The New LDS Organist a Guide Through the First Months V.1707
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Welcome to Shadyside Presbyterian Church
Welcome to Shadyside Presbyterian Church We are grateful for your presence and invite you to participate in the worship, study, fellowship, and service of this congregation. If you are a guest with us this morning, our ushers are available to assist you. Following worship, we invite those who are new to the church to join us under the ficus tree in the Sharp Atrium, where New Member Committee representatives will greet you and answer any questions you may have. Nursery care is available for infants through three-year-olds during worship. Pagers are available. A cry room with an audio broadcast of worship is available downstairs in the Marks Room. Children in Worship – At 11:00 a.m., families with two- and three-year-olds are welcome to report directly to the Nursery. Four-year-olds through second-graders attend worship and may exit with their teachers before the sermon to participate in children’s chapel worship and Christian education. (If you are a first-time guest, please accompany your child to the Chapel, and then you may return to the Sanctuary.) Parents should meet their children in the Christian education classrooms after worship. On the first Sunday of the month, first- and second-graders stay in worship through the entire service for Communion. A bulletin insert designed for children is available in the Narthex. A video broadcast of worship is available in the Craig Room, accessible through the Narthex at the back of the Sanctuary. Flower Ministry – After worship, members of the Board of Deacons’ Flower Ministry divide the chancel flowers into bouquets to be distributed to individuals who are celebrating joyous occasions and to those who could use some cheer. -
CHURCH ORGANIST Job Description Principal Function the Church Organist Is a Committed Christian Who Provides Organ Music And
CHURCH ORGANIST Job Description Principal Function The Church Organist is a committed Christian who provides organ music and accompaniment for scheduled worship services and other activities in support of the music ministry of the church. Having a pivotal role in the musical life of the church, this individual is a strong team player, being a full partner with the ministerial staff and the Church Pianist of Shades Crest Baptist Church. Job Description This year-round position is defined as salary (no overtime pay), restricted part time. Expectation of attendance is for Sunday worship services, rehearsals with the Sanctuary Choir and the Orchestra, and other special services, including (but not limited to) Christmas and Easter. The work is done cooperatively, especially with the Music Minister and the Church Pianist. As a part of the musical leadership team of the church, the Organist is expected to advocate for the music program. Job Requirements 1. A disciple of Jesus Christ, committed to growing in faith through practicing the spiritual disciplines of prayer, Scripture study, worship participation, and service at and beyond Shades Crest Baptist Church. 2. Experience in church worship, with both organ and other music and hymnody (understanding and familiarity with blended worship preferred). 3. Flexibility to play in blended style services that include all types of worship music. 4. Knowledge of the instrument and keyboard ability sufficient to play hymns, songs, and anthem accompaniments. Ability to sight-read and improvise is desired. 5. High degree of competence on organ, and the ability to accompany groups and individuals. 6. Knowledge of basic music theory and ability to perform simple transpositions or harmonizations. -
May-June 2014
SOUTHERN NEVADA CHAPTER OF THE AMERICAN GUILD OF ORGANISTS THE DESERT WIND Editor: Bruce Behnke © 2014 Issue: May/June 2014 Southern Nevada Chapter Dean’s Notes American Guild of Organists Dear Organ Friends, In one of my pleas for material for We will have a “swearing in” after this edition, it was suggested that I Here it is the end of April already the elections, even if there are no mention the familiar program, “Mu- and we’re quickly sliding into May changes made. In the past we have sic and the Spoken Word.” There are and some relaxing summer months. had a catered dinner for this event several ways of viewing this program. All we have to do now is prepare so watch for future information. Set your internet browser to for the blistering heat! Thanks to all of you for your con- http://musicandthespokenword.com/ Our chapter is up for elections tributions to the Guild. I can’t name broadcast/ again this year. Anyone who would everyone here because there are so like to serve on the board or would many who have helped us have a and you can watch it online . Cox Ca- like to be released from the board, great AGO Chapter with great pro- ble runs the program Sunday morn- please call or email me. 274-9495 grams. or [email protected]. We will ing at 8:30 A. M. on channel 352 BYUTV. have an election committee to cre- Have a good summer, but we’ll see ate and send out ballots. I have en- you at least once more before we This being the final issue of this year, joyed being the dean and will hap- all scatter all over the world! pily continue unless someone else your editor would like to thank the is just dying to have the position. -
And One in Three!
1 organ news OrganNews No. 22 The official publication of Makin Organs, Johannus and Copeman Hart IN THIS ISSUE Page 2 Three in New Makin Thirlmere organ Page 3 one – and Johannus launch the Ecclesia organs one in three! Page 4 Posture whilst playing Page 5 Hybrid organs Page 6 New Copeman Hart demo organ Page 8 The fourth line of the Trinity hymn “I bind unto myself Organ voicing today”, often sung to the tune St Patrick’s Breastplate, is “Three in one and one in three”. Page 10 This is so appropriate for Testimonials ChurchOrganWorld as we have three distinct brands of Page 14 instrument, each of which has Meet the Staff its own range of benefits, styles and groups of customers, all now Page 16 available under one roof from a of organists from this sceptred isle, Cathedral, included in the price. single company. Customers are which is why other brands simply There is no other company who Some recent well aware of our capabilities don’t ‘cut the mustard’. This great offers the skills of such a world installations from the simplest home practice tradition continues today with renowned organist and musician instrument right through to an beautiful hand crafted consoles. to its customers; in essence it was instrument suitable for the largest Copeman Hart are simply the best concluded that there was little of cathedrals. No other company digital organs available, being built point in following the well trodden offers such a range of quality to the same exacting standards path of the competition by having options, all of which come with the of the best pipe organ consoles a well meaning, but none the less best in service and at a price that available. -
PIERRE COCHEREAU: a LEGACY of IMPROVISATION at NOTRE DAME DE PARIS By
PIERRE COCHEREAU: A LEGACY OF IMPROVISATION AT NOTRE DAME DE PARIS By ©2019 Matt Gender Submitted to the graduate degree program in School of Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. ______________________________ Chairperson: Michael Bauer ______________________________ James Higdon ______________________________ Colin Roust ______________________________ David Alan Street ______________________________ Martin Bergee Date Defended: 05/15/19 The Dissertation Committee for Matt Gender certifies that this is the approved version of the following dissertation: PIERRE COCHEREAU: A LEGACY OF IMPROVISATION AT NOTRE DAME DE PARIS _____________________________ Chairperson: Michael Bauer Date Approved: 05/15/19 ii ABSTRACT Pierre Cochereau (1924–84) was the organist of Notre Dame Cathedral in Paris and an improviser of organ music in both concert and liturgical settings. He transformed the already established practices of improvising in the church into a modern artform. He was influenced by the teachers with whom he studied, including Marcel Dupré, Maurice Duruflé, and André Fleury. The legacy of modern organ improvisation that he established at Notre Dame in Paris, his synthesis of influences from significant figures in the French organ world, and his development of a personal and highly distinctive style make Cochereau’s recorded improvisations musically significant and worthy of transcription. The transcription of Cochereau’s recorded improvisations is a task that is seldom undertaken by organists or scholars. Thus, the published improvisations that have been transcribed are musically significant in their own way because of their relative scarcity in print and in concert performances. This project seeks to add to this published collection, giving organists another glimpse into the vast career of this colorful organist and composer. -
Rcco Toronto Centre Substitute Organist List
RCCO TORONTO CENTRE SUBSTITUTE ORGANIST LIST Included in this list is the contact information for organists in the Greater Toronto Area who are available as substitutes. Several of the organists on this list have provided a short biography detailing their experience, which you can read on the following pages of this document. If you would like to be added or removed from this list, please email Sebastian Moreno at [email protected]. You must be a current Toronto Centre RCCO member to appear on the list! Name Phone E-mail Location Peter Bayer (703) 209-5892 [email protected] Toronto Paulo Busato (416) 795-8877 [email protected] Toronto John Charles (289) 788-6451 [email protected] Toronto/ Hamilton J.-C. Coolen (905) 683-5757 [email protected] Ajax Patrick Dewell (647) 657-2486 [email protected] Toronto Quirino Di Giulio (416) 323-1537 [email protected] Toronto Kelly Galbraith (416) 655-7335 [email protected] Toronto Marianne Gast (416) 944-9698 [email protected] Toronto William Goodfellow (416) 694-3753 [email protected] Scarborough Kimberly Hanmer (416) 417-1325 [email protected] Toronto/ Hamilton Christine Hanson (647) 460-7027 [email protected] Toronto Paul Jessen (416) 419-6904 [email protected] Toronto Glenn Keefe [email protected] Toronto Matthew Larkin [email protected] Toronto/ Ottawa Sebastian Moreno (647) 278-5559 [email protected] Mississauga/ Toronto Gerald Martindale (647) 458-0213 [email protected] -
Part-Time Organist / Choirmaster
JOB DESCRIPTION: PART-TIME ORGANIST / CHOIRMASTER Organization / Position The Church of St. Mark located in Crown Heights, has been serving Brooklyn for over 180 years. It is a church with an Anglo-Catholic liturgical tradition and it is commonly referred to as the cathedral on the hill. St. Mark’s is a program size church with three services on a Sunday at 7:30AM, 9AM and 11:15AM. The church has a rich choral tradition and organists enjoy playing the Opus 143, electric-slide action, 3 manuals, 45 stops, 36 ranks organ. St. Mark’s Church seeks a part-time organist / choirmaster to further enhance the vibrant music ministry. The candidate must have an aptitude for the Anglican & classical music tradition as well as gospel and jazz. Responsibilities Church Services: Play and direct music at the 11:15AM Sunday Services and occasionally at the 7:30AM services. Play and direct music at assign special services such as Christmas Eve, Christmas day, New Year’s Eve, Ash Wednesday, Maundy Thursday, Good Friday, EvenSong, Lessons & Carols, major ordinations or celebrations and weddings and funerals. Choir Director: Select, review and arrange music for services and provide the necessary information in a timely manner for the preparation of the service bulletin. Prepare for and conduct weekly rehearsals, pre-service warm-up rehearsals and others as deemed necessary. The choir is used to singing anthems every Sunday and the congregation sings the entire mass along with the choir. Where necessary, sort out and select instrumentalist to accompany the choir. Purposefully recruit and encourage parish volunteers with musical talent to become choir members. -
June 2007 Newsletter Revised.Pmd
Hilbus Chapter The Organ Historical Society, Inc. Where the Tracker Action Is! www.hilbus.org Volume 36 Number 10 June 2007 Whole No. 332 Saturday, June 23, 2007 Three Unique Pipe Organs of the Bel Air, Maryland area [THANKS TO KEVIN CLEMENS FOR ARRANGING THIS DAY!] 10:00 AM Christ the King Presbyterian Church 10 Lexington Road Bel Air, MD 21014 Reuter Pipe Organ, Opus 2203 (installed 2000) This is one of the very few Reuter Pipe Organs found in the Baltimore area. A small organ of 11 ranks, it is very versatile and fills the small sanctuary. Larry Mentzer is the organist and host. Church members have requested to attend to hear us play the organ. Bring your organ music and organ shoes. Directions: Interstate 95 - North toward New York. Exit at 77B toward Bel Air on to MD 24 North. Stay in far right lane and merge on to MD 924 which is Emmorton Road; turn on to Lexington Road. Christ the King Presbyterian Church is on right hand side of Emmorton Road and parking is in the back on Lexington Road. 11:15 AM First Presbyterian Church 224 North Main Street Bel air, MD 21014 Austin Pipe Organ, Opus 2339 [crawl information continued next page] CHAIRMAN: Carl Schwartz, 12802 Ruxton Road, Silver Spring, MD 20904 (301) 236-0315 VICE CHAIRMAN: Kevin Clemens, 711 Court Square Way, Edgewood, MD 21040 (410) 679-2271 SECRETARY-TREASURER: Barbara Birckner, 6606 Farmer Drive, Fort Washington, MD 20744 (301) 449-4399 EDITOR: Thom Robertson, 7511 Ashby Lane, Unit A, Alexandria, VA 22315 (703) 922-0719 EDITORIAL A DVISOR: Carolyn Fix, 116 Battle Street, SW, Vienna, VA 22180 (703) 281-5046 Articles and news may be submitted to the Editor electronically: [email protected] Dues due in October: $14, mailed to Secretary-Treasurer (Checks payable to Hilbus Chapter, OHS) Page 1 This is a large 2-manual pipe organ of 26 ranks in a medium size sanctuary. -
Silent Film Music and the Theatre Organ Thomas J. Mathiesen
Silent Film Music and the Theatre Organ Thomas J. Mathiesen Introduction Until the 1980s, the community of musical scholars in general regarded film music-and especially music for the silent films-as insignificant and uninteresting. Film music, it seemed, was utili tarian, commercial, trite, and manipulative. Moreover, because it was film music rather than film music, it could not claim the musical integrity required of artworks worthy of study. If film music in general was denigrated, the theatre organ was regarded in serious musical circles as a particular aberration, not only because of the type of music it was intended to play but also because it represented the exact opposite of the characteristics espoused by the Orgelbewegung of the twentieth century. To make matters worse, many of the grand old motion picture theatres were torn down in the fifties and sixties, their music libraries and theatre organs sold off piecemeal or destroyed. With a few obvious exceptions (such as the installation at Radio City Music Hall in New (c) 1991 Indiana Theory Review 82 Indiana Theory Review Vol. 11 York Cityl), it became increasingly difficult to hear a theatre organ in anything like its original acoustic setting. The theatre organ might have disappeared altogether under the depredations of time and changing taste had it not been for groups of amateurs that restored and maintained some of the instruments in theatres or purchased and installed them in other locations. The American Association of Theatre Organ Enthusiasts (now American Theatre Organ Society [ATOS]) was established on 8 February 1955,2 and by 1962, there were thirteen chapters spread across the country. -
Organs: Technology and Technique for LDS Organists
Understanding and Mastering Pipe (and Electric) Organs: Technology and Technique for LDS Organists by Irvin T. Nelson Copyright 2001, 2006, 2009 by Irvin T. Nelson 225 N. 100 E., Smithfield, UT 84335 Making unaltered copies for non-commercial use is permitted. All other rights reserved. This and other materials may be downloaded free at: www.irvnelsonmusic.com Draft 2.1; January 1, 2009 Preface The pipe organ is the fundamental musical instrument of the Church. No other instrument can even begin to match its utility and power for accompanying the Hymns of the Restoration. A well-played organ enables and assists the Spirit in touching the hearts of the Saints. There is a shortage of qualified, trained organists in the Church, and this scarcity appears to be growing. Nearly all LDS chapels have organs, many of which are of reasonably good quality, and a precious few of which are real pipe organs. However, in many wards, there are few or no qualified organists who have been trained to get the most out of these marvelous instruments. It is a tragic waste when a very expensive pipe organ is underutilized simply because the organist doesn’t know what the buttons, levers, and knobs do, and how to get a good sound for a particular hymn. Similarly, the electric organ, which is a fine instrument in its own right, is often underutilized for the same reason. This manuscript is written for pianists who want to learn the organ. Without information and training, even excellent pianists are sometimes poor organists. This is not due to a lack of talent, but simply because of the following three factors: 1. -
Gerald Near—List of Music for Organ, Organ Transcriptions, Organ and Instruments, Harpsichord and Hymns with Annotations Prepared by Steven Egler, Revised March 2017
Gerald Near—List of Music for Organ, Organ Transcriptions, Organ and Instruments, Harpsichord and Hymns with Annotations Prepared by Steven Egler, Revised March 2017 AE=Aureole Editions MSM=MorningStar Music Publishers OP=Out of Print Organ Solo Carillon on a Ukranian Bell Carol. AE, 2006. AE151. Dedicated to Dr. Steven Egler. Note: Based upon the familiar “Carol of the Bells.” Chantworks: Organ Music for the Church Year based upon Gregorian Chant melodies. Set I—Advent, Christmas, Epiphany. AE, 1997. AE42. 1. “Veni, Veni Emmanuel” (“O Come, O Come Emmanuel”)-- Advent 2. “Conditor Alme Siderum” (“Creator of the Stars of Night”)-- Advent 3. “Vox Clara Ecce Intonat” (“Hark! A Thrilling Voice Is Sounding”)--Advent 4. “Divinum Mysterium” (“Of the Father’s Love Begotten”)-- Christmas 5. “O Solis Ortus Cardine” (“From east to west, from shore to shore”)--Christmas 6. “Christe, Redemptor Omnium” (“Jesu, Redeemer of the world”)—Christmas; Partita: Theme & Four Variations 7. “A Sola Magnarum Urbium” (“O More Than Mighty Cities Known”)--Epiphany Set II—Lent, Passiontide, Easter. AE, 1998. AE43. 1. “Audi, Benigne Conditor” (“O Master of the world, give ear”)-- Lent 2. “Jam, Christe, Sol Justitæ” (“Now, Christ, Thou Sun of righteousness”)—Lent 3. “Ex More Docti Mystico” (“The fast, as taught by holy lore”)— Lent 2 4. “Vexilla Regis Prodeunt” (“The royal banners forward go”)— Passiontide 5. “Pange Lingua Gloriosi” (“Sing my tongue the glorious battle”)—Passiontide 6. “Lustris Sex Qui Jam Peractic” (“Thirty years among us dwelling”)—Passiontide 7. “Ad Cœnam Agni Providi” (“The Lamb’s high banquet we await”)—Easter 8. “Aurora Lucis Rutilat” (“Light’s glittering morn bedecks the sky”)—Easter Set III—Ascension, Pentecost, Trinity, Corpus Christi, Morning, Evening. -
Organ Recital David H
Organ Recital David H. Brock February 2, 2020 • 5:15 pm Prelude and Fugue in A minor, BWV 543 (ca. 1710) Johann Sebastian Bach (1685–1750) from The Jazz Gospel (1999) Joe Utterback I. Spirit of God, Descend upon My Heart (b. 1944) III. Just a Closer Walk with Thee Organ Concerto in F major, HWV 293 (ca. 1735) George Frideric Handel (1685–1759) Transcription for solo organ David H. Brock Please remain seated while a free-will offering is received for the continued maintenance of the Cathedral organ. We suggest a donation of $10 per person and appreciate your generous support. from Suite for Organ (1933–34) Leo Sowerby III. Air with Variations (1895–1968) from Livre œcuménique, Op. 157 (1968) Jean Langlais IX. Kyrie ("Orbis factor") (1907–1991) I. Sacris solemniis VI. Mon âme exalte le Seigneur II. De fond de ma détresse, je crie vers Toi IV. Notre Dieu est une puissante forteresse David H. Brock started his professional musical career at age 11 as a treble chorister in the Washington National Cathedral Choir of Men and Boys (1972–76), under the direction of Paul Callaway. Among his numerous memorable experiences, he sang solos at the White House, the John F. Kennedy Center, and on national television from the Cathedral. David continued his studies at Swarthmore College with Robert Smart (organ and accompanying) and Gerald Levinson (composition). From 2001–07 David served as Director of Music and Organist at St. Patrick’s Episcopal Church, Incline Village, Nevada. In 2004 David was awarded an Associate Certificate of the American Guild of Organists (AAGO).