ARSENAL™: Duel in the Desert
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From%20Irina%20Reyman%2C%20Ritualized%20Violence
PHYSICAL INVIOLABILITY AND THE DUEL pUNCH OR STAB: THE RUSSIAN DUELIST’S DILEMMA The Russian duel was a surprisingly and consistently violent affair. I do not imply that Russian duels were more deadly than those in the West (the fatality rate in Russia never approached that in France in the late sixteenth and early seventeenth centuries or in Germany at the end of the nineteenth century).1 I mean rather that conflicts over honor were frequently resolved in unregu lated spontaneous physical confrontations rather than in formal en- counters . Furthermore, those confrontations differed from rencontres in that they involved direct physical contact—hand-to-hand fighting or the use of weapons unrecognized by the dueling ritual, such as walking sticks or whips. The use of standard dueling weapons— swords or pistols—appears to have been optional. In other words, from the introduction of the duel in Russia to its demise, a conflict over honor was as likely (and at times more likely) to result in an im mediate and violent hand-to-hand fight as in a formal duel of honor. This happened so frequently that physical force seems to have been an accepted alternative to the duel. In fact, it would be possible to write (—S A Brief History of Dueling in Russia 97 98 a variant history of dueling in Russia featuring fistfights, slaps in the Everyone present—nobles face, and battering with walking sticks. and commoners, officers and enlisted men, Historians of the Russian women too—had at each other. Klimovich’s wife was beaten with a duel have consistently ignored or dis missed this ugly and violent club and her mother threatened.4 Grinshtein seems to have won this alternative behavior as aberrant. -
Poems of Childhood
Cfie Htfrrarp of tfje Wlnitozv&it? of Jgortf) Carolina Cnbotoefc &p ®}je Utalectic anti tlantJjroptc ^octettes; ^i'\iU 95520 ':. id Foeras of childhood / UNIVERSITY OF N.C. AT CHAPEL HILL 10003058147 MAY 1 3 1969 This BOOK may be kept out TWO WEEKS ONLY, and is subject to a fine of JSBTE |z,:fCENTS a day thereafter. It is DUE on the DAY indicated below: - ?«,, I APR 4 **J« 2 I ' ] W ' urn * A 3. I Form No. 1685 Digitized by the Internet Archive in 2012 with funding from University of North Carolina at Chapel Hill http://www.archive.org/details/poemsofchildhoodfiel POEMS OF CHILDHOOD \ \ CHARLES 3 CRIB f$ ON ' -' ,-» - "- r . t r ) WITH TRUMPET AND DRUM Copyright, 1892 By Mary French Field LOVE SONGS OF CHILDHOOD Copyright, 1894 By Eugene Field Copyright, 1904 By Charles Scribner's Sons Published, September, 1901 v J "• J.. / *o* CONTENTS PAGE With Trumpet and Drum . 1 Krinre-n . : . 3 The Naughty Poll 5 Nightfall in Dordrecht 7 Intry-Mintry 9 Pittypat and Tifp^voe 11 Balow, my Bonnie 14 The Hawthorne Children 16 Little*' Blue Pigeon (Japanese Lullaby) 19 The Lyttel Boy 20 Teeny-Wkeny 22- Nellie 25 Nop.se Lullaby 27 The Sugar-Plum Tree 28 Grandma's Prayer . 30 Some Time , . « 31 The Fire-Hangbird's Nbst t , . 33 Buttercup, Poppy, Forget-me-not 36 Gold and Love for Dearie . , 38 The Peace of Christmas-Time . 40 To a Little Brook ....,,„., , . 42 * CroodllV Doo . .... „ ...... ^ N 45 * Cc&ihffe> t)<w© v i ] X CONTENTS PAGE Little Mistress Sans-Merci 46 Long Ago 48 In the Firelight 50 Cobbler and Stork (Armenian Folk-Lore) 52 " lollyby, lolly, lollyby " . -
Gesture and Movement in Silent Shakespeare Films
Gesticulated Shakespeare: Gesture and Movement in Silent Shakespeare Films Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Graduate School of The Ohio State University By Jennifer Rebecca Collins, B.A. Graduate Program in Theatre The Ohio State University 2011 Thesis Committee: Alan Woods, Advisor Janet Parrott Copyright by Jennifer Rebecca Collins 2011 Abstract The purpose of this study is to dissect the gesticulation used in the films made during the silent era that were adaptations of William Shakespeare's plays. In particular, this study investigates the use of nineteenth and twentieth century established gesture in the Shakespearean film adaptations from 1899-1922. The gestures described and illustrated by published gesture manuals are juxtaposed with at least one leading actor from each film. The research involves films from the experimental phase (1899-1907), the transitional phase (1908-1913), and the feature film phase (1912-1922). Specifically, the films are: King John (1899), Le Duel d'Hamlet (1900), La Diable et la Statue (1901), Duel Scene from Macbeth (1905), The Taming of the Shrew (1908), The Tempest (1908), A Midsummer Night's Dream (1909), Il Mercante di Venezia (1910), Re Lear (1910), Romeo Turns Bandit (1910), Twelfth Night (1910), A Winter's Tale (1910), Desdemona (1911), Richard III (1911), The Life and Death of King Richard III (1912), Romeo e Giulietta (1912), Cymbeline (1913), Hamlet (1913), King Lear (1916), Hamlet: Drama of Vengeance (1920), and Othello (1922). The gestures used by actors in the films are compared with Gilbert Austin's Chironomia or A Treatise on Rhetorical Delivery (1806), Henry Siddons' Practical Illustrations of Rhetorical Gesture and Action; Adapted to The English Drama: From a Work on the Subject by M. -
The Future of Reputation: Gossip, Rumor, and Privacy on the Internet
GW Law Faculty Publications & Other Works Faculty Scholarship 2007 The Future of Reputation: Gossip, Rumor, and Privacy on the Internet Daniel J. Solove George Washington University Law School, [email protected] Follow this and additional works at: https://scholarship.law.gwu.edu/faculty_publications Part of the Law Commons Recommended Citation Solove, Daniel J., The Future of Reputation: Gossip, Rumor, and Privacy on the Internet (October 24, 2007). The Future of Reputation: Gossip, Rumor, and Privacy on the Internet, Yale University Press (2007); GWU Law School Public Law Research Paper 2017-4; GWU Legal Studies Research Paper 2017-4. Available at SSRN: https://ssrn.com/abstract=2899125 This Article is brought to you for free and open access by the Faculty Scholarship at Scholarly Commons. It has been accepted for inclusion in GW Law Faculty Publications & Other Works by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. Electronic copy available at: https://ssrn.com/ abstract=2899125 The Future of Reputation Electronic copy available at: https://ssrn.com/ abstract=2899125 This page intentionally left blank Electronic copy available at: https://ssrn.com/ abstract=2899125 The Future of Reputation Gossip, Rumor, and Privacy on the Internet Daniel J. Solove Yale University Press New Haven and London To Papa Nat A Caravan book. For more information, visit www.caravanbooks.org Copyright © 2007 by Daniel J. Solove. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. -
A Survey of Duelling in the United States
The Woman's College of The University of North Carolina LIBRARY COLLEGE COLLECTION CQ no. 652 Gift of MARTIN LUTHER WILSON " WILSON, MARTIN LUTHER. A Survey of Duelling in the United States. (1969). Directed by: Dr» Richard Bardolph. pp. t2» This thesis was undertaken to study duelling as an aspect of social history in the United States. The aim of the researciier was to go beyond mere cnronicling of particu- lar duels, in an effort to ascertain feelings and attitudes toward the practice. To obtain such information, both pub- lished and unpublished sources were consulted, to reconstruct the story of duelling as it developed in America. The duel grew out of European practices, particularly the chivalry associated with knighthood. The custom was later transported to America by European settlers, though few duels occurred before the American Revolution. The presence of aristocratic European officers in America during that con- flict influenced natives, who retained the duelling custom. The duel was present in all sections of the new nation until Aaron Burr killed Alexander Hamilton in 160^-. At that point the duel lost favor in the Northern states, but held on pri- marily in the Southern states. Northern political leaders and military men continued to duel from time to time, however. For conducting the duelling ritual, there were various sets of written rules, the most widely used being those compiled by Governor John Lyde Wilson of South Carolina. These rules laid down the principles that duels should be only betv/een social equals, that all negotiations be con- ducted by seconds chosen for that purpose, and that the ( actual encounter be carried out fairly under rules agreed upon beforehand. -
The DUEL the PARALLEL LIVES of ALEXANDER HAMILTON & AARON BURR
The DUEL THE PARALLEL LIVES OF ALEXANDER HAMILTON & AARON BURR BY JUDITH ST. GEORGE Teacher’s Edition The Duel: The Parallel Lives of JLG Reading Guide Copyright © 2009 Alexander Hamilton & Aaron Burr Junior Library Guild By Judith St. George 7858 Industrial Parkway Published by Viking/Penguin Group Plain City, OH 43064 Copyright © 2009 by Judith St. George www.juniorlibraryguild.com ISBN: 978-1-93612-900-3 ISBN: 978-0-670-01124-7 Copyright © 2009 Junior Library Guild/Media Source, Inc. 0 About JLG Guides Junior Library Guild selects the best new hardcover children’s and YA books being published in the U.S. and makes them available to libraries and schools, often before the books are available from anyone else. Timeliness and value mark the mission of JLG: to be the librarian’s partner. But how can JLG help librarians be partners with classroom teachers? With JLG Guides. JLG Guides are activity and reading guides written by people with experience in both children’s and educational publishing—in fact, many of them are former librarians or teachers. The JLG Guides are made up of activity guides for younger readers (grades K–3) and reading guides for older readers (grades 4–12), with some overlap occurring in grades 3 and 4. All guides are written with national and state standards as guidelines. Activity guides focus on providing activities that support specific reading standards; reading guides support various standards (reading, language arts, social studies, science, etc.), depending on the genre and topic of the book itself. JLG Guides can be used both for whole class instruction and for individual students. -
Do Pam and Jim Get Divorced in the Office
Do Pam And Jim Get Divorced In The Office Overripe Blayne susurrates, his folktales mating torture hotheadedly. Hypophysial and grown-up Constantine inured some cardinal-bishop so throughout! Newsier Tod flaked or scragged some exegete inexpressibly, however Monarchian Richie rusticated remorsefully or floreat. As jenna to the closing of the wedding, stays in no, red has michael and pam is engaging in and do jim in the office? He urged her to suspend pursue her dreams in NYC when she journey to Pratt and he wind up a recruit in NYC for her. If your heart carries no word against yours is a raft and pam do and jim get divorced or links to the show on set refresh. Are and do jim get pam divorced in the office and change. Cause your own paper. Pam totally was a cheat eventually. Radically empathic advice to image is the couple the jim office and do pam get divorced in. You broke along with AJ weeks ago. You work with little post about it was going on the last we should go out jim in a divorce is going on her? And kids there was playing bit depth a lull there should think for them do what they together to do. Jim and Pam do also stay married. This is capable way I eliminate it. Andy proposes in front of it to Angela, who accepts. Think Jim and Pam would be divorced others think that Michael Scott would be. Jim left in and do pam jim get divorced the office stars or somebody just has the shabooya roll we apologize for more challenging, roy took a bloodbath. -
Episode Descriptions Children’S Programming November 2005
EPISODE DESCRIPTIONS CHILDREN’S PROGRAMMING NOVEMBER 2005 TUESDAY, NOVEMBER 1 6:30 AM BARNEY & FRIENDS (703) Tea-Riffic Manners In this episode of Barney & Friends, the gang has a tea party in the park. First, they decorate the park and the picnic tabl e. Since it's a fancy affair, the kids go into the caboose to put on some adult dress up clothes. At the tea party, the gang teaches Baby Bop good manners, including how to cover your nose when you sneeze. 7:00 AM SESAME STREET (4048) Rosita Befriends A Frog Wearing A Crown Rosita is sad because all of her friends are too busy to play with her. She ends up meeting a frog that wants to play and they both love to hop! When Rosita's friends meet the frog they are surprised to see that he is wearing a crown. Baby Bear remembers the story of the Frog Prince who needed to be kissed in order to be a Prince again. Rosita's friends feel bad for the Prince and they think Rosita should kiss the frog so that he can be a Prince again. Rosita does not want to lose her frog, but her friends encourage her to imagine what it would be like to have a spell on her. She figures out that she should help the Prince, but when she kisses the frog, he turns into an elephant! The elephant is very relieved and luckily, he likes to hop as well! 8:00 AM CYBERCHASE (214) Trick Or Treat Hacker shows up at Motherboard Control Central. -
Civil War Manuscripts
CIVIL WAR MANUSCRIPTS CIVIL WAR MANUSCRIPTS MANUSCRIPT READING ROW '•'" -"•••-' -'- J+l. MANUSCRIPT READING ROOM CIVIL WAR MANUSCRIPTS A Guide to Collections in the Manuscript Division of the Library of Congress Compiled by John R. Sellers LIBRARY OF CONGRESS WASHINGTON 1986 Cover: Ulysses S. Grant Title page: Benjamin F. Butler, Montgomery C. Meigs, Joseph Hooker, and David D. Porter Library of Congress Cataloging in Publication Data Library of Congress. Manuscript Division. Civil War manuscripts. Includes index. Supt. of Docs, no.: LC 42:C49 1. United States—History—Civil War, 1861-1865— Manuscripts—Catalogs. 2. United States—History— Civil War, 1861-1865—Sources—Bibliography—Catalogs. 3. Library of Congress. Manuscript Division—Catalogs. I. Sellers, John R. II. Title. Z1242.L48 1986 [E468] 016.9737 81-607105 ISBN 0-8444-0381-4 The portraits in this guide were reproduced from a photograph album in the James Wadsworth family papers, Manuscript Division, Library of Congress. The album contains nearly 200 original photographs (numbered sequentially at the top), most of which were autographed by their subjects. The photo- graphs were collected by John Hay, an author and statesman who was Lin- coln's private secretary from 1860 to 1865. For sale by the Superintendent of Documents, U.S. Government Printing Office, Washington, D.C. 20402. PREFACE To Abraham Lincoln, the Civil War was essentially a people's contest over the maintenance of a government dedi- cated to the elevation of man and the right of every citizen to an unfettered start in the race of life. President Lincoln believed that most Americans understood this, for he liked to boast that while large numbers of Army and Navy officers had resigned their commissions to take up arms against the government, not one common soldier or sailor was known to have deserted his post to fight for the Confederacy. -
The Duel of Honor: Screening for Unobservable Social Capital
The Duel of Honor: Screening For Unobservable Social Capital Douglas W. Allen and Clyde G. Reed, Simon Fraser University Downloaded from The duel of honor was a highly ritualized violent activity practiced (mostly) by aristocrats from about 1500 to 1900. The duel of honor was held in private, was attended by seconds and other members of society, was illegal, and often resulted from trivial incidents. Duels were fought according to strict codes, their lethality aler.oxfordjournals.org fell over time, and certain members of society were not allowed to duel. We argue dueling functioned as a screen for unobservable investments in social capital. Social capital was used during this period to support political transactions in an age when high civil service appointments were made through patronage. The screening hypothesis explains the puzzling features of the duel of honor, its rise and fall over time and locations, and the differences between European and at ETH Zürich on November 10, 2010 American duels. In a state of highly polished society, an affront is held to be a serious injury. It must, therefore, be resented, or rather a duel must be fought upon it; as men have agreed to banish from their society one who puts up with an affront without fighting a duel. —Samuel Johnson, quoted in James Boswell Thanks to James Amegashi, David Andolfatto, Yoram Barzel, Cliff Bekar, Phil Curry, Greg Dow, Bob Ellickson, Chris Hall, Dean Lueck, Christoph Lu¨lfesmann, Eric Posner, Tom Ross, Wing Suen, participants at the 2003 Cliometrics meeting, the Yale Law School Law and Economics seminar, and the referee for their slashing remarks and penetrating comments. -
Halloween Party Friday He Said He Would Expect Tue in September of 1968
SIMDSR'f BOA Lb'78 ST A 32084 Ann Landers Page 6 Oct. 21-23, 1967 Calendar 7 Hi Lo Rain Classifieds 8-9 Sat. 85 63 ,79 Editorials 4 Sun. 83 68 .05 Sports 5 BOCA RATON NEWS Mon. 83 75 0 Vol. 12, No. 145 Tuesday, October 24, 1967 10 Pages Park plan due, funds m get boost from state Site gets approval by state council Plans for development of Spanish River Park — the city's north beach area —will be sub- stantially complete by Nov. 6, Site Planner Edward D. Stone Jr. said yesterday. Stone's statement, came as R.W. Froemke, chief of concur- rent programs for the Florida Outdoor Recreational Develop- ment Council, was in Boca Ra- ton to inspect the park site. The State Cabinet has ap- proved a grant of $250,000 for phase one" participation in the project, but further approv- al must be obtained from the federal Bureau of Outdoor Rec- reation. Froemke said that he would Construction gets underway at Henderson School on the Florida take the city's application with Atlantic University campus. Site is at.the north side of 20th street him on his return to Tallahassee entrance to FAU. and wouM-forward it with the Council's endorsement to BOR representatives in the Atlanta regional office. From Atlanta, Construction starts the application must go to Wash- ington for final approval. Froemke said that the pres- ent authorization at the state at Henderson School if' ^ level is viewed as only the first installment of a million-dollar By JACK HUTTON to authorize their use. -
Hamilton: a Musical Analysis of Ensemble Function Matthew L
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 4-21-2017 Hamilton: A Musical Analysis of Ensemble Function Matthew L. Travis University of Connecticut, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Travis, Matthew L., "Hamilton: A Musical Analysis of Ensemble Function" (2017). Doctoral Dissertations. 1399. https://opencommons.uconn.edu/dissertations/1399 University of Connecticut DigitalCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 5-6-2017 Hamilton: A Musical Analysis of Ensemble Function Matthew L. Travis Follow this and additional works at: http://digitalcommons.uconn.edu/dissertations Hamilton: A Musical Analysis of Ensemble Function Matthew Louis Travis, DMA The University of Connecticut, 2017 Abstract There have been exhaustive studies on the presence of chorus in opera, there has been little writing on the musical theater ensemble.1 To date, the only specific piece of academic scholarship on the matter is Joseph DeLorenzo’s 1985 dissertation, The Chorus in American Musical Theater: An Emphasis on Choral Performance. Because there are very few graduate programs in musical theater, and currently none at the doctoral level, there has been little scholarly writing about this art form as a whole and even less scholarship specific to ensemble function completed in the last 30 years. Hamilton by Lin-Manuel Miranda is one of the most successful Broadway productions in recent memory. While the work has gained fame for unparalleled box office success and celebrity appearances; the show is equally significant as a work of art. Almost universally acclaimed by critics, Hamilton has won the 2016 Pulitzer Prize in Drama, while receiving a record 16 Tony nominations winning 11, winning the George Washington Book Prize and Kennedy Prize for Drama.