Introduction: Law in Many Forms
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A Language Without a State: Early Histories of Maithili Literature
A LANGUAGE WITHOUT A STATE: EARLY HISTORIES OF MAITHILI LITERATURE Lalit Kumar When we consider the more familiar case of India’s new national language, Hindi, in relation to its so-called dialects such as Awadhi, Brajbhasha, and Maithili, we are confronted with the curious image of a thirty-year-old mother combing the hair of her sixty-year-old daughters. —Sitanshu Yashaschandra The first comprehensive history of Maithili literature was written by Jayakanta Mishra (1922-2009), a professor of English at Allahabad University, in two volumes in 1949 and 1950, respectively. Much before the publication of this history, George Abraham Grierson (1851- 1941), an ICS officer posted in Bihar, had first attempted to compile all the available specimens of Maithili literature in a book titled Maithili Chrestomathy (1882).1 This essay analyses Jayakanta Mishra’s History in dialogue with Grierson’s Chrestomathy, as I argue that the first history of Maithili literature was the culmination of the process of exploration of literary specimens initiated by Grierson, with the stated objective of establishing the identity of Maithili as an independent modern Indian language.This journey from Chrestomathy to History, or from Grierson to Mishra,helps us understand not only the changes Maithili underwent in more than sixty years but also comprehend the centrality of the language-dialect debate in the history of Maithili literature. A rich literary corpus of Maithili created a strong ground for its partial success, not in the form of Mithila getting the status of a separate state, but in the official recognition by the Sahitya Akademi in 1965 and by the Eighth Schedule of the Indian Constitution in 2003. -
Farrukhabad, Etah and Hardoi Districts
78°0'0"E 78°30'0"E 79°0'0"E 79°30'0"E 80°0'0"E 80°30'0"E GEOGRAPHICAL AREA FARRUKHABAD, N ETAH AND HARDOI DISTRICTS " 0 ' 0 3 ° 8 ± 2 KEY MAP UTTAR PRADESH N " 0 ' 0 ° 8 2 Total Geographical Area (Sq Km) 10598 N No. of Charge Area 11 " 0 ' 0 ° Total Household 1328856 8 2 Total Population 7752529 CHARGE AREA ID NAME !( Jinhaira CA1 JALESAR !( !( !( !( CA2 ETAH Barai Bahbal Pur Jamura Mahmoodpur Saraiyan !( !( !( !( !( !( !( !( !( Udhranpur ManauraSongaraPilua Neorai Abdulla Nagar !( CA3 ALIGANJ Rarpatti !( !( !( Rabha !( Shahabad !( N !( ManjhilaKarawan X !( X Tumurki !( !( " !( Etah Bar!.thar !( Dahelia 0 !( !( Sahori !( ' Rafatnagar Senthara !( 0 !( Shitalpur !( CA4 KAIMGANJ !( Khadaua CA8 Itara 3 !( Kunwakhera Wazir Alam K!(han !( !( X ° Gahetu E T A H Raipur Khas Bagwala !( !( 7 Katiya Pithna Pur SHAHABAD !( !( CA2 Kansuri !( Parauli Suhagpur !( !( Kumhraur !( 2 Etah !( CA3 ChilouliM!(aursidabad !( Babasa !( Narainamau X Majhiya CA1 !( ETAH !( Dhumari Bharkhani Karim Nagar CA5 FARRUKABAD X !( X Jaithara ALIGANJ !( JALESAR Basundhara Angraiya Jamunai CA4 Amritpur Mansoor Nagar !( Khiriya Nagar S!(hah!( !( !( !( !( !( Malawan Targawan Aliganj (Dehat) KAIMGANJ !( Shahnagar Timarua !( Awagarh !( CA6 AMRITPUR Munder Behta Gokul !( !( Burrakalan X Chilsara !( CA6 !( Kurseli Shakrauli Lalpur N Jarani Khurd Kalan Tolwa Antdanpur " !( !( !( !( 0 !( AMRITPUR ' CA7 SAWAYAJPUR !( !( !( Umai Asadnagar X 0 Tikathar !( Pilkhana !( Bartal !( Rohina Mirzapur Khinmini !( !( 3 Nadraala ° !( Kurar Pura Bahadur F A R R U K H A B A D Kaurha 7 !( Farrukhabad -
Vidyapati.Pdf
9 788126 053193 9 788126 053193 VIDYĀPATI 1 VIDYĀPATI 2 VIDYĀPATI The sculpture reproduced on the end paper depicts a scene where three soothsayers are interpreting to King Śuddhodana the dream of Queen Māyā, mother of Lord Buddha. Below them is seated a scribe recording the interpretation. This is perhaps the earliest available pictorial record of the art of writing in India. From: Nagarjunakonda, 2nd century A.D. Courtesy: National Museum, New Delhi VIDYĀPATI 3 MAKERS OF INDIAN LITERATURE VIDYĀPATI Ramanath Jha Sahitya Akademi 4 VIDYĀPATI Vidyāpati: A monograph in English on Vidyāpati, an eminent poet and philosopher by Ramanath Jha, Sahitya Akademi, New Delhi: 2017, ` 50. Sahitya Akademi Head Office Rabindra Bhavan, 35, Ferozeshah Road, New Delhi 110 001 Website: http://www.sahitya-akademi.gov.in Sales Office ‘Swati’, Mandir Marg, New Delhi 110 001 E-mail: [email protected] Regional Offices 172, Mumbai Marathi Grantha Sangrahalaya Marg, Dadar Mumbai 400 014 Central College Campus, Dr. B.R. Ambedkar Veedhi Bengaluru 560 001 4, D.L. Khan Road, Kolkata 700 025 Chennai Office Main Guna Building Complex (second floor), 443, (304) Anna Salai, Teynampet, Chennai 600 018 © Sahitya Akademi First Published: 1972 Reprint: 1983, 2017 ISBN: 978-81-260-5319-3 Rs. 50 Printed by Sita Fine Arts Pvt. Ltd., A-16, Naraina Industrial Area, Phase-II, New Delhi 110028 VIDYĀPATI 5 IDYĀPATI was par excellence a maker of Indian literature. At a time when Sanskrit was the language of culture throughout VĀryavarta, he made the spoken language of his region the medium of his poetical compositions, sweet and charming, and invested it with an expressiveness worthy of a literary language. -
Copyright by Mohammad Raisur Rahman 2008
Copyright by Mohammad Raisur Rahman 2008 The Dissertation Committee for Mohammad Raisur Rahman certifies that this is the approved version of the following dissertation: Islam, Modernity, and Educated Muslims: A History of Qasbahs in Colonial India Committee: _____________________________________ Gail Minault, Supervisor _____________________________________ Cynthia M. Talbot _____________________________________ Denise A. Spellberg _____________________________________ Michael H. Fisher _____________________________________ Syed Akbar Hyder Islam, Modernity, and Educated Muslims: A History of Qasbahs in Colonial India by Mohammad Raisur Rahman, B.A. Honors; M.A.; M.Phil. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2008 Dedication This dissertation is dedicated to the fond memories of my parents, Najma Bano and Azizur Rahman, and to Kulsum Acknowledgements Many people have assisted me in the completion of this project. This work could not have taken its current shape in the absence of their contributions. I thank them all. First and foremost, I owe my greatest debt of gratitude to my advisor Gail Minault for her guidance and assistance. I am grateful for her useful comments, sharp criticisms, and invaluable suggestions on the earlier drafts, and for her constant encouragement, support, and generous time throughout my doctoral work. I must add that it was her path breaking scholarship in South Asian Islam that inspired me to come to Austin, Texas all the way from New Delhi, India. While it brought me an opportunity to work under her supervision, I benefited myself further at the prospect of working with some of the finest scholars and excellent human beings I have ever known. -
Vidyapati-The Poet(Part-2) M.A.(HISTORY) SEM-2 PAPER CC:7
Vidyapati-The Poet(Part-2) M.A.(HISTORY) SEM-2 PAPER CC:7 DR. MD. NEYAZ HUSSAIN ASSOCIATE PROFESSOR & HOD PG DEPARTMENT OF HISTORY MAHARAJA COLLEGE, VKSU ARA (BIHAR) Life and works Political career The independence of the kings Vidyapati worked for was often threatened by incursions by Muslim sultans. The Kīrttilatā makes reference to an incident where the Oiniwar King, Raja Gaṇeśvara, was killed by the Turkish commander, Malik Arsalan in 1371. By 1401, Vidyapati requested the help of the Jaunpur Sultan in overthrowing Arsalan and installing Gaṇeśvara's sons, Vīrasiṃha and Kīrttisiṃha, on the throne. With the Sultan's assistance, Arsalan was deposed and Kīrttisiṃha, the oldest son, became the ruler of Mithila.The conflicts of his time are evident in his works. In his early praise-poem Kīrttilatā, he slyly criticizes his patron for his perceived deference to Muslims. Life and works Love songs While working under his second patron, Devasimha, and especially under his successor Sivasimha,Vidyapati started composing Maithili songs of the love of Radha and Krishna. He seems to have only composed love songs between 1380 to 1406, though he kept writing until near his death in 1448. He seems to have ceased writing love songs after his patron and friend Sivasimha went missing in a battle and his court had to go into exile. These songs, which would eventually number five hundred, broke with convention. They were written in vernacular Maithili as songs, not as formal poems in literary Sanskrit as was done Life and works before. Until Vidyapati, Maithili wasn't employed as a literary medium. -
The Sabar Tradition in Shri Jagannath Culture
Orissa Review June-July - 2007 The Sabar Tradition in Shri Jagannath Culture Bhagaban Mohapatra Lord Jagannath, supreme God of the universe, Sabar tradition in the Culture of Lord has taken his abode at Puri, the chief religious Jagannath has its connection with the legend of centre among the four celebrated religious centre Raja Indradyumna. He was the king of solar of Hindus. Various Sanskrit works, such as dynasty in Satya Yuga and was ruling the city of Padma Puran, Narada Puran, Skanda Avanti in Malaya. He was a devotee of Lord Purana, Niladrimahodaya, Bamadeva Vishnu. One day, he came to know that Vishnu Samhita etc. have described about the sacred in flesh and blood was present at Blue Mountain abode of Lord Jagannath at Purusottam Khetra, (Nilakandar) in Odra Desha. The story goes in Puri. Different scholars in different times have also this manner. It is mentioned in the Skanda Purana left no stone unturned to trace out the origin and (Uttar Khanda) that Rohini Kunda is situated antiquity of Purosottam Jagannath; but no near Kalpabata tree on the Blue Mountain of satisfactory, positive and commonly acceptable the country of Odra. To the North of Rohini evidence have come to light so far to unveil as to Kunda, there is a place where a Sabar Chief how and when this concept has come into named Viswabasu was worshiping existence in Puri. The Niladrimahodaya provides Nilamadhaba. The Devatas used to come at in detail all the festivals of Lord Jagannath and night to worship Lord Nilamadhaba everyday. This the mode of their worship alongwith the deities. -
List of Class Wise Ulbs of Uttar Pradesh
List of Class wise ULBs of Uttar Pradesh Classification Nos. Name of Town I Class 50 Moradabad, Meerut, Ghazia bad, Aligarh, Agra, Bareilly , Lucknow , Kanpur , Jhansi, Allahabad , (100,000 & above Population) Gorakhpur & Varanasi (all Nagar Nigam) Saharanpur, Muzaffarnagar, Sambhal, Chandausi, Rampur, Amroha, Hapur, Modinagar, Loni, Bulandshahr , Hathras, Mathura, Firozabad, Etah, Badaun, Pilibhit, Shahjahanpur, Lakhimpur, Sitapur, Hardoi , Unnao, Raebareli, Farrukkhabad, Etawah, Orai, Lalitpur, Banda, Fatehpur, Faizabad, Sultanpur, Bahraich, Gonda, Basti , Deoria, Maunath Bhanjan, Ballia, Jaunpur & Mirzapur (all Nagar Palika Parishad) II Class 56 Deoband, Gangoh, Shamli, Kairana, Khatauli, Kiratpur, Chandpur, Najibabad, Bijnor, Nagina, Sherkot, (50,000 - 99,999 Population) Hasanpur, Mawana, Baraut, Muradnagar, Pilkhuwa, Dadri, Sikandrabad, Jahangirabad, Khurja, Vrindavan, Sikohabad,Tundla, Kasganj, Mainpuri, Sahaswan, Ujhani, Beheri, Faridpur, Bisalpur, Tilhar, Gola Gokarannath, Laharpur, Shahabad, Gangaghat, Kannauj, Chhibramau, Auraiya, Konch, Jalaun, Mauranipur, Rath, Mahoba, Pratapgarh, Nawabganj, Tanda, Nanpara, Balrampur, Mubarakpur, Azamgarh, Ghazipur, Mughalsarai & Bhadohi (all Nagar Palika Parishad) Obra, Renukoot & Pipri (all Nagar Panchayat) III Class 167 Nakur, Kandhla, Afzalgarh, Seohara, Dhampur, Nehtaur, Noorpur, Thakurdwara, Bilari, Bahjoi, Tanda, Bilaspur, (20,000 - 49,999 Population) Suar, Milak, Bachhraon, Dhanaura, Sardhana, Bagpat, Garmukteshwer, Anupshahar, Gulathi, Siana, Dibai, Shikarpur, Atrauli, Khair, Sikandra -
Vidyapati Thakur - Poems
Classic Poetry Series Vidyapati Thakur - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Vidyapati Thakur(1352 - 1448) Vidyapati Thakur, also known by the sobriquet Maithil Kavi Kokil (the poet cuckoo of Maithili) was a Maithili poet and a Sanskrit writer. He was born in the village of Bishphi in Madhubani district of Bihar state, India. He was son of Ganapati. The name Vidyapati is derived from two Sanskrit words, Vidya (knowledge) and Pati (master), connoting thereby, a man of knowledge. <b> Life </b> Little is known of Vidyapati's life. Two other great Vaishnava poets, Chandi Das and Umapati, were his contempories. His patron Raja Shivasimha Rupanarayana, when heir-apparent, gave the village of Bisapi as a rent-free gift to the poet in the year 1400 A.D. (the original deed is extant). This shows that in 1400 the poet was already a man of distinction. His patron appears to have died in 1449, before which date the songs here translated must have been written. Further, there still exists a manuscript of the Bhagavata Purana in the poet's handwriting, dated 1456. It is thus evident that he lived to a good age, for it is hardly likely that he was under twenty in the year 1400. The following is the legend of his death: Feeling his end approaching, he set out to die on the banks of Ganga. But remembering that she was the child of the faithful, he summoned her to himself: and the great river divided herself in three streams, spreading her waters as far as the very place where Vidyapati sat. -
Hcl Foundation Invites 'Request For
HCL FOUNDATION INVITES ‘REQUEST FOR PROPOSAL(RFP)’ Date of RFP: 26/02/2021 Date of Submission of RFP: Applications are invited immediately (within 15 days) RFP Number: HCLF/RFP/LIV/26/02/2021 Address RFP response by email to the attention of: Director, HCL Foundation Email Address: [email protected] Location: 8 Blocks of Hardoi (Ahirori, Mallawan, Sandila, Bharawan, Madhoganj, Tadiyanwan, Bilgram & Sursa) 1. Description of the RFP HCL Foundation (HCLF) was established in 2011 as the CSR arm of HCL Technologies (For more information please visit www.hclfoundation.org) HCL Foundation Invites Request for Proposal (RFP) from eligible NGOs/CSR Implementing Agencies to participate under this RFP. HCL Foundation is focused towards developing Handicraft as an intervention to create an option for alternative source of livelihood and increasing income of artisan’s groups in the village area of Hardoi District. 2.1 Approach of HCL Foundation towards Handicraft Program: Currently HCL Samuday is working with a cluster of about 200 artisans under various crafts in three block Kachhauna, Kothawan and Behender. 2.2. Scope of Work RFP should consider assessment of existing artisans and/or clusters in the project area Target: 500 Beneficiaries/Artisans in 5 Clusters & 5 Organizations Project Duration: 3 months Geography: 8 Blocks of Hardoi (Ahirori, Mallawan, Sandila, Bharawan, Madhoganj, Tadiyanwan, Bilgram & Sursa) Project Brief Identify artisans engaged in handicraft and assess their capacity o Artisans . Craft under which they are engaged in Nature of engagement in terms of o Time utilized/Engagement . Monthly . Yearly Seasonality, if any o Value/earnings, o Experience. Classification of crafts . -
District Census Handbook, 44-Hardoi, Uttar Pradesh
DISTRICT CENSUS HANDBOOK 1951 HARDOI DISTRICT D.J. ltes:tatnr Generltl ladi&. FOREWORD Several States, including Uttar Pradesh, have been publishing village statistics by districts at each census. In 1941 they were published in U. P. under the title "District Census Statistics" with a separate volume for each district. In the 1951 census, when the tabulation has been more elaborate than ever in view of the require .. ments of the country, the district~ise volume has been expanded into a "District Census Handbook", which now contains the District Census Tables (furnishing data with break ... up for census tracts within the district), the District Index of Non .. agricultural Occupations, agricultural statistics from 19QV02 to 19$0;51 and other miscellaneous statistics in addition to the usual village population statistics. The village population statistics also are given in an elaborate form giving the division of the population among eight livelihood classes and other details. '2. It may be added here that a separate set of district;wise volumes giving only population figures of rural areas by villages and of urban areas by wards and mohallas and entitled "Dist~ict Population Statistics" has already been published. This separate series was necessitated by the urgent requirements of the U. P. Government for elections to local bodies. 3. The number of District Census Handbooks printed so far is forty ... four Special arrangements for speeding up the printing have now been made and it is boped that the remaining Handbooks will be printed before the end of 19S5. RAJESHW ARI PRASAD, I.A.S., R.AMPUR: Superintendent, Census Operations, November 7, 1955. -
Notice for Appointment of Regular/Rural Retail Outlets Dealerships
Notice for appointment of Regular/Rural Retail Outlets Dealerships Hindustan Petroleum Corporation Limited proposes to appoint Retail Outlet dealers in the State of Uttar Pradesh, as per following details: Fixed Fee Minimum Dimension (in / Min bid Security Estimated Type of Finance to be arranged by the Mode of amount ( Deposit ( Sl. No. Name Of Location Revenue District Type of RO M.)/Area of the site (in Sq. Site* applicant (Rs in Lakhs) selection monthly Sales Category M.). * Rs in Rs in Potential # Lakhs) Lakhs) 1 2 3 4 5 6 7 8 9a 9b 10 11 12 SC/SC CC 1/SC PH/ST/ST CC Estimated Estimated fund 1/ST working required for PH/OBC/OBC CC/DC/ capital Draw of Regular/Rural MS+HSD in Kls Frontage Depth Area development of CC 1/OBC CFS requirement Lots/Bidding infrastructure at PH/OPEN/OPE for operation RO N CC 1/OPEN of RO CC 2/OPEN PH ON LHS, BETWEEN KM STONE NO. 0 TO 8 ON 1 NH-AB(AGRA BYPASS) WHILE GOING FROM AGRA REGULAR 150 SC CFS 40 45 1800 0 0 Draw of Lots 0 3 MATHURA TO GWALIOR UPTO 3 KM FROM INTERSECTION OF SHASTRIPURAM- VAYUVIHAR ROAD & AGRA 2 AGRA REGULAR 150 SC CFS 20 20 400 0 0 Draw of Lots 0 3 BHARATPUR ROAD ON VAYU VIHAR ROAD TOWARDS SHASTRIPURAM ON LHS ,BETWEEN KM STONE NO 136 TO 141, 3 ALIGARH REGULAR 150 SC CFS 40 45 1800 0 0 Draw of Lots 0 3 ON BULANDSHAHR-ETAH ROAD (NH-91) WITHIN 6 KM FROM DIBAI DORAHA TOWARDS 4 NARORA ON ALIGARH-MORADABAD ROAD BULANDSHAHR REGULAR 150 SC CFS 40 45 1800 0 0 Draw of Lots 0 3 (NH 509) WITHIN MUNICIAPL LIMITS OF BADAUN CITY 5 BUDAUN REGULAR 120 SC CFS 30 30 900 0 0 Draw of Lots 0 3 ON BAREILLY -
Songs of the Love of Radha and Krishna
VIDYAPATI: BANGIYA PADABALI SONGS OF THE LOVE OF RADHA AND KRISHNA TRANS- LATED INTO ENGLISH BY ANANDA COOMARASWAMY AND ARUN SEN WITH INTRODUCTION AND NOTES AND ILLUS- TRATIONS FROM INDIAN PAINTINGS LONDON : THE OLD BOURNE PRESS, 15 HOLBORN, E.C. 1915. The whole creation will be consumed and appear infinite and holy, whereas it now appears finite and corrupt. This will come to pass by an improvement of sensual enjoyment. —William Blake. Be drunken with love, for love is all that exists. —Shamsi Tabriz. INTRODUCTION. VIDYAPATI THAKUR is one of the most renowned of the Vaishnava poets of Hindustan. Before him there had been the great Jayadeva, with his Gita Govinda made in Sanskrit ; and it is to this tradition Vidyapati belongs, rather than to that of Ramananda, Kablr, and Tul'sl Das, who sang of Rama and Sita. Vidyapati's fame, though he also wrote in Sanskrit, depends upon the wreath of songs {pada) in which he describes the courtship of God and the Soul, under the names of Krishna and Radha. These were written in Maithill, his mother-tongue, a dialect intermediate between Bengali and Hindi, but nearer to the former. His position as a poet and maker of language is analogous to that of Dante in Italy and Chaucer in England. He did not dis- dain to use the folk-speech and folk-thought for the expression of the highest matters. Just as Dante was blamed by the classical scholars of Italy, so Vidyapati was blamed by the pandits : he knew better, however, than they, and has well earned the title of Father of Bengali literature.