mainstream and the noticeable movement is the avant grade. By documenting my community, on an almost daily base, I have come to understand that gentrification is much more than the changing face of real estate and forced population migrations. The influence of gen- trification can be seen in where we live and work, how we shop, bank, communicate, travel, law enforcement, doctor visits, etc. We will look back and realize that the impact of gentrification on our society is as powerful a force as the industrial revolution was. I witness the demise and obliteration of just about all of the recogniz- able parts of my community, including so much of our history. I be- lieve if we do not save our own history, then who will. The NY ACKERS are one part of a much larger vision and ambition. A vision and ambition that is not about me but it is about community. Our community. Our history. The history of the Individuals, the Outsid- ers, the Outlaws, the Misfits, the Radicals, the Visionaries, the Dream- ers, the contributors, those who provided spaces and venues which allowed creativity to flourish, wrote about, talked about, inspired, mentored the creative spirit, and those who gave much, but have not been, for whatever reason, recognized by the mainstream. -
Audio/Video Creation Scans Southwest Landscapes
March 23, 1986 I HE Sunday CAMERA 313 Audio/video creation scans Southwest landscapes By REED GLENN scrutinize the patterns in the Camera Visual Arts Critic desiccated desert shrub bark - "The West," an audio/video and golden blooms, revel in ~, installation by 5teina and Woody sheer cinnamon cliffs against : Vasulka at Denver's new Center blue skies, and wonder at the center for Idea Art a crossover gallery for Idea Art, looks very much evolution of human construction, like a group of televisions on the from ancient Anasazi stonework It doesn't look like much. Concrete traffic - the sounds of which are well Originally,i says Mary ,tones, assistant ' blink - in an extremely con- to arrays of modern radar. In- floors and an exposed-concrete rafter muffled. director and an "emerging video artist" ;, trolled, artistic way. In fact, it terestingly, some of the cross- ceiling give a rather industrial and The Center for Idea Art moved to this herself, the CIA was more for the arts a curved wall of 16 TVs with crossed structure supporting the temporary feeling. A few hard plastic uptown (downtown?) location in the community than the general public. But spectacular cases of horizontal giant radar dishes resembles chairs give little visual respite from the Denver Center for the Performing Arts now organizers hope to cross over to a " drift, double exposure, split patterns from gothic cathedral stark interior. last July. Formed a little over three years more general audience with crossover art screens, and dizzying motion - ceilings or Indian basketry . But this is a place for ideas and ago, the gallery began in the warehouse forms - a combination of visual and all portraying striking scenes of Much of the strength of this performance . -
Cost University $2 Million by '88 of the Student Code of by Dave Urbanski Conduct
Today's - weather: Cloudy and NON PROfiT ORG US POSTAGE cold. Chance PAID of snow. Newark. Del ., Permtt No 26 Highs in the 30s. ' Vot 111 No. 40 Student Center, University of Delaware, Newark, Delaware 19716 Friday, March 7, 1986 r '~Budget cuts to · cost university $2 million by '88 of the Student Code of by Dave Urbanski Conduct. Assistant-News Editor The new policy. which was The university is slated to created in response to the lose as much as $2 million in harassment of gay and lesbian federal funding for building students in the past two years. maintenance, utility and other broadens the scope of the administrative costs over the policy, Dean of Students next two years. Timothy Brooks said. The proposed cuts, part of The revised code redefines the Gramm-Rudman deficit harassment as "deliberately reduction plan. are scheduled acting with intent to harass to begin April 1, Provost L. any member or guest of the Leon Campbell told the univer university community" based sity Faculty Senate during its on the person's race, sex, meeting Monday. religion, political beliefs, sex "We cannot accept this ual orienlation or disability. change," university Treasurer The original policy specified Robert Harrison said. only racism, sexism and anti The Federal Office of Semitism a~ harassment. Management and Budget is in Todd Christie <AS 86), a charge of reducing the funds, Delaware Undergraduate Stu which are known as indirect dent Congress•representative costs, Harrison said. to the Faculty Senate, said he The university . faculty was pleased with the policy favors the cuts in indirect change. -
Championsip Celebrating the Creators of Jobs, Innovation, Safety, and Access
April 23, 2014 U.S. Chamber of Commerce Washington, D.C. 2014 CHAMPIONSIP Celebrating the Creators of Jobs, Innovation, Safety, and Access 2014 IP Champions Agenda April 23, 2014 Hall of Flags | U.S. Chamber of Commerce Time Details 8:30 AM Registration 9:00 AM Opening Remarks • David Hirschmann, President & CEO, Global Intellectual Property Center 9:05 AM Business Innovations Panel Moderator: Mark Crowell, Executive Director, U.Va. Innovations • Reza Monazami, Ph.D, University of Virginia • Jalali Hartman, Founder & Chief Human, ROBAUTO, Inc 9:55 AM Presentation of Awards to Business Innovators • Mark Crowell, Executive Director, U.Va Innovations • Reza Monazami, Ph.D, University of Virginia • Jalali Hartman, Founder & Chief Human, ROBAUTO, Inc. 10:00 AM Consumer Awareness Campaigns - Panel Discussion • Marjorie Clifton, Executive Director, Center for Safe Internet Pharmacies • Libby Baney, Executive Director, Alliance for Safe Online Pharmacies • Alun Jones, Chief of Communication and Advocacy, United Nations Office of Drugs and Crime • Chuck Westfall, Technical Advisor, Professional Engineering & Solutions Division, Canon U.S.A. 10:55 AM Presentation of Awards to Consumer Awareness Campaigns • “Be Safe. Buy Smart.” - CSIP • “Counterfeit: Don’t buy into organized crime.” - UNODC • “Anti-Counterfeit Consumer Awareness Campaign” - Canon U.S.A. 11:00 AM Consumer Awareness Speech • Introduction by: Sandra Aistars, Chief Executive Officer, Copyright Alliance • David Lowery, Musician and Guest Lecturer, Terry College of Business, University of Georgia 11:20 AM Presentation of Award to Consumer Awareness Speaker • David Lowery, Musician and Guest Lecturer, Terry College of Business, University of Georgia 11:25 AM Presentation of Awards to Public Officials Introduction by: William Reid, Vice President, Global Anti- Counterfeiting Operations, Eli Lilly • Mark Cohen, Senior Counsel, China, U. -
“Punk Rock Is My Religion”
“Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area. -
Curfew and Lights out at Eleven O'clock by I
Curfew and Lights Out at Eleven O'clock By I. Goldstein there was nobody around to party with, the outsiders would University President John Marburger announced yester- stay away. day a new security plan, which involves confining dorm "I think its a great plan," said Josh Freidlan, "it provides for students to their rooms between the hours of 11:00 p.m. and a terrific study environment for those of us who own flash- 6:00 am. He said that this would "real ly keep this campus -lights." secure. There were, however, some opposing viewpoints. Muffy The plan, according to Marburger was proposed by Public Stein said that the plan was unfair as it restricted her shop- Safety director Gary Barrnes. "If the kiddies are in their rooms ping habits. 'What if Bloomingdales has an exclusive sale and are not allowed out for any reason, then they can do no until midnight, I'd have to leave early." harm." The plan requires that by the hour of 11:00 p.m. all resident students must be in their rooms. "In order to curb any students from going outside, the power to all of the dorms and the surrounding areas will be turned off." Marburger said This policy is being instituted since the university cannot afford to pay its $4.1 million LILCO bill, he said "It will be mandatory bedtime." Barnes said that his officers will be instructed to appre- hend students violating the law and mace them. 'This will help deter offenders and keep the officers and myself happy." According to officials at the school, the new policy is the "What about Thursday nights at the E.O.B.?", screamed result of the crimes that have occurred on campus. -
The White House Science Advisor in an Age of Climate Confusion, A
A Rook or a Pawn: The White House Science Advisor in an Age of Climate Confusion Len Aslanian I. INTRODUCTION ....................................... 473 II. -S&T ADVISEMENT IN THE BUSH ADMINISTRATION ................................... 476 III. S&T ADVISEMENT IN THE OBAMA ERA ............ 483 IV. STRUCTURAL CHALLENGES OF THE SCIENCE ADVISOR .............................................. 487 V. SUGGESTIONS FOR THE SCIENCE ADVISOR .......... 493 I. INTRODUCTION In October 1986, at the height of the American AIDS crisis, the Office of the Surgeon General issued the federal govern- ment's first major report on the disease.* In direct and some- times explicit language, the report detailed the nature, symptoms, and causes of AIDS and called for a nationwide educational cam- paign that included controversial measures such as early child- hood sex education and public promotion of condom use.' Eighteen months later, in the largest public health mailing in US history, a condensed version of the report titled Understanding AIDS was sent to 107 million American households.2 Both versions of the report were personally penned by Presi- dent Reagan's Surgeon General, the bow-tied and billy goat- bearded pediatric surgeon C. Everett Koop.3 A controversial fig- ure due to his evangelical Christian background and anti-abor- 1. See id.; The Reports of the Surgeon General: The AIDS Epidemic, PROFILES IN Sci.: NAT' LIBRARY OF MED., http://profiles.nlm.nih.gov/ps/retrieve/Narrative/NN/ p-nid/62 (last visited June 12, 2011). 2. U.S. Du'r OF HEAIA-rH & HUMAN SERV., UNDERS-TANDING AIDS (1988), avail- able at http://profiles.nlm.nih.gov/QQ/B/D/RIU/qqbdrl.pdf; Who is the AAME? C. -
Pop / Rock / Commercial Music Wed, 25 Aug 2021 21:09:33 +0000 Page 1
Pop / Rock / Commercial music www.redmoonrecords.com Artist Title ID Format Label Print Catalog N° Condition Price Note 10000 MANIACS The wishing chair 19160 1xLP Elektra Warner GER 960428-1 EX/EX 10,00 € RE 10CC Look hear? 1413 1xLP Warner USA BSK3442 EX+/VG 7,75 € PRO 10CC Live and let live 6546 2xLP Mercury USA SRM28600 EX/EX 18,00 € GF-CC Phonogram 10CC Good morning judge 8602 1x7" Mercury IT 6008025 VG/VG 2,60 € \Don't squeeze me like… Phonogram 10CC Bloody tourists 8975 1xLP Polydor USA PD-1-6161 EX/EX 7,75 € GF 10CC The original soundtrack 30074 1xLP Mercury Back to EU 0600753129586 M-/M- 15,00 € RE GF 180g black 13 ENGINES A blur to me now 1291 1xCD SBK rec. Capitol USA 7777962072 USED 8,00 € Original sticker attached on the cover 13 ENGINES Perpetual motion 6079 1xCD Atlantic EMI CAN 075678256929 USED 8,00 € machine 1910 FRUITGUM Simon says 2486 1xLP Buddah Helidon YU 6.23167AF EX-/VG+ 10,00 € Verty little woc COMPANY 1910 FRUITGUM Simon says-The best of 3541 1xCD Buddha BMG USA 886972424422 12,90 € COMPANY 1910 Fruitgum co. 2 CELLOS Live at Arena Zagreb 23685 1xDVD Masterworks Sony EU 0888837454193 10,90 € 2 UNLIMITED Edge of heaven (5 vers.) 7995 1xCDs Byte rec. EU 5411585558049 USED 3,00 € 2 UNLIMITED Wanna get up (4 vers.) 12897 1xCDs Byte rec. EU 5411585558001 USED 3,00 € 2K ***K the millennium (3 7873 1xCDs Blast first Mute EU 5016027601460 USED 3,10 € Sample copy tracks) 2PLAY So confused (5 tracks) 15229 1xCDs Sony EU NMI 674801 2 4,00 € Incl."Turn me on" 360 GRADI Ba ba bye (4 tracks) 6151 1xCDs Universal IT 156 762-2 -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
Michele Mulazzani's Playlist: Le 999 Canzoni Piu' Belle Del XX Secolo
Michele Mulazzani’s Playlist: le 999 canzoni piu' belle del XX secolo (1900 – 1999) 001 - patti smith group - because the night - '78 002 - clash - london calling - '79 003 - rem - losing my religion - '91 004 - doors - light my fire - '67 005 - traffic - john barleycorn - '70 006 - beatles - lucy in the sky with diamonds - '67 007 - nirvana - smells like teen spirit - '91 008 - animals - house of the rising sun - '64 009 - byrds - mr tambourine man - '65 010 - joy division - love will tear us apart - '80 011 - crosby, stills & nash - suite: judy blue eyes - '69 012 - creedence clearwater revival - who'll stop the rain - '70 013 - gaye, marvin - what's going on - '71 014 - cocker, joe - with a little help from my friends - '69 015 - fleshtones - american beat - '84 016 - rolling stones - (i can't get no) satisfaction - '65 017 - joplin, janis - piece of my heart - '68 018 - red hot chili peppers - californication - '99 019 - bowie, david - heroes - '77 020 - led zeppelin - stairway to heaven - '71 021 - smiths - bigmouth strikes again - '86 022 - who - baba o'riley - '71 023 - xtc - making plans for nigel - '79 024 - lennon, john - imagine - '71 025 - dylan, bob - like a rolling stone - '65 026 - mamas and papas - california dreamin' - '65 027 - cure - charlotte sometimes - '81 028 - cranberries - zombie - '94 029 - morrison, van - astral weeks - '68 030 - springsteen, bruce - badlands - '78 031 - velvet underground & nico - sunday morning - '67 032 - modern lovers - roadrunner - '76 033 - talking heads - once in a lifetime - '80 034