DOCSLIB.ORG

Eton College Author(S): Dotted Crotchet Source: the Musical Times, Vol

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Eton College Author(s): Dotted Crotchet Source: The Musical Times, Vol. 49, No. 790 (Dec. 1, 1908), pp. 765-774 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/907820 Accessed: 05-11-2015 10:05 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times. http://www.jstor.org This content downloaded from 159.178.22.27 on Thu, 05 Nov 2015 10:05:08 UTC All use subject to JSTOR Terms and Conditions THE MUSICAL I, TIMES.-DECEMIBER I908. 765 who foundedWinchester College and New College, mZusi ime. Oxford,the one being a nursery,so to speak, of 6b ccal the other. Thus the gentle and saintly scholar- king did for Cambridge what the eminent DECEMBER I, I908. ecclesiastic had done for Oxford. The original charterof Eton- dated October i i, I44o-decreed that the College was to consist of 'a Provost,ten Fellows, four Clerks, six Choristers, a School- ETON COLLEGE. master, twenty-fivepoor and indigent Scholars, and the same number of poor and infirmmen.' Ye distantSpires, ye antiqueTowers, To quote furtherfrom Sir Henry Maxwell Lyte's That crownthe wat'ryGlade, History of Eton College (1889): 'This scheme Wheregrateful Science stilladores be said to have united the characteristicsof a Her Henry'sholy Shade ; may And thatfrom the Brow college of secular priests,a school for boys, and ye stately an almshouse for men. The Almshouses Of WINDSOR'S th' Expanse below poor Heights the own Of Grove,of Lawn, of Mead survey, were suppressed during Founder's life- Whose Turf,whose shade, whose Flowersamong time; the College of priests,after more than four Wandersthe hoaryThames along centuriesof honourable existence,has lately been His Silver-windingWay. doomed to destruction; while the School has risento an unrivalled of Ode on a distantProspect of Eton College. 1747. gradually pitch prosperity, and has the revenues THOMASGRAY (An Etonian). practicallymonopolised and the veryname of Eton College.' King Henry the Sixth had not completed his To return to the original Statutes. The four nineteenth year when he founded 'The Kynge's Clerks were to be 'skilled in chant, of whom one College of our Ladye of Eton, beside Windsore.' only, the organist and instructorof the choristers, Born at Windsor, the boy monarch naturally may be married.' All the Clerks were to receive desired that his noble conception should be placed 'commons and livery,' and the stipend of the within the range of his vision, and under the organist was fixed at ?/6. The Scholars were to shadow of the castle in which he drew his first be 'poor and needy boys of good character,with breath. In founding Eton College and its a competentknowledge of reading,of the grammar complement, King's College, Cambridge, Henry of Donatus, and of plain song.' It is very followedthe good exampleof Williamof Wykeham, interestingthus to findthat music (plain song) was A-PA 4T 'tlpXA-S ) /jE::, ElI ..:..o MAX::;:imp,-iii~---_::i-::1?i--ii~-ii j::::-:::z ip-: :::j::UL.:It :::::-i_--:l~--:l:-_-:--:--:j::;-_-:i~-ii:i:i~i-:-i:ii-. -::- :Fi:i-i : j -. - : ::: -. i --:::i-: :- : ::"- wiii--iiAL il--ii-iii~~_:ii-~-, -~?i?-'-:::::-'-: ::: :--:- :::W A?: i~i~i~iii~iiii:::i:'-i::?:i~ii--:i~ii-:~ii~iiiiii~i~i~ iii4i-m- ETON COLLEGE, circa 169o. (From Loggan's 'Cantabrigia Illustrata.') This content downloaded from 159.178.22.27 on Thu, 05 Nov 2015 10:05:08 UTC All use subject to JSTOR Terms and Conditions 766 THE MUSICAL TIMES.-DECEMBER I, 1908. 4Ar ...... .... ............ LUPTON'S TOWER. THE FOUNDER'S STATUE. THE CHAPEL. THE SCHOOL YARD. (Photograhk by Messrs. Hills & Saunders, Eton.) one of the three essentials required for all boys now been resumed. In Chapel the Provost who came to Eton. By inference, music occupies the firststall on the south side, and the undoubtedly formed part of the original curri- Vice-Provostthe correspondingone on the north culum,only to be ignored througha long period side. of years; now, however,it rightlyassumes its place The boyson theFoundation are called Collegers. in the list of studies, and the warmencouragement Sir Henry Maxwell Lyte says that the earliest the art receives from the present Head Master known instanceof the use of the termOppidans- (the Hon. and Rev. E. Lyttelton) is nothing more boys who live in the houses of theirtutors (assistant or less than a return to the intentions of the masters)-is in the Audit Book for1557-58, which Founder of this splendid College which has contains a charge 'for two newe chandlestycksfor become one of the greatesteducational institutionsthe opydans in the Churche,ijs. vjd.' Mr. Wasey of the country. Sterrystates that ' their[i.e., theOppidans'] original As a matterof conveniencethis briefsketch may style was "Commensales," These Commensales be divided thus (i), historyof the School; (2), its seem to have been of two orders,corresponding to buildings; (3), the College Library; (4), the commonersand gentlemen-commonersat Oxford; Chapel Services,and (5), the musical curriculum. they were to be admitted to board and lodge in The School was opened in the year 1442. Its the College, paying therefor,but to be instructed firstHead Master was William Waynflete,founder in grammargratis.' * William Paston (died 1466) of Magdalen College, Oxford. He was a great was one of the earliest Oppidans (Commensales), favouritewith Henry VI., who induced him to as was probably also Sir Thomas Pope (1507?- exchangethe headmastership of WinchesterCollege 1559), founderof TrinityCollege, Oxford. forthat of Eton. Waynfleteaccordingly came to At that time (the 16th century)the title Custos Eton, bringingwith him fiveFellows and thirty-five(or dunce) was applied to any boy who was scholars from Winchester,who thus formed the detected talking in English during lesson time, nucleus of a school which has in course of time missing three words in repeating a rule in developed into its present state of prosperityand grammar,or making three mistakes in spelling. fame. The first Provost was Henry Sever, As at Winchester, the Eton Scholars were chaplain and almoner to HenryVI., and afterwardsawakened at fiveo'clock by one of the praepostors Warden of Merton College, Oxford. And here it (monitors),who shouted 'Surgite.' While dressing should be stated that the important office of they chanted prayers,probably Latin psalms in Provost (since 1884 successfullyheld by the Rev. alternateverses. Each boy had to make his own Dr. Hornby,a formerHead Master) carrieswith it bed, and to sweep the dust fromit into the middle the duties of chairmanof the governingbody, or of the Long Chamber, whence it was removed by to be more accurate, 'The Provost and Fellows,' * ' Annals of the King's College of our Lady of Eton beside Windsor. forafter a period of transition,the old title has By Wasey Sterry, M.A. London: Methuen & Co., 1898. P. 53. This content downloaded from 159.178.22.27 on Thu, 05 Nov 2015 10:05:08 UTC All use subject to JSTOR Terms and Conditions THE MUSICAL TIMES.-DECEMBER I, 1908. 767 four juniors selected for the purpose by the (the Translation of King Edward the Confessor) pra;postors. When these chambermaidduties had and Easter, the boys had to rise at four o'clock been discharged,the scholars marched downstairs in the morning in order to receive religious two and two to wash at the 'children's pump.' instructionbefore beginning the ordinarylessons of Their ablutions ended, they at once proceeded to the day. After dinner on All Souls' day they their places in the school-room. The Usher repeated prayersfor the dead, read aloud mournful entered at six (a.m., it should be remembered) passages selected by the master,and wroteverses and, kneelingat the upper end of the room, said about the gloryof the resurrection,the blessedness prayers. While he was engaged in teaching the of souls, and the hope of immortality! Such was lower forms,one of the praepostorsmade a list the life of an Eton boy three-and-a-halfcenturies of those who were late for prayers, while the ago. How differentfrom his school in this * days Praepostor immundorumhad to examine the year of grace 90o8! faces and hands of his schoolfellows,in order To make mention of all the various changes- to report to the Master, at seven a.m., any educational, administrative,and social-that have who had appeared dirty. Work was then carried taken place at Eton College during its wonderful on until afternine, when the boys were doubtless history,would be beyond the scope of this article. quite ready fortheir breakfast,and at ten o'clock Referencewill be made to some of these changes one of the praepostorsshouted 'Adprecesconsurgite,' in due course. In the meantime it should be to recall the boys to school, where, standing in stated that the original statutes were repealed in order on each side of the room they recited 1872, and that since then the educational system further prayers. Dinner was at eleven, school has been much modernized,though classics still again fromnoon till three,playtime ended at four, retain theirpre-eminence. and after another hour of lessons the boys left Despite those inevitable numerical fluctuations school, apparently for supper; more lessons which take place in schools, Eton has steadily between six and eight; at seven a slice of bread increased in public favour, so much so that it and a draught of beer, and at eight o'clock those occupies the premierposition among the public wearychildren went to bed chantingprayers.
Recommended publications
  • Sir Joseph Barnby. Born, August 12, 1838; Died, January 28, 1896

    Sir Joseph Barnby. Born, August 12, 1838; Died, January 28, 1896

    THE MUSICAL TIMES.- February I, 1896. SIR JOSEPH BARNBY BORN AUGUST 12, 1838; DIED JANUARY 28, 1896. Close upon each other's steps, during what attractinghas crowds by his renderings of Bach's passed of this ominous year, death and disaster have " Passion" according both to St. Matthewand St. John. followed, and now it is our melancholy duty to record So much activity and success prepared the way for the passing away of Sir Joseph Barnby. Mournful still higher things, and, in 1875, Mr. Barnby was under any circumstances, there are some conditions appointed Precentor and Director of Musical Instruc- amid which the dissolution of the body loses much tion at Eton College. That important position he of its terror. When a man has finished his life's work, retained till shortly before election to a still more and the enfeebled frame stoops under a weight onerous of and responsible post as Principal of the years, we can calmly think, with Lord Bacon, that Guildhall School of Music. With resignation from "it is as natural to die as to be born." But the Eton, his direct, personal service to the Church ceased. case is wholly different when, in the full But vigour he worked of for the music of worship in more maturity and in the midst of work, one than is suddenlyone way, being as active with his pen as at the struck down, as by a bolt from the blue. organ or in choir practice. He leaves behind him a long Thus did Joseph Barnby die. As far as our list of Services, Anthems, hymn-tunes, and Chants, many knowledge goes, his health had lately given of which have come into general use, are highly prized, no cause for uneasiness.
  • Hampshire Bibliography

    Hampshire Bibliography

    127 A SECOND SUPPLEMENT TO HAMPSHIRE BIBLIOGRAPHY. BY REV. R. G. DAVIS. The Bibliography of Hampshire was first attempted by the Rev. Sir W. H. Cope, Bart., who compiled and printed " A LIST OF BOOKS RELATING TO HAMPSHIRE, IN THE LIBRARY AT BRAMSHILL." 8VO. 1879. (Not Published.) The entire collection, with many volumes of Hampshire Views and Illustrations, was bequeathed by Sir W. Cope to the Hartley Institution, mainly through the influence of the late Mr. T. W. Shore, and' on the death of the donor in 1892 was removed to Southampton. The List compiled by the original owner being " privately printed' became very rare, and was necessarily incomplete. In 1891 a much fuller and more accurate Bibliography was published with the following title:—" BIBLIOTHECA HANTONIENSIS, a List of Books relating, to Hampshire, including Magazine References, &c, &c, by H. M. Gilbert and the Rev. G. N. Godwin, with a List of Hampshire Newspapers, by F. E. Edwards. Southampton. 1891. The List given in the above publication was considerably augmented by a SUPPLEMENTARY HAMPSHIRE BIBLIOGRAPHY, compiled by the Rev. Sumner Wilson, Rector of Preston Candover, printed in the PAPERS AND PROCEEDINGS OF THE HAMPSHIRE FIELD CLUB. Vol. III., p. 303. A further addition to the subject is here offered with a view to rendering the Bibliography of Hants as complete as possible. Publications referring to the Isle of Wight are not comprised in this List. 128 FIRST PORTION.—Letters A to K. ACT for widening the roads from the end of Stanbridge Lane, near a barn in the Parish of Romsey.
  • The Life and Amazing Times of William Waynflete

    The Life and Amazing Times of William Waynflete

    The Life and Amazing Times of William Waynflete by Anna Withers Among the occupants of the chantry chapels of Winchester Cathedral, William Waynflete impresses by reason of his longevity, living as he did until the age of 87 (if he was born in 1399) and under the reigns of eight kings, four of whom died by violence. To preserve life and high office during the turbulent loyalties and internecine feuds of the Wars of the Roses was a feat indeed: one might suppose that Waynflete achieved it by studious avoidance of political prominence and controversy, but in fact nothing could be further from the truth. Fig 1 Effigy of William of Wayneflete in Winchester Cathedral Photo: Julie Adams He was born in Wainfleet in Lincolnshire, possibly as early as 1395. His family name was Patten, or sometimes Barbour. Henry Beaufort had become Bishop of Lincoln in 1398, and it has been suggested that he assisted the young William to study at Winchester College and then at New College, Oxford. However, there is no contemporary evidence that he studied there or indeed attended Oxford at all, other than a letter written to him in later life by the Chancellor of the University, describing Oxford as the “mother who brought [Waynflete] forth into the light of knowledge”. He took orders as an acolyte in 1420 in the name of William Barbour, becoming a subdeacon and then deacon (this time as William Barbour, otherwise Waynflete of Spalding) in 1421, finally being ordained priest in 1426. He seems to have been marked out early as a young man of ability and potential.
  • Episcopal Tombs in Early Modern England

    Episcopal Tombs in Early Modern England

    Jnl of Ecclesiastical History, Vol. 55, No. 4, October 2004. f 2004 Cambridge University Press 654 DOI: 10.1017/S0022046904001502 Printed in the United Kingdom Episcopal Tombs in Early Modern England by PETER SHERLOCK The Reformation simultaneously transformed the identity and role of bishops in the Church of England, and the function of monuments to the dead. This article considers the extent to which tombs of sixteenth- and seventeenth-century bishops represented a set of episcopal ideals distinct from those conveyed by the monuments of earlier bishops on the one hand and contemporary laity and clergy on the other. It argues that in death bishops were increasingly undifferentiated from other groups such as the gentry in the dress, posture, location and inscriptions of their monuments. As a result of the inherent tension between tradition and reform which surrounded both bishops and tombs, episcopal monuments were unsuccessful as a means of enhancing the status or preserving the memory and teachings of their subjects in the wake of the Reformation. etween 1400 and 1700, some 466 bishops held office in England and Wales, for anything from a few months to several decades.1 The B majority died peacefully in their beds, some fading into relative obscurity. Others, such as Richard Scrope, Thomas Cranmer and William Laud, were executed for treason or burned for heresy in one reign yet became revered as saints, heroes or martyrs in another. Throughout these three centuries bishops played key roles in the politics of both Church and PRO=Public Record Office; TNA=The National Archives I would like to thank Craig D’Alton, Felicity Heal, Clive Holmes, Ralph Houlbrooke, Judith Maltby, Keith Thomas and the anonymous reader for this JOURNAL for their comments on this article.
  • 297 312 323 324 333 Unveröffentlichte Quellen 333

    297 312 323 324 333 Unveröffentlichte Quellen 333

    VII. WYKEHAMS SELBSTVERSTÄNDNIS ALS AUFTRAGGEBER UND Einleitung SEIN VERHÄLTNIS ZUM KÖNIGSHAUS 297 Als William of Wykeham an einem Sonntag im Oktober 1367 von Erzbischof SCHLUSSBETRACHTUNG 312 Simon Langham in der St. Pauls-Kathedrale in London zum Bischof von Winchester geweiht wurde, war dies der Auftakt für die Realisierung eines der ˙ 9˙ DANKSAGUNG 323 bemerkenswertesten Bauprogramme des 14. Jahrhunderts. 1 In den folgenden vier Jahrzehnten seiner Amtszeit sollte der Bischof die Errichtung zweier für SUMMARY 324 die Entwicklung der Kollegienarchitektur wegweisender Colleges in Oxford und Winchester finanzieren, den Umbau des Langhauses der Kathedrale von QUELLEN- UND LITERATURVERZEICHNIS 333 Winchester maßgeblich vorantreiben, mehrere Bischofspaläste in Hampshire ausbauen lassen und eine Grabkapelle in Auftrag geben, deren Monumenta- Unveröffentlichte Quellen 333 lität und Originalität zeitgenössische Sepulkralwerke in den Schatten stell- London, British Library 333 te. Wykehams ambitionierte Bauprojekte wurden zielstrebig und in rascher Oxford, New College, Archiv (NCA) 333 Folge umgesetzt und durch reiche Bildausstattung geschmückt. Nur wenige Oxford, New College, Bibliothek 334 Auftraggeber gotischer Architektur, Skulptur und Glasmalerei können mit Winchester College, Archiv (Winchester College Muniments) 334 einem derart umfangreichen und geschlossenen Werkkomplex in Verbindung Winchester, Hampshire Record Office 335 gebracht werden. Wykehams Bedeutung als „arguably the single most lavish patron of ar- Gedruckte Quellen und Textausgaben
  • the Delight Of

    the Delight Of

    THE EVENING STAR PI'BLISHED DAILY KXCKPT SCNDAY. AT THE STAR BUILDINGS, 3nfi, <ffye fifffe ecljoo? 1101 Pennsylvania Avenue, Cor. 11th Street, by (printers' The Evening Star Newspaper Company master of afcoertismj), Baps: S. H. KACFFMAIJN, Prest. 3f ts cfatmeb for ttk TBftsfJinjfo t ye".v York Office. 49 Potter Building, JJtftr, an5 proBaSfp frttffJfufY? IJie Evening Star Is served fo subscribers In tb<» Fit;* I>v carriers, on their own account, at 10 cents cfaimeb, t^af no offcr newspaper tvi-ek, or 44e. per mouth. Copies at the counter rrcenis each. By mo 11-anywhere in the United in ffje counfrg goes info so farj? States or Canada.postage pre-yiid-50 cents Kentb. p«r a of <iff t$e Rouses Saturday quintuple Sheet Stn*. $1.00 per year; percentage With foreign posf.se a«Mei, $2.00. a rftfcius m.fes (Entered at the Post Othce at Washington. D. C., tmtfltn of ft»cnfg is sccond-class mail matter.) ITT'All mall u!»script>>ns must be paid in advarce. from ffle office of pufificftfion. Rates of adve»tIsi:iE made known on application. WASHINGTON, D. C., MONDAY, DECEMBER 23, 1895-FOURTEEN PAGES Introduction to Lohengrin (R.Wagner): so¬ .¦.er r ;-: lippg: prano solo. Keel (Adam); maSs, Mozart's f '±% CHRISTMAS CAROLS Twelfth, entire; offertory, Adeste Fideles (Novello); Veni Creator, alto solo (Monti); HP! organ postlude, Hommage a Mozart. Mor- "I Want to Be the Jeweler Who Connies Into Yomr Mind First." ceau symphonic (J. Baptiste Calkin, Op. (>">). 'qv Celebration of the Festival At tile lOUW o'clock mass the following pro¬ Joyous gram will be rendered: Organ preiude, pas¬ a With Glad Music.
  • Autumn 2014 Concert Programme

    Autumn 2014 Concert Programme

    Dumfries Choral Society Autumn Concert Bach: Cantata No.140, “Sleepers, Wake!” Finzi: In Terra Pax Bach / Gounod: Ave Maria Gounod: St Cecilia Mass Organ: John Kitchen Piano: Margaret Harvie Conductor: Ian Hare Rebecca Tavener (Soprano) Malcolm Bennett (Tenor) Philip Gault (Bass) St John’s Church, Newall Terrace, Dumfries Saturday 15th November, 7.30pm www.dumfrieschoralsociety.co.uk Programme Scottish Charity Number SC002864 £1.50 ACKNOWLEDGEMENTS Honorary President: The Duchess of Buccleuch and Queensberry Scottish Charity No. SC002864 Website: www.dumfrieschoralsociety.co.uk Dumfries Choral Society, a member of Making Music Scotland, gratefully acknowledges the generous financial assistance and services given by the following Patrons, Friends, and Sponsors: Patrons Friends The Duchess of Buccleuch Mr & Mrs Peter Boreham Mr Ian P M Meldrum Mrs Margaret Carruthers Mrs Jessie Carnochan Mr & Mrs James More Mrs Barbara Kelly Mrs Mary Cleland Mr Hugh Norman Miss Gerry Lynch, MBE Mrs Maureen Dawson Mr & Mrs Frank Troup Mr J & Dr P McFadden Mrs Agatha Ann Graves Mr John Walker Rev & Mrs Andrew Mackenzie Mrs Nan Kellar Mrs Maxine Windsor Mrs Agnes Riley Mr A Hamish MacKenzie Mrs Jennifer Taylor Sponsors The Aberdour Hotel Barnhill Joinery Ltd Asher Associates Elite Display Barbours, Dumfries Weesleekit Web Design Dumfries Choral Society extends especial thanks to the Directors of Bibliographic Data Services – a local employer serving global markets – for their extremely generous assistance with the creation of the Society’s new website. If you would like information about becoming a Friend, Patron, or Sponsor of Dumfries Choral Society, please contact the Patrons’ Secretary, Mrs Sheena Meek (07753 824073), or visit the website at: www.dumfrieschoralsociety.co.uk The Society gratefully acknowledges a generous donation received from the Buccleuch Charitable Trust.
  • Brief History of Great Screen

    Brief History of Great Screen

    A Brief History of The Great Screen of Winchester Cathedral by Jeannie Berridge Jeannie Berridge is a voluntary guide in Winchester Cathedral. Early in 2018, the Great Screen in Winchester Cathedral was thoroughly cleaned. The work was carried out by McNeilage Conservation, a husband and wife team based near Exeter; the effect has been dramatic as the screen had not been cleaned since the restoration of the late 19th century, and in places it was covered with a layer of dust half an inch thick. Before and after pictures are shown for the statue of William Waynflete in Figure 1. Fig 1.1 William Waynflete before cleaning Fig 1.2 William Waynflete after cleaning Photos: Simon Newman The Great Screen was probably planned during the episcopate of Cardinal Beaufort (1405-1447) but completed during the time Bishop William Waynflete was Bishop of Winchester (1447-1486). In many respects, the story of the Great Screen is mirrored in the wider history of Winchester Cathedral, starting with the great wealth and power of the medieval bishops, through to the destruction inflicted during the Reformation, and followed by years of neglect. Once religious images became widely accepted in the Church of England in the Victorian period, the screen was restored to something approaching its original form with new statues being commissioned to fill the empty niches. The Reverend David Warner, a former Winchester Cathedral guide wrote: “The wealth of Beaufort contributed to its splendour and the influence of Bishop Waynflete is evident in the moulding and decoration”. [1] This ambitious reredos was part of a wider design for the east end incorporating two further inter-related projects: a new shrine for St Swithun, and Cardinal Beaufort’s chantry chapel.
  • Joseph Barnby (1838-1896) It Was a Lover and His Lass J.Barnby

    Joseph Barnby (1838-1896) It Was a Lover and His Lass J.Barnby

    It was a lover and his lass AS YOU LIKE IT William Shakespeare (1564-1616) Joseph Barnby (1838-1896) It was a lover and his lass J.Barnby Allegro molto vivace h = 84 > > S f . j > & b C Œ œ œ œ œ œ œ. œ œ œ œ œ œ œ œ œ œ œ œ œ It. was a lov - er. and. his. lass,. Withœ a hey, and a ho, andœ a hey no - ni - A f > > > b C Œ œ œ & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ It. was. a. lov. - er. and. his. lass,. Withœ œa hey, and a ho, andœ œa hey no - ni - T f . >œ V b C Œ œ œ œ œ œ œ œ œ Œ Œ œ œ Œ Œ œ œ It was. a lov. - er. and his lass, and a ho, no - ni - B ? f . j . > > b C Œ œ œ œ œ œ œ. œ œ œ œ œ Œ Œ œ œ œ Œ It was a. lov. - er. and. his. lass, With a hey, and a hey 5 F . S > > œ œ œ >œ > œ œ œ œ œ œ. œ. œ. œ. & b œ œ nœ œ œ nœ œ œ œ no, with a hey, and a ho, and a hey no - ni - no, That o’er the green corn - field did > > > A > F . & b œ œ nœ œ œ œ œ nœ œ œ œ œ œ œ œ œ #œ nœ no, withœ œa hey, and a ho, andœ œa hey no - ni - no, That o’er.
  • CONTEXTS of the CADAVER TOMB IN. FIFTEENTH CENTURY ENGLAND a Volumes (T) Volume Ltext

    CONTEXTS of the CADAVER TOMB IN. FIFTEENTH CENTURY ENGLAND a Volumes (T) Volume Ltext

    CONTEXTS OF THE CADAVER TOMB IN. FIFTEENTH CENTURY ENGLAND a Volumes (T) Volume LText. PAMELA MARGARET KING D. Phil. UNIVERSITY OF YORK CENTRE FOR MEDIEVAL STUDIES October, 1987. TABLE QE CONTENTS Volume I Abstract 1 List of Abbreviations 2 Introduction 3 I The Cadaver Tomb in Fifteenth Century England: The Problem Stated. 7 II The Cadaver Tomb in Fifteenth Century England: The Surviving Evidence. 57 III The Cadaver Tomb in Fifteenth Century England: Theological and Literary Background. 152 IV The Cadaver Tomb in England to 1460: The Clergy and the Laity. 198 V The Cadaver Tomb in England 1460-1480: The Clergy and the Laity. 301 VI The Cadaver Tomb in England 1480-1500: The Clergy and the Laity. 372 VII The Cadaver Tomb in Late Medieval England: Problems of Interpretation. 427 Conclusion 484 Appendix 1: Cadaver Tombs Elsewhere in the British Isles. 488 Appendix 2: The Identity of the Cadaver Tomb in York Minster. 494 Bibliography: i. Primary Sources: Unpublished 499 ii. Primary Sources: Published 501 iii. Secondary Sources. 506 Volume II Illustrations. TABU QE ILLUSTRATIONS Plates 2, 3, 6 and 23d are the reproduced by permission of the National Monuments Record; Plates 28a and b and Plate 50, by permission of the British Library; Plates 51, 52, 53, a and b, by permission of Trinity College, Cambridge. Plate 54 is taken from a copy of an engraving in the possession of the office of the Clerk of Works at Salisbury Cathedral. I am grateful to Kate Harris for Plates 19 and 45, to Peter Fairweather for Plate 36a, to Judith Prendergast for Plate 46, to David O'Connor for Plate 49, and to the late John Denmead for Plate 37b.
  • B E T H E S D a P in E C H a P E L S T. P H Il Ip S Im

    B E T H E S D a P in E C H a P E L S T. P H Il Ip S Im

    ARDMORE CALVARY KONNOAK HILLS CHRIST MESSIAH HOME FAIRVIEW TRINITY Service:Great Sabbath Service.42998 3/18/16 8:14 AM Page 1 L A I R O M E M S E I R F N E D E W E N L E U N A M M I S P I L I H P . T S L E P A H C E N I P A D S E H T E B Sabbath Great 2016 The Music of the Service Insert:Great Sabbath Service.42998 3/17/16 4:22 PM Page 1 The Music of the Service The anthems for this evening’s worship represent but a small portion of the great body of works composed by Moravians for the Great Sabbath service. Of the composers represented here, Johannes Herbst, Johann Friedrich Peter, Francis Florentine Hagen, and John Mochnick have lived and served in the Salem community, and Christian Gregor visited here (1770-1772). These anthems were chosen in thanksgiving for the 250th anniversary of the founding of Salem and the 60th anniversary of the Moravian Music Foundation. May the music we make together this evening be a foretaste of the heavenly harmony to come. O may our imperfect songs and praises be well pleasing unto you, Lord Jesus . Unto Jesus’ Cross .............................................................................................................. John Gambold (1760-1795) John Gambold, Jr. was born in London and educated in Germany. While he was inclined towards scholarly research, the church assigned him to teach in its schools for young people, where he spent the remainder of his life.
  • 2012–2013 Season | Week 6 Bernard Haitink | Conductor Emeritus Seiji Ozawa | Music Director Laureate

    2012–2013 Season | Week 6 Bernard Haitink | Conductor Emeritus Seiji Ozawa | Music Director Laureate

    2012–2013 season | Week 6 season sponsors Bernard Haitink | Conductor Emeritus Seiji Ozawa | Music Director Laureate Table of Contents | Week 6 7 bso news 13 on display in symphony hall 14 the boston symphony orchestra 17 casts of character: the symphony statues by caroline taylor 24 this week’s program Notes on the Program 26 The Program in Brief… 27 Kaija Saariaho 37 Benjamin Britten 41 Antonín Dvorákˇ 50 To Read and Hear More… Guest Artists 55 Juanjo Mena 56 Gil Shaham 58 sponsors and donors 72 future programs 74 symphony hall exit plan 75 symphony hall information the friday preview talk on november 2 is given by bso assistant director of program publications robert kirzinger. program copyright ©2012 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photo of BSO associate concertmaster Tamara Smirnova by Stu Rosner BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org bernard haitink, lacroix family fund conductor emeritus, endowed in perpetuity seiji ozawa, music director laureate 132nd season, 2012–2013 trustees of the boston symphony orchestra, inc. Edmund Kelly, Chairman • Paul Buttenwieser, Vice-Chairman • Diddy Cullinane, Vice-Chairman • Stephen B. Kay, Vice-Chairman • Robert P. O’Block, Vice-Chairman • Roger T. Servison, Vice-Chairman • Stephen R. Weber, Vice-Chairman • Theresa M. Stone, Treasurer William F. Achtmeyer • George D. Behrakis • Alan Bressler† • Jan Brett • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Nancy J. Fitzpatrick • Michael Gordon • Brent L. Henry • Charlies W.