Praise for The Art of Natural Building — Revised and Updated
The Art of Natural Building — Second Edition is an epic
adventure through the world of natural building. No stone is left unturned in presenting the beauty, inclusiveness, human, socially and environmentally responsible world of building with what the earth gives us, where we are. As a whole, it’s a bit overwhelming — so much to take in — and yet each subject is complete within itself. The spirit of this book is attuned to its subject — gentle, simple, embracing, humble, caring, and infused with love for each other, our communities, and the earth. It’s really about creating a humane world, a beacon to guide us through difficult times.
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- Bill Hutchins, founder/principal, Helicon Works
Architects
This is a book to live your life by — to improve your life in every aspect. No single problem is overlooked, from global warming to the imbalance of wealth and poverty. [This book] draws from a variety of tried-and-true methods while bringing us into today’s world — anyone, anywhere can build an affordable home from the practical details in this volume.
— Marion Bridge, author, Passion for Earth: Earth Houses in New Zealand
This is a well-illustrated and comprehensive, wide-ranging book on many methods and aspects of natural building, drawing on materials from many parts of the world and written by prominent practitioners and proponents. It will be
2much anticipated by those who are either keen to promote natural building, or who are simply wishing to find out a whole lot more about it, what it means, and to see a whole range of examples. If you want to learn about the state of natural building today, I suggest that you grab a copy.
— Graeme North, chair, Earth Building Association of New Zealand
A magnificent collection from the natural building all-stars. If you’re looking for the collective wisdom of the entire tribe, you’ll find it gathered here. Don’t build a home without it!
— Bruce King, engineer and author, and founder,
BuildWellLibrary.org
Experienced practitioners Wanek, Kennedy and Smith’s Art of Natural Building (second edition) is a tour de force, providing a veritable encyclopedia of ecologically sound, healthy building designs constructed out of a remarkable range of locally available natural materials. Readers will be inspired to action by the 64 case examples written by many of the world’s leading natural building innovators, enriched with 200 illuminating visuals. This is a go-to resource that should be prominently featured on every public and private library shelf.
— Michael P Totten, Senior Fellow, Rocky Mountain Institute
The first edition of The Art of Natural Building blew me
away. Part practical manual, part radical manifesto for a reimagining of construction, part rich immersion in a global
3movement rooted in craftsmanship, beauty and place. Every home in these pages is a work of heart. As Naomi Klein put it recently, “there are no non-radical solutions left.” This book is packed with radical solutions, yet solutions which build community, bring beauty (yes, I’ll use that word again) into our lives, and leave us happier, healthier and more skilled. I love it. I’m sure you will too.
— Rob Hopkins, founder, Transition Town movement and
author, The Power of Just Doing Stuff
It’s great to have a new edition of this classic treasure-chest of information on natural building. Most of the space enclosures built in the 20th century were toxic energy hogs; this book points the way to sustainable, comfortable, and beautiful alternatives.
— Richard Heinberg, Senior Fellow, Post Carbon Institute
and author, Afterburn
Not only a rich and mouthwatering menu of natural building techniques, this up-to-date guidebook allows you to savor the advice and wisdom of an international collection of experts and practitioners in this evolving field, critical to our collective future. With chapters on how to get a permit or a LEED rating, design for your climate, and apply building science to buildings of dirt and straw, along with a whole new section of sage experience from case studies worldwide, this book is a go-to guide for new and seasoned natural building enthusiasts.
— Laura Bartels, president, GreenWeaver and board president, Colorado Straw Bale Association
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The Art of Natural Building lays out historical context for
how buildings are constructed around the world, in various climates, using various indigenous materials. This book remains a valuable resource for any natural building library, with many updates from the first edition. The focus is not a how-to guide, but rather imparting inspiration, showing what is possible when you build naturally.
— Sigi Koko, principal and founder, Down to Earth Design
The Art of Natural Building provides a thoughtful, accessible
compilation of natural building materials and methods, while also exploring the cultural, economic and sociological aspects of community and the built environment. The comprehensive scope, along with practical tips, ideas, examples and case studies make this new edition a valuable resource for professionals, communities and individuals interested in natural building. It is an informative, interesting and inspiring read that also sparks new ideas and invites reflection. I highly recommend perusing, reading and frequently revisiting this insightful, helpful book.
— Dr. Lisa Wipplinger, SE, LEED AP BD+C
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Copyright © 2015 by Catherine Wanek, Joseph Kennedy and Michael G. Smith. All rights reserved.
Cover design by Diane McIntosh. Cover: Thierry Dronet’s workshop/stable in France is a hybrid natural building incorporating straw bales, cordwood masonry, lime plaster and a living roof. Photo © Catherine Wanek.
Printed in Canada. First printing January 2015. New Society Publishers acknowledges the financial support of the Government of Canada through the Canada Book Fund (CBF) for our publishing activities.
Inquiries regarding requests to reprint all or part of The Art of Natural Building should be addressed to New Society Publishers at the address below.
To order directly from the publishers, please call toll-free (North America)
1-800-567-6772, or order online at www.newsociety.com Any other inquiries can be directed by mail to: New Society Publishers P.O. Box 189, Gabriola Island, BC V0R 1X0, Canada (250) 247-9737
LIBRARY AND ARCHIVES CANADA CATALOGUING IN PUBLICATION
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The art of natural building : design, construction, resources / editors, Joseph F. Kennedy, Michael G. Smith, Catherine Wanek. — Second edition.
Includes bibliographical references and index. Issued in print and electronic formats.
ISBN 978-0-86571-771-8 (pbk.). — ISBN 978-1-55092-560-9 (ebook)
1. Architecture, Domestic — Environmental aspects. 2. Ecological houses — Design and construction. 3. Dwellings — Design and construction — Environmental aspects. 4. Building materials — Environmental aspects. I. Wanek, Catherine, author, editor II. Kennedy, Joseph F., author, editor III. Smith, Michael G. (Michael George), 1968–, author, editor
NA2542.35.A77 2014
- 690′.8047
- C2014-907511-1
C2014-907512-X
New Society Publishers’ mission is to publish books that contribute in fundamental ways to building an ecologically sustainable and just society, and to do so with the least possible impact on the environment, in a manner that models this vision. We are committed to doing this not just through education, but through action. The interior pages of our bound books are printed on Forest Stewardship Council®-registered acid-free paper that is 100% post-consumer recycled (100%
9old growth forest-free), processed chlorine-free, and printed with vegetable-based, low-VOC inks, with covers produced using FSC®-registered stock. New Society also works to reduce its carbon footprint, and purchases carbon offsets based on an annual audit to ensure a carbon neutral footprint. For further information, or to browse our full list of books and purchase securely, visit our website at: www.newsociety.com
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Contents
Foreword to the First Edition by Albert Bates Foreword to the Second Edition by Bill Steen Acknowledgments
Introduction: An Open Door by Michael G. Smith
Part One: The Context for Natural Building
1. The Case for Natural Building by Michael G. Smith 2. Natural Building: A Global Tradition by Catherine
Wanek
3. The Importance of Housing Ourselves by Ianto Evans 4. Natural Building and Social Justice by Rob Bolman 5. Sustainability and Building Codes by David Eisenberg 6. Can My Natural Home Get a LEED Rating? by Joseph F.
Kennedy and Ann V. Edminster
7. Life-Cycle Cost and Value of Four Houses by David A.
Bainbridge
8. In Defense of Craft by Patrick Webb Part Two: Design and Planning
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9. Designing for Vitality by Carol Venolia
10. The Healthy House by Paula Baker-Laporte
11. Eighteen Design Principles to Make Square Feet Work
Harder by Robert Gay
12. Designing with the Sun by Susie Harrington 13. Natural Building for Cold Climates by Jacob Deva
Racusin
14. Hybrid Homes: Combining Natural Materials for Energy
Efficiency by Catherine Wanek and Michael G. Smith
15. Remodeling with Natural Materials by Joseph F.
Kennedy and Janine Björnson
16. Siting a Natural Building by Michael G. Smith 17. The Permaculture House by Peter Bane 18. Complementary Systems for Energy-Efficient Homes by
Michael G. Smith
19. Regenerative Building: An Ecological Approach by
Michael G. Smith
20. Building the Natural Village: A Strategy for Repairing
Cities by Mark Lakeman
Part Three: Natural Building Materials and Techniques
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21. Natural Building Materials: An Overview by Joseph F.
Kennedy
22. Foundations for Natural Buildings by Michael G. Smith
23. Stone Masonry by Michael G. Smith 24. Adobe Building by Paul G. McHenry
25. A Brief History of Cob Building by Michael G. Smith 26. Rammed Earth: From Pisé to PISE by Scott Grometer 27. Compressed Earth Blocks by Hubert Guillaud
28. Building with Earthbags by Joseph F. Kennedy and Kelly Hart
29. Digging in for Comfort by Kelly Hart 30. Cordwood Masonry: An Overview by Rob Roy 31. Straw Bale Building: Lessons Learned by Catherine
Wanek
32. Building with Hemp by Tom Woolley 33. Light-Clay: An Introduction to German Clay Building
Techniques by Frank Andresen 34. Wattle and Daub by Joseph F. Kennedy
35. The Evolution of Timber Framing by Steve Chappell
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36. The Art of Timber Framing by Devin Smith 37. Small-Diameter Roundwood: An Underused Building
Material by Owen Geiger
38. Bamboo Construction by Darrel DeBoer 39. Waste Not, Want Not: Building with Trash by Joseph F.
Kennedy
40. Earthships: An Ecocentric Model by Jack Ehrhardt 41. Papercrete: Homes from Waste Paper by Barry Fuller 42. Roofs for Natural Building by Joseph F. Kennedy 43. Green Roofs with Sod, Turf or Straw by Paul Lacinski,
Michel Bergeron and John Swearingen
44. Thatching Comes to America by Deanne Bednar
45. Natural Insulation by Joseph F. Kennedy and Michael G. Smith
46. Rice Hulls for Insulation by Catherine Wanek and Paul Olivier
47. Earthen Floors by Sukita Reay Crimmel and James Thomson
48. Earth Plasters and Alis by Carole Crews 49. Working with Lime by Barbara Jones
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50. Natural Paints and Finishes by Janine Björnson Part Four: Building the Global Village 51. Shelter and Sustainable Development by Susan Klinker 52. Sustainable Building as Appropriate Technology by
David A. Bainbridge
53. Woodless Construction in the Sahel by John Norton 54. Straw Bales in China: Housing for the People by
Catherine Wanek and Kelly Lerner
55. Improving Vernacular Housing in Western China by Liu
Yang, Jiaping Liu and David A. Bainbridge
56. PAKSBAB: Seismically Safe Straw Bale Homes in
Pakistan by Catherine Wanek
57. Earthen Building Comes to Thailand by Janell Kapoor 58. Natural Building Thrives in Argentina by Max Edleson 59. Builders Without Borders by Catherine Wanek 60. Ecovillages and Sustainable Communities by Joseph F.
Kennedy
61. Tlholego Village: A Sustainable Community in South
Africa by Paul Cohen
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62. Building with Earth in Auroville by Hilary Smith and
Satprem Maïni
63. Friland: Affordable Housing in Community by Lars
Keller and Joanna Morandin
64. Evolving a Village Vernacular in Missouri by Mark
Mazziotti
Index
The information in this book is based on the experience and opinions of the individual authors and has not been independently verified by the editors. Some of the techniques described herein are quite new and still under development; others are ancient, but may lack extensive scientific and technical study. The resurgence of natural building is still in an experimental stage. Claims as to the insulation value, structural strength, fire safety, health benefits, environmental benefits and so on of the various materials and techniques should be considered preliminary. Always do your own research and testing and/or consult a qualified professional before embarking on a building project.
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Foreword to the First Edition
by Albert Bates Time is most often thought of as a progression, a movement along an axis from past to present to future. We think of human progress in the same terms — today we are better or worse off than we were yesterday or collectively were a century ago. We feel trends afoot. Tomorrow will bring another step.
Some aboriginal societies — and by “aboriginal” I mean any culture still grounded in its origins — look at time as a circle. The Earth spins on its axis and another day is born. The moon goes once around and a month has passed. We circle the sun as seasons come and go, then come again.
In a linear model of progress, the human population continues to expand until its ever-enlarging technical prowess enables it to cross space and colonize the solar system, even leaping out to the stars. In another version, our exhaustion of natural resources and incautious dismemberment of natural evolutionary barriers with glitzy nano-bio-robo abandon devolve Earth’s inhabitants into bubbling gray goo.
Here is a different view. This loop we are on is at its apogee and about to change not only its direction but also everything we think about in terms of human settlements and lifestyles. Instead of planned obsolescence, we will want planned evolution. The focus is on quality, not quantity. We need comfort, privacy, and self-respect. We want warmth that
18 transcends temperature. We want beauty. We want to be in touch with the eternal.
The chapters that follow are sublimely poised as a clue to our future.
ALBERT BATES is the author of 15 books on law, energy, history and the environment, including Climate in Crisis (1990) and The Biochar Solution (2010). He has been the director of the Global Village Institute for Appropriate Technology since 1984 and of the Ecovillage Training Center at The Farm since 1994, where he has taught sustainable design, natural building, agriculture and technology to students from more than 60 nations.
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This book is an invitation to get your hands muddy.
[Credit: Nigel Fusella]
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Taos Pueblo: the oldest continually inhabited dwelling in North America. [Credit: Joseph F. Kennedy]
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Foreword to the Second Edition
by Bill Steen It was once commonly thought that the utilization of nature’s resources was a linear process that would inevitably lead to unlimited material progress. Nature was seen as useless, unless human labor transformed it into something productive. It was inconceivable that this path might lead ultimately to a degraded environment and a dark future for future generations.
The creation of human habitat revolves around borrowing inputs from the environment and then transforming them into a form we think of as civilization. That process requires the expenditure of a great deal of energy, much of which is lost to entropy as a particular product or service is produced. In essence, that energy becomes unavailable, warming the planet in the process.
Over the past two centuries, the building process as we know it has largely been driven by the fossil fuels that made the first and second Industrial Revolutions possible. These energy sources allowed for previously unimaginable expansion and growth in conjunction with unprecedented societal wealth and the widespread enjoyment of goods and services.
However, most of these benefits were misleading in that they required the burning of vast amounts of fossil fuels, releasing huge amounts of carbon dioxide into the Earth’s atmosphere in the process. The result was climate change; in other words, our debt to the Earth’s atmosphere.
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BILL STEEN, together with his wife Athena, co-founded The
Canelo Project in southern Arizona, where he teaches workshops on straw bale and natural plaster. Co-authors of
The Straw Bale House, Small Strawbale and The Beauty of
Strawbale Homes, they have worked extensively with people in northern Mexico, and taught, lectured and created art
- throughout
- Europe
- and
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- United
- States.
caneloproject.com.
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Athena and Bill Steen, applying clay plasters to a straw bale wall, demonstrate the artistry involved in natural building. [Credit: Catherine Wanek]
The construction and operation of buildings consumes approximately one-half of all the energy used in industrialized
25 countries. Natural building is about learning how to build and operate our buildings so that we can live within our planetary means, by not consuming nature’s endowment faster than the biosphere can recycle the waste and replenish the natural resources. Ultimately, this is the only sustainable path. Changing the way we build is also every bit as essential for our mental, emotional and spiritual health as it is for the planet.
We stand poised to enter an exciting new era of natural building, one that can help ensure a habitable planet, diversity of species, clean air and a healthy climate. The opportunities are endless. There are an increasing number of movements worldwide that focus on local production of human necessities. On a global scale, the Internet is converging with renewable energies to become the means by which we could manage collaborative green energy distribution. Imagine an ever-increasing number of homes built from sustainable, local and natural materials, that produce much or all of their own green energy, which can be distributed wherever needed through an “energy Internet.”
However, utilizing efficient technologies and choosing the most appropriate natural materials is only part of the solution. Given today’s emphasis on speed and the use of massproduced materials, buildings have become largely impersonal, boring, predictable and devoid of creativity and artistry.
Natural materials give us the opportunity to change the rhythm of how we build. They slow us down. They relax the rigidity and homogeneous character of contemporary building practices by encouraging artistic expression characterized by
26 soft organic curves and forms. Their colors and textures connect us to the surrounding landscape, the place where we live, or, in other words, the place who we are. Unexpectedly, they may indirectly lead us to realize that the beauty within ourselves and the beauty of nature are one and the same.
A diversity of ages and genders can be involved in the building process. In that sense, natural materials are inclusive, indirectly and almost invisibly building connections in a very disconnected world. Of these, one of the most important is the connection to the place where we dwell. What an extraordinary thing it is to be able to help sculpt and shape one’s home with one’s own hands — an experience no longer a common part of everyday life. How marvelous it is to feel the touch of clay, of wood and stone. In that touch, our connection with nature is immediately reestablished, and the art of living becomes reality.
This book is a compilation of contributions from those who have explored the world of natural building in a variety of different ways and have contributed to its evolution. It is also an invitation to you, the reader, to become part of that same journey, and in so doing, to bring beauty and artistry into your own life and the lives of others.
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Acknowledgments
Our thanks go to the dozens of colleagues who have selflessly shared their hard-won experience to make possible not only this book, but the natural building movement as we know it. We are grateful to be part of a community that recognizes that the surest way to create positive change is to educate others. This book in fact represents the efforts of thousands of people on several continents who have been engaged for the last quarter-century or so in the process of developing new natural building techniques and rediscovering old ones, one building at a time.