Pipe Organ Technique I

Total Page:16

File Type:pdf, Size:1020Kb

Pipe Organ Technique I Pipe Organ Technique I Victoria Alma Castello E-Mail: [email protected] Course Description: Pipe Organ Technique I is an introductory course in the musical and technical foundation of organ playing. Students will receive instruction in the mechanism of sound production at the organ, registration, performance practice, manual and pedal technique, and service playing. Students enrolled in this class are expected to have mastered repertoire that includes J. S. Bach’s Ana Magdelena Notebook. Course Standard: Students are expected to present a cumulative understanding of music theory, technical fluency, refined musicality, and positive self- expression through organ performance. Course Outline: The course follows the benchmarks outlined by the DCPS music curriculum. Students will learn technical fluency through intervallic patterns, scales, part- playing, harmonization and improvisation, and other exercise music for manuals and pedals. Students will be required to take eight 45-minute lessons once a week to develop their classical repertoire. Listening and reading assignments further explore the history and construction of the organ, in addition to its use in the liturgical and theatrical realms. At the end of the year, each student will present a thirty-minute organ lecture- performance on a topic to be decided by the teacher and student. A written essay will accompany the presentation. Other course requirements include satisfactory participation in monthly class performances and, when possible, solo performances in the local community. Materials: Method of Organ Playing, by Harold Gleason, First Organ Book, edited by Wayne Leupold, as well as elementary and early-intermediate level organ literature from the Renaissance, Baroque, Classic, Romantic, and Contemporary styles. Students must maintain an organ technique notebook (3-ringed binder) containing all handouts received. Students must bring the notebook and all assigned technique and organ literature books to each class. Each student is required to wear special shoes for playing the organ; the shoes are to be used for that purpose only. Organ shoes should be of light-weight leather with a heel about 1 inch high and a tie over the arch (i.e., tap dance shoes without the clicks). The soles should be smooth, no rubber heels or soles. Grading: First, Second, and Third, and Advisories: Organ literature and Notebook (10%) Weekly organ lessons (35%). Performance Assessment (20%) Written tests/quizzes (15%) Advisory Performance Exam (20%) Fourth Advisory: Organ literature and Notebook (10%) Weekly organ lessons (50%) Performance Assessment (25%) Written tests/quizzes (15%) Final Project: Lecture Performance with Written Essay (100%) All students are expected to treat each other and their teachers with respect and to follow the guidelines given in the Instrumental Music Department Handbook and the Duke Ellington School of the Arts Community Handbook. Grading Scale The following grading scale will be used in evaluating and reporting each student's progress: A =93-100 A- =90-92 B+ =87-89 B =83-86 B- =80-82 C+ =77-79 C =73-76 C- =70-72 D+ =67-69 D =64-66 F =63 and below --------------------------------------------------------------------------------------------------------------- (Detach along dotted line) I have received and read the Piano Technique course syllabus. I agree to meet all course requirements as listed. Student Signature Date Parent/Guardian Signature Date Please return this signed document to the teacher. .
Recommended publications
  • May-June 2014
    SOUTHERN NEVADA CHAPTER OF THE AMERICAN GUILD OF ORGANISTS THE DESERT WIND Editor: Bruce Behnke © 2014 Issue: May/June 2014 Southern Nevada Chapter Dean’s Notes American Guild of Organists Dear Organ Friends, In one of my pleas for material for We will have a “swearing in” after this edition, it was suggested that I Here it is the end of April already the elections, even if there are no mention the familiar program, “Mu- and we’re quickly sliding into May changes made. In the past we have sic and the Spoken Word.” There are and some relaxing summer months. had a catered dinner for this event several ways of viewing this program. All we have to do now is prepare so watch for future information. Set your internet browser to for the blistering heat! Thanks to all of you for your con- http://musicandthespokenword.com/ Our chapter is up for elections tributions to the Guild. I can’t name broadcast/ again this year. Anyone who would everyone here because there are so like to serve on the board or would many who have helped us have a and you can watch it online . Cox Ca- like to be released from the board, great AGO Chapter with great pro- ble runs the program Sunday morn- please call or email me. 274-9495 grams. or [email protected]. We will ing at 8:30 A. M. on channel 352 BYUTV. have an election committee to cre- Have a good summer, but we’ll see ate and send out ballots. I have en- you at least once more before we This being the final issue of this year, joyed being the dean and will hap- all scatter all over the world! pily continue unless someone else your editor would like to thank the is just dying to have the position.
    [Show full text]
  • And One in Three!
    1 organ news OrganNews No. 22 The official publication of Makin Organs, Johannus and Copeman Hart IN THIS ISSUE Page 2 Three in New Makin Thirlmere organ Page 3 one – and Johannus launch the Ecclesia organs one in three! Page 4 Posture whilst playing Page 5 Hybrid organs Page 6 New Copeman Hart demo organ Page 8 The fourth line of the Trinity hymn “I bind unto myself Organ voicing today”, often sung to the tune St Patrick’s Breastplate, is “Three in one and one in three”. Page 10 This is so appropriate for Testimonials ChurchOrganWorld as we have three distinct brands of Page 14 instrument, each of which has Meet the Staff its own range of benefits, styles and groups of customers, all now Page 16 available under one roof from a of organists from this sceptred isle, Cathedral, included in the price. single company. Customers are which is why other brands simply There is no other company who Some recent well aware of our capabilities don’t ‘cut the mustard’. This great offers the skills of such a world installations from the simplest home practice tradition continues today with renowned organist and musician instrument right through to an beautiful hand crafted consoles. to its customers; in essence it was instrument suitable for the largest Copeman Hart are simply the best concluded that there was little of cathedrals. No other company digital organs available, being built point in following the well trodden offers such a range of quality to the same exacting standards path of the competition by having options, all of which come with the of the best pipe organ consoles a well meaning, but none the less best in service and at a price that available.
    [Show full text]
  • June 2007 Newsletter Revised.Pmd
    Hilbus Chapter The Organ Historical Society, Inc. Where the Tracker Action Is! www.hilbus.org Volume 36 Number 10 June 2007 Whole No. 332 Saturday, June 23, 2007 Three Unique Pipe Organs of the Bel Air, Maryland area [THANKS TO KEVIN CLEMENS FOR ARRANGING THIS DAY!] 10:00 AM Christ the King Presbyterian Church 10 Lexington Road Bel Air, MD 21014 Reuter Pipe Organ, Opus 2203 (installed 2000) This is one of the very few Reuter Pipe Organs found in the Baltimore area. A small organ of 11 ranks, it is very versatile and fills the small sanctuary. Larry Mentzer is the organist and host. Church members have requested to attend to hear us play the organ. Bring your organ music and organ shoes. Directions: Interstate 95 - North toward New York. Exit at 77B toward Bel Air on to MD 24 North. Stay in far right lane and merge on to MD 924 which is Emmorton Road; turn on to Lexington Road. Christ the King Presbyterian Church is on right hand side of Emmorton Road and parking is in the back on Lexington Road. 11:15 AM First Presbyterian Church 224 North Main Street Bel air, MD 21014 Austin Pipe Organ, Opus 2339 [crawl information continued next page] CHAIRMAN: Carl Schwartz, 12802 Ruxton Road, Silver Spring, MD 20904 (301) 236-0315 VICE CHAIRMAN: Kevin Clemens, 711 Court Square Way, Edgewood, MD 21040 (410) 679-2271 SECRETARY-TREASURER: Barbara Birckner, 6606 Farmer Drive, Fort Washington, MD 20744 (301) 449-4399 EDITOR: Thom Robertson, 7511 Ashby Lane, Unit A, Alexandria, VA 22315 (703) 922-0719 EDITORIAL A DVISOR: Carolyn Fix, 116 Battle Street, SW, Vienna, VA 22180 (703) 281-5046 Articles and news may be submitted to the Editor electronically: [email protected] Dues due in October: $14, mailed to Secretary-Treasurer (Checks payable to Hilbus Chapter, OHS) Page 1 This is a large 2-manual pipe organ of 26 ranks in a medium size sanctuary.
    [Show full text]
  • Organs: Technology and Technique for LDS Organists
    Understanding and Mastering Pipe (and Electric) Organs: Technology and Technique for LDS Organists by Irvin T. Nelson Copyright 2001, 2006, 2009 by Irvin T. Nelson 225 N. 100 E., Smithfield, UT 84335 Making unaltered copies for non-commercial use is permitted. All other rights reserved. This and other materials may be downloaded free at: www.irvnelsonmusic.com Draft 2.1; January 1, 2009 Preface The pipe organ is the fundamental musical instrument of the Church. No other instrument can even begin to match its utility and power for accompanying the Hymns of the Restoration. A well-played organ enables and assists the Spirit in touching the hearts of the Saints. There is a shortage of qualified, trained organists in the Church, and this scarcity appears to be growing. Nearly all LDS chapels have organs, many of which are of reasonably good quality, and a precious few of which are real pipe organs. However, in many wards, there are few or no qualified organists who have been trained to get the most out of these marvelous instruments. It is a tragic waste when a very expensive pipe organ is underutilized simply because the organist doesn’t know what the buttons, levers, and knobs do, and how to get a good sound for a particular hymn. Similarly, the electric organ, which is a fine instrument in its own right, is often underutilized for the same reason. This manuscript is written for pianists who want to learn the organ. Without information and training, even excellent pianists are sometimes poor organists. This is not due to a lack of talent, but simply because of the following three factors: 1.
    [Show full text]
  • Guidance Notes for Visiting Organists 2018
    St. Peter’s Cathedral Organ Guidance Notes for Visiting Organists 2018 Introduction Welcome to St. Peter’s Cathedral. We hope you enjoy your visit and the opportunity to play this wonderful instrument. The 1929 Hill, Norman and Beard Organ is one of the Cathedral’s great treasures and must be respected as such. Please study these notes carefully to ensure that your playing experience at the Cathedral is a positive one, and that the instrument remains in fine condition for many years to come. Thank you for your cooperation and music ministry in this wonderful space. David Heah Cathedral Organist December 2018 Table of Contents Introduction ............................................................................................................................................ 1 Practical Arrangements for Visiting Organists ........................................................................................ 2 Access to the Organ Loft ................................................................................................................... 2 Organ Practice .................................................................................................................................... 2 Switching On ....................................................................................................................................... 2 Switching Off ....................................................................................................................................... 2 Pistons and Memory Levels ...............................................................................................................
    [Show full text]
  • Issue XXXVIII Volume 10 November 2005
    VV OX OOCEANA VNVEWSLETTER OF THE RHODE ISLANDOO CHAPTER OF THE AMERICAN GUILD OF ORGANISTS VOLUME XXXVIII, NO.10 NOVEMBER, 2005 RI CHAPTER OFFICERS FROM THE DEAN AND APPOINTMENTS 2005-2006 On October 13-16, I attended a symposium at the Eastman School of Music entitled The Italian Baroque Organ: Context, Instruments, Repertory, and Performance. Eastman purchased Dean, Dr. Martha Sobaje 823-8024; 467-3300 ext. 3 a full-size antique Italian baroque organ and it arrived in Rochester this past summer. What a [email protected] wonderful experience to sit in the Fountain Court of the Memorial Art Gallery and not only Sub-Dean, Julie L. Tagen hear, but see this spectacular instrument, while surrounded by great works of Italian baroque 885-7438 art hanging on the walls. I couldn’t help but be reminded of how it restores the soul just to [email protected] take in beauty, and that we should all do more of that. So, get out there, go to museums, to Secretary, David Cranmer concerts, and above all, to as many organ recitals as possible! 447-9848 Martha Treasurer, David Clyle Morse 486-0244 FROM THE SUB-DEAN Membership, Doris Alberg Bring your aches and pains at the keyboard to physical therapist Mary Szabo. She will give 567-5781 strategies to help you to play more comfortably and prevent repetitive motion injuries. Bring Historian, Peter N. LaMoria a short piece or hymn to play so she can observe you in action. The program will begin 723-6974; 726-2600 promptly at 9:30 AM, November 19 at Beneficent Congregational Church, 300 Weybosset Placement, Howard Phelps St., Providence.
    [Show full text]
  • American Institute of Organbuilders 2016 Convention Boston, Massachusetts
    American Institute of Organbuilders 2016 Convention Boston, Massachusetts Welcome Convention Hotel Boston Marriott Quincy 1000 Marriott Drive Quincy, MA 02169 (617) 472-1000 rates from $149.00 + tax USD/Night Group Code: aioaioa Registration American Institute of Organbuilders Robert Sullivan - Executive Secretary PO Box 35306 Canton, Ohio 44735 330.806.9011 [email protected] Convention Overview Committee David Beck - Chairperson Sean O’Donnell - Education Charles Eames - Treasurer Robert Sullivan - Executive Secretary Welcome to Boston! Historians know Boston as the birthplace of the American Revolution. Over 250,000 college students find it a cool place to live and learn. Tourists like Boston for its European ambiance. Classical musicians love it for its thriving choral, orchestral, opera and early music scenes. Organists know Boston as Mecca: the backyard of Hook, Hastings and Hutchings, home turf for Skinner and Harrison, and the big town for Fisk, Andover and Noack. New and restored instruments abound, and not just from the local guys: Schoenstein, Richards Fowkes and Juget-Sinclair are represented here. In turn, these organs occupy some of America’s finest buildings—from the restrained neo-Classicism of Asher Benjamin’s Old West Church and Charles McKim’s Symphony Hall, to the exuberant Victorianism of John Sturgis’s Church of the Advent and Willard Sears’ “New” Old South Church, or the one-of-a-kind genius of H.H. Richardson’s Trinity Church. Past, present and future combine as one here. We invite you to experience all of this in Boston. Sincerely, AIO 2016 Boston Committee Jonathan Ambrosino, William Catanesye, William Czelusniak, Michael Foley, Andrew Gingery, Jonathan Ortloff and Matthew Bellocchio, Chair 3 2016 Convention Information Hotel Parking e outdoor parking lot is at the far end of the hotel.
    [Show full text]
  • BYU ORGAN WORKSHOP 2019 DAILY SCHEDULE—Subject to Change
    BYU ORGAN WORKSHOP 2019 DAILY SCHEDULE—Subject to change • Pre-Workshop Seminar, Monday 3:00-6:00 p.m., Madsen Recital Hall Tracing the History of the Organ in the United States From the American Classic Organ Forward Dr. David Pickering • Classes and items marked with an asterisk (*) are of particular value to beginning organists. They make up a complete curriculum that is strongly recommended to those with keyboard training but little or no organ instruction. TUESDAY, AUG 6 WEDNESDAY, AUG 7 THURSDAY, AUG 8 FRIDAY, AUG 9 8:00 Registration Check-in Music Theory for the Organist Music Theory for the Organist Music Theory for the Organist (Part 1, 2 hours) (Part 2, 2 hours) (Part 3, 2 hours) Displays open (8:00-9:00) *Level 1-2: Pickering *Level 1-2: Pickering *Level 1-2: Pickering 8:15 Organ Terminology Boot Camp Levels 3-4: Hofeling Levels 3-4: Hofeling Levels 3-4: Hofeling Forsyth Levels 5-6: Peeples Levels 5-6: Peeples Levels 5-6: Peeples 9:00 *(9:00) Opening Session After Level 6: From Theory to After Level 6: From Theory to After Level 6: From Theory to Keynote Address: Harmon Practice – Creating Hymn Practice – Creating Hymn Practice – Creating Hymn Preludes (Part 1) (12 seats only) Preludes (Part 2) Preludes (Part 3) Harmon Harmon Harmon 10:00 *1. Orientation, Questions, *1. Getting Through Sunday *1. Getting Through Sunday *1. Sight-Reading Tips and Answers (a “must” for Morning: Hymn Playing Morning: Preludes and (repeat) first-timers, recommended for Shortcuts Postludes in a Pinch Pomeroy all) Peterson Peterson Cook 2.
    [Show full text]
  • Download Brochure
    CUSTOM ORGANS 1 2 CRAFTSMANSHIP FOR MANY YEARS Through the years from our origins with the John Compton organ business, Makin has always strived to deliver the best in terms of both sound and leading edge technology to a very discerning audience of organists, schooled in the English style of organ building. his great tradition continues today with our Custom range of instruments. Designed and built by organists for organists, these instruments are at the pinnacle of the pipeless organ world with a sound and build quality that simply can’t be beaten, yet at a price that is affordable. We never compromise on sound so rather like a pipe organ Twhich has a separate pipe for every note, we have a separate ‘sample’ for every single note of every single stop. This is why Makin organs are so authentic and indeed so sort after. Through the years we have developed of the specification which, above all, should be many new features with associated benefits, versatile and not limited. As a simple example, including for example a realistic swell box for a three manual instrument, should the where on closing the box, the upper frequencies third manual be an enclosed choir division or are lost first just like in a pipe organ. What’s an unenclosed positive; the choice is yours. more Makin has no artificial limitations in its Whatever the options chosen, these are system so octave and suboctave couplers and market leading instruments designed to help features such as ‘Great & Pedal Combinations enhance your playing and the singing of your coupled’ come as standard on our instruments.
    [Show full text]
  • CONSOLE ATOS Julaug 50-4 J 6/9/08 11:31 AM Page 1
    ATOS JulAug 50-4 J 6/9/08 11:11 AM Page 1 JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY JULY | AUGUST 2008 50THEATRE ORGAN YEARS ATTHE CONSOLE ATOS JulAug 50-4 J 6/9/08 11:31 AM Page 1 THEATRE ORGAN JULY | AUGUST 2008 Volume 50 | Number 4 FEATURES THEATRE ORGAN Bob Balfour Memorial 12 Wonder Morton Demystifying the 16 Diaphone Theatre Organ and Its 50 28 History of Innovation YEARS Discography Part 3 34 Richard W. “Dick” Leibert DEPARTMENTS 4 Vox Humana 5 Headquarters 6 Director’s Corner 7 Letters 8 News & Notes 10 Professional Perspectives 32 Vox Pops 50 For the Records 53 Ex Libris 54 Chapter News 65 From the Archives 66 Pipe Piper 71 Around the Circuit On the cover: Geoffrey Paterson concludes his fascinating Dick Leibert annotated discography with a careful examination of recordings made by the organist late in his career. 74 Meeting Minutes THEATRE ORGAN (ISSN 0040-5531) is published bimonthly by the American Theatre Organ Society, Inc., 5 Third Street, Suite 724, San Francisco, California 94103-3200. Periodicals Postage Paid at San 78 Obituaries Francisco, California and at additional mailing offices. Annual subscription of $33.00 paid from members’ dues. POSTMASTER: Send address changes to THEATRE ORGAN, c/o ATOS Membership Office, P.O. Box 5327, Fullerton, California 92838, [email protected]. JULY | AUGUST 2008 1 ATOS JulAug 50-4 J 6/9/08 11:32 AM Page 2 TWO SENSATIONAL NEW RECORDINGS BY JelaniJelani EddingEddingttonon phoenixphoenix renaissancerenaissance 55-manual-manual 106-rank Midmer--LoshLosh symphonic-theatre organ AdrianAdrian W.
    [Show full text]
  • Summer Youth Adventure SEE PAGE 50
    J OURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY SEPTEMBER | OCTOBER 2016 www.atos.org ATOS SepOct 58-5 E.indd 1 8/19/16 3:00 PM Summer Youth Adventure SEE PAGE 50 ATOS SepOct 58-5 E.indd 2 8/19/16 3:00 PM THEATRE ORGAN SEPTEMBER | OCTOBER 2016 Volume 58 | Number 5 FEATURES 2016 Convention George Wright Memorial SEE PAGE 21 12 Fellowship Recipients ATOS 13 Awards 2016 Annual Convention 21 Review 10th Anniversary 50 Summer Youth Adventure Young Theatre 58 Organist Competition DEPARTMENTS 3 Vox Humana 6 President’s Message 8 Director’s Corner 10 News & Notes 11 Letters 11 Mystery Photo 18 For the Records 60 Chapter News 66 Around the Circuit 70 Meeting Minutes The Senate Theatre Marquee (Photo by Rob Thomas) THEATRE ORGAN (ISSN 0040-5531) is published bimonthly by the American Theatre Organ On the cover: Society, Inc., 7800 Laguna Vega Drive, Elk Grove, California 95758. Periodicals Postage Paid Cleveland: Tower City Center and the at Elk Grove, California and at additional mailing offices. Annual subscription of $33.00 paid Renaissance Hotel (Photo by Jonathan from members’ dues. POSTMASTER: Send address changes to THEATRE ORGAN, c/o ATOS Kleefield) Membership Office, P.O. Box 6491, Aloha, Oregon 97007-0491, [email protected]. www.atos.org SEPTEMBER | OCTOBER 2016 1 ATOS SepOct 58-5 E.indd 1 8/23/16 2:28 PM Journal of the American Theatre Organ Society Library of Congress Catalog Number ML 1T 334 (ISSN 0040-5531) Printed in U.S.A. SEPTEMBER | OCTOBER 2016 Volume 58 | Number 5 THEATRE ORGAN JOURNAL PRESIDENT & CHIEF EXECUTIVE Ken Double ([email protected]) THEATRE ORGAN (title registered U.S.
    [Show full text]
  • Historic Organs of Belgium May 15-26, 2018 12 Days with J
    historic organs of BELGIUM May 15-26, 2018 12 Days with J. Michael Barone www.americanpublicmedia.org www.pipedreams.org National broadcasts of Pipedreams are made possible with funding from Mr. & Mrs. Wesley C. Dudley, grants from Walter McCarthy, Clara Ueland, and the Greystone Foundation, the Art and Martha Kaemmer Fund of the HRK Foundation, and Jan Kirchner on behalf of her family foun- dation, by the contributions of listeners to American Public Media stations nationwide, and by the thirty member organizations of the Associated Pipe Organ Builders of America, APOBA, represent- ing the designers and creators of pipe organs heard throughout the country and around the world, with information at www.apoba.com. See and hear Pipedreams on the Internet 24-7 at www.pipedreams.org. A complete booklet pdf with the tour itinerary can be accessed online at www.pipedreams.org/tour Table of Contents Welcome Letter Page 2 Bios of Hosts and Organists Page 3-6 A History of Organs in Belgium Page 7-12 Alphabetical List of Organ Builders Page 13-17 Organ Observations Page 18-21 Tour Itinerary Page 22-25 Playing the Organs Page 26 Organ Sites Page 27-124 Rooming List Page 125 Traveler Profiles Page 126-139 Hotel List Page 130-131 Map Inside Back Cover Thanks to the following people for their valuable assistance in creating this tour: Rachel Perfecto and Paul De Maeyer Valerie Bartl, Cynthia Jorgenson, Kristin Sullivan, Janet Tollund, and Tom Witt of Accolades International Tours for the Arts in Minneapolis. In addition to site specific websites, we gratefully acknowledge the following source for this booklet: http://www.orgbase.nl PAGE 22 HISTORICALORGANTOUR OBSERVATIONS DISCOGRAPHYBACKGROUNDWELCOME ITINERARYHOSTS Welcome Letter from Michael..
    [Show full text]