1 Glossary of Terms in Arcadia Hardly Entire, This List of References Has
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Et in Arcadia Ego : the Pastoral Aesthetics of Suburbia in Jeffrey Eugenides' the Virgin Suicides
Et in arcadia ego : the pastoral aesthetics of suburbia in Jeffrey Eugenides' The Virgin Suicides Autor(en): Heusser, Martin Objekttyp: Article Zeitschrift: SPELL : Swiss papers in English language and literature Band (Jahr): 20 (2007) PDF erstellt am: 04.10.2021 Persistenter Link: http://doi.org/10.5169/seals-100066 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Et in Arcadia Ego: The Pastoral Aesthetics of Suburbia in Jeffrey Eugenides' The Virgin Suicides Martin Heusser Eugenides' Virgin Suicides, I will be arguing, is essentially a pastoral - suburbia being Arcadia and the memory of the deceased girls the yearning for the Golden Age. -
Et in Arcadia Ego Mary Beard and John Henderson
Et in Arcadia Ego Mary Beard and John Henderson Before he wrote his monument al Aeneid, Virgil produced a collection of shorter 'pastoral' poems, the Eclogues or Bucolics. These evoke a very different world from the epic adventures that led to the founding of Rome. They take us instead outside the historical world of cities, politics, and war, to a place where herdsmen sit untroubled beneath shady trees that give shelter from the midday sun, trading songs or lamenting their ill-luck in love; meanwhile, their animals rest, or take water, in the heat of the day. This idyllic setting is Virgil's 'Arcadia' – a special 'elsewhere', where the imagination can escape mundane time and tune into the original scene of singing. It is a place where minds can wander, and poets and musicians have returned there ever since, re-imagining this community where song means more than status or possessions. But at the same time Virgil pictured his idyllic world as already threatened. The city and its wars cast long shadows across the lives and songs of the herdsmen and farmers. Some, for example, face arbitrary eviction and exile; some, equally arbitrarily, are spared and even rewarded. These are decisions imposed from Rome – and far exceed the understanding of the Arcadian singers. Virgil's vision includes both the innocence of song and the encroachment of massive forces bound to destroy its delicate fragility. In the centre of the Eclogues is a poem in which two herdsmen exchange songs to mark the death of the archetypal, mythical singer, Daphnis – their inspiration. -
WAR and VIOLENCE: NEOCLASSICISM (Poussin, David, and West) BAROQUE ART: the Carracci and Poussin
WAR and VIOLENCE: NEOCLASSICISM (Poussin, David, and West) BAROQUE ART: The Carracci and Poussin Online Links: Annibale Carracci- Wikipedia Carracci's Farnese Palace Ceiling – Smarthistory Carracci - Heilbrunn Timeline of Art History Poussin – Wikipedia Poussin's Et in Arcadia Ego – Smarthistory NEOCLASSICISM Online Links: Johann Joachim Winckelmann - Wikipedia, the free encyclopedia Jacques-Louis David - Wikipedia, the free encyclopedia Oath of the Horatii - Smarthistory David's The Intervention of the Sabine Women – Smarthistory NEOCLASSICISM: Benjamin West’s Death of General Wolfe Online Links: Neoclassicism - Wikipedia, the free encyclopedia Benjamin West - Wikipedia, the free encyclopedia The Death of General Wolfe - Wikipedia, the free encyclopedia Death of General Wolfe – Smarthistory Death of General Wolfe - Gallery Highlights Video Wolfe Must Not Die Like a Common Soldier - New York Times NEOCLASSICISM: Jacques Louis David’s Death of Marat Online Links: Jacques-Louis David - Wikipedia, the free encyclopedia The Death of Marat - Wikipedia, the free encyclopedia Charlotte Corday - Wikipedia, the free encyclopedia Art Turning Left - The Guardian Annibale Carracci. Flight into Egypt, 1603-4, oil on canvas The Carracci family of Bologna consisted of two brothers, Agostino (1557-1602) and Annibale (1560-1609), and their cousin Ludovico (1556-1619). In Bologna in the 1580s the Carracci had organized gatherings of artists called the Accademia degli Incamminati (academy of the initiated). It was one of the several such informal groups that enabled artists to discuss problems and practice drawing in an atmosphere calmer and more studious than that of a painter’s workshop. The term ‘academy’ was more generally applied at the time to literary associations, membership of which conferred intellectual rank. -
Early Mycenaean Arkadia: Space and Place(S) of an Inland and Mountainous Region
Early Mycenaean Arkadia: Space and Place(s) of an Inland and Mountainous Region Eleni Salavoura1 Abstract: The concept of space is an abstract and sometimes a conventional term, but places – where people dwell, (inter)act and gain experiences – contribute decisively to the formation of the main characteristics and the identity of its residents. Arkadia, in the heart of the Peloponnese, is a landlocked country with small valleys and basins surrounded by high mountains, which, according to the ancient literature, offered to its inhabitants a hard and laborious life. Its rough terrain made Arkadia always a less attractive area for archaeological investigation. However, due to its position in the centre of the Peloponnese, Arkadia is an inevitable passage for anyone moving along or across the peninsula. The long life of small and medium-sized agrarian communities undoubtedly owes more to their foundation at crossroads connecting the inland with the Peloponnesian coast, than to their potential for economic growth based on the resources of the land. However, sites such as Analipsis, on its east-southeastern borders, the cemetery at Palaiokastro and the ash altar on Mount Lykaion, both in the southwest part of Arkadia, indicate that the area had a Bronze Age past, and raise many new questions. In this paper, I discuss the role of Arkadia in early Mycenaean times based on settlement patterns and excavation data, and I investigate the relation of these inland communities with high-ranking central places. In other words, this is an attempt to set place(s) into space, supporting the idea that the central region of the Peloponnese was a separated, but not isolated part of it, comprising regions that are also diversified among themselves. -
Ancient History Sourcebook: 11Th Brittanica: Sparta SPARTA an Ancient City in Greece, the Capital of Laconia and the Most Powerful State of the Peloponnese
Ancient History Sourcebook: 11th Brittanica: Sparta SPARTA AN ancient city in Greece, the capital of Laconia and the most powerful state of the Peloponnese. The city lay at the northern end of the central Laconian plain, on the right bank of the river Eurotas, a little south of the point where it is joined by its largest tributary, the Oenus (mount Kelefina). The site is admirably fitted by nature to guard the only routes by which an army can penetrate Laconia from the land side, the Oenus and Eurotas valleys leading from Arcadia, its northern neighbour, and the Langada Pass over Mt Taygetus connecting Laconia and Messenia. At the same time its distance from the sea-Sparta is 27 m. from its seaport, Gythium, made it invulnerable to a maritime attack. I.-HISTORY Prehistoric Period.-Tradition relates that Sparta was founded by Lacedaemon, son of Zeus and Taygete, who called the city after the name of his wife, the daughter of Eurotas. But Amyclae and Therapne (Therapnae) seem to have been in early times of greater importance than Sparta, the former a Minyan foundation a few miles to the south of Sparta, the latter probably the Achaean capital of Laconia and the seat of Menelaus, Agamemnon's younger brother. Eighty years after the Trojan War, according to the traditional chronology, the Dorian migration took place. A band of Dorians united with a body of Aetolians to cross the Corinthian Gulf and invade the Peloponnese from the northwest. The Aetolians settled in Elis, the Dorians pushed up to the headwaters of the Alpheus, where they divided into two forces, one of which under Cresphontes invaded and later subdued Messenia, while the other, led by Aristodemus or, according to another version, by his twin sons Eurysthenes and Procles, made its way down the Eurotas were new settlements were formed and gained Sparta, which became the Dorian capital of Laconia. -
Ghastly Affair Presenter's Manual Is Intended to Be Used in Conjunction with the Ghastly Affair Player's Manual
PRESENTER'S MANUAL A THRILLING PASTIME for Ladies and Gentlemen of an IMAGINATIVE DISPOSITION to role-play ma a!re stories of LOVE and DEATH" In l#din$ some information of an O#tra$eo#s and Startlin$ nat#re" %ritten and desi$ned !y Daniel &ames Hanley 'it( editorial ontri!#tions !y %endy Rosals)y Released #nder t(e terms of t(e Open Game Li ense" Intended for Mat#re A#dien es" Optimi*ed for s reen +ie'in$" Special Thanks to: Stan Rosalsky, Faith Bianco, John Gaunya, Jeanette Torres-Hanley, Jason Bianco, Wendy Rosalsky, Tony Clappsy, Jennifer Black-Hanley, and Willia Fischer, for playtestin!, and hours of quality ga in!# Bri!id Burke, for co entary and criticis on the te$t. Ji Kaelin, Stacey Kaelin, and Jennifer Cali, for support and encoura!e ent. '(eryone on the Troll Lord Ga es, R*Gnet, and Dra!onsfoot Forums who ga(e support, co ents, and - ost i portantly) criticis of the material throughout its e(olution% All the blo!!ers and podcasters who noticed and supported the !a e early on% All the co entators on “The 'n!ine of Oracles3 ,ho ga(e feedback and criticis % '(eryone who made the ga e 0etter by pointin! out proble s and errors in the syste and te$t. Anyone I5(e absentmindedly ne!lected to mention% '$tra Special Thanks to: Jeanette, for lo(e and support throu!hout the pro6ect. Ghastly /ffair is dedicated to the e ory of the 1Snakedaddy3, John *atrick Hanley% 't in /rcadia e!o% DISCLAIMER Ghastly Affair is meant to 0e enjoyed 0y adults who kno, the difference 0etween fantasy and reality% The author does not endorse or condone any of the follo,ing 0eha(iors: highway ro00ery, the use of controlled su0stances, e$ploring unsafe a0andoned structures, piracy, 0lack agic, ar ed re0ellion, 0anditry or 0riganda!e in !eneral, a0use of any drug, necro ancy, gra(e ro00ing, the consu ption of ercury, 0leeding to treat any disease, the drinking of hu an 0lood, or any other ille!al or potentially life-threatening acti(ity% +escription of an acti(ity for ga e purposes should not 0e construed as pro otion of that acti(ity in real life. -