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International Film Festival April 24 – May 4, 2008 the Washington, Dc International Film Festival
THE 22ND ANNUAL WASHINGTON, DC INTERNATIONAL FILM FESTIVAL APRIL 24 – MAY 4, 2008 THE WASHINGTON, DC INTERNATIONAL FILM FESTIVAL A world of films…a window into our world. Whether experienced in movie theaters, on DVDs or television in our homes, on our iPods or computers, films are the major communications media of our time. Hollywood films dominate commercial cinema. However, scores of talented filmmakers around the globe produce thou- sands of quality films that speak with a different voice, provide a different point of view, and tell different stories. Presenting these films in the nation’s capital is the purpose of Filmfest DC. Photo: Chad Evans Wyatt Film festivals are a journey of Tony Gittens, Festival Director and Shirin Ghareeb, Assistant Director discovery, a visual and thought provoking adventure into how people see and interpret our world. Every Filmfest DC is different and every film is unique from every other film in the festival. Together, they comprise an amazing representation of human imagination, commitment and talent. The festival has two special focuses this year — Politics & Film and New Latin Ameri- can Cinema. Obviously, politics are especially prominent during this election season and we wanted to explore the role affairs of state play in people’s every day lives. Latin American filmmakers are always a treasure trove of inventive storytelling. The di- verse selection of new work we have gathered from the Spanish-speaking world (in- cluding Spain) are moving, humorous, and insightful. None of this would be possible without the many dedicated people who have shared their time and talents with Filmfest DC. -
Mar Customer Order Form
OrdErS PREVIEWS world.com duE th 18MAR 2013 MAR COMIC THE SHOP’S PREVIEWSPREVIEWS CATALOG CUSTOMER ORDER FORM Mar Cover ROF and COF.indd 1 2/7/2013 3:35:28 PM Available only STAR WARS: “BOBA FETT CHEST from your local HOLE” BLACK T-SHIRT comic shop! Preorder now! MACHINE MAN THE WALKING DEAD: ADVENTURE TIME: CHARCOAL T-SHIRT “KEEP CALM AND CALL “ZOMBIE TIME” Preorder now! MICHONNE” BLACK T-SHIRT BLACK HOODIE Preorder now! Preorder now! 3 March 13 COF Apparel Shirt Ad.indd 1 2/7/2013 10:05:45 AM X #1 kiNG CoNaN: Dark Horse ComiCs HoUr oF THe DraGoN #1 Dark Horse ComiCs GreeN Team #1 DC ComiCs THe moVemeNT #1 DoomsDaY.1 #1 DC ComiCs iDW PUBlisHiNG THe BoUNCe #1 imaGe ComiCs TeN GraND #1 UlTimaTe ComiCs imaGe ComiCs sPiDer-maN #23 marVel ComiCs Mar13 Gem Page ROF COF.indd 1 2/7/2013 2:21:38 PM Featured Items COMIC BOOKS & GRAPHIC NOVELS Mouse Guard: Legends of the Guard Volume 2 #1 l ARCHAIA ENTERTAINMENT Uber #1 l AVATAR PRESS Suicide Risk #1 l BOOM! STUDIOS Clive Barker’s New Genesis #1 l BOOM! STUDIOS Marble Season HC l DRAWN & QUARTERLY Black Bat #1 l D. E./DYNAMITE ENTERTAINMENT 1 1 Battlestar Galactica #1 l D. E./DYNAMITE ENTERTAINMENT Grimm #1 l D. E./DYNAMITE ENTERTAINMENT Wars In Toyland HC l ONI PRESS INC. The From Hell Companion SC l TOP SHELF PRODUCTIONS Valiant Masters: Shadowman Volume 1: The Spirits Within HC l VALIANT ENTERTAINMENT Rurouni Kenshin Restoration Volume 1 GN l VIZ MEDIA Soul Eater Soul Art l YEN PRESS BOOKS & MAGAZINES 2 Doctor Who: Who-Ology Official Miscellany HC l DOCTOR WHO / TORCHWOOD Doctor Who: The Official -
The Terena and the Caduveo of Southern Mato Grosso, Brazil
SMITHSONIAN INSTITUTION n INSTITUTE OF SOCIAL ANTHROPOLOQY H PUBLICATION NO. 9 THE TERENA AND THE CADUVEO OF SOUTHERN MATO GROSSO, BRAZIL by KALERVO OBERG Digitalizado pelo Internet Archive. Disponível na Biblioteca Digital Curt Nimuendaju: http://biblio.etnolinguistica.org/oberg_1949_terena SMITHSONIAN INSTITUTION INSTITUTE OF SOCIAL ANTHROPOLOGY PUBLICATION NO. 9 THE TERENA AND THE CADUVEO OF SOUTHERN MATO GROSSO, BRAZIL by KALERVO OBERG Prepared in Cooperation tiith the United States Department of State as a Project of the Interdrpartmental Committee on Scientific and Cultural Cooperation UNITED STATES GOVERNMENT PIIINTING OFFICE-WASHINGTON:1949 For Bale by the Superintendent of Documenn, U.^S. Government Printing Office, WaohinBton 25, D. C. • Price 60 c LETTER OF TRANSMITTAL Smithsonian Institution, Institute of Social Anthropology, WashinfftonSS, D. C, May 6, 1948 Sir: I have the honor to transmit herewith a manuscript entitled "The Terena and the Caduveo of Soutliern Mato Grosso, Brazil," by Kalervo Oberg, and to recommend that it be published as Publication Number 9 of the Institute of Social Anthropologj'. Very respectfully yours, George M. Foster, Director. Dr. Alexander Wetmore, Secretary of the Smithsonian Institution. CONTENTS PAGE The Terena—Continued page Introduction 1 The hfe cycle 38 The Terena 6 Birth (ipuhicoti-hiuki) 38 Terena economy in the Chaco 6 Puberty 39 Habitat 6 Marriage (koyendti) 39 Shelter 8 Burial 40 Clothing and ornaments 9 Collecting, hunting, and fishing 9 Modern changes 41 Agriculture 10 Religion 41 Domestic animals and birds 12 Rehgious beliefs 41 Manufactures 12 Shamanism 43 Raiding 13 Present-day religion 45 Property and inheritance 13 Secular entertainment 47 Organization of labor 13 Dances and games 47 Present-day economy of the Terena 13 General description 13 Football 51 Sources of income in a typical village. -
OCR a Level Film Studies
R Film Studies A Level Film Studies F633 Section A: Messages and values in Global Film Study Guide 1: Elite Squad August 2014 www.ocr.org.uk/filmstudies Oxford Cambridge and RSA A LEVEL FILM STUDIES F633 SECTION A: MESSAGES AND VALUES IN GLOBAL FILM STUDY GUIDE 1: ELITE SQUAD CONTENTS Film facts 4 Synopsis 4 Before Viewing – Issues and research points Social / historical / political / cultural contexts 4 Messages and values 5 Genre 5 Narrative 5 Representation 5 Authorship 6 Theme 6 While Watching Genre 7 Narrative 7 Messages and values 7 Representation 7 Authorship 7 Theme 7 Style 7 2 A LEVEL FILM STUDIES F633 SECTION A: MESSAGES AND VALUES IN GLOBAL FILM STUDY GUIDE 1: ELITE SQUAD After viewing – weighing it all up Genre 8 Narrative 8 Messages and values 8 Representation 8 Authorship 8 Theme 8 Style 8 3 A LEVEL FILM STUDIES F633 SECTION A: MESSAGES AND VALUES IN GLOBAL FILM STUDY GUIDE 1: ELITE SQUAD F633 SECTION A: MESSAGES AND VALUES IN GLOBAL FILM STUDY GUIDE 1: ELITE SQUAD FILM FACTS SYNOPSIS Directed by: José Padilha The film is set in the late 1990s, in the run-up to the Pope’s visit to Rio. Rio has a considerable organised crime problem and criminal Certificate: 18 gangs have turned some favelas into ‘no-go’ areas. The BOPE (Battalion of Special Operations) are fighting the criminal gangs Running time: 115 minutes and corruption inside the ordinary police force in their bid to bring Release date: 8th August 2008 peace and order to Rio. Captain Nascimento, joined by his two apprentices, Matias and Neto are on the front line of this inter war and the story follows their tribulations – private and professional – as they attempt to accomplish their mission. -
Industry Guide Focus Asia & Ttb / April 29Th - May 3Rd Ideazione E Realizzazione Organization
INDUSTRY GUIDE FOCUS ASIA & TTB / APRIL 29TH - MAY 3RD IDEAZIONE E REALIZZAZIONE ORGANIZATION CON / WITH CON IL CONTRIBUTO DI / WITH THE SUPPORT OF IN COLLABORAZIONE CON / IN COLLABORATION WITH CON LA PARTECIPAZIONE DI / WITH THE PARTICIPATION OF CON IL PATROCINIO DI / UNDER THE PATRONAGE OF FOCUS ASIA CON IL SUPPORTO DI/WITH THE SUPPORT OF IN COLLABORAZIONE CON/WITH COLLABORATION WITH INTERNATIONAL PARTNERS PROJECT MARKET PARTNERS TIES THAT BIND CON IL SUPPORTO DI/WITH THE SUPPORT OF CAMPUS CON LA PARTECIPAZIONE DI/WITH THE PARTICIPATION OF MAIN SPONSORS OFFICIAL SPONSORS FESTIVAL PARTNERS TECHNICAL PARTNERS ® MAIN MEDIA PARTNERS MEDIA PARTNERS CON / WITH FOCUS ASIA April 30/May 2, 2019 – Udine After the big success of the last edition, the Far East Film Festival is thrilled to welcome to Udine more than 200 international industry professionals taking part in FOCUS ASIA 2019! This year again, the programme will include a large number of events meant to foster professional and artistic exchanges between Asia and Europe. The All Genres Project Market will present 15 exciting projects in development coming from 10 different countries. The final line up will feature a large variety of genres and a great diversity of profiles of directors and producers, proving one of the main goals of the platform: to explore both the present and future generation of filmmakers from both continents. For the first time the market will include a Chinese focus, exposing 6 titles coming from China, Hong Kong and Taiwan. Thanks to the partnership with Trieste Science+Fiction Festival and European Film Promotion, Focus Asia 2019 will host the section Get Ready for Cannes offering to 12 international sales agents the chance to introduce their most recent line up to more than 40 buyers from Asia, Europe and North America. -
The Muppets Take the Mcu
THE MUPPETS TAKE THE MCU by Nathan Alderman 100% unauthorized. Written for fun, not money. Please don't sue. 1. THE MUPPET STUDIOS LOGO A parody of Marvel Studios' intro. As the fanfare -- whistled, as if by Walter -- crescendos, we hear STATLER (V.O.) Well, we can go home now. WALDORF (V.O.) But the movie's just starting! STATLER (V.O.) Yeah, but we've already seen the best part! WALDORF (V.O.) I thought the best part was the end credits! They CHORTLE as the credits FADE TO BLACK A familiar voice -- one we've heard many times before, and will hear again later in the movie... MR. EXCELSIOR (V.O.) And lo, there came a day like no other, when the unlikeliest of heroes united to face a challenge greater than they could possibly imagine... STATLER (V.O.) Being entertaining? WALDORF (V.O.) Keeping us awake? MR. EXCELSIOR (V.O.) Look, do you guys mind? I'm foreshadowing here. Ahem. Greater than they could possibly imagine... CUT TO: 2. THE MUPPET SHOW COMIC BOOK By Roger Langridge. WALTER reads it, whistling the Marvel Studios theme to himself, until KERMIT All right, is everybody ready for the big pitch meeting? INT. MUPPET STUDIOS The shout startles Walter, who tips over backwards in his chair out of frame, revealing KERMIT THE FROG, emerging from his office into the central space of Muppet Studios. The offices are dated, a little shabby, but they've been thoroughly Muppetized into a wacky, cozy, creative space. SCOOTER appears at Kermit's side, and we follow them through the office. -
PDF Download Luke Cage Epic Collection
LUKE CAGE EPIC COLLECTION: RETRIBUTION PDF, EPUB, EBOOK Archie Goodwin | 480 pages | 16 Feb 2021 | Marvel Comics | 9781302928315 | English | New York, United States Luke Cage Epic Collection: Retribution PDF Book But, these are black and white, yes? The rebirth of Captain America! For a better shopping experience, please upgrade now. How did the world fall and the Maestro rise? A yellow light goes on. Meanwhile, in the Wild Hunt, children play at being adults and prepare for the fight of their lives. January 28, The X-Men have gone their separate ways! View Product. And when mutant babies go missing, Cable takes it personally — almost as personally as his complicated love life. Collects Conan the Barbarian , material from Chamber of Darkness 4. Written by G. Collecting MS. I really prefer, in some cases, the black and white art. Rick Jones' girlfriend Marlo won't fare any better: She dies! Click here. While U. This fresh hell comes complete with a Minotaur, Cerberus…and the demonic Belasco! Of course, just like comics and other books, Epic Collections themselves can go out of print. You will receive a verification email shortly. Luke Cage Epic Collection: Retribution Writer The Nova Corps is destroyed, leaving only Richard Rider. A new era of Star Wars storytelling begins. Image 2 of 2. Electronic hum. But when you mess with the Minotaur, you get the horns! The Thing throws down with the Hulk in a battle so huge it takes the combined might of the FF and the Avengers to stop it! Image 2 of 3. Hardcover sold out. -
Cotton Mathers's Wonders of the Invisible World: an Authoritative Edition
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 1-12-2005 Cotton Mathers's Wonders of the Invisible World: An Authoritative Edition Paul Melvin Wise Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Wise, Paul Melvin, "Cotton Mathers's Wonders of the Invisible World: An Authoritative Edition." Dissertation, Georgia State University, 2005. https://scholarworks.gsu.edu/english_diss/5 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. COTTON MATHER’S WONDERS OF THE INVISIBLE WORLD: AN AUTHORITATIVE EDITION by PAUL M. WISE Under the direction of Reiner Smolinski ABSTRACT In Wonders of the Invisible World, Cotton Mather applies both his views on witchcraft and his millennial calculations to events at Salem in 1692. Although this infamous treatise served as the official chronicle and apologia of the 1692 witch trials, and excerpts from Wonders of the Invisible World are widely anthologized, no annotated critical edition of the entire work has appeared since the nineteenth century. This present edition seeks to remedy this lacuna in modern scholarship, presenting Mather’s seventeenth-century text next to an integrated theory of the natural causes of the Salem witch panic. The likely causes of Salem’s bewitchment, viewed alongside Mather’s implausible explanations, expose his disingenuousness in writing about Salem. Chapter one of my introduction posits the probability that a group of conspirators, led by the Rev. -
Plutarch's Timeless Barbarians and the Age of Trajan
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by RERO DOC Digital Library PLUTARCH’S TIMELESS BARBARIANS AND THE AGE OF TRAJAN THOMAS S. SCHMIDT Barbarians do not play a central role in the writings of Plutarch. His only works specifically devoted to barbarians are the Quaestiones barbaricae, now unfortunately lost1, and the Life of Artaxerxes, which gives a vivid account of the life at the Persian court in the times of Artaxerxes II (405-359 B.C.). However, frequent reference is made to barbarians throughout Plutarch’s works: some 950 passages can be collected in which barbarians are mentioned. A close study of these shows that Plutarch’s presentation of barbarians is based on a number of negative characteristics which may be grouped under the following main headings:2 1) the most frequent one is i.e. the overall savage nature of the barbarians, their ferocity, bestiality, and cruelty in its various forms (including human sacrifice), and their lack of education; 2) another widely represented feature is i.e. the over-confidence, resulting in boldness, arrogance, and other similar attitudes, for which Plutarch uses such words as , , , , , , , and many others; 3) equally characteristic of barbarians is their immense wealth, , and all that is designated by the term , i.e. luxury, extravagance, lust, pleasure, sensualism, women, wine, etc.; 4) in a context of war, barbarians are also characterized by , i.e. their huge number, their powerful armies, etc.; 5) and finally, some less frequently mentioned, but still typically barbarian traits are (faithlessness), (cowardice), (wickedness) and (superstition), all of which can be grouped under the general idea of (vileness) stressing the natural inferiority of the barbarians. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Db:Scanner (Band)"Stephan O'mallie"@En"Maurycy "Mauser" Stefanowicz"@En "Wildeþrýð"@En Db:Nihilist (Band) "Dave Edwards"@En "Ashish Kumar"@Endb:Krieg (Band) "W.D
db:Amalie_Bruun "Dominik Immler"@en "Frater D."@en * Gunnar* Egill Þór* Birkir* Hafþór* Næturfrost "Simon O'Laoghaire"@en db:Kimmo_Heikkinen "Uri Zelcha"@en db:1349_(band) db:Dan-Ola_Persson "Itzik Levy"@en db:The_Kovenant "Zorugelion"@en "Derek MacAmhlaigh"@en db:Lord_Morbivod db:Zonata "Goran Paleka"@en "Johan Elving"@en "Damir Adžić"@en "Ines Tančeva"@en db:Alan_Averill "Elvorn"@en "Enrique Zúñiga Gomez"@en "Nick Oakes"@en db:Marcela_Bovio "Frank Calleja"@en "Miroslav Branković"@en "Maxime Aneca - Guitar"@en "*Lex Icon*Pzy-Clone*Hellhammer*Angel*Sverd"@en db:Alejandro_Mill%C3%A1n Ines Tan?eva "Cremator , Fermentor"@en Alejandro Díaz "MasterMike"@en "Maria "Tristessa" Kolokouri"@en "Martijn Peters"@en "Ivan Vasić"@en "Filip Letinić"@en "Eduardo Falaschi"@en A. db:Viathyn Bart Teetaert - Vocals "Lior Mizrachi"@en "Nikola Mijić"@en "Loke Svarteld"@en "Koen De Croo - Bass"@en "Chris Brincat"@en "Duke"@en db:The_Kovenant "Demian Tiguez"@en "*Tomislav Crnkovic*Dave Crnkovic*Jacob Wright*Alex Kot"@en "Fermentor Cremator , Fermentor"@en db:Lori_Linstruth Ivan Kutija "César Talarico"@en "Eden Rabin"@en db:Alex_Losbäck "Artyom"@en "Sami Bachar"@en "Marchozelos"@en "Morten"@en "* Wagner Lamounier* Roberto Raffan* Jairo Guedz* Max Cavalera* Igor Cavalera* Jean Dolabella"@en Lazar Zec - Guitar "Dave Hampton"@en "Wellu Koskinen"@en "VnoM"@en db:Sabbat_(Japanese_band) "* Christofer Johnsson* Thomas Vikström* Johan Koleberg* Nalle "Grizzly" Påhlsson* Christian Vidal* Lori Lewis"@en db:Arjen_Anthony_Lucassen "Mića Kovačević"@en "Roberto Raffan"@en db:Memnock db:Henrik_Carlsson db:Throllmas "Lazar Zec - Guitar"@en "Chris Calavrias"@enEric Hazebroek "Mathias"* PauloSchlegl"@en Jr.* Andreas Kisser* Derrick Green* Eloy Casagrande"@en"Yatziv Caspi"@en "Erkki Silvennoinen"@en "Gaahnt, Nattulv, Bahznar, Dermorh"@en "Marco Cecconi"@en Antti Kilpi "Gezol"@en Koen De Croo - Bass Elizabeth Toriser "Ze'ev Tananboim"@en db:Jukka_Kolehmainen J. -
Berlinale 2008
Berlinale 2008 By Ron Holloway Spring 2008 Issue of KINEMA 58th BERLINALE 2008 Box Office Bonanza Will it ever end? During his seven years as Berlinale director, Dieter Kosslick’s festival tenure is annually boosted by success at the box office. Following the close of the 58th Berlin International Film Festival (7-17 February 2008), bonanza statistics were promptly released to the press. The 58th Berlinale recorded an overall audience of 430,000, of which some 230,000 purchased tickets, thus exceeding last year’s record by more than 6,000. The number of visiting film professionals (exhibitors, sales agents, industry representatives) increased to 20,000 from 125 countries, topping last year’s total of 19,155. The number of accredited journalists rose to 4,105. The sum of public screenings also rose to 1,256, compared with 934 screenings in 2007. Only the number of films participating in this year’s official programs dipped in comparison tolast year - down from 396 to 383 - but even this adjustment apparently made some Berlinale entries all the more attractive. The buzz at the Berlinale? Of particular interest were the ”EFM Industry Debates” held in the Marriott Hotel for three days in the middle of the festival. A hundred participants registered for the panel discussions on the challenges and opportunities of ”Digital Film Distribution” in the not too distant future. Another press headliner was a calculation on the ”monetary worth” of this year’s Berlinale, reckoned at circa €17.2m, or around US$ 26m. The sum includes the input by the German government (country, state, city), estimated at € 6.2m, or approximately US$ 9.3m.