{PDF EPUB} Primal Scream by Jess C. Scott Primal Scream Screamadelica

Total Page:16

File Type:pdf, Size:1020Kb

{PDF EPUB} Primal Scream by Jess C. Scott Primal Scream Screamadelica Read Ebook {PDF EPUB} Primal Scream by Jess C. Scott Primal Scream Screamadelica. 1. Movin' On Up Could easily pass for being a Rolling Stones song, everything about it matches up - vocals, backing vocals, riff, solo. If this was a Stones song though it would be up there with the best of them and that's really saying something. Great track with an upbeat, "feel good" feel about it. A 90's classic 5/5. 2. Slip Inside This House Introduces you to the use of dance beats that are laced throughout Screamadelica. Really psychadelic sounding percussion sets the basis for Mani's pounding bass line. The key to the song is the pre-verse and chorus which immediatley stick in your head. Quite a laid back track which would work well as an instrumental although Gillespie's vocals make it another stand out track on the album 5/5. 3. Don't Fight it, Feel it Unlike the last two tracks, this isn't going to appeal to everyone. Much more dance based with a woman vocalist taking the reins makes it very different. There's a very early 90's feel to this song with it's counter melody "bird noise" which can also be heard on the Prodigy's first album also released around that time. Nothing really grabs your attention which makes it a weaker track than most of the others. 3/5. 4. Higher Than the Sun Takes a few listens before you get into it. Again very psychadelic with some cool breakdowns. The blend of lots of influences intertwined eg. dance, jazz, rock make this another very different track. I can't think of another band who have ever made music like this. The first part of two cool tracks. EDIT: This has gradually became my favourite track on the album. 5/5. 5. Inner Flight This is a drug song - nothing else can be said to describe it. Makes you feel like your slipping into a dream. Sounds a lot like Leftfield with it's distant drum beat and psychadelic melody. Refreshing. 4/5. 6. Come Together Defintley the weirdest track on the album. No vocals or lyrics, just a sample of a preacher played over and over upon gospel organ chords and dance beat. "Warping space sounds" give the song a feeling of being in space. Starts off slowly and builds up to a climax of many different sounds and textures going at once. The preach of "we just know music is music" symbolises the whole Primal Scream experience with their endless array of influences. The track gradually breaks down again with woman vocalists chant of "together as one" which gradually leads the song out. 4/5. 7. Loaded "Exactly what is it that you want to do?" One of the most popular tracks off the album and praised by stoners everywhere. "Loaded" is probably my favourite track on the album with it's laid back groove and sweeping melodies. If your going to download one song from the album, this is it. 5/5. 8. Damaged The only acoustic song on Screamadelica. More like a conventional song than most of the other tracks with it's simple structure and singing throughout. It's hard to make out what Gillespie is singing about but what can be heard sounds like a love song. Adds even more variety to the album. 4/5. 9. I'm Comin' Down Again, very different from everything else. A blend of jazz and oriental style percussion are used to make this another chillout track. Perfect for falling asleep to or relaxing. 4/5. 10. Higher Than the Sun (a dub symphony in two parts) I don't know what to say about this track. There's so much going on yet it still remains laid back as if nothing's really happening. Split into two parts hence - "a dub symphony in two parts", the change between the two isn't really subtle at all. Everything just seems to stop and make way for an upbeat bassline that appears out of nowhere. Still a great track though. 4/5. 11. Shine Like Stars Probably the weakest track. Just personal opinion but something doesn't seem right about it. There's not much of a feel to it which is what makes the rest of the album so appealing. On the otherhand, it does make a good ending to the album as the fade away as the end seems to fit perfectly. Jargon aside, it's a not very good song but good for rounding off the album. 3/5. Screamadelica is one of the most original album i've ever heard. Enjoyable from start to finish and continues to get better and better with every listen. Defintley worth checking out if your looking for something different. For fans of - The Stone Roses, The Prodigy, Leftfield, Rolling Stones(maybe), Fatboy Slim, The Verve. Download Movin On Up Loaded Slip Inside This House. Originality: 5 Longitivity: 4.5 Musicality: 4.5 Enjoyment: 5. Why BLM activists are showing up for a Palestinian woman threatened with deportation. Dani McClain has an excellent piece over at The Nation that discusses growing solidarity between Black and Palestinian activists challenging state violence. The poignant example at the center of the piece? A campaign to support Palestinian feminist icon Rasmea Odeh, one of the first Palestinian women to speak about the Israeli military’s use of rape as a form of torture. On Wednesday, October 14, Rasmea Odeh stood outside a courthouse in Cincinnati after her attorney argued before the US Court of Appeals for the Sixth Circuit that she had not received a fair trial in federal court in Detroit late last year and is being denied her right to remain in this country as a naturalized citizen. Rallying around her were about 100 people, including representatives from black organizing circles in Chicago and members of Cincinnati’s Black Lives Matter contingent, who stood shoulder to shoulder with members of Chicago’s Arab immigrant and Arab- American communities. Odeh is a 68-year-old woman who in October 2013 was arrested at her home in suburban Chicago and charged with lying to obtain her citizenship. The federal government claims that she had deceived immigration officials during her application process in 2004 because when asked whether she had ever been incarcerated, Odeh replied that she had not. In fact, Odeh had spent 10 years in prison after being sentenced to life by an Israeli military court for her alleged involvement in the bombings and for her involvement in a Palestinian organization Israel deemed illegal. She was released after a decade as part of a prisoner exchange and moved to Jordan, where she lived until immigrating to the United States in 1995. During this incarceration, Odeh says she endured various forms of torture, including rape, and that she gave a false confession as a result. According to her supporters, Odeh is one of the first Palestinian women to speak about the Israeli military’s use of rape as a form of torture. The rally and ongoing campaign, the article points out, comes shortly after the release of “ When I See Them I See Us,” a film collaboration by leading organizations (including Black Youth Project and the Dream Defenders), dope artists (among them Lauryn Hill and Remi Kanazi), and brilliant women and local organizers (s/o to Angela Davis, Alice Walker, Sandra Tamari, and Suhad Khatib). While that video was in incredible statement of solidarity in itself, what is particularly remarkable about the campaign around Odeh is that it demonstrates the ability to translate powerful viral videos and online letters into offline, local, and intersectional organizing. It captures the kind of solidarity many of us adhere to in theory, but often find difficult to practice: a solidarity that has folks showing up. That involves inter-movement accountability. That meaningfully shifts and shapes offline organizing tactics well beyond online talking points. A solidarity that really truly runs deep. Self-Publishing Wiz. Jess C Scott is the author of EyeLeash: A Blog Novel (2009), 4:Play (2009), The Intern (2010), the Cyberpunk Elven Trilogy (2011), Primal Scream (2011), and the Bad Romance "seven deadly sins" anthology (2012). She is also the founder of jessINK, an innovative publishing company that focuses on substance over current fads and marketing hype. In this eBook, Jess shares a selection of blog posts (from 2009-2012) which capture the true power and spirit of the 21st-century self-publishing revolution. Primal Scream by Jess C. Scott. ABOUT THE BOOK: In the tradition and values of C. S. Lewis, with mental warfare on the scale of Asimov's Foundation and Empire, and featuring gripping battles and surprising twists reminiscent of Orson Scott Card's Ender's Game, Primal Screams is a thought-provoking, heart- pounding science fiction adventure that explores the essence of good and evil, while tackling profound ethical dilemmas of our time: cloning, planetary conservation, biological agents, nanotechnology, faith and family. Unexpectedly caught in the middle of a centuries-old conflict between two warring empires, Zach Marshall defeated a cunning and ruthless Krontor captain-Crimson-and saved Earth and Ptain from her nano-engineered plague. But the price was high. While Zach was revered by billions on two worlds, everything he loved had been taken from him, and his faith had been shaken to its core. In the aftermath that followed, Zach had journeyed to Ptain as Earth's ambassador to try to secure a future for humanity (and himself), and Crimson had gone rogue in search of Zach and Earth and revenge.
Recommended publications
  • Read Book the New Primal Scream : Primal Therapy Twenty Years On
    THE NEW PRIMAL SCREAM : PRIMAL THERAPY TWENTY YEARS ON PDF, EPUB, EBOOK Dr Arthur Janov | 432 pages | 17 Jan 1991 | Little, Brown Book Group | 9780349102030 | English | London, United Kingdom The New Primal Scream : Primal Therapy Twenty Years On PDF Book The implications are as devastating as the therapy is revolutionary. About this product. Arthur Janov has printed warnings for many years in all of his books, stating that people could check the credentials of any therapist claiming to be a trained primal therapist by contacting The Primal Institute or The Primal Foundation in Los Angeles. Authorities ruled the fire as arson. In , Janov registered the name Primal as a trademark at the U. I do not console myself with the rationalization that we live in an age of neurosis or anxiety , so it is to be expected that people will be neurotic. See Duration above. Konrad Stettbacher, Foreword by Alice Miller , Dutton, NY This book is a simple, orderly program for self-primalling that also acts as a practical guide for primal therapists and clients. Paul rated it it was ok Jan 01, Thus, Primal Theory indicates that the healthiest people are those who are defense-free. He "knew" that they didn't love him, so what was the point? Jenson is a Janov-trained therapist who presents her own approach, with many exercises and suggestions for initiating primal expression, especially within the circumstances of daily life and relationships. McMillan , Hardcover 5. It is my contention that these pains exist in every neurotic each minute of his later life, irrespective of the form of his neurosis.
    [Show full text]
  • European Journal of American Studies, 3-2 | 2008 up Against the Wall: Primal Therapy and 'The Sixties' 2
    European journal of American studies 3-2 | 2008 Special Issue: May 68 Up Against the Wall: Primal Therapy and 'the Sixties' Paul Williams et Brian Edgar Édition électronique URL : https://journals.openedition.org/ejas/3022 DOI : 10.4000/ejas.3022 ISSN : 1991-9336 Éditeur European Association for American Studies Référence électronique Paul Williams et Brian Edgar, « Up Against the Wall: Primal Therapy and 'the Sixties' », European journal of American studies [En ligne], 3-2 | 2008, document 3, mis en ligne le 08 septembre 2008, consulté le 08 juillet 2021. URL : http://journals.openedition.org/ejas/3022 ; DOI : https://doi.org/10.4000/ejas. 3022 Ce document a été généré automatiquement le 8 juillet 2021. Creative Commons License Up Against the Wall: Primal Therapy and 'the Sixties' 1 Up Against the Wall: Primal Therapy and 'the Sixties' Paul Williams et Brian Edgar 1. Introduction 1 Primal Therapy, a form of psychological treatment based on expelling neurosis through emotional expression, was developed by the Californian psychotherapist Arthur Janov. His work became well known across the Anglophone world with the 1970 publication of The Primal Scream (subtitled Primal Therapy: The Cure for Neurosis). It is claimed this book sold more than one million copies internationally, which – if true – makes it one of the best-selling psychology books ever. In 1968 Janov had established the Primal Institute in Los Angeles; Institutes in New York and eventually Paris followed, both of which are now closed. He has run the Primal Center in Venice/Santa Monica since 1989, while his ex-wife Vivian is currently Executive Director of the nearby Primal Institute.
    [Show full text]
  • My Bloody Valentine's Loveless David R
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63
    [Show full text]
  • (Pdf) Download
    Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air
    [Show full text]
  • Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Sandbox MUSIC MARKETING for the DIGITAL ERA Issue 98 | 4Th December 2013
    Sandbox MUSIC MARKETING FOR THE DIGITAL ERA Issue 98 | 4th December 2013 Nordic lights: digital marketing in the streaming age INSIDE… Campaign Focus Sweden and Norway are bucking PAGE 5 : the trend by dramatically Interactive video special >> growing their recorded music Campaigns incomes and by doing so PAGE 6 : through streaming. In countries The latest projects from the where downloading is now a digital marketing arena >> digital niche, this has enormous implications for how music Tools will be marketed. It is no longer PAGE 7: about focusing eff orts for a few RebelMouse >> weeks either side of a release but Behind the Campaign rather playing the long game and PAGES 8 - 10: seeing promotion as something Primal Scream >> that must remain constant rather Charts than lurch in peaks and troughs. The Nordics are showing not just PAGE 11: where digital marketing has had Digital charts >> to change but also why other countries need to be paying very close attention. Issue 98 | 4th December 2013 | Page 2 continued… In 2013, alongside ABBA, black metal and OK; they still get gold- and platinum-certiied CEO of Sweden’s X5 Music latpack furniture, Sweden is now also singles and albums based on streaming Group, explains. “The known internationally for music streaming. revenues [adjusted].” marketing is substantially It’s not just that Spotify is headquartered di erent as you get paid in Stockholm; streaming has also famously Streaming is changing entirely the when people listen, not when turned around the fortunes of the Swedish marketing narrative they buy. You get as much recorded music industry.
    [Show full text]
  • Exhibition Brochure Is There A
    ‘Is There Anyone Out There?’ Documenting Birmingham’s Alternative Music Scene 1986-1990 Acknowledgements and Thanks Thanks to Dave Travis for opening up his incredible archive and recalling the histories associated with The Click Club. Likewise, thanks to Steve (Geoffrey S. Kent) Coxon for his generous insights and for taking a road trip to tell us almost everything. Thanks on behalf of all Click Clubbers to Travis and Coxon for starting it and for program- ming so many memorable nights for creating an environment for people to make their own. Thanks to Dave Chambers (and Andy Morris), Donna Gee, Bridget Duffy and Bryan Taylor Thankswho provided to all of particular those who materials contributed for the written exhibition memories: (Bryan Steve for some Byrne; fine Craig writing!). Hamilton; Andrew Davies; Sarah Heyworth; Neil Hollins; Angela Hughes; Rhodri Marsden; Dave Newton; Daniel Rachel; Lara Ratnaraja; Spencer Roberts; John Taggart; Andy Tomlinson and Maria Williams. Acknowledgements to the many contributors to Facebook Groups for The Click Club and Birmingham Music Archive. John Hall and Ixchelt Corbett Mighty Mighty: Russell Burton, Mick Geoghegan, Pete Geoghegan, D J Hennessy Hugh McGuinness. Lyle Bignon, Boris Barker, Darren Elliot, Graham Bradbury, Richard March Yasmin Baig-Clifford (Vivid Projects), John Reed at Cherry Red Records, Ernie Cartwright, Birmingham Music Archive, Justin Sanders, Naomi Midgley. Neil Hollins for production of the podcast interview with Steve Coxon and Dave Travis. Digital Print Services who produced the images. Special thanks to: Neil Taylor, Ellie Gibbons, Anna Pirvola, Aidan Mooney and Beth Kane. What was The Click Club? Established in 1986 by Dave Travis and Steve Coxon, ‘The Click Club’ was the name of a concert venue and disco associated with Birmingham’s alternative music culture.
    [Show full text]
  • Primal Scream Juntam-Se Ao Cartaz Do Nos Alive'19
    COMUNICADO DE IMPRENSA 02 / 04 / 2019 NOS apresenta dia 12 de julho PRIMAL SCREAM JUNTAM-SE AO CARTAZ DO NOS ALIVE'19 Os escoceses Primal Scream são a mais recente confirmação do NOS Alive’19. A banda liderada por Bobby Gillespie, figura incontornável da música alternativa, sobe ao Palco NOS dia 12 de julho juntando-se assim aos já anunciados Vampire Weekend, Gossip e Izal no segundo dia do festival. Com mais de 30 anos de carreira, Primal Scream trazem até ao Passeio Marítimo de Algés o novo álbum com data de lançamento previsto a 24 de maio, “Maximum Rock N Roll: The Singles”, trabalho que reúne os singles da banda desde 1986 até 2016 em dois volumes. A compilação começa com “Velocity Girl”, passando por temas dos dois primeiros álbuns como são exemplo "Ivy Ivy Ivy" e "Loaded". A banda que tinha apresentado em outubro de 2018 a mais recente compilação de singles originais do quarto álbum de 1994 com “Give Out But Don’t Give Up: The Original Memphis Recordings”, juntando-se ao lendário produtor Tom Dowd, a David Hood (baixo) e Roger Hawkins (bateria) no Ardent Studios em Memphis, está de volta às gravações e revelam algo nunca antes ouvido e uma banda que continua a surpreender. Primal Scream foi uma parte fundamental da cena indie pop dos anos 80, depois do galardoado disco "Screamadelica" vencedor do Mercury Prize em 1991, considerado um dos maiores de todos os tempos, a banda seguiu por influências de garage rock e dance music até ao último trabalho discográfico “Chaosmosis” lançado em 2016.
    [Show full text]
  • America Bombs Military Targets, Airdrops Food by SARA FUNAIOCK Nation
    An Associated Collegiate Press Pacemaker Award Winner • THE • Broadway rebounds from Hens defeat New ,national tragedy, Hampshire, 49-36, Bl Cl Non-Profit Org. 250 Student Center • University of Delaware • Newark, DE 19716 U.S. Postage Paid Thesday & Friday Newark, DE Permit No. 26 FREE Volume 128, Issue 12 www.review.udel.edu Tuesday. October 9, 200 I America bombs military targets, airdrops food BY SARA FUNAIOCK nation. Taliban officials said the first wave of The humanitarian aid is meant to NationaVSrate News Editor Support for the military strikes was mixed strikes did not kill bin Laden or Tali ban leader underscore the Bush administration's message American and British forces unleashed air around the world and at home, the Assoicated Mullah Mohammed Omar. that the strikes are meant to harm terrorists, not attacks Sunday against military targets and Press reported. Kandahar, hometown of Omar and the ordinary Afghans. suspected terrorist Osama bin Laden's training Taliban, saw strikes·on its airfield and military "To say that these attacks are in any way camps inside Afghanistan Sunday in U.S. TARGETING AIRFIELDS, CAMPS command centers as well as the compound against Afghanistan or the Afghani people is retaliation of the Sept 11 . attacks, the The first U.S. strikes in where Omar lives. flat wrong," he said. Associated Press reported. Afghanistan were focused on Strikes also landed in and The military also dropped leaflets and made The military strikes also included military targets such as S Ed"t • I around Kabul, Afghanistan's radio broadcasts into Afghanistan to explain humanitarian aid from the United States in the airfields and command ee I 0r1a ' war-shattered capital and site of the U.S.
    [Show full text]
  • The Music of Relationality in the Cinema of Claire Denis
    ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Concert and disconcertion: the music of relationality in the cinema of Claire Denis https://eprints.bbk.ac.uk/id/eprint/40453/ Version: Full Version Citation: Brown, Geoffrey (2019) Concert and disconcertion: the music of relationality in the cinema of Claire Denis. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email 1 Concert and Disconcertion : the music of relationality in the cinema of Claire Denis Geoffrey Brown Thesis submitted for the degree of PhD in French 2019 Department of European Cultures and Languages Birkbeck, University of London 2 Declaration I declare that the work presented in this thesis is my own, and that this thesis is the one on which I expect to be examined. Geoffrey Brown 3 This thesis is dedicated to Agnès Calatayud, an inspirational teacher, who reconnected me to French cinema after a long carence, and who, crucially, first introduced me to the films of Claire Denis. 4 Abstract This thesis argues that the interest which the films of Claire Denis display in the ever-shifting modes of relations between people is illustrated through analysis of how music is used throughout her corpus of feature films. Denis draws on an extremely eclectic palette of musical styles, and the thesis proposes that these varying musical modalities are central to her treatment of relational issues, as are the ways in which she deploys her chosen musical selections.
    [Show full text]
  • 1994.06.18-NME.Pdf
    INDIE 45s US 45s PICTURE: PENNIE SMITH PENNIE PICTURE: 1 I SWEAR........................ ................. AII-4-One (Blitzz) 2 I’LL REMEMBER............................. Madonna (Maverick) 3 ANYTIME, ANYPLACE...................... Janet Jackson (Virgin) 4 REGULATE....................... Warren G & Nate Dogg (Outburst) 5 THE SIGN.......... Ace Of Base (Arista) 6 DON’TTURN AROUND......................... Ace Of Base (Arista) 7 BABY I LOVE YOUR WAY....................... Big Mountain (RCA) 8 THE MOST BEAUTIFUL GIRL IN THE WORLD......... Prince(NPG) 9 YOUMEANTHEWORLDTOME.............. Toni Braxton (UFace) NETWORK UK TOP SO 4Ss 10 BACK AND FORTH......................... Aaliyah (Jive) 11 RETURN TO INNOCENCE.......................... Enigma (Virgin) 1 1 LOVE IS ALL AROUND......... ...Wet Wet Wet (Precious) 37 (—) JAILBIRD............................. Primal Scream (Creation) 12 IFYOUGO ............... ....................... JonSecada(SBK) 38 38 PATIENCE OF ANGELS. Eddi Reader (Blanco Y Negro) 13 YOUR BODY’S CALLING. R Kelly (Jive) 2 5 BABYI LOVE YOUR WAY. Big Mountain (RCA) 14 I’M READY. Tevin Campbell (Qwest) 3 11 YOU DON’T LOVE ME (NO, NO, NO).... Dawn Penn (Atlantic) 39 23 JUST A STEP FROM HEAVEN .. Eternal (EMI) 15 BUMP’N’ GRIND......................................R Kelly (Jive) 4 4 GET-A-WAY. Maxx(Pulse8) 40 31 MMMMMMMMMMMM....... Crash Test Dummies (RCA) 5 7 NO GOOD (STARTTHE DANCE)........... The Prodigy (XL) 41 37 DIE LAUGHING........ ................. Therapy? (A&M) 6 6 ABSOLUTELY FABULOUS.. Absolutely Fabulous (Spaghetti) 42 26 TAKE IT BACK ............................ Pink Floyd (EMI) 7 ( - ) ANYTIME YOU NEED A FRIEND... Mariah Carey (Columbia) 43 ( - ) HARMONICAMAN....................... Bravado (Peach) USLPs 8 3 AROUNDTHEWORLD............... East 17 (London) 44 ( - ) EASETHEPRESSURE................... 2woThird3(Epic) 9 2 COME ON YOU REDS 45 30 THEREAL THING.............. Tony Di Bart (Cleveland City) 3 THESIGN.,. Ace Of Base (Arista) 46 33 THE MOST BEAUTIFUL GIRL IN THE WORLD.
    [Show full text]
  • Every Purchase Includes a Free Hot Drink out of Stock, but Can Re-Order New Arrival / Re-Stock
    every purchase includes a free hot drink out of stock, but can re-order new arrival / re-stock VINYL PRICE 1975 - 1975 £ 22.00 30 Seconds to Mars - America £ 15.00 ABBA - Gold (2 LP) £ 23.00 ABBA - Live At Wembley Arena (3 LP) £ 38.00 Abbey Road (50th Anniversary) £ 27.00 AC/DC - Live '92 (2 LP) £ 25.00 AC/DC - Live At Old Waldorf In San Francisco September 3 1977 (Red Vinyl) £ 17.00 AC/DC - Live In Cleveland August 22 1977 (Orange Vinyl) £ 20.00 AC/DC- The Many Faces Of (2 LP) £ 20.00 Adele - 21 £ 19.00 Aerosmith- Done With Mirrors £ 25.00 Air- Moon Safari £ 26.00 Al Green - Let's Stay Together £ 20.00 Alanis Morissette - Jagged Little Pill £ 17.00 Alice Cooper - The Many Faces Of Alice Cooper (Opaque Splatter Marble Vinyl) (2 LP) £ 21.00 Alice in Chains - Live at the Palladium, Hollywood £ 17.00 ALLMAN BROTHERS BAND - Enlightened Rogues £ 16.00 ALLMAN BROTHERS BAND - Win Lose Or Draw £ 16.00 Altered Images- Greatest Hits £ 20.00 Amy Winehouse - Back to Black £ 20.00 Andrew W.K. - You're Not Alone (2 LP) £ 20.00 ANTAL DORATI - LONDON SYMPHONY ORCHESTRA - Stravinsky-The Firebird £ 18.00 Antonio Carlos Jobim - Wave (LP + CD) £ 21.00 Arcade Fire - Everything Now (Danish) £ 18.00 Arcade Fire - Funeral £ 20.00 ARCADE FIRE - Neon Bible £ 23.00 Arctic Monkeys - AM £ 24.00 Arctic Monkeys - Tranquility Base Hotel + Casino £ 23.00 Aretha Franklin - The Electrifying £ 10.00 Aretha Franklin - The Tender £ 15.00 Asher Roth- Asleep In The Bread Aisle - Translucent Gold Vinyl £ 17.00 B.B.
    [Show full text]