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Palestrina, Morales, Guerrero, Tomás Luis De Victoria MASSES

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Palestrina, Morales, Guerrero, Tomás Luis De Victoria MASSES The Renaissance • Rebirth, or renaissance of human creativity • Period of exploration and adventure (Columbus, Vasco da Gama, Ferdinand Magellan) • Curiosity and individualism (Raphael, Leonardo da Vinci). Interest in realism • Humanism • Catholic Church is less powerful than during Middle Ages – Martin Luther’s Protestant Reformation • More books are printed in Europe Music in the Renaissance 1450-1600 • Every educated person is expected to be trained in music • Renaissance town musicians: higher pay and status • Flemish composers: parts of the Netherlands, Belgium, and northern France. Germany, England and Spain – other countries with a vibrant musical life Characteristics of Renaissance music Words and music – Vocal music is more important than instrumental – Music enhances the meaning and emotion of the text. – Moderate, balanced way of expression: no extreme contrasts of dynamics, tone color or rhythm RELIGIOUS SECULAR MADRIGALS VOCAL MASS AND MOTETS CHANSONS VILLANCICOS INSTRUMENTAL DIFERENCIAS DANCES RELIGIOUS MUSIC International character Polyphonic Religious music in the Renaissance Using imitative counterpoint Motets Religious text in Latin Composed for the most important Mass prayers used in the mass; kyrie eleison, gloria, credo, sanctus, agnus dei Josquin des Prez, Orlando di Lasso, Palestrina, Morales, Guerrero, Tomás Luis de Victoria MASSES Kyrie - Missa Papae Marcelli – Palestrina Sung by the Oxford Camerata Kyrie - Missa Salve Regina– T. L Victoria Sung by the Sixteen Miserere. Allegri. King's College Choir, Cambridge King's College Choir, Cambridge Another version. MOTETS Ave Maria. T.L de Victoria La Capella Reial de Catalunya dirigida por Jordi Savall Sicut Cervus. Palestrina Performer: Voices of Ascension Ave Verum. Byrd. Tallis scholars Nuper rosarum flores. G Duffay Sung by Cantica Symphonia Secular music • Vocal music: groups of solo voices with the accompaniment. • The styles of secular music were particular in each country Ballets Chansons Madrigal Villancicos Hoy comamos y bebamos. Juan del Enzina Hesperion XX. Jordi Savall. Niño Dios d´amor herido Collegium Vocale Köln Con qué la lavare. Juan Vasquez. La Colombina (con Raquel Andueza) The Renaissance Ballet (Fa-La) • A simpler type of secular vocal music • A dance-like song for several voices • Mostly homophonic in structure. Fa-la syllables are used as refrain • Each stanza: AA – refrain – BB - refrain Flow my tears. Dowland Andrea Scholl Instrumental music • Instrumental music becomes more independent • Most music is for dance: – Pavane or passamezzo– duple meter – Galliard – triple meter • Harpsichord, organ, lute, recorder, trumpet, cornett, sackbut (early trombone), viol, regal (small organ with reed pipes), shawm (ancestor of the oboe) • Instrumental form of theme and variations (in Spain are called Diferencias) Cuatro diferencias sobre el tema “Guárdame las vacas” Luis de Narvaez. Intérprete. Xavier Coll La Spagna (Danza Alta) Francisco de la Torre Intérpretes: Hespérion XXI - Director: Jordi Savall. ”De Lesseps' Dance“Shakespeare in love DISCO MUSIC EXTRAS La bella y graciosa moza. Les luthiers Moai doo wop Lets play rhythm heaven set 2 min 10.20 Munchy monk. Lets play rhythm heaven set 4 King´s consort allegri .
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