For Midwest Band Born in Michigan, POP EVIL W/DON JAMIESON, Pop Evil Sets Big THEM EVILS 8 P.M
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Carnegie Hall Concert with Buck Owens and His Buckaroos”—Buck Owens and His Buckaroos (1966) Added to the National Registry: 2013 Essay by Scott B
“Carnegie Hall Concert with Buck Owens and His Buckaroos”—Buck Owens and His Buckaroos (1966) Added to the National Registry: 2013 Essay by Scott B. Bomar (guest post) * Original album Original label Buck Owens and His Buckaroos In the fall of 1965, Buck Owens was the biggest country star in the world. He was halfway through a string of sixteen consecutive #1 singles on the country chart in the industry-leading “Billboard” magazine, and had just been invited to appear at New York City’s prestigious Carnegie Hall. Already designated a National Historic Landmark, the esteemed venue had hosted Tchaikovsky, Rachmaninoff, Stravinsky, Gershwin, Bernstein, and Ellington. Owens recognized the honor of being asked, but instructed his manager, Jack McFadden, to decline the offer. “When they first started talking about it, it scared me to death,” he admitted in a 1967 radio interview with Bill Thompson. Buck was worried the Manhattan audience wouldn’t be interested in his music, and he wanted to avoid the embarrassment of unsold tickets. McFadden pushed him to reconsider. When Ken Nelson, Owens’ producer at Capitol Records, suggested they record the performance and release it as his first live album, Buck finally conceded. Buck Owens’ journey to the top of the charts and the top of the bill at the most revered concert hall in the United States began in Sherman, Texas, where he was born Alvis Edgar Owens, Junior in 1929. By 1937, the Owens family was headed for a new life in California, but they wound up settling in Mesa, Arizona, when a broken trailer hitch derailed their plan. -
530.274.8384 •
Nevada County Fairgrounds, Grass Valley, California • Thursday-Sunday, July 12-15, 2018 Festival goers and music lovers from around the globe will descend upon the Nevada County Fairgrounds July 12-15 for the 22nd annual California WorldFest. The popular music and arts festival is presented by The Center for the Arts, a 501 (c)(3) nonprofit organization based out of Grass Valley. With seven stages of music, more than 50 artists from around the world, and a full workshop and educational schedule, WorldFest has set itself apart from other music festivals throughout the region. The festival's extensive offerings include daily yoga, family and kids activities, a variety of educational workshops, and an artisan marketplace. Onsite camping rounds out the true festival - going experience and allows patrons and their families a safe and convenient place to rest before the next day's goings-on. RV and tent camping sites are available, and for all the glampers out there, World Fest will have luxury showers available for purchase onsite for the first time this year. World Fest's Global Indigenous People's Village celebrates its 10th anniversary in 2018, offering attendees an immersive journey into the world of indigenous art, culture, and traditions. The village is meant as the ultimate tribute not only to the Nisenan tribes of the region, but to the many diverse cultures by which it is influenced. Music industry magazine Pollstar calls the California World Fest a "festival of discovery," while FestForum awarded WorldFest its "Innovation in Music" award in 2016. The Center for the Arts is well known in the local community and across the country for their premiere production capabilities, and World Fest is no exception. -
Eone Annual Report 2019
2019 Annual Report and Accounts Unlocking the power & value of creativity We are focused on building the leading talent-driven, platform- agnostic entertainment company in the world. Through our deep creative relationships we are able to produce the highest quality content for the world’s markets. We are powered by global reach, scale and local market knowledge to generate maximum value for this content. Strategic Report SR Governance G Financial Statements FS Unlocking the Unlocking the value of originality power & value p.10 of creativity Unlocking the power of creativity p.12 Strategic report Governance 02 At a glance 66 Corporate governance 04 Chairman’s statement 68 Board of Directors 06 Chief Executive Officer’s review 70 Corporate governance report 10 Unlocking the power 78 Audit Committee report & value of creativity Unlocking the 86 Nomination Committee report value of direction 20 Market Review 90 Directors’ Remuneration report p.14 22 Business Model 118 Directors’ report: 24 Strategy additional information 26 Key performance indicators Financial statements Business review 122 Independent auditor’s report 28 Family & Brands 127 Consolidated financial statements 36 Film, Television & Music 131 Notes to the consolidated financial statements Unlocking the 46 Finance review power of storytelling 51 Principal risks and uncertainties Visit our website: entertainmentone.com p.16 58 Corporate responsibility Unlocking the value of talent p.18 entertainmentone.com 1 AT A GLANCE Performance highlights Strong growth in underlying EBITDA -
2021-01-10 Edition
HAMILTON COUNTY Hamilton County’s Hometown Newspaper www.ReadTheReporter.com REPORTER Facebook.com/HamiltonCountyReporter TODAY’s WeaTHER SUNDAY, JAN. 10, 2021 Today: Partly sunny. Tonight: Mostly clear. ARCADIA | ATLANTA | CICERO | SHERIDAN CARMEL | FISHERS | NOBLESVIllE | WESTFIELD NEWS GATHERING LIKE & PARTNER FOllOW US! HIGH: 35 LOW: 21 My anxious heart Carmel gets $18K grant for “And in despair I COLUMNIST bowed my head; there is no peace on earth, I said. For hate is new electric vehicle chargers strong and mocks the song of peace on earth The REPORTER the grid uses less carbon based good-will to men. Then The Indiana Department of fuels and switches to renewable pealed the bells more Environmental Management energy, electric vehicles will be loud and deep; God is (IDEM), as part of its VW Trust that much cleaner.” not dead, nor doth he JANET HART LEONARD Fund Settlement, has awarded The two locations for sleep; the wrong shall From the Heart $18,000 to the City of Carmel to charging stations will be: fail, the right prevail, install two electric vehicle char- 1. Monon and Main parking with peace on earth, good-will to men.” gers. Carmel was one of 31 cit- garage (located behind Antho- – Henry Wadsworth Longfellow ies within Indiana to be awarded ny’s Chop House, a block west Mr. Longfellow wrote this upon hearing funding from the $615,000 allo- of the Monon Greenway) his son had been seriously injured during the cated to install Level 2 chargers 2. Proscenium parking ga- Civil War. 1863. across the state. Level 2 chargers rage (to be located on the north- 158 years later the words are ever as can put 20 to 30 miles of electric- west corner of Range Line Road much true today as they were then. -
CHRIS KNIGHT Almost Daylight
CHRIS KNIGHT Almost Daylight “It’s hard to know how people are gonna react,” Chris Knight says of Almost Daylight, his ninth album and first new recording in over seven years. “I’ve written songs about a lot of different things going all the way back to my first record, and some folks still think ‘somebody kills somebody’ is all I write about. Maybe that’s why I was bound and determined to get these particular songs on this album. If people like them, then we’ll be fine. But I wasn’t gonna do it any other way.” For the past 20 years, Chris Knight has only made music his own way. He’s released eight acclaimed albums, played thousands of electrifying live shows and built generations of fervent fans from Texas honky-tonks to Manhattan rock clubs. He’s been hailed as “the last of a dying breed…a taciturn loner with an acoustic guitar and a college degree” (The New York Times) and “a storyteller in the best traditions of Mellencamp and Springsteen” (USA Today). Bottom line, he’s hard-earned his reputation as one of America’s most uncompromising and respected singer/songwriters. And now with Almost Daylight, Knight delivers the most powerful – and unexpected – music of his career. Almost Daylight is very much a Chris Knight album, familiarly featuring vivid pictures of rural characters, desperate men and hardscrabble survivors. At the same time it’s unlike anything Knight has done before, with formidable testaments to compassion, redemption and even straight-up love. It’s an album both tough and tender, as bare-knuckled as it is open-hearted. -
2021-01-03 Edition
HAMILTON COUNTY Hamilton County’s Hometown Newspaper www.ReadTheReporter.com REPORTER Facebook.com/HamiltonCountyReporter TodAy’S Weather Sunday, Jan. 3, 2021 Today: Mostly to partly cloudy. Tonight: Partly cloudy. Arcadia | Atlanta | Cicero | Sheridan Carmel | Fishers | Noblesville | Westfield NEWS GATHERING Like & PARTNER Follow us! HIGH: 38 LOW: 28 Reporter’s top stories of 2020 Most engaged posts on ReadTheReporter.com 10. Mrs. Cicero, now Mrs. Indiana American 9. Noblesville Stands Together says Spartz protects guns rights of school shooter 8. Letter: Noblesville resident wants answers on new city logo 7. Westfield announces preferred State Road 32 route 6. Who’s on your Primary Election ballot? 5. Noblesville’s Scott Baldwin running for State Senate 4. HSE school board candidates make their case in virtual forum 3. Frankton resident who tested positive for COVID-19 dies in Hamilton County 2. An open letter from Noblesville Mayor Chris Jensen Reporter photo by Kent Graham 1. County now ranks second The Noblesville girls soccer team defended its Class 3A state championship on Oct. 31 at Reynolds in number of COVID-19 deaths Tigers Stadium in Fishers. The Millers beat Guerin Catholic 3-0 and finished their season 17-0-1. By FRED SWIFT point to getting an increas- ReadTheReporter.com ing percentage of the vote, in raw numbers Republican Rarely in our time has candidates won by huge there been an event that has margins except at the top of affected every person in our the ticket where President county as has the current Donald Trump's vote total COVID-19 epidemic. About was only 14,000 ahead of 275 lives have been lost to challenger Joe Biden. -
Ta1300 Album Download TA13OO
ta1300 album download TA13OO. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at $12.99. A former member of SpaceGhostPurrp's Raider Klan , Denzel Curry is one of the precursors of the new generation of electro coming out of Florida. Now joined by such wild men as Smokepurrp, Ski Mask Da Slump God or the late XXXTentacion, Denzel has created a complex mix, which has been much-covered by his peers. To sum it up, his music is a mixture of very technical rap in the tradition of Memphis and the Three 6 Mafia and a rather more elevated psychedelic tendency taken from Outkast and the Dungeon Family. A pure product of the SoundCloud generation, he made waves with Nostalgic 64 (2013) and then Imperial (2016). At the age of just 23, Denzel Curry shows a disarming maturity and an unflagging versatility on TA13oo , his most ambitious album to date. TA13OO. The South Florida rapper carves out his own lane within the genre known as SoundCloud rap, displaying considerable versatility as he channels the pain and confusion of youth. Featured Tracks: In the chaotic arena that is SoundCloud rap, Denzel Curry has etched out his own distinct realm. Presumably he doesn’t mind being tagged as a SoundCloud rapper, as murky and hard to define as that term is. It was just in May that Curry went to the mattresses to uphold his version of the genre’s history, using Twitter and interviews to torpedo Smokepurpp’s claim to have fathered the movement. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
RYCHUS SYN Rebirth (Heavy Metal)
RYCHUS SYN Rebirth (Heavy Metal) Année de sortie : 2008 Nombre de pistes : 10 Durée : 35' Support : CD Provenance : Reçu du groupe En 1989 sortait un EP (qui existe aussi en « picture disc ») sur le label AZRA, cinq titres dans la bonne moyenne de ce qui sortait (à la chaîne) à ce moment au USA.Entre Hard Rock énergique et Heavy Métal.A partir de là comptez dix neuf dans votre tête, cela peut vous paraître long, mais imaginez la même chose en années ! Et oui c"est le temps qu"il aura fallu pour que les musiciens de RYCHUS SYN pour remettre la machine en route ! Seuls rescapés de cette première époque Drew MANISCALCO (guitares) et son frère Greg (batterie).Rebirth vous permettra d"écouter les cinq titres du EP, Under Attack, Contents Under Pressure, Child of Mercy, Power Thunder and Steel et Air Raid plus cinq nouveaux titres.Preuve que le groupe n"a pas sorti juste pour le fun ce CD, les anciens titres ont été ré enregistrés et collent parfaitement aux nouveaux, impossible de les différencier !Dix titres carrés, très Heavy Métal, une grosse production, un chant excellent, des riffs acérés et des soli pertinents vont rendre ce Rebirth attrayant du début à la fin ! Pour les influences récentes je dirais WARDOG (A Sound Beating de 1999) par le chant et le son des guitares, et les compos ; rajoutez y des passages rappelant les vieux METALLICA, METAL CHURCH surtout au niveau rythmiques et vous obtiendrez RYCHUS SYN. La majeure partie des titres est médium et quatre sont plus rapides, voir limite Thrash sur Under Attack. -
A World of Entertainment Entertainment One Ltd
A world of entertainment Entertainment One Ltd. Annual Report and Accounts 2014 We are Entertainment One. Contents Strategic Report 1 Highlights Entertainment One’s goal is to be 2 Group at a Glance 4 Chairman’s Statement the world’s leading independent 6 Chief Executive’s Summary 8 Group Objectives and Strategy entertainment group, through the 10 Business Model 12 Market Overview production and acquisition of 14 Film Review 18 Television Review entertainment content rights for 22 Financial Review 26 Principal Risks and Uncertainties exploitation across all consumer 30 Corporate Social Responsibility media throughout the world. Corporate Governance 32 Board of Directors 34 Corporate Governance 40 Audit Committee Report 44 Directors’ Remuneration Report 61 Nomination Committee Report 62 Directors’ Report: Additional Information 64 Statement of Directors’ Responsibilities Consolidated Financial Statements 65 Index to the Consolidated Financial Statements 66 Independent Auditor’s Report 69 Consolidated Income Statement 69 Consolidated Statement of Comprehensive Income 70 Consolidated Balance Sheet 71 Consolidated Statement of Changes in Equity 72 Consolidated Cash Flow Statement 73 Notes to the Consolidated Financial Statements Television Chief Executive’s Summary Film Review Darren Throop’s review of the year A review of our Film Division for the is set out on pages 6 and 7. year is set out on pages 14 to 17. Television Review A review of our Television Division for the year is set out on pages 18 to 21. Film entertainmentone.com ANNUAL