Volume Three Number Three September/Octob Volume

Total Page:16

File Type:pdf, Size:1020Kb

Volume Three Number Three September/Octob Volume Volume Three Number Three September/Octob Volume Three Number Three September/Octob Story Mtutuzeli Matshoba Njabulo Ndebele Charles Munannhi Staffrider Series Recently published in the Staffrider Series is OGUN ABIBIMAN, by Nigerian poet Wole Soyinka, an epic poem dedicated to the fallen of Soweto. Forthcoming books in the series are MZALA - THE STORIES OF MBULELO MZAMANE, to be published in October, followed by an exciting new novel by MIRIAM TLALI and a collection of plays by prize-winning playwright, ZAKES MDA. are you getting yours? The most effective way to ensure that you receive your latest copy of Staffrider without delay is to subscribe! Simply fill in the subscription form inserted into this issue, indicating the number of issues you would like to receive, and send a cheque or money order to Staffrider Magazine, P.O. Box 31134, Braamfontein 2017, South Africa. Staffrider is published quarterly and costs R1,00 per issue (including tax.) Tune into the voice of South Africa's people - send us your subscription now! DAVID PHILIP, Publishers, P.O. Box 408 Claremont 7735, are now distributors of Staffrider and Ravan Press books in the Western Cape. pini sM heldattheMarketTheatre P;s itra mitted'workbyartistsfrom golden opportunity for you The Maskew Miller Prize R3000,O (three thousand rands) for THE JUNIOR ADVENTURE NOVEL IN ENGLISH THE MASKEW MILLER PRIZE aims to stimulate the writing of English by Blacks in Southern Africa. THE COMPETITION is open to Blacks in South Africa and SWA/Namibia. THE GENRE is a junior adventure novel in English, about 20 000 words in length, aimed at the age group 12-15. FOR FURTHER INFORMATION WRITE TO: F.C.H. Rumboll The Publishing Director Maskew Miller P.O. Box 396 CAPE TOWN 8000 Telephone45-7731 Closing date for 1980: 1 November 1980. Poetry Stories M afika Gwala ............................. 2 Nkos'omzi Ngcukana, Ellinor Joosten, Roy Joseph Cotton, Mogambery Isaac, benjlanga ................... 12 Chirwa P. Chipeya ........................ 14 Morena King Monare, Ed Wilmsen ............... 31 Lionel Abrahams, Zulekha Dinath, Haroon Mohamed . 37 Lindiwe Mvemve ......................... 47 Landi kaThem ba ......................... 48 Columns/ Features VOICES FROM THE GHETTO Mr Petrus Xaba, Alexandra pensioner by Eddie Nhlanc ................. STAFFRIDER REVIEWS Exhibition: East Rand Black Artists by Andy Mason ................. STAFFRIDER PROFILE Katlehong Artists ................ M alopoets ..................... .. .. .. ..3.........23 ......... 24 ......... 38 DRAMA SECTION Theatre of the Dispossessed: James Mthoba and Joe Rahube by Matsemela Manaka ...... TRUTH AND CENSORSHIP Another Glimpse of Slavery by a lawyer ..... ..... 28 ..... 36 STAFFRIDERS SPEAKING A New Day by Thami Mnyele ................... 42 Dilemmas of a Writers Group by Mogorosi Motshumi ..................... 43 THE EARLY YEARS Es'kia Mphahlele and Noel Manganyi WOMAN WRITERS SPEAK Amelia House ............... Lindiwe Mvemve ............. ........ 4 5 ............ 46 ............ 47 The Music of the Violin by Njabulo Ndebele ........ 7 Societa Secreta Subversa by Duncan Foster ......... 13 Some Kinds of Wounds by Charles Mungoshi ........ 15 Jazz by Peter Wilhelm ........................ 20' The Diary of Maria Tholo by Carol Hermer ......... 26 The Betrayal by Mtutuzeli Matshoba ............. 32 Groups MPUMALANGA ARTS, Hammarsdale ............. 2 KHAULEZA, Alexandra ....................... 3 MANGALISO CREATIVE SOCIETY, Swaziland .... 31 MEDU ART ENSEMBLE, Botswana ............. 42 MALIMU, Bloemfontein ...................... 43 Gallery/ Graphics Garth Erasmus ................. Inside front cover Ralph Ndawo ............................. 5 David Goldbladt ........................... 6 Mpikayipheli ....................... 7,11,46, 47 W . Sol M afa .............................. 9 N.D. Mazin ....................... 13, 20, 22, 45 Goodman Mabote ......................... 15 Bhekisani Manyoni ....................... 23, 25 Napo Mokoena ......................... 23, 24 M oss Petlo .............................. 24 Gamakhulu Diniso ........................ 25 Farouk Stemmet ......................... 26 M zwakhe ............................ 32, 36 Thami M nyele ......................... 42,43 Nils Burw itz ............................ 45 Photographs Thabo Serote ............................. 4 Ralph Ndawo ...................... 1, 3, 17, 31 Rose Shakanovsky ..................... 23, 24, 25 Paul Weinberg ......... .................. 38, 39 Judas Ngwenya .......................... 41 Landi ka Themba ......................... 48 CHILDREN'S SECTION The Dustbin Baby by Landi kaThemba Molo Songololo - Two Tales by Lloyd Zarry and Barisha Karlic ... Cover Photographs: Front: Ralph Ndawo 48 Back: Paul Weinberg Staffrider magazine is published by Ravan Press, P.O. Box 31134, Braamfontein 2017, South Africa. (Street address: 409 Dunwell, 35 Jorissen Street, Braamfontein.) Copyright is held by the individual contributors of all material, including all graphic material, published in the magazine. Anyone wishing to reproduce material from the magazine in any form should approach the individual contributors c/o the publishers. This issue was printed by The Mafeking Mail, Mafeking. Poetry/ Mpumalanga Arts AFRIKA AT A PIECE (On Heroes Day) You can't think of a solution Without your mind spelling revolution Unless your mind is steamed with pollution So much that you drop the notion As our heroes die As our heroes are born Our history is being written With the black moments given Looking the storm in the eye Our hope is not gone Our blackman's history is not written in classrooms on wide smooth boards Our history shall be written at the factory gates at the Unemployment offices in the scorched queues of dying mouths Our history shall be our joys our sorrows our moroseness scrawled in dirty Third Class toilets Our history will be graffitti decorating our ghetto walls where flowers find not peace enough to grow Our history shall be written on laps in the bush Or whizz out of a smoking steel mouth Our history is being written Our history is being written As the Bergies refuse to bend to white civilization below Table Mountain Our history is the freedom seed being sown across the Karoos With our Kaapenaar brothers refusing to mix the milky way But blocking blows Right into 'die duiwel se skop' Our present is the lavatory blues we so love to sing in our matchbox houses Our present is the Blue Light flashing operations high up at Groote Schuur Our present is those heart operations with guinea-pig donors from ghetto deaths and from deaths called 'accidental' Our present is naked ribbed stomachs and TB coughs at Limehill, Dimbaza, Winterveldt It is panga attacks and rape at Tin Town, Malacca Road, Crossroads It is ritual murder at Richmond Farm, Rooigrond, Klipspruit Mafika Gwah Our history glosses W_ the rail tracks at Effingham and Langlaagte Our history is black women marching on Pretoria Building lifting fists shouting: 'Amandla!' Our history is being written with indelible blood stains with sweeping black souls in the streets at John Vorster where Timol dived thru the window at Auden House where Mdluli made a somersault stunt at Sanlam Building where Biko knocked himself against walls at the Kei Road copshop where Mapetla thought hanging was fun at Caledon Square where the Imam Haroon slipped on a bar of soap We sing our present We sing the dark-lit rooms where the 'Free Mandela' chant is mounting truth We sing the New Truth The New Truth is! Those 1976 bullets were not sacramental bread meant for the faithful... We've heard the Bullet Refrain vibrating walls at Silverton On the sidewalks of Goch Street We shall sit down and sing We shall sing songs Tiro would have loved to hear Songs Ma Ngoyi would have sung Songs Mthuli kaShezi would have composed Songs Songs that lead us on And when it's Time To Rise The Isle of Makana will be flooded by the swelling tide of Kwancha Batho ba Sechaba, hora e fitlhile! The Hour has come! Mafika Gwala UNB Residence (Austerville) Heroes Day - 21 March 1980 STAFFRIDER, SEPTEMBER/OCTOBER 198( VOICES FROM THE GHETTO ALEXANDRA SPEAKING Mahlaba Eddie Nhlane of KHAULEZA talks to Mr Petros Xaba, a pensioner of Alexandra. How fair is it for a man to give hi blood, sweat and tears to uplift trc face of a cityand make it one of the most beautiful in the world? How fi is it for a man to build schools and cburches only to be deprived of the it to education, and religion? How toar is it for a man to build skyscrapers and mansions for his master, and i:mself live in ghettoes? Worst of iw, how fair is it for that very man i, be told he belongs to a certain ihmeland and not to the place he h is helped to build? That is the gratioide the black man in this country trns. Yet Johannesburg, as it stands ,oday, tall, proud, with its neon lights tickering and reflecting its beauty, is the result of the blood, sweat and tears of our disability pensioners. Forty-four-year-old Mr Petrus Xaba Alexandra is one such victim. Born in Alexandra in 1936, he had difficulty in ..tting permission to stay in Alexandra. Ls parents had divorced, so his father vas staying at Dikathole and his mother vas still in Alex. Police started arresting -cople under Section 29 known as oaferskap' or 'Julle Bantoes'. He had to flee from Alexandra and went to Dikathole, where his father was, and obtained a reference book. After two months, he came back to Alexandra and applied for a permit to live with his mother. This time the application was considered, as influx
Recommended publications
  • CHRIS KNIGHT Almost Daylight
    CHRIS KNIGHT Almost Daylight “It’s hard to know how people are gonna react,” Chris Knight says of Almost Daylight, his ninth album and first new recording in over seven years. “I’ve written songs about a lot of different things going all the way back to my first record, and some folks still think ‘somebody kills somebody’ is all I write about. Maybe that’s why I was bound and determined to get these particular songs on this album. If people like them, then we’ll be fine. But I wasn’t gonna do it any other way.” For the past 20 years, Chris Knight has only made music his own way. He’s released eight acclaimed albums, played thousands of electrifying live shows and built generations of fervent fans from Texas honky-tonks to Manhattan rock clubs. He’s been hailed as “the last of a dying breed…a taciturn loner with an acoustic guitar and a college degree” (The New York Times) and “a storyteller in the best traditions of Mellencamp and Springsteen” (USA Today). Bottom line, he’s hard-earned his reputation as one of America’s most uncompromising and respected singer/songwriters. And now with Almost Daylight, Knight delivers the most powerful – and unexpected – music of his career. Almost Daylight is very much a Chris Knight album, familiarly featuring vivid pictures of rural characters, desperate men and hardscrabble survivors. At the same time it’s unlike anything Knight has done before, with formidable testaments to compassion, redemption and even straight-up love. It’s an album both tough and tender, as bare-knuckled as it is open-hearted.
    [Show full text]
  • Songs of William Blake,” Which Was Produced by John Mceuen, of the Nitty Gritty Dirt Band
    “A delightful surprise...terrific album” ROBERT SIEGEL, ALL THINGS CONSIDERED “In a brilliant collision of cultures, the powerful blues and soul singer Martha Redbone has recorded an album called “The Garden of Love: Songs of William Blake,” which was produced by John McEuen, of the Nitty Gritty Dirt Band. In it, the mystical, humanistic words of the eighteenth-century English poet are fused with the melodies, drones, and rhythms of the Appalachian string-band music that Redbone absorbed as a child from her grandparents, in Black Mountain, Kentucky.” THE NEW YORKER “Poised to be Americana's next superstar.” THE VILLAGE VOICE “Martha Redbone is a charismatic indie-soul diva whose sound is a just-right mix of retro and modern.” TIMEOUT NEW YORK “This woman is a true original; the kind of artist who sets trends, as opposed to following them.” BILLBOARD MAGAZINE “A truly hypnotic and eloquent roots Americana exploration.” ALLMUSIC GUIDE “A perfect slice of Americana.” NO DEPRESSION “An organic, gorgeous feast for ears and mind.” DUSTY WRIGHT, HUFFINGTON POST Martha Redbone Roots Project transforms the words of William Blake into modern American music | Concert Preview | Chicago Reader MUSIC | CONCERT PREVIEW June 29, 2018 Martha Redbone Roots Project transforms the words of William Blake into modern American music By Jamie Ludwig @unlistenmusic f you were looking for compelling source material for an album of 21st-century Americana, you might not start with poems written in England at the tail end of the 18th century. But the 2012 debut album by Martha Redbone Roots Project, , sets the words of the English writer, artist, and visionary to arrangements that blend elements of Appalachian folk, gospel, soul, blues, and Native American music.
    [Show full text]
  • N E W S L E T T E R Summer 2004
    Strengthening the importance of music in our life and culture since 1940 N E W S L E T T E R Summer 2005 NATIONAL MUSIC COUNCIL Night Music,” “Sunday in the Park with George,” “Assassins,” “Into the Woods,” HONORS STEPHEN “Passion” and the legendary “Sweeney SONDHEIM, HON. JOHN Todd,” soon to be revived on Broadway. CONYERS AND SESAME Sondheim has also written for motion pictures and television, winning several WORKSHOP AT THE 2005 Tony and Oscar Awards. AMERICAN EAGLE AWARDS Broadway stars Michael Cerveris and Liz Callaway presented the award and offered a musical tribute. Cerveris has appeared in The American music community came “Assassins” and will headline in the revival together to honor Broadway of “Sweeney Todd” next fall. Liz Callaway, composer/lyricist Stephen Sondheim with one of the most sought after studio singers in one of the National Music Council’s coveted New York, made her Broadway debut in American Eagle Awards, according to Sondheim’s “Merrily We Roll Along.” Council Director David Sanders. Also receiving awards were Michigan Congressman John Conyers and Sesame Workshop, creators of Sesame Street. The presentations took place during the Council’s 24th annual awards luncheon at New York’s Players Club, 16 Gramercy Park South, Thursday, June 2nd at 12 noon. Stephen Sondheim, who recently celebrated his 75th birthday, is a true icon of the American musical theater. He has brought breadth and scope to his music for the Broadway stage, beginning as lyricist for NMC President Gary Ingle, Director David Leonard Bernstein’s “West Side Story” and Sanders, Stephen Sondheim, and Chairman Jule Styne’s “Gypsy,” through his unique Richard Lowenthal at the 2005 American and creative partnership with another Eagle Awards.
    [Show full text]
  • Wurlitzer 950TA
    See it in color... then hear it in color! Wurlitzer950TA You are invited to write for a pin-up picture of the most beautiful electronic organ we have ever built . then visit a dealer to hear the most beautiful sounds Wurlitzer has ever created! It's our new Professional Model 950TA ... a Total Tone organ in Theatre Styling ... shown in Antique White with Gold, also available in Sable Cherry. Conveniently placed controls for the myriad of available sounds make the or- r-t ••~r~-;~';-;--;::;;~~::;:;::;;:;;;;;;~:1111 -~::::::_::======:- ganist at home from the start. Five gen- _ eral pistons, third-keyboard Orbit Synthesizer and couplers for the keyboards and pedals further enhance the playability. Pistons deliver impressive sounding pre­ set registrations: theatre organ with violin solo, strings with flute, orchestra with reed solo, full organ with trumpet, cathedral organ with chimes. Tibias sing a full range of pitches (16' to 1') with no doubling back, all playable through a built-in custom Leslie Speaker System. For other thrilling preset combinations, there is the exclusive Spotlight Solo™ Section. New Chromatic RiffTMplays two-way chromatic scales at any speed from any note, an impressive effect. WuRLifZER® Percussion offers 15 rhythms combin­ The Music People able in endless ways plus instrumental percussion voices, and arpeggiation Send coupon for free color picture and complete stop list that follows chord and key changes r-------------------------1 automatically. I To: Wurlitzer, Dept. TO-680 , DeKalb , Illinois 60115 I Please send my free color picture and details on 950TA : Touch Response offers a new kind of I musical punctuation. Symphonic Pres­ I Name .
    [Show full text]
  • Charlie Peacock - Keynote Speaker
    Charlie Peacock - Keynote speaker “New Way… …to be Human” jon foreman - guest artist Dallas Baptist University……………………………………….February 29 — March 1, 2008 KEYNOTE SPEAKER: Charlie Peacock Charlie Peacock is a Grammy award-winning, multi format songwriter and record producer. He has worked in pop, gospel, jazz, and country music. His songwriting and production credits include Switchfoot, Karl Denson's Tiny Universe, Ladysmith Black Mambazo, Béla Fleck, Leigh Nash, Al Green, Tommy and the Whale, Warren Barfield, Maeve, Sam & Ruby, Savannah, Amy Grant, Sixpence None The Richer, Sara Groves, Nikki Williams, Anna Owens, Audio Adrenaline, Sarah Masen, David Crowder Band, Avalon, Philip Bailey, dcTalk, Margaret Becker, Out of the Grey, Twila Paris, and CeCe Winans. Charlie has At The Crossroads Expanded Edition. With Molly Nicholas. (Colorado Springs, CO: Shaw at Waterbrook Press/Random House, 2004; originally published 1999), and New Way To Be Human: A Provocative Look At What It Means to Follow Jesus Waterbrook Press/Random House, 2004). “New Way to be Human is…an alarm clock for the soul, ringing loudly, welcoming the dawn of a new day.” •– from the foreword by Jon Foreman of Switchfoot. Peacock was inducted in the Christian Music Hall of Fame in 2007. http://www.charliepeacock.com/ http://www.myspace.com/charliepeacock Charlie Peacock’s Keynote Lecture Schedule Friday Symposium, February 29, Collins Learning Center @ 12 noon: “The Origin of Switchfoot and the Search for Meaning” Charlie and Andi Peacock’s ‘ArtHouse’ home, Nashville, TN Saturday,
    [Show full text]
  • Analyzing Style and Meaning in the Music of Abbey Lincoln, Nina Simone and Cassandra Wilson
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2012 Learning How to Listen': Analyzing Style and Meaning in the Music of Abbey Lincoln, Nina Simone and Cassandra Wilson LaShonda Katrice Barnett College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, Music Commons, and the Women's Studies Commons Recommended Citation Barnett, LaShonda Katrice, "Learning How to Listen': Analyzing Style and Meaning in the Music of Abbey Lincoln, Nina Simone and Cassandra Wilson" (2012). Dissertations, Theses, and Masters Projects. Paper 1539623358. https://dx.doi.org/doi:10.21220/s2-fqh4-zq06 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. 'Learning How To Listen': Analyzing Style and Meaning in the Music of Abbey Lincoln, Nina Simone and Cassandra Wilson LaShonda Katrice Barnett Park Forest, Illinois, U.S.A. Master of Arts, Sarah Lawrence College, 1998 Bachelor of Arts, University of Missouri, 1995 A Dissertation presented to the Graduate Faculty of the College ofWilliam and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program The College ofWilliam and Mary August, 20 12 APPROVAL PAGE This Dissertation
    [Show full text]
  • For Midwest Band Born in Michigan, POP EVIL W/DON JAMIESON, Pop Evil Sets Big THEM EVILS 8 P.M
    BÉLA FLECK & THE FLECKTONES JAMES AND things to do 352in the area ANNOUNCE PAVILION SHOW THE DRIFTERS CALENDARS START ON PAGE 9 Jan. 31-Feb. 6, 2019 FREE WHAT THERE IS TO DO IN FORT WAYNE AND BEYOND A WHATZUP INTERVIEW WITH JOHN CUSACK THE EMBASSY HOSTS A Q&A WITH CUSACK AFTER A VIEWING OF HIS FILM, HIGH FIDELITY ALSO INSIDE: POP EVIL AT THE CLYDE · FORT WAYNE YOUTHEATRE · ALBUM AND MOVIE REVIEWS whatzup.com FEBRUARY 8 FEBRUARY 14 GET POP EVIL W/ DON JAMIESON CANDLEBOX Larger than life rock n’ roll conjuring Celebrating 25 years, seminal grunge band, aggressive riffs and melodic power Candlebox is best known for “Change”, “You”, and “Far Behind” NOTICED! Bands and venues: Send us your events to get free listings in our calendar! FEBRUARY 15 FEBRUARY 17 whatzup.com/submissions BADFISH W/ BUMPIN UGLIES SPACE JESUS W/ BUKU, TOADFACE Baddsh: a Tribute to Sublime continues to Brooklyn-based producer known for channel the spirit of Sublime dynamic live performances FEBRUARY 21 MARCH 2 UMPHREY’S MCGEE W/ MOSER WOODS LOS LOBOS W/ NEAL FRANCIS Celebrating 20 years of genre-bending, Three decades, thousands of world-class musicianship and unmatched performances, two Grammys, and the energic live shows global success of “La Bamba” BONEY JAMES APRIL 25 CLASSIC DEEP PURPLE WITH GLENN HUGHES MAY 2 WHO’S BAD: THE ULTIMATE MICHAEL JACKSON EXPERIENCE MAY 4 ZOSO: THE ULTIMATE LED ZEPPELIN EXPERIENCE MAY 11 2 WHATZUP JANUARY 31-FEBRUARY 6, 2019 Inside This Week Volume 23, Number 27 4 HUGE After the Miracle: SAVINGS Helen 5 on pro & Keller Pop Evil step-up
    [Show full text]