DOCSLIB.ORG

MSSM Intensive 1 Brochure for Feb 2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MSSM Intensive 1 Brochure for Feb 2019 Continuing Education opportunity for 2019: • will provide at least 10 hours of CE THE METHODIST • meets Wisconsin Annual Conference requirements for SCHOOL FOR pastors for the year SUPERNATURAL _________________________________ MINISTRY Lodging in the Rader Retreat Center will be two to a room. Pine Lake Camp Intensive #1 is located in rural Westfield, WI, at W8301 Cty. Rd. M. “Living in the Supernatural” ABOUT ALDERSGATE RENEWAL MINISTRIES Coming to Wisconsin! Aldersgate Renewal Ministries (ARM) is (via DVD) a 501(c)3 non-profit corporation within Sun. February 10, 2019 the United Methodist Church. No Starting at 3:00 p.m. financial support is received from the denomination. ARM is sustained by thru Tues. February 12 the grace of God through the gifts of at 4:00 p.m. those individuals and churches that have caught the vision of bringing the 2 nights and 6 meals at life of the Holy Spirit into the life of the church one life at a time. Pine Lake Camp - $180 You may wish to experience the Our Pine Lake Continuing Education Introductory Session (MSSM 1) Retreat is sponsored by WARM prior to attending this retreat. (Wisconsin’s Aldersgate Renewal For more info, Ministries). WARM is a “regional area contact Rev. Irv Case at renewal fellowship” of ARM. WARM (608) 420-1004 focuses its ministry to the Wisconsin [email protected] Annual Conference of the United And also see: Methodist Church, but welcomes all participants seeking more of the Holy http://aldersgaterenewal.org/ministr Spirit in their lives. y-events/the-methodist-school-for- supernatural-ministry THE METHODIST SCHOOL FOR The body of Christ is made strong • The more excellent way - doing SUPERNATURAL MINISTRY and healthy through the Spirit’s everything under the motive of More than believing that miracles manifestations; therefore if there is love. really happened, and beyond not a Biblical understanding of believing that God still performs supernatural gifts of the Spirit, the miracles, Jesus invites us to “Preach Church will run the risk of never … heal the sick, cleanse the lepers, becoming a healthy body. It should raise the dead and cast out demons. be natural to live in the Registration Form Freely you have received, freely give.” (Deadline – Jan. 22, 2019) [Matt. 10:7-8] supernatural. This intensive will prepare you to function in the The Methodist School for Methodist lifestyle advocated by Jesus and Supernatural Ministry *Courses taught from a demonstrated in the book of Acts. Intensive #1 Methodist perspective Intensive #1 Feb. 10 – 12, 2019 *Current moves of the Spirit among United Methodists TODAY “Living in the Supernatural” School for Name ________________________________ *Jesus said, “Everyone who is fully Some of the topics covered are: trained will be like his teacher.” Address ________________________________ *Learning to minister God’s • Understanding the basics - the supernatural gifts in God’s weighty responsibility to host _________________________________________ supernatural power Supernatural the anointing. Email __________________________________ *Doing ALL that Jesus did and • Non-negotiables - five essential commanded [Mt 28:20] factors to walk in the Phone _________________________________ *Combining Bible-based teaching supernatural. with miraculous demonstrations of Local Church__________________________ • Where did the power go? - Why the power of God to “fully proclaim” is the American church so the kingdom of God. [Ro 15:19] Ministry absent of power? Attendees will be housed 2 to a room *Seeing God work through you and • How supernatural gifts work - unless you specify otherwise. your church in supernatural ways What does the supernatural (Extra cost for a single room) to change lives forever lifestyle look like? *Jesus said we would DO what he • Creating a prophetic culture - Please send this Registration Form had been doing [Jn. 14:12] along with $180 (check made *Experiencing the healing, living in the voice; life is in His payable to WARM) to: delivering, strengthening, voice. Becky Henke encouraging presence of the Spirit 352 Quincy St. Oconto, WI 54153 .
Load more

Recommended publications
  • Will This Manhattan Projects Original Artwork Cliffhanger Make Another
    COMICS COSPLAY TV/FILM GAMES SUBMIT CGC Search … Will This Manhattan Projects Original Artwork Cliffhanger Make Another Big Splash? Posted by Mark Seifert March 19, 2014 0 Comments Facebook Twitter Pinterest LinkedIn Tumblr Email Reddit [The Manhattan Projects #18 has been out for a couple weeks, but still — if you haven’t read this issue and plan to, you might want to skip this post for now.] Several years into the digital era for both comics reading and comics production, I still love to look at original comic art up close. The look and feel of the art board, the subtle texture of the ink, the faint traces of changes and corrections… it all adds up to a little extra insight into the time and circumstances behind the comics book’s creation. We’ve mentioned a bunch of noteworthy original art sales here in recent times — from that awe-inspiring Golden Age Action Comics #15 cover by Fred Guardineer, to this Silver Age Fantastic Four #55 page by Jack Kirby, to this Bronze Age classic Amazing Spider- Man #121 cover by John Romita Sr, down to the current record holder for a piece of American comic book art with this Amazing Spider-Man #328 cover by Todd McFarlane. And increasingly, original art sales from much more recent comics are turning heads as well. It’s probably no surprise that Skottie Young original art is highly sought after, or that Walking Dead original art — even panel pages — can command some eye- popping prices. But modern comic art collectors have broadened their interests to many other artists and titles of quality in recent times, such as this Pia Guerra Y: The Last Man panel page that recently went for $1000.
    [Show full text]
  • Episode 47 – “A Very Merry Supernatural Christmas”
    Episode 47 – “A Very Merry Supernatural Christmas” Release Date: December 24, 2018 Running Time: 1 hour, 11 minutes Sally: Kay. Fuck, marry, kill. Sam, Dean, Cas. Emily: Ah, fu-- (laugh) Brie: I feel like that’s easy. (laugh) Emily: That’s super easy. Sally: I just -- we gotta start the episode somehow. Emily: OK, kill Sam, obviously. Brie: Duh. Yeah, no, duh. Yeah. Emily: Yeah. Brie: Yeah. Mm. Sally: (laugh) Emily: Uh, then I guess I’d marry Cas? Brie: Yeah … Sally: Fuck Dean? Emily: Yeah. Sally: That’s where I was sitting too. Brie: Yeah. Sally: So we’re all in agreement. Brie: Yeah. Emily: I just -- Cas actually has a personality I can stand. When he actually develops a personality, which is later, I guess, in the series. Sally: Yeah. Brie: I do think, though, that, like, the emotional parts of Dean -- Emily: Yeah. Brie: If that -- if that was, like, turned on all the time. Marry. Emily: My idealized version of Dean -- Brie: Yeah. Emily: I would marry. Brie: Yeah. Yeah. Emily: But the Dean that’s actually on the show? Mm-mm. Fuckin’ leave. Sally: OK! (all laugh) Emily, singing: Have a holly, jolly Christmas … Sally: Um, earlier I was reading an article called -- Brie: Oh! Oh, yeah. Yeah. Emily: Don’t repeat it. It’s the worst. Sally: (laughing) Emily: I know we’re an explicit podcast, but this might be the line of what’s too explicit. Brie: (laugh) Sally: K, it was an article about monster erotica, and the title of the article is also a title for the book.
    [Show full text]
  • ABSTRACT the Women of Supernatural: More Than
    ABSTRACT The Women of Supernatural: More than Stereotypes Miranda B. Leddy, M.A. Mentor: Mia Moody-Ramirez, Ph.D. This critical discourse analysis of the American horror television show, Supernatural, uses a gender perspective to assess the stereotypes and female characters in the popular series. As part of this study 34 episodes of Supernatural and 19 female characters were analyzed. Findings indicate that while the target audience for Supernatural is women, the show tends to portray them in traditional, feminine, and horror genre stereotypes. The purpose of this thesis is twofold: 1) to provide a description of the types of female characters prevalent in the early seasons of Supernatural including mother-figures, victims, and monsters, and 2) to describe the changes that take place in the later seasons when the female characters no longer fit into feminine or horror stereotypes. Findings indicate that female characters of Supernatural have evolved throughout the seasons of the show and are more than just background characters in need of rescue. These findings are important because they illustrate that representations of women in television are not always based on stereotypes, and that the horror genre is evolving and beginning to depict strong female characters that are brave, intellectual leaders instead of victims being rescued by men. The female audience will be exposed to a more accurate portrayal of women to which they can relate and be inspired. Copyright © 2014 by Miranda B. Leddy All rights reserved TABLE OF CONTENTS Tables
    [Show full text]
  • A University of Wisconsin Arboretum Narrative: Changing Landscapes and Changing Meaning
    A University of Wisconsin Arboretum Narrative: Changing Landscapes and Changing Meaning Molly Evjen, Andreas Karlsson, Ryan Kelly, Matt Lamb Geography 565 Fall 2010 Abstract As societies change, so too does their relationship with the land. These changing relationships are reflected in and imprinted upon the land on which they live. In order to demonstrate how the landscape of the UW Arboretum has mirrored this changing association with nature through time, we have conducted an environmental history which focuses on four vignettes representing major changes in this relationship. Through research of primary data sources such as historical newsletters, observation, and plat map analysis our research shows that the Arboretum is a palimpsest of landforms and meaning resulting from these changing relationships. Introduction Environmental History is the study of the changing relationship between human beings and the natural world. We believe that the UW arboretum is a landscape that, through time, has been reflective of this changing relationship. Our purpose is to demonstrate how the landscape of the UW Arboretum has changed through time and how these changes reflect a cycle of changing, complex relationships between society and nature. We utilize multiple primary resources in our analysis such as plat maps, CCC newsletters, photographs, observations and personal reflections from our own field journals. We will demonstrate how the UW Arboretum is representative of this changing relationship in a number of ways. It is a reminder of early connections to the land represented by numerous burial mounds. The mounds also symbolize, through the multitude of possible interpretations of their purpose, people’s ever-changing interpretations of our relationship with nature in general.
    [Show full text]
  • Constructing Community and Cosmos: a Bioarchaeological Analysis of Wisconsin Effigy Mound Mortuary Practices and Mound Construction
    CONSTRUCTING COMMUNITY AND COSMOS: A BIOARCHAEOLOGICAL ANALYSIS OF WISCONSIN EFFIGY MOUND MORTUARY PRACTICES AND MOUND CONSTRUCTION By Wendy Lee Lackey-Cornelison A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILSOPHY Anthropology 2012 ABSTRACT CONSTRUCTING COMMUNITY AND COSMOS: A BIOARCHAEOLOGICAL ANALYSIS OF WISCONSIN EFFIGY MOUND MORTUARY PRACTICES AND MOUND CONSTRUCTION By Wendy Lee Lackey-Cornelison This dissertation presents an analysis of the mounds, human skeletal remains, grave goods, and ritual paraphernalia interred within mounds traditionally categorized as belonging to the Wisconsin Effigy Mound Tradition. The term ‘Effigy Mound Tradition’ commonly refers to a widespread mound building and ritual phenomenon that spanned the Upper Midwest during the Late Woodland (A.D. 600-A.D. 1150). Specifically, this study explores how features of mound construction and burial may have operated in the social structure of communities participating in this panregional ceremonial movement. The study uses previously excavated skeletal material, published archaeological reports, unpublished field notes, and photographs housed at the Milwaukee Public Museum to examine the social connotations of various mound forms and mortuary ritual among Wisconsin Effigy Mound communities. The archaeological and skeletal datasets consisted of data collected from seven mound sites with an aggregate sample of 197 mounds and a minimum number of individuals of 329. The mortuary analysis in this study explores whether the patterning of human remains interred within mounds were part of a system involved with the 1) creation of collective/ corporate identity, 2) denoting individual distinction and/or social inequality, or 3) a combination of both processes occurring simultaneously within Effigy Mound communities.
    [Show full text]
  • Theology of Supernatural
    religions Article Theology of Supernatural Pavel Nosachev School of Philosophy and Cultural Studies, HSE University, 101000 Moscow, Russia; [email protected] Received: 15 October 2020; Accepted: 1 December 2020; Published: 4 December 2020 Abstract: The main research issues of the article are the determination of the genesis of theology created in Supernatural and the understanding of ways in which this show transforms a traditional Christian theological narrative. The methodological framework of the article, on the one hand, is the theory of the occulture (C. Partridge), and on the other, the narrative theory proposed in U. Eco’s semiotic model. C. Partridge successfully described modern religious popular culture as a coexistence of abstract Eastern good (the idea of the transcendent Absolute, self-spirituality) and Western personified evil. The ideal confirmation of this thesis is Supernatural, since it was the bricolage game with images of Christian evil that became the cornerstone of its popularity. In the 15 seasons of its existence, Supernatural, conceived as a story of two evil-hunting brothers wrapped in a collection of urban legends, has turned into a global panorama of world demonology while touching on the nature of evil, the world order, theodicy, the image of God, etc. In fact, this show creates a new demonology, angelology, and eschatology. The article states that the narrative topics of Supernatural are based on two themes, i.e., the theology of the spiritual war of the third wave of charismatic Protestantism and the occult outlooks derived from Emmanuel Swedenborg’s system. The main topic of this article is the role of monotheistic mythology in Supernatural.
    [Show full text]
  • Supernatural' Fandom As a Religion
    Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2019 The Winchester Gospel: The 'Supernatural' Fandom as a Religion Hannah Grobisen Claremont McKenna College Follow this and additional works at: https://scholarship.claremont.edu/cmc_theses Part of the Film and Media Studies Commons Recommended Citation Grobisen, Hannah, "The Winchester Gospel: The 'Supernatural' Fandom as a Religion" (2019). CMC Senior Theses. 2010. https://scholarship.claremont.edu/cmc_theses/2010 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Claremont McKenna College The Winchester Gospel The Supernatural Fandom as a Religion submitted to Professor Elizabeth Affuso and Professor Thomas Connelly by Hannah Grobisen for Senior Thesis Fall 2018 December 10, 2018 Table of Contents Dad’s on a Hunting Trip and He Hasn’t Been Home in a Few Days: My Introduction to Supernatural and the SPN Family………………………………………………………1 Saving People, Hunting Things. The Family Business: Messages, Values and Character Relationships that Foster a Community……………………………………………........9 There is No Singing in Supernatural: Fanfic, Fan Art and Fan Interpretation….......... 20 Gay Love Can Pierce Through the Veil of Death: The Importance of Slash Fiction….25 There’s Nothing More Dangerous than Some A-hole Who Thinks He’s on a Holy Mission: Toxic Misrepresentations of Fandom……………………………………......34 This is the End of All Things: Final Thoughts………………………………………...38 Works Cited……………………………………………………………………………39 Important Characters List……………………………………………………………...41 Popular Ships…………………………………………………………………………..44 1 Dad’s on a Hunting Trip and He Hasn’t Been Home in a Few Days: My Introduction to Supernatural and the SPN Family Supernatural (WB/CW Network, 2005-) is the longest running continuous science fiction television show in America.
    [Show full text]
  • The Folk Beliefs in Vampire-Like Supernatural Beings in the Ottoman
    An Early Modern Horror Story: The Folk Beliefs in Vampire-like Supernatural Beings in the Ottoman Empire and the Consequent Responses in the Sixteenth and Seventeenth Centuries by Salim Fikret Kırgi Submitted to Central European University History Department In partial fulfillment of the requirements for the degree of Master of Arts Supervisor: Associate Prof. Tijana Krstić Second Reader: Prof. György E. Szönyi Budapest, Hungary 2017 CEU eTD Collection Statement of Copyright “Copyright in the text of this thesis rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author.” CEU eTD Collection i Abstract The thesis explores the emergence and development of vampire awareness in the Ottoman Empire in the sixteenth and seventeenth centuries by focusing on the interactions between religious communities, regional dynamics, and dominant discourses in the period. It re-evaluates the scattered sources on Ottoman approaches to the ‘folkloric vampire’ by taking the phenomenon as an early modern regional belief widespread in the Balkans, Central Europe and the Black Sea regions. In doing so, it aims to illuminate fundamental points, such as the definition of the folkloric revenant in the eyes of the Ottoman authorities in relation to their probable inspiration—Orthodox Christian beliefs and practices—as well as some reference points in the Islamic tradition.
    [Show full text]
  • The First Vampire Films in America
    ARTICLE DOI: 10.1057/s41599-017-0043-y OPEN The first vampire films in America Gary D. Rhodes1 ABSTRACT Horror film scholarship has generally suggested that the supernatural vampire either did not appear onscreen during the early cinema period, or that it appeared only once, in Georges Méliès’ Le manoir du diable/The Devil’s Castle (1896). By making rigorous use of archival materials, this essay tests those assumptions and determines them to be incorrect, while at the same time acknowledging the ambiguity of vampires and early cinema, both being 1234567890 prone to misreadings and misunderstandings. Between 1895 and 1915, moving pictures underwent major evolutions that transformed their narrative codes of intelligibility. During the same years, the subject of vampirism also experienced great change, with the supernatural characters of folklore largely dislocated by the non-supernatural “vamps” of popular culture. In an effort to reconcile the onscreen ambiguities, this paper adopts a New Film History methodology to examine four early films distributed in America, showing how characters in two of them—Le manoir du diable and La légende du fantôme/Legend of a Ghost (Pathé Frères, 1908) have in different eras been mistakenly read as supernatural vampires, as well as how a third—The Vampire, a little-known chapter of the serial The Exploits of Elaine (Pathé, 1915)— invoked supernatural vampirism, but only as a metaphor. The paper concludes by analyzing Loïe Fuller (Pathé Frères, 1905), the only film of the era that seems to have depicted a supernatural vampire. Revising the early history of vampires onscreen brings renewed focus to the intrinsic similarities between the supernatural creatures and the cinema.
    [Show full text]
  • Isn't the First Time We've Had Three Companions, It's Been Decades Since It Last Happened
    Friday 1:15-2:15 PM Is the TARDIS Too Crowded? Although Series 11 (and the forthcoming Series 12) isn't the first time we've had three companions, it's been decades since it last happened. What's it like to have so many friends of the Doctor on-screen at once? How does it compare this time around to previous full TARDISes? Panelists: Alex Seymour, Karina Lozano, Kathryn Sullivan Location: Peri’s Panels Strong Females in Sci-Fi Ellen Ripley. Leia Organa. Uhura. Science Fiction writers have created some strong female characters. Let’s discuss our favorites in film, tv, and print. Panelists: Justine Mastin, Kris Coulter, T. Aaron Cisco Location: Polly’s Panels 2:30-3:30 PM Interview with Robert Smith? Join Interviewer Bill Evenson in a conversation with Guest Robert Smith?. Learn about his published work and upcoming projects. Interviewer: Bill Evenson Location: Martha’s Mainstage Doctor Who Crossovers There are some great crossover episodes in other fandoms (The Beverly Hillbillies, Scoobynatural, Arrowverse). What fandoms do we want to see Doctor Who do a crossover episode with? Panelists: Amber Raden, Hugh Gitlin, Michael Zecca Location: Peri’s Panels Traveling to Worldcon – New Zealand Getting there and back again. All your questions answered about traveling to New Zealand. Join the travel experts at Wayward Nerd and Nerds Travels for a discussion and Q&A session on all things New Zealand. Weta, Hobbits, the One Ring, Rivendell – it’s all there and we have the map. Panelists: Kelly Mitchell, MJ Wilke Location: Potts’ Panels 3:45-4:45 PM Back to Your Beginnings How did you get started in Who? What keeps you coming back for more? Maybe you took a break from the show and were pulled back in? Talk to us about your journey! Panelists: David Barsky, Kathryn Sullivan, Marcia Franklin, Nicole Printy, T.
    [Show full text]
  • The Relationship Between Social Class and Supernatural Belief Kassidy Noble Shepherd University
    1 Running Head: THE RELATIONSHIP BETWEEN SOCIAL CLASS AND SUPERNATURAL BELEIF The Relationship Between Social Class and Supernatural Belief Kassidy Noble Shepherd University 2 THE RELATIONSHIP BETWEEN SOCIAL CLASS AND SUPERNATURAL BELIEF Abstract This paper explores if there is an empirical relationship between social class and supernatural belief and what seeks to explain it. The sample used to test the hypothesis consists of data gathered from GSS Data Explorer using the years 1998 and 2008. The sample size is 1,929 surveyors. The hypothesis is that as an individual’s socioeconomic status increases, they feel more safe and secure, therefore, they are less likely to believe in a higher power or supernatural beings. Income and education are found to be significant in determining the individual’s supernatural belief. As education rises, the level of superstition decreases. Income is interesting however, as income increases the level of superstition initially increases, but once it reaches the inflection point, the level of superstition decreases. 3 THE RELATIONSHIP BETWEEN SOCIAL CLASS AND SUPERNATURAL BELIEF Introduction Are people that belong in a low social class more likely to believe in supernatural beings or occurrences? Is there a link between social class and supernatural belief? If there is a link what is it? This paper will look at what people tend to believe and their social class. Social class is determined by their income, education, race, age, and gender. Their supernatural belief is determined by their belief in hell, heaven, God, and the ways God has changed their lives. Secularism and existential security theorized by Norris and Inglehart (2004), states that existential security, meaning that "Survival is secure enough that it can be taken for granted,"(p.4) is reason for the relationship between social status and religiosity.
    [Show full text]
  • Pynchon's Ecological Ghost Stories
    NATURE AND THE SlPERNATURALa PYNCHI:W 'S ElllJX;ICAL GHOST STORIES Douglas Keesey It has long been recognized that the novels of Thomas Pynchon are filled with ghosts and revenants of all kinds, but few critics have ventured to offer an explanation of this fact. To fill the lack, Douglas Fowler has recently devoted an entire book to an investi~tion of this supernatural phenomenonJ he argues that Pynchon s ghosts "ach..rrbrate the malignant incursion into our world by a mysterious 'They, 'n1 and he links Pynchon with writers like Am Radcliffe and Bram Stoker lltlwse main goal is to create an "effect" of "supernatural terror.n;l Throughout his book, Foldl.er argues against those critics 111ho would naturalize Pynchon's ghosts into "metaphors" for "merely psychological" fearsJ he insists that the ghosts be sean as real embodiments of an evil supernatural force, as emissaries frf' an "Other Kingdom" whose mission is to destroy the human world. But there is a realm between the "merely psychological" and the "supernatural," a world that includes and links the two& the larger physical world or biosphere. In seeing Pynchon' s ghosts as entirely supernatural and mali~nt, Fowler repeats the vary mistake made by so many of Pynchon s characters& he falls to see the physical connection betiiiBen the dead and the living, the spiri~tion of the interdependence of all things in this warld. PynchOn has adapted the ghost story to the goals of the ecological movement in an effort to dramatize the interconnectedness of everything in the ecosphere and the urgent need for an understanding of this mutuality.
    [Show full text]