And One in Three!

Total Page:16

File Type:pdf, Size:1020Kb

And One in Three! 1 organ news OrganNews No. 22 The official publication of Makin Organs, Johannus and Copeman Hart IN THIS ISSUE Page 2 Three in New Makin Thirlmere organ Page 3 one – and Johannus launch the Ecclesia organs one in three! Page 4 Posture whilst playing Page 5 Hybrid organs Page 6 New Copeman Hart demo organ Page 8 The fourth line of the Trinity hymn “I bind unto myself Organ voicing today”, often sung to the tune St Patrick’s Breastplate, is “Three in one and one in three”. Page 10 This is so appropriate for Testimonials ChurchOrganWorld as we have three distinct brands of Page 14 instrument, each of which has Meet the Staff its own range of benefits, styles and groups of customers, all now Page 16 available under one roof from a of organists from this sceptred isle, Cathedral, included in the price. single company. Customers are which is why other brands simply There is no other company who Some recent well aware of our capabilities don’t ‘cut the mustard’. This great offers the skills of such a world installations from the simplest home practice tradition continues today with renowned organist and musician instrument right through to an beautiful hand crafted consoles. to its customers; in essence it was instrument suitable for the largest Copeman Hart are simply the best concluded that there was little of cathedrals. No other company digital organs available, being built point in following the well trodden offers such a range of quality to the same exacting standards path of the competition by having options, all of which come with the of the best pipe organ consoles a well meaning, but none the less best in service and at a price that available. With Copeman Hart, we amateur voicer, when we can offer is eminently affordable. generally now only build Drawstop the best from a true professional. Johannus organs offer an amazing consoles, with wood-based As you can imagine, the results range of digital instruments keyboards. The customers have speak for themselves. the choice of which solenoids to No other company offers such suitable for home practice through specifications and samples used. to those suitable for use in the use such as those made by Taylor, a range of quality options, all largest of churches. Value for Makin has been for many years Kimber Allen or Syndyne. In terms of which come with the best in money is key with an excellent dominant in the production of sound production, our results service and at a price that is pedigree developed over many of quality digital pipe organs are simply breathtaking. This of eminently affordable. years. The top quality consoles designed by British organists. course is down to the quality of Finally, what about after sales are built from slow-grown North Perhaps the most commonly all aspects of the software and customer service? You should American Oak; a Johannus organ known name for the English hardware we use, together with expect the best whether you have looks new, even after 10 years! The organ sound. With a range of more amplification and speakers a Johannus, Makin or Copeman use of our breakthrough real-time ‘off-the-shelf’ and fully custom than perhaps any other make Hart instrument. With a team sampling technology has changed instruments, customers have been of digital organ, with typically of four full time geographically the organ world so whilst you able to rely on Makin to deliver a twenty eight main amplifiers and based maintenance engineers we see a digital organ, you hear the fully anglicised instrument with four bass amplifiers giving a total cover the whole country. What’s original pipes from a pipe organ! the sounds developed from British of eighty eight speaker drivers more since we don’t use third The new and unique reverberation pipe organs, divisional pistons, enclosed in twenty eight speaker party engineers, customers can be is a technical miracle giving octave couplers, great and pedal boxes. assured that on the rare occasion customers the opportunity to pistons coupled and many other Our new Makin and Copeman that an Engineer’s visit is required, explore the cathedral sound British-only features included. Hart custom instruments all a staff member will attend who of their choice! What’s more, Our American and continental come with the on-site voicing has all the in-house and factory these instruments now have cousins really don’t fully skills of Professor Ian Tracey, training and experience necessary English editions with full English understand the needs and desires Organist Titulaire at Liverpool to do the job. www.makinorgans.co.uk www.johannus.co.uk www.copemanhart.co.uk 01706 888100 2 organ news The all new Makin Thirlmere Organ Continuing with the Lake District theme Unison off, Swell Octave to Great and Swell of the ‘Westmorland’ series of organs, as Suboctave to Great, which all dramatically initially introduced by Makin founder, the add to the overall versatility of instruments. late Mr John Pilling, the company has been As ever, the hardest decision for a two working hard to develop replacements manual instrument is to determine the for the Village (2-20), Jubilee II (2-35) and appropriate number of speaking stops. Sapphire (3-45) standard Makin instruments, Whilst both the Village and Jubilee were the first of which was initially released tremendously successful instruments, the seven years ago. The all new two manual Village with twenty speaking stops was Makin Thirlmere organ is our first release in thought to be too small by some whilst the this new range. Jubilee too large with thirty five speaking A number of customers have wondered why stops. Clearly the answer lies somewhere in it is time to introduce a new model, since the middle. there is nothing wrong with the current Of course the realistic approach to the range of standard instruments. The answer number of speaking stops is to start from is that in the intervening seven years there the specification itself, by listing desirable have been so many enhancements in the stops and resources. For example, with software and hardware technologies we the Great it is relatively straightforward to have used on our newer instruments. For develop a diapason chorus 16, 8, 4, 2 2/3, 2, example, since 2007 our custom instruments III mixture and then to add a chorus reed have benefitted from real time sampling and flutes at 8’, 4’. Finally, you would add of every note on every stop which has another 8’ stop, which could be a Gamba simply revolutionised the Makin sound. or a Dulciana, for accompaniment of solos This advanced feature, still only available played on the Swell. With the Swell in mind, from Makin, will now be included in all it having diapason chorus, flutes, strings, our standard instruments thus making mixture and reeds, the initial gambit would yet another massive step ahead of our be for 8, 8, 8, 8, 4, 4, 2, III mixture, 8, 16, 8 competitors. Additionally we have made combination. For such an instrument, a so many minor changes aimed specifically suitable pedal section would probably have for organists from this sceptred isle. For example, we have extended upon our Great between 6 and 9 stops making a total of & Pedal Combinations Coupled and Swell perhaps 30. Octave coupler to include other octave After much discussion covering many couplers such as Swell Suboctave, Swell points, the specification we finalised on is: Pedal Harmonic Bass 32’ Mixture (19.22.26) III Open Diapason 16’ Trumpet 8’ With this specification, we still have a with general and divisional pistons having Violone 16’ Corno di Bassetto 8’ number of options. For example, in some divided memories. Control of the instrument Bourdon 16’ Swell Suboctave to Great cases the organist would prefer either is exceptionally easy, with visualisation on Swell to Great a Sub Bourdon or a Contra Violone as our large LCD screen which also shows the Principal 8’ the 32’ pedal stop, or perhaps a Dulciana position of the Swell pedal, tuning and many Swell Octave to Great rather than a Gamba on the Great. These other details. Bass Flute 8’ and indeed other options, like a Flageolet So who should purchase this instrument? With rather than a Fifteenth on the Swell, will be an external 8.1 configuration of UL speakers, Choral Bass 4’ Swell (enclosed) available on this instrument with a varying it is the perfect two manual instrument for Trombone 16’ Open Diapason 8’ complement of speakers according to a small to medium church. However, with a specification choices made. Swell to Pedal smaller 8.1 speaker configuration which could Lieblich Gedackt 8’ This instrument really provides tremendous easily be floor or wall mounted, it makes Great to Pedal versatility for the player, as well as quality the perfect English instrument for home use Salicional 8’ Gt & Ped Combs Coupled sounds for the listener. as well. As ever, we use one amplifier per Voix Celeste 8’ The Great Seventeenth has several speaker which means that this instrument functions. Firstly with the chorus in will contain a generous set of nine amplifiers Great Gemshorn 4’ mind, the French sound with a prominent for thirty speaking stops giving a ratio of just over three stops per speaker, putting it in the Bourdon 16’ Fifteenth 2’ Tierce in the mixture is easily reproduced. Secondly, with the Twelfth a Sesquialtera is exceptionally high quality range of sound. Open Diapason I 8’ Mixture (15.19.22) III produced. Finally with the 8’, 4’ 2 2/3’ and 2’ Of course the crowning glory of this stops, a Cornet is obtained.
Recommended publications
  • May-June 2014
    SOUTHERN NEVADA CHAPTER OF THE AMERICAN GUILD OF ORGANISTS THE DESERT WIND Editor: Bruce Behnke © 2014 Issue: May/June 2014 Southern Nevada Chapter Dean’s Notes American Guild of Organists Dear Organ Friends, In one of my pleas for material for We will have a “swearing in” after this edition, it was suggested that I Here it is the end of April already the elections, even if there are no mention the familiar program, “Mu- and we’re quickly sliding into May changes made. In the past we have sic and the Spoken Word.” There are and some relaxing summer months. had a catered dinner for this event several ways of viewing this program. All we have to do now is prepare so watch for future information. Set your internet browser to for the blistering heat! Thanks to all of you for your con- http://musicandthespokenword.com/ Our chapter is up for elections tributions to the Guild. I can’t name broadcast/ again this year. Anyone who would everyone here because there are so like to serve on the board or would many who have helped us have a and you can watch it online . Cox Ca- like to be released from the board, great AGO Chapter with great pro- ble runs the program Sunday morn- please call or email me. 274-9495 grams. or [email protected]. We will ing at 8:30 A. M. on channel 352 BYUTV. have an election committee to cre- Have a good summer, but we’ll see ate and send out ballots. I have en- you at least once more before we This being the final issue of this year, joyed being the dean and will hap- all scatter all over the world! pily continue unless someone else your editor would like to thank the is just dying to have the position.
    [Show full text]
  • June 2007 Newsletter Revised.Pmd
    Hilbus Chapter The Organ Historical Society, Inc. Where the Tracker Action Is! www.hilbus.org Volume 36 Number 10 June 2007 Whole No. 332 Saturday, June 23, 2007 Three Unique Pipe Organs of the Bel Air, Maryland area [THANKS TO KEVIN CLEMENS FOR ARRANGING THIS DAY!] 10:00 AM Christ the King Presbyterian Church 10 Lexington Road Bel Air, MD 21014 Reuter Pipe Organ, Opus 2203 (installed 2000) This is one of the very few Reuter Pipe Organs found in the Baltimore area. A small organ of 11 ranks, it is very versatile and fills the small sanctuary. Larry Mentzer is the organist and host. Church members have requested to attend to hear us play the organ. Bring your organ music and organ shoes. Directions: Interstate 95 - North toward New York. Exit at 77B toward Bel Air on to MD 24 North. Stay in far right lane and merge on to MD 924 which is Emmorton Road; turn on to Lexington Road. Christ the King Presbyterian Church is on right hand side of Emmorton Road and parking is in the back on Lexington Road. 11:15 AM First Presbyterian Church 224 North Main Street Bel air, MD 21014 Austin Pipe Organ, Opus 2339 [crawl information continued next page] CHAIRMAN: Carl Schwartz, 12802 Ruxton Road, Silver Spring, MD 20904 (301) 236-0315 VICE CHAIRMAN: Kevin Clemens, 711 Court Square Way, Edgewood, MD 21040 (410) 679-2271 SECRETARY-TREASURER: Barbara Birckner, 6606 Farmer Drive, Fort Washington, MD 20744 (301) 449-4399 EDITOR: Thom Robertson, 7511 Ashby Lane, Unit A, Alexandria, VA 22315 (703) 922-0719 EDITORIAL A DVISOR: Carolyn Fix, 116 Battle Street, SW, Vienna, VA 22180 (703) 281-5046 Articles and news may be submitted to the Editor electronically: [email protected] Dues due in October: $14, mailed to Secretary-Treasurer (Checks payable to Hilbus Chapter, OHS) Page 1 This is a large 2-manual pipe organ of 26 ranks in a medium size sanctuary.
    [Show full text]
  • Organs: Technology and Technique for LDS Organists
    Understanding and Mastering Pipe (and Electric) Organs: Technology and Technique for LDS Organists by Irvin T. Nelson Copyright 2001, 2006, 2009 by Irvin T. Nelson 225 N. 100 E., Smithfield, UT 84335 Making unaltered copies for non-commercial use is permitted. All other rights reserved. This and other materials may be downloaded free at: www.irvnelsonmusic.com Draft 2.1; January 1, 2009 Preface The pipe organ is the fundamental musical instrument of the Church. No other instrument can even begin to match its utility and power for accompanying the Hymns of the Restoration. A well-played organ enables and assists the Spirit in touching the hearts of the Saints. There is a shortage of qualified, trained organists in the Church, and this scarcity appears to be growing. Nearly all LDS chapels have organs, many of which are of reasonably good quality, and a precious few of which are real pipe organs. However, in many wards, there are few or no qualified organists who have been trained to get the most out of these marvelous instruments. It is a tragic waste when a very expensive pipe organ is underutilized simply because the organist doesn’t know what the buttons, levers, and knobs do, and how to get a good sound for a particular hymn. Similarly, the electric organ, which is a fine instrument in its own right, is often underutilized for the same reason. This manuscript is written for pianists who want to learn the organ. Without information and training, even excellent pianists are sometimes poor organists. This is not due to a lack of talent, but simply because of the following three factors: 1.
    [Show full text]
  • Guidance Notes for Visiting Organists 2018
    St. Peter’s Cathedral Organ Guidance Notes for Visiting Organists 2018 Introduction Welcome to St. Peter’s Cathedral. We hope you enjoy your visit and the opportunity to play this wonderful instrument. The 1929 Hill, Norman and Beard Organ is one of the Cathedral’s great treasures and must be respected as such. Please study these notes carefully to ensure that your playing experience at the Cathedral is a positive one, and that the instrument remains in fine condition for many years to come. Thank you for your cooperation and music ministry in this wonderful space. David Heah Cathedral Organist December 2018 Table of Contents Introduction ............................................................................................................................................ 1 Practical Arrangements for Visiting Organists ........................................................................................ 2 Access to the Organ Loft ................................................................................................................... 2 Organ Practice .................................................................................................................................... 2 Switching On ....................................................................................................................................... 2 Switching Off ....................................................................................................................................... 2 Pistons and Memory Levels ...............................................................................................................
    [Show full text]
  • Issue XXXVIII Volume 10 November 2005
    VV OX OOCEANA VNVEWSLETTER OF THE RHODE ISLANDOO CHAPTER OF THE AMERICAN GUILD OF ORGANISTS VOLUME XXXVIII, NO.10 NOVEMBER, 2005 RI CHAPTER OFFICERS FROM THE DEAN AND APPOINTMENTS 2005-2006 On October 13-16, I attended a symposium at the Eastman School of Music entitled The Italian Baroque Organ: Context, Instruments, Repertory, and Performance. Eastman purchased Dean, Dr. Martha Sobaje 823-8024; 467-3300 ext. 3 a full-size antique Italian baroque organ and it arrived in Rochester this past summer. What a [email protected] wonderful experience to sit in the Fountain Court of the Memorial Art Gallery and not only Sub-Dean, Julie L. Tagen hear, but see this spectacular instrument, while surrounded by great works of Italian baroque 885-7438 art hanging on the walls. I couldn’t help but be reminded of how it restores the soul just to [email protected] take in beauty, and that we should all do more of that. So, get out there, go to museums, to Secretary, David Cranmer concerts, and above all, to as many organ recitals as possible! 447-9848 Martha Treasurer, David Clyle Morse 486-0244 FROM THE SUB-DEAN Membership, Doris Alberg Bring your aches and pains at the keyboard to physical therapist Mary Szabo. She will give 567-5781 strategies to help you to play more comfortably and prevent repetitive motion injuries. Bring Historian, Peter N. LaMoria a short piece or hymn to play so she can observe you in action. The program will begin 723-6974; 726-2600 promptly at 9:30 AM, November 19 at Beneficent Congregational Church, 300 Weybosset Placement, Howard Phelps St., Providence.
    [Show full text]
  • American Institute of Organbuilders 2016 Convention Boston, Massachusetts
    American Institute of Organbuilders 2016 Convention Boston, Massachusetts Welcome Convention Hotel Boston Marriott Quincy 1000 Marriott Drive Quincy, MA 02169 (617) 472-1000 rates from $149.00 + tax USD/Night Group Code: aioaioa Registration American Institute of Organbuilders Robert Sullivan - Executive Secretary PO Box 35306 Canton, Ohio 44735 330.806.9011 [email protected] Convention Overview Committee David Beck - Chairperson Sean O’Donnell - Education Charles Eames - Treasurer Robert Sullivan - Executive Secretary Welcome to Boston! Historians know Boston as the birthplace of the American Revolution. Over 250,000 college students find it a cool place to live and learn. Tourists like Boston for its European ambiance. Classical musicians love it for its thriving choral, orchestral, opera and early music scenes. Organists know Boston as Mecca: the backyard of Hook, Hastings and Hutchings, home turf for Skinner and Harrison, and the big town for Fisk, Andover and Noack. New and restored instruments abound, and not just from the local guys: Schoenstein, Richards Fowkes and Juget-Sinclair are represented here. In turn, these organs occupy some of America’s finest buildings—from the restrained neo-Classicism of Asher Benjamin’s Old West Church and Charles McKim’s Symphony Hall, to the exuberant Victorianism of John Sturgis’s Church of the Advent and Willard Sears’ “New” Old South Church, or the one-of-a-kind genius of H.H. Richardson’s Trinity Church. Past, present and future combine as one here. We invite you to experience all of this in Boston. Sincerely, AIO 2016 Boston Committee Jonathan Ambrosino, William Catanesye, William Czelusniak, Michael Foley, Andrew Gingery, Jonathan Ortloff and Matthew Bellocchio, Chair 3 2016 Convention Information Hotel Parking e outdoor parking lot is at the far end of the hotel.
    [Show full text]
  • BYU ORGAN WORKSHOP 2019 DAILY SCHEDULE—Subject to Change
    BYU ORGAN WORKSHOP 2019 DAILY SCHEDULE—Subject to change • Pre-Workshop Seminar, Monday 3:00-6:00 p.m., Madsen Recital Hall Tracing the History of the Organ in the United States From the American Classic Organ Forward Dr. David Pickering • Classes and items marked with an asterisk (*) are of particular value to beginning organists. They make up a complete curriculum that is strongly recommended to those with keyboard training but little or no organ instruction. TUESDAY, AUG 6 WEDNESDAY, AUG 7 THURSDAY, AUG 8 FRIDAY, AUG 9 8:00 Registration Check-in Music Theory for the Organist Music Theory for the Organist Music Theory for the Organist (Part 1, 2 hours) (Part 2, 2 hours) (Part 3, 2 hours) Displays open (8:00-9:00) *Level 1-2: Pickering *Level 1-2: Pickering *Level 1-2: Pickering 8:15 Organ Terminology Boot Camp Levels 3-4: Hofeling Levels 3-4: Hofeling Levels 3-4: Hofeling Forsyth Levels 5-6: Peeples Levels 5-6: Peeples Levels 5-6: Peeples 9:00 *(9:00) Opening Session After Level 6: From Theory to After Level 6: From Theory to After Level 6: From Theory to Keynote Address: Harmon Practice – Creating Hymn Practice – Creating Hymn Practice – Creating Hymn Preludes (Part 1) (12 seats only) Preludes (Part 2) Preludes (Part 3) Harmon Harmon Harmon 10:00 *1. Orientation, Questions, *1. Getting Through Sunday *1. Getting Through Sunday *1. Sight-Reading Tips and Answers (a “must” for Morning: Hymn Playing Morning: Preludes and (repeat) first-timers, recommended for Shortcuts Postludes in a Pinch Pomeroy all) Peterson Peterson Cook 2.
    [Show full text]
  • Download Brochure
    CUSTOM ORGANS 1 2 CRAFTSMANSHIP FOR MANY YEARS Through the years from our origins with the John Compton organ business, Makin has always strived to deliver the best in terms of both sound and leading edge technology to a very discerning audience of organists, schooled in the English style of organ building. his great tradition continues today with our Custom range of instruments. Designed and built by organists for organists, these instruments are at the pinnacle of the pipeless organ world with a sound and build quality that simply can’t be beaten, yet at a price that is affordable. We never compromise on sound so rather like a pipe organ Twhich has a separate pipe for every note, we have a separate ‘sample’ for every single note of every single stop. This is why Makin organs are so authentic and indeed so sort after. Through the years we have developed of the specification which, above all, should be many new features with associated benefits, versatile and not limited. As a simple example, including for example a realistic swell box for a three manual instrument, should the where on closing the box, the upper frequencies third manual be an enclosed choir division or are lost first just like in a pipe organ. What’s an unenclosed positive; the choice is yours. more Makin has no artificial limitations in its Whatever the options chosen, these are system so octave and suboctave couplers and market leading instruments designed to help features such as ‘Great & Pedal Combinations enhance your playing and the singing of your coupled’ come as standard on our instruments.
    [Show full text]
  • CONSOLE ATOS Julaug 50-4 J 6/9/08 11:31 AM Page 1
    ATOS JulAug 50-4 J 6/9/08 11:11 AM Page 1 JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY JULY | AUGUST 2008 50THEATRE ORGAN YEARS ATTHE CONSOLE ATOS JulAug 50-4 J 6/9/08 11:31 AM Page 1 THEATRE ORGAN JULY | AUGUST 2008 Volume 50 | Number 4 FEATURES THEATRE ORGAN Bob Balfour Memorial 12 Wonder Morton Demystifying the 16 Diaphone Theatre Organ and Its 50 28 History of Innovation YEARS Discography Part 3 34 Richard W. “Dick” Leibert DEPARTMENTS 4 Vox Humana 5 Headquarters 6 Director’s Corner 7 Letters 8 News & Notes 10 Professional Perspectives 32 Vox Pops 50 For the Records 53 Ex Libris 54 Chapter News 65 From the Archives 66 Pipe Piper 71 Around the Circuit On the cover: Geoffrey Paterson concludes his fascinating Dick Leibert annotated discography with a careful examination of recordings made by the organist late in his career. 74 Meeting Minutes THEATRE ORGAN (ISSN 0040-5531) is published bimonthly by the American Theatre Organ Society, Inc., 5 Third Street, Suite 724, San Francisco, California 94103-3200. Periodicals Postage Paid at San 78 Obituaries Francisco, California and at additional mailing offices. Annual subscription of $33.00 paid from members’ dues. POSTMASTER: Send address changes to THEATRE ORGAN, c/o ATOS Membership Office, P.O. Box 5327, Fullerton, California 92838, [email protected]. JULY | AUGUST 2008 1 ATOS JulAug 50-4 J 6/9/08 11:32 AM Page 2 TWO SENSATIONAL NEW RECORDINGS BY JelaniJelani EddingEddingttonon phoenixphoenix renaissancerenaissance 55-manual-manual 106-rank Midmer--LoshLosh symphonic-theatre organ AdrianAdrian W.
    [Show full text]
  • Summer Youth Adventure SEE PAGE 50
    J OURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY SEPTEMBER | OCTOBER 2016 www.atos.org ATOS SepOct 58-5 E.indd 1 8/19/16 3:00 PM Summer Youth Adventure SEE PAGE 50 ATOS SepOct 58-5 E.indd 2 8/19/16 3:00 PM THEATRE ORGAN SEPTEMBER | OCTOBER 2016 Volume 58 | Number 5 FEATURES 2016 Convention George Wright Memorial SEE PAGE 21 12 Fellowship Recipients ATOS 13 Awards 2016 Annual Convention 21 Review 10th Anniversary 50 Summer Youth Adventure Young Theatre 58 Organist Competition DEPARTMENTS 3 Vox Humana 6 President’s Message 8 Director’s Corner 10 News & Notes 11 Letters 11 Mystery Photo 18 For the Records 60 Chapter News 66 Around the Circuit 70 Meeting Minutes The Senate Theatre Marquee (Photo by Rob Thomas) THEATRE ORGAN (ISSN 0040-5531) is published bimonthly by the American Theatre Organ On the cover: Society, Inc., 7800 Laguna Vega Drive, Elk Grove, California 95758. Periodicals Postage Paid Cleveland: Tower City Center and the at Elk Grove, California and at additional mailing offices. Annual subscription of $33.00 paid Renaissance Hotel (Photo by Jonathan from members’ dues. POSTMASTER: Send address changes to THEATRE ORGAN, c/o ATOS Kleefield) Membership Office, P.O. Box 6491, Aloha, Oregon 97007-0491, [email protected]. www.atos.org SEPTEMBER | OCTOBER 2016 1 ATOS SepOct 58-5 E.indd 1 8/23/16 2:28 PM Journal of the American Theatre Organ Society Library of Congress Catalog Number ML 1T 334 (ISSN 0040-5531) Printed in U.S.A. SEPTEMBER | OCTOBER 2016 Volume 58 | Number 5 THEATRE ORGAN JOURNAL PRESIDENT & CHIEF EXECUTIVE Ken Double ([email protected]) THEATRE ORGAN (title registered U.S.
    [Show full text]
  • Historic Organs of Belgium May 15-26, 2018 12 Days with J
    historic organs of BELGIUM May 15-26, 2018 12 Days with J. Michael Barone www.americanpublicmedia.org www.pipedreams.org National broadcasts of Pipedreams are made possible with funding from Mr. & Mrs. Wesley C. Dudley, grants from Walter McCarthy, Clara Ueland, and the Greystone Foundation, the Art and Martha Kaemmer Fund of the HRK Foundation, and Jan Kirchner on behalf of her family foun- dation, by the contributions of listeners to American Public Media stations nationwide, and by the thirty member organizations of the Associated Pipe Organ Builders of America, APOBA, represent- ing the designers and creators of pipe organs heard throughout the country and around the world, with information at www.apoba.com. See and hear Pipedreams on the Internet 24-7 at www.pipedreams.org. A complete booklet pdf with the tour itinerary can be accessed online at www.pipedreams.org/tour Table of Contents Welcome Letter Page 2 Bios of Hosts and Organists Page 3-6 A History of Organs in Belgium Page 7-12 Alphabetical List of Organ Builders Page 13-17 Organ Observations Page 18-21 Tour Itinerary Page 22-25 Playing the Organs Page 26 Organ Sites Page 27-124 Rooming List Page 125 Traveler Profiles Page 126-139 Hotel List Page 130-131 Map Inside Back Cover Thanks to the following people for their valuable assistance in creating this tour: Rachel Perfecto and Paul De Maeyer Valerie Bartl, Cynthia Jorgenson, Kristin Sullivan, Janet Tollund, and Tom Witt of Accolades International Tours for the Arts in Minneapolis. In addition to site specific websites, we gratefully acknowledge the following source for this booklet: http://www.orgbase.nl PAGE 22 HISTORICALORGANTOUR OBSERVATIONS DISCOGRAPHYBACKGROUNDWELCOME ITINERARYHOSTS Welcome Letter from Michael..
    [Show full text]
  • MARCH 2019 the Cathedral of Christ the King Superior, Wisconsin Cover Feature on Pages 22–23
    THE DIAPASON MARCH 2019 The Cathedral of Christ the King Superior, Wisconsin Cover feature on pages 22–23 PHILLIP TRUCKENBROD CONCERT ARTISTS ANTHONY & BEARD ADAM J. BRAKEL THE CHENAULT DUO PETER RICHARD CONTE CONTE & ENNIS DUO LYNNE DAVIS ISABELLE DEMERS CLIVE DRISKILL-SMITH DUO MUSART BARCELONA JEREMY FILSELL MICHAEL HEY HEY & LIBERIS DUO CHRISTOPHER HOULIHAN DAVID HURD SIMON THOMAS JACOBS MARTIN JEAN HUW LEWIS RENÉE ANNE LOUPRETTE LOUPRETTE & GOFF DUO ROBERT MCCORMICK BRUCE NESWICK ORGANIZED RHYTHM RAéL PRIETO RAM°REZ JEAN-BAPTISTE ROBIN ROBIN & LELEU DUO BENJAMIN SHEEN HERNDON SPILLMAN CAROLE TERRY JOHANN VEXO BRADLEY HUNTER WELCH JOSHUA STAFFORD THOMAS GAYNOR 2016 2017 LONGWOOD GARDENS ST. ALBANS WINNER WINNER IT’S ALL ABOUT THE ART ǁǁǁ͘ĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ 860-560-7800 ŚĂƌůĞƐDŝůůĞƌ͕WƌĞƐŝĚĞŶƚͬWŚŝůůŝƉdƌƵĐŬĞŶďƌŽĚ͕&ŽƵŶĚĞƌ THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Tenth Year: No. 3, Our website and more vintage issues Whole No. 1312 We have uploaded more digitized issues from our 110 year MARCH 2019 history at our website, www.thediapason.com. At this time, sub- Established in 1909 scribers can view most issues from 1944–1945, 1966–1993, and Stephen Schnurr ISSN 0012-2378 2005 to the present. There are some gaps within these years, 847/954-7989; [email protected] and we are interested in acquiring missing issues, should you www.TheDiapason.com An International Monthly Devoted to the Organ, have them. The project of digitization will continue, with the the Harpsichord, Carillon, and Church Music goal at the end of phase 1 to offer PDFs of issues between 1944 Avenue, New York City. Jonathan Ortloff and Kola Owolabi and the present.
    [Show full text]