Jacci Jaye's Corset Pattern By: Burdastyle
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Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
Press Kit the History of French Lingerie at the Sagamore Hotel Miami Beach
LINGERIE FRANCAISE EXHIBITION PRESS KIT THE HISTORY OF FRENCH LINGERIE AT THE SAGAMORE HOTEL MIAMI BEACH Continuing its world tour, the Lingerie Francaise exhibition will be presented at the famous Sagamore Hotel Miami Beach during the Art Basel Fair in Miami Beach from November 29th through December 6th, 2016. Free and open to all, the exhibition showcases the ingeniousness and creativity of French lingerie which, for over a century and a half, has been worn by millions of women worldwide. The exhibition is an immersion into the collections of eleven of the most prestigious French brands: AUBADE, BARBARA, CHANTELLE, EMPREINTE, IMPLICITE, LISE CHARMEL, LOU, LOUISA BRACQ, MAISON LEJABY, PASSIONATA and SIMONE PÉRÈLE. With both elegance and playfulness, the story of an exceptional craft unfolds in a space devoted to contemporary art. The heart of this historic exhibition takes place in the Game Room of the Sagamore Hotel. Beginning with the first corsets of the 1880’s, the presentation documents the custom-made creations of the 1930’s, showcases the lingerie of the 1950’s that was the first to use nylon, and culminates with the widespread use of Lycra® in the 1980’s, an epic era of forms and fabrics. This section focuses on contemporary and future creations; including the Lingerie Francaise sponsored competition’s winning entry by Salima Abes, a recent graduate from the university ESMOD Paris. An exclusive collection of approximately one hundred pieces will be exhibited, all of them emblematic of a technique, textile, and/or fashion innovation. A selection of landmark pieces will trace both the history of intimacy and the narrative of women’s liberation. -
The Corset and the Crinoline : a Book of Modes and Costumes from Remote Periods to the Present Time
THE CORSET THE CRINOLINE. # A BOOK oh MODES AND COSTUMES FROM REMOTE PERIODS TO THE PRESENT TIME. By W. B. L. WITH 54 FULL-PAGE AND OTHER ENGRAVINGS. " wha will shoe my fair foot, Aud wha will glove my han' ? And wha will lace my middle jimp Wi' a new-made London ban' ?" Fair Annie of L&hroyan. LONDON: W A R D, LOCK, AND TYLER. WARWICK HOUSE, PATERNOSTER ROW. LOS DOS PRINTKD BY JAS. WAOE, TAVISTOCK STREET, COVBSI GARDEN 10 PREFACE. The subject which we have here treated is a sort of figurative battle-field, where fierce contests have for ages been from time to time waged; and, notwithstanding the determined assaults of the attacking hosts, the contention and its cause remain pretty much as they were at the commencement of the war. We in the matter remain strictly neutral, merely performing the part of the public's " own correspondent," making it our duty to gather together such extracts from despatches, both ancient and modern, as may prove interesting or important, to take note of the vicissitudes of war, mark its various phases, and, in fine, to do our best to lay clearly before our readers the historical facts—experiences and arguments—relating to the much-discussed " Corset question" As most of our readers are aware, the leading journals especially intended for the perusal of ladies have been for many years the media for the exchange of a vast number of letters and papers touching the use of the Corset. The questions relating to the history of this apparently indispensable article of ladies' attire, its construction, application, and influence on the figure have become so numerous of late that we have thought, by embodying all that we can glean and garner relating to Corsets, their wearers, and the various costumes worn by ladies at different periods, arranging the subject-matter in its due order as to dates, and at the same time availing ourselves of careful illustration when needed, that an interesting volume would result. -
SWART, RENSKA L." 12/06/2016 Matches 149
Collection Contains text "SWART, RENSKA L." 12/06/2016 Matches 149 Catalog / Objectid / Objname Title/Description Date Status Home Location O 0063.001.0001.008 PLAIN TALK TICKET 1892 OK MCHS Building Ticket Ticket to a Y.M.C.A. program entitled "Plain Talk, No. 5" with Dr. William M. Welch on the subject of "The Prevention of Contagion." The program was held Thursday, October 27, 1892 at the Central Branch of the YMCA at 15th and Chestnut Street in what appears to be Philadelphia O 0063.001.0002.012 1931 OK MCHS Building Guard, Lingerie Safety pin with chain and snap. On Original marketing card with printed description and instructions. Used to hold up lingerie shoulder straps. Maker: Kantslip Manufacturing Co., Pittsburgh, PA copyright date 1931 O 0063.001.0002.013 OK MCHS Building Case, Eyeglass Brown leather case for eyeglasses. Stamped or pressed trim design. Material has imitation "cracked-leather" pattern. Snap closure, sewn construction. Name inside flap: L. F. Cronmiller 1760 S. Winter St. Salem, OR O 0063.001.0002.018 OK MCHS Building Massager, Scalp Red Rubber disc with knob-shaped handle in center of one side and numerous "teeth" on other side. Label molded into knob side. "Fitch shampoo dissolves dandruff, Fitch brush stimulates circulation 50 cents Massage Brush." 2 1/8" H x 3 1/2" dia. Maker Fitch's. place and date unmarked Page 1 Catalog / Objectid / Objname Title/Description Date Status Home Location O 0063.001.0002.034 OK MCHS Building Purse, Change Folding leather coin purse with push-tab latch. Brown leather with raised pattern. -
ESSENTIALS:^ ^ ^ How to Look Fantastic in Your 40S, 50S and Beyond
Brenda’s Fashion ESSENTIALS:^ ^ ^ How to Look Fantastic In Your 40s, 50s and Beyond THE BRENDA shorts BrendaBrenda KinselKinsel punch and save! Sophia Loren, Catherine Deneuve, Sarah Jessica Parker, Vivica A. Fox, Helen Mirren, Ellen Barkin. What do these women have in common? They are all women of style, beauty and confidence. What makes a woman look so radiant? She’s radiant when she displays her beauty, inside and out. All women in their 40s, 50s, 60s or beyond have what it takes to enjoy style and the confidence that comes with it. Yet so many women reach a new decade and start giving up. They give up on fashion and beauty and let their style expire. What if I told you it’s easier to enjoy these things than you think? In fact, your most fashionable, confident years may be in front of you. In this Brenda Short, discover many easy tools to look great and enjoy your age. The Brenda Shorts 2 Schedule Your Updates 1. Put your feet first. Time to make a serious edit of shoes that hurt your feet. Otherwise, it’s all you think about: pain, pinching, pressure. A client was so relieved when we did a serious edit of her shoes. We had a “no excuses” purging session. Anything that hurt left her closet no matter how cute they were. When a shoe fits your arch and gives you room in the toe box, you’ll be swooning with delight. As in all things that come in sizes, when you’re shopping for shoes, ignore the numbers and go for the best fit. -
The Shape of Women: Corsets, Crinolines & Bustles
The Shape of Women: Corsets, Crinolines & Bustles – c. 1790-1900 1790-1809 – Neoclassicism In the late 18th century, the latest fashions were influenced by the Rococo and Neo-classical tastes of the French royal courts. Elaborate striped silk gowns gave way to plain white ones made from printed cotton, calico or muslin. The dresses were typically high-waisted (empire line) narrow tubular shifts, unboned and unfitted, but their minimalist style and tight silhouette would have made them extremely unforgiving! Underneath these dresses, the wearer would have worn a cotton shift, under-slip and half-stays (similar to a corset) stiffened with strips of whalebone to support the bust, but it would have been impossible for them to have worn the multiple layers of foundation garments that they had done previously. (Left) Fashion plate showing the neoclassical style of dresses popular in the late 18th century (Right) a similar style ball- gown in the museum’s collections, reputedly worn at the Duchess of Richmond’s ball (1815) There was public outcry about these “naked fashions,” but by modern standards, the quantity of underclothes worn was far from alarming. What was so shocking to the Regency sense of prudery was the novelty of a dress made of such transparent material as to allow a “liberal revelation of the human shape” compared to what had gone before, when the aim had been to conceal the figure. Women adopted split-leg drawers, which had previously been the preserve of men, and subsequently pantalettes (pantaloons), where the lower section of the leg was intended to be seen, which was deemed even more shocking! On a practical note, wearing a short sleeved thin muslin shift dress in the cold British climate would have been far from ideal, which gave way to a growing trend for wearing stoles, capes and pelisses to provide additional warmth. -
Quickie Corsets
Quickie Corsets Jana Keeler for Costume Con 26 [email protected] Costumepastimes.com A corset can be as complicated and armor-plated as you want—some make them three layers thick out of the stiffest material they can find. But there are times when you just want to whip something up as quickly as you can but still have it be functional and hopefully give you an approximation of the correct silhouette. I’m going to show you how to create a Victorian corset in a couple of different ways. Now, I don’t have a magic way to create a corset in an hour---I’m sure someone out there has figured out how to do that and god bless ‘em! Step One – Get A Pattern: there are a lot of sources for corset patterns these days. You can certainly draft one yourself but why, when there are so many companies doing some nice corset patterns and save yourself some time. • Simplicity.com – “B” to the right is their pattern #5726 and comes in sizes 6 through 20. They also have #7215 and #9769. • McCalls.com (mccallpattern.com) – they have M3609 in sizes 4-18. • Butterick.com – one of my favorites for a fast corset is B4254 in sizes 6-22. • Past Patterns (pastpatterns.com) – #213 in size 8-26 is one of the first corset patterns I found and another one of my favorites. • Farthingales (farthingales.on.ca) – they carry corset patterns and kits. They have detailed instructions on how to put together the Simplicity #9769 corset. They also have photos of different corsets on the same person to see the different fits. -
34 Underlines
SHAPING TODAY & TOMOROW UNDERLINES ONCE AGAIN TAKES AN INDEPTH LOOK AT THE SUPPLY AND DEMAND CHAIN FOR SHAPING GARMENTS, PARTICULARLY HOW THE MARKET HAS EVOLVED IN THE LAST 12 MONTHS, BY TALKING SIMULTANEOUSLY TO RETAILERS (BOTH LARGE AND SMALL CHAINS AND INDEPENDENT SHOPS*) AND TO LARGE ESTABLISHED SHAPEWEAR PRODUCERS AND NEW BRANDS EMERGING IN THE MARKET. HERE WE REVEAL OUR FINDINGS AND THEY PRODUCE SOME INTERESTING INDICATORS FOR THE FUTURE OF SHAPEWEAR SECTOR. 20% of our respondents this year were large stores or small chains with the 80% balance being represented by specialists and independent shops. Over 50% of all those interviewed have been selling shapewear in some form for over 15 years. However the number of brands represented (even in larger stores) is more restricted than in previous years: 50% sold up to 3 brands with 50% selling between 4-6 brands. WHICH FUNCTIONAL SHAPING UNDERWEAR BRANDS ARE YOUR BESTSELLERS? BRAND NAME % INDICATED AS BESTSELLER MIRACLESUIT 32% SPANX 24% BODYWRAP 16% ELOMI/FANTASIE 12% MAIDENFORM 10% BODYWRAP 10% NAOMI & NICOLE 6% TRIUMPH 6% CONTOURELLE/FELINA 4% CETTE SLIMSHAPERS 2% Note: figures do not equal 100% as respondents could identify more than one bestseller In common with the last 4-5 years American functional brands of shapewear take the top slots. Yummie Cameo high waisted shaping briefs 34 underlines WHICH FASHIONABLE SHAPING UNDERWEAR BRANDS ARE YOUR BESTSELLERS? BRAND NAME % INDICATED AS BESTSELLER PRIMADONNA/VAN DE VELDE 10% IMPLICITE 8% WACOAL 6% PASSIONATA/CHANTELLE 6% WOLFORD 2% 38% of those surveyed said they did not believe they sold shapewear which could be regarded as fashionable. -
Historic Medical Perspectives of Corseting and Two Physiologic Studies with Reenactors Colleen Ruby Gau Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1998 Historic medical perspectives of corseting and two physiologic studies with reenactors Colleen Ruby Gau Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Home Economics Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Gau, Colleen Ruby, "Historic medical perspectives of corseting and two physiologic studies with reenactors " (1998). Retrospective Theses and Dissertations. 11922. https://lib.dr.iastate.edu/rtd/11922 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UME films the t®ct directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Postbaby Waist Training
Parents.com Search parents.com Search Navigation Search Search Search Topics Getting Pregnant Pregnancy Baby Names Babies Toddlers & Preschoolers Big Kids Parenting Food Health Fun Summer Video Our Magazines American Baby Parents Family Fun Ser Padres My Profile Log In Join Us! More Tools Shop Subscribe Newsletter Blogs Tools Quizzes Advice Free Stuff Contests Printables Parents.com > Pregnancy & Birth > My Pregnant Body > My Postpartum Body Postbaby Waist Training: What You Need to Know Corsets and other waist trainers may be on trend, but are they on target? We asked the experts if you can corset your way back to your pre-baby bod. By Holly Pevzner 1.1k 101 0 1K 5 Like " Share Tweet # Email $ Save % Print & Comments (0) ! Elisanth/ Shutterstock There's a lot of training that happens once you have a baby. Sleep training and potty training come to mind, of course -- but what about waist training? Today, a growing number of new moms are attempting to smoosh their postbaby mummy tummies into oblivion with the help of a 16th-century throwback -- the corset -- and its modern- day equivalent, the belly wrap. While modern-day Spanx may be the go-to choice for the fake-it-till-you-make-it crowd, waist trainers like corsets and wraps are all about squeezing-it-till-it-stays. But is it safe -- and does it work? • Check out our 'lose the baby weight' guide! What is Waist Training? "Waist training is the act of tightly wrapping your midsection -- from the bottom of your ribs to your lower waist -- with a corset or supportive band to gradually reduce your natural waist," says Sherry Ross, M.D., an ob-gyn and women's health specialist at Providence Saint John's Health Center in Santa Monica, California. -
Close to the Skin: a Revealing Look at Lingerie
Close to the Skin: A Revealing look at Lingerie Wedding gown House of Worth, France ca. 1878 Silk faille; silk embroidery; glass pearls; lace #67.446 Charles Frederick Worth (1825-1895) is considered the founder of haute couture. This early Worth creation illustrates his patronage by wealthy Americans, who had to travel to Paris to purchase their custom made dresses. Sarah Noyes Tibbets wore this dress when she married John Wool Griswold on January 15, 1878. Petticoat ca. 1878 Cotton #67.446c This petticoat was probably coordinated to go with the elaborate wedding gown by Charles Frederick Worth, made for Sarah Noyes Tibbett. The fineness of the cotton petticoat matches that of the gown. Pantaloons or drawers United States 1870s Plain weave light brown mixed fiber (silk, cotton, and/or wool) #57.920 Hoop skirt United States Ca. 1870 Steel springs; cotton twill tape No acc. # Hoop skirts could on occasion flip up, due to tripping or high wind. Pantaloons, or drawers, proved helpful in covering the legs if such a faux paus occurred. Corset R & G Corset Co. 1875-1900 White twill-weave cotton, lace, steel #67.591 Close to the Skin: A Revealing look at Lingerie Dress 1925-1930 Floral print silk chiffon with pink silk faille underdress. #59.379 Simpler, sheerer dresses in fashion in the 1920s often borrowed elements from undergarments. This example has a pink slip that is integral to the sheer overdress, including a matching printed hem that extends below the outer hemline. The edge of the wide collar is finished in a manner similar to fine lingerie. -
Female Impersonators·:: ~'.· \ ·I
··,~r. LETTERS H~bM · ·.~, ·· .FEMALE IMPERSONATORS·:: ~'.· \ ·I . « .. ~ . , •' . ~ ALL1 NEW . PhO.tos · I "TALES OF FEMALE DOMINATION OVER MAN" of which Volume fiye is now ovailable, is a new book which consists of S different stories about the many ways muscular strong-willed women overpower men and force them into bondage. look is well illustrated with 3 5 actual photographs of men and sells for only $3.75 plus 20' for postage. \to1umes 1, 2 , J, 4, s available at $3.75 EACH, plus 20¢ for postage. VOLUME NUMBER SIX :;Ps!!tl~~!~n':1e~n~!!!~~e!!!I!:'~ m~~~ ~~I~a~~~~:; subjugated by a band of revengeful high-heeled and corsett~d women. When he rebels he is placed in tight bondage and punishment helmet unttl he agrees to act as a maid in girl's clothes. Illustrated with 25 actual photos. Prices $3.75 plus 20' LETTERS FROM FEMALE IMPERSONATORS ACTUAL CORRESPONDENCE ON FEMME MIMICS "FEMALE IMPERSONATORS ON PARADE" Now available ore volumes 1 2 3 4 5 on ,..Female Impersonators On Parade." 1 1 whidt <"•plain in detail the a rt ~I le,;,ale impersonation or cross-dressing by m•n ILLUSTRATED WITH 35 by the omotrur ~nd profeuionol female impersonators themsehres. rou will hove t o "'ave o very &teen eye when looking at the " girh" for the men look more like girls than real girls do. Volume One contains 3 I actual photographs, volume Two contains 45 real photoic and volume Three contains 35 actual photos of glamour PHOTOS OF MALES girls who are men. These books sell for $3.7 5 each volume A.lus 20" for postage.