Earthling Society Dick Gaughan Band
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Tenby-Arts-Music-2016
Tenby Arts Festval 24t Septmber - 1st Octber 2016 Welcome to all you music lovers. Here is some information about the annual Tenby Arts Festival with an emphasis on the musical events. This year we are particularly proud to be able to present a concert given by the BBC Young Musician of the Year 2016 as well as many other brilliant evenings of music. the opening of the festival will be marked by a Brass Ensemble playing in Tudor Square at 11am. 24th September Cantmus The Messiah ! ! " Under the baton of Welsh National Opera conductor, Alexander Martin, singers from all over Pembrokeshire and beyond, choir members or not will rehearse and perform Handel’s Messiah in the beautiful surroundings of St Mary's Church. He became Chorus Master at WNO at the start of this season. The choir will be accompanied by Jeff Howard, organist. For the past 18 years, Jeffrey has held a post as vocal coach at the Royal Welsh College of Music and Drama and at Welsh National Opera and Welsh National Youth Opera. For those wishing to join the choir there will be rehearsal before the performance during the day. There will be a charge of £7 for those taking part and in addition a refundable deposit for copies of the music/text. St. Mary’s Church Rehearsals will be at 3pm - 5.30pm Performance 6.30pm - 8pm Tickets £8 Jack Harris Jack Harris writes literate, compassionate songs, about subjects as disparate as Caribbean drinking festivals, the colour of a potato flower and the lives of great poets like Sylvia Plath and Elizabeth Bishop.These have won him considerable acclaim. -
40 Steve Gadd Master: the Urgency of Now
DRIVE Machined Chain Drive + Machined Direct Drive Pedals The drive to engineer the optimal drive system. mfg Geometry, fulcrum and motion become one. Direct Drive or Chain Drive, always The Drummer’s Choice®. U.S.A. www.DWDRUMS.COM/hardware/dwmfg/ 12 ©2017Modern DRUM Drummer WORKSHOP, June INC. ALL2014 RIGHTS RESERVED. ROLAND HYBRID EXPERIENCE RT-30H TM-2 Single Trigger Trigger Module BT-1 Bar Trigger RT-30HR Dual Trigger RT-30K Learn more at: Kick Trigger www.RolandUS.com/Hybrid EXPERIENCE HYBRID DRUMMING AT THESE LOCATIONS BANANAS AT LARGE RUPP’S DRUMS WASHINGTON MUSIC CENTER SAM ASH CARLE PLACE CYMBAL FUSION 1504 4th St., San Rafael, CA 2045 S. Holly St., Denver, CO 11151 Veirs Mill Rd., Wheaton, MD 385 Old Country Rd., Carle Place, NY 5829 W. Sam Houston Pkwy. N. BENTLEY’S DRUM SHOP GUITAR CENTER HALLENDALE THE DRUM SHOP COLUMBUS PRO PERCUSSION #401, Houston, TX 4477 N. Blackstone Ave., Fresno, CA 1101 W. Hallandale Beach Blvd., 965 Forest Ave., Portland, ME 5052 N. High St., Columbus, OH MURPHY’S MUSIC GELB MUSIC Hallandale, FL ALTO MUSIC RHYTHM TRADERS 940 W. Airport Fwy., Irving, TX 722 El Camino Real, Redwood City, CA VIC’S DRUM SHOP 1676 Route 9, Wappingers Falls, NY 3904 N.E. Martin Luther King Jr. SALT CITY DRUMS GUITAR CENTER SAN DIEGO 345 N. Loomis St. Chicago, IL GUITAR CENTER UNION SQUARE Blvd., Portland, OR 5967 S. State St., Salt Lake City, UT 8825 Murray Dr., La Mesa, CA SWEETWATER 25 W. 14th St., Manhattan, NY DALE’S DRUM SHOP ADVANCE MUSIC CENTER SAM ASH HOLLYWOOD DRUM SHOP 5501 U.S. -
VAN JA 2021.Indd
Lismore Castle Arts ALICIA REYES MCNAMARA Curated by Berlin Opticians LIGHT AND LANGUAGE Nancy Holt with A.K. Burns, Matthew Day Jackson, Dennis McNulty, Charlotte Moth and Katie Paterson. Curated by Lisa Le Feuvre 28 MARCH - 10 JULY - 10 OCTOBER 2021 22 AUGUST 2021 LISMORE CASTLE ARTS, LISMORE CASTLE ARTS: ST CARTHAGE HALL LISMORE CASTLE, LISMORE, CHAPEL ST, LISMORE, CO WATERFORD, IRELAND CO WATERFORD, IRELAND WWW.LISMORECASTLEARTS.IE +353 (0)58 54061WWW.LISMORECASTLEARTS.IE Image: Alicia Reyes McNamara, She who comes undone, 2019, Oil on canvas, 110 x 150 cm. Courtesy McNamara, She who comes undone, 2019, Oil on canvas, of the artist Image: Alicia Reyes and Berlin Opticians Gallery. Nancy Holt, Concrete Poem (1968) Ink jet print on rag paper taken from original 126 format23 transparency x 23 in. (58.4 x 58.4 cm.). 1 of 5 plus AP © Holt/Smithson Foundation, Licensed by VAGA at Artists Rights Society (ARS), New York. VAN The Visual Artists’ Issue 4: BELFAST PHOTO FESTIVAL PHOTO BELFAST FILM SOCIETY EXPERIMENTAL COLLECTION THE NATIONAL COLLECTIVE ARRAY Inside This Issue July – August 2021 – August July News Sheet News A Visual Artists Ireland Publication Ireland A Visual Artists Contents Editorial On The Cover WELCOME to the July – August 2021 Issue of within the Irish visual arts community is The Visual Artists’ News Sheet. outlined in Susan Campbell’s report on the Array Collective, Pride, 2019; photograph by Laura O’Connor, courtesy To mark the much-anticipated reopening million-euro acquisition fund, through which Array and Tate Press Offi ce. of galleries, museums and art centres, we 422 artworks by 70 artists have been add- have compiled a Summer Gallery Guide to ed to the National Collection at IMMA and First Pages inform audiences about forthcoming exhi- Crawford Art Gallery. -
Negotiating Musicianship Live Weider Ellefsen
Ellefsen Weider Live Live Weider Ellefsen In this ethnographic case-study of a Norwegian upper secondary music musicianship Negotiating programme – “Musikklinja” – Live Weider Ellefsen addresses questions of Negotiating musicianship subjectivity, musical learning and discursive power in music educational practices. Applying a conceptual framework based on Foucault’s discourse The constitution of student subjectivities theory and Butler’s theory of (gender) performativity, she examines how the young people of Musikklinja achieve legitimate positions of music student- in and through discursive practices of hood in and through Musikklinja practices of musicianship, across a range of sites and activities. In the analyses, Ellefsen shows how musical learn- musicianship in “Musikklinja” ers are constituted as they learn, subjecting themselves to and perform- ing themselves along relations of power and knowledge that also work as means of self-understanding and discursive mastery. The study’s findings suggest that dedication, entrepreneurship, compe- tence, specialization and connoisseurship are prominent discourses at play in Musikklinja. It is by these discourses that the students are socially and institutionally identified and addressed as music students, and it is by understanding themselves in relation to these discourses that they come to be music student subjects. The findings also propose that a main charac- teristic in the constitution of music student subjectivity in Musikklinja is the appropriation of discourse, even where resistance can be noted. However, within the overall strategy of accepting and appropriating discourses of mu- sicianship, students subtly negotiate – adapt, shift, subvert – the available discourses in ways that enable and empower their discursive legitimacy. Musikklinja constitutes an important educational stepping stone to higher music education and to professional musicianship in Norway. -
Connected by Music Dear Friends of the School of Music
sonorities 2021 The News Magazine of the University of Illinois School of Music Connected by Music Dear Friends of the School of Music, Published for the alumni and friends of the ast year was my first as director of the school and as a member School of Music at the University of Illinois at of the faculty. It was a year full of surprises. Most of these Urbana-Champaign. surprises were wonderful, as I was introduced to tremendously The School of Music is a unit of the College of Lcreative students and faculty, attended world-class performances Fine + Applied Arts and has been an accredited on campus, and got to meet many of you for the first time. institutional member of the National Association Nothing, however, could have prepared any of us for the of Schools of Music since 1933. changes we had to make beginning in March 2020 with the onset of COVID-19. Kevin Hamilton, Dean of the College of Fine + These involved switching our spring and summer programs to an online format Applied Arts with very little notice and preparing for a fall semester in which some of our activi- Jeffrey Sposato, Director of the School of Music ties took place on campus and some stayed online. While I certainly would never Michael Siletti (PhD ’18), Editor have wished for a year with so many challenges, I have been deeply impressed by Design and layout by Studio 2D the determination, dedication, and generosity of our students, faculty, alumni, and On the cover: Members of the Varsity Men’s Glee friends. -
Alabama's New Limited-Scope Representation Rules
July 2012 | Volume 73, Number 4 Alabama’s New Limited-Scope Representation Rules Page 262 CelebrateOur Success Since July 1, 1989, AIM has provided malpractice insurance with stable rates and quality coverage. AIM is dedicated to servmg practlcm g attorne ys. Isn't it time you "Join The Movement" and insure with AIM? AIM For the Difference! Attorneys Insurance Mutual of the South® Telephone (205) 980-0009 200 Inverness Parkway Toll Free (800) 526-1246 Birmingham, Alabama 35242-48 13 FAX (205) 980-9009 RUNS A LAW FIRM.AND TRIATHLONS. I Barry Brooks Construction & Employment law Rockwall, Texas WestlawNext· "rhe fact that you can use WestlawNext on the iPad 1srealty what piqued my interest. I do not know how I practiced law without my IPad,and it's o crazy thing to say becauseI did it for so long! The searchingi s easierand I like the way I can organize all of my researcl1and sove 11under cose folders. It sovesme time becausethose folders are availableto me anywhere." Even on the run. westlawllfestyte.com THOMSON REUTERS c; 201l fl o(Jffitu(I~ t4i'l 1.•Pl8'fil/l•11. lnotntonjl.ou!ffl tt'CSIN l lt'lfoHloQo... tr~f t',/ ll'Oll'IO"W...,..,._ July 2012 | Vol. 73, No. 4 264 262 268 FEATURES 258 How Alabama Lawyers Value Their Legal Heritage 260 Law Day 2012 262 Alabama’s New Limited-Scope Representation Rules By Henry A. Callaway 264 Common Estate-Planning Mistakes By R. Mark Kirkpatrick 268 Crashworthiness-Based Product Liability and Contributory Negligence in the Use of the Product By D. -
THE ORCHESTRA in BILBAO by Victor Barba Gomez
THE ORCHESTRA IN BILBAO by Victor Barba Gomez Last August 27th, the band played in Bilbao City situated in the North of Spain. It was the Festivities of the city, called ASTE NAGUSIA, and every day of the week were concerts in the city, in different stages and THE ORCHESTRA played in the main stage, in front of almost 8.000 people. This show was the main of the week, closing the Festivities. After the Fireworks, people were arriving to enjoy the wonderful sound of the guys that began at 12.00 in the night in a big stage with two screens. In charge of the sound was Dennis with the local crew. It was the first time that the band was playing in Bilbao, but not for Mik, who played in 1975 with ELO in his first tour in Spain. Before the sound check, the three vocalists Eric, Hux and Glen, were rehearsing together. While the band was in the rehearsals, some fans and public were approaching the stage to see the band, as a prelude of the massive attendance that later came to the show. There were press, TV cameras photographs, waiting the magic moment Opening the show with the intro and Twilight, soon the audience was handed over to the band’s songs. Glen, in Basque language, said hello to the attendance. The audience thanked this gesture. After Twilight, came All Over the World, R&R is King, Evil Woman, Sweet Talking Woman, Hold on Tight, Mama Belle, Showdown and Rockaria. Then was moment for the Intros, and Hux presented the members of the band. -
New Shows Just Announced in Nsw for Summersalt with Two of Australia's
NEW SHOWS JUST ANNOUNCED IN NSW FOR SUMMERSALT WITH TWO OF AUSTRALIA’S FINEST… FOR IMMEDIATE RELEASE – FRIDAY 1ST DECEMBER, 2017: SummerSalt – the newly launched concert event continues to deliver cream of the crop artists to the great Australian outdoors as it announces two of Australia’s finest artists – John Butler Trio and Bernard Fanning as well as Mama Kin Spender & Oh Pep! SummerSalt takes place in some of the most picturesque locations around the country. On top of showcasing the best of home-grown and international bands, it also brings cultural attractions, placing a very heavy emphasis on local community and sustainability. This is a first of its kind. The inaugural SummerSalt series of concerts launched with some of Australia’s best loved bands & artists. With sun, salt air, and sweet music to wash over the Australian coast, SummerSalt will create the perfect setting to dance the afternoon away with your friends or chill on the beach. New South Wales audiences will be able to soak up some classic seaside charm under the spell of John Butler Trio, Bernard Fanning, Mama Kin Spender & Oh Pep! on the shores of Wollongong & Bondi Beach. John Butler remains one of the most successful independent artists in Australia’s history. His band, the John Butler Trio, have sold out a myriad of performances over the years in Australia and have gone on to take their music worldwide. John Butler has an impressive one million album sales to his name, has been the No. 1 most played artist on Australian radio and has numerous ARIA awards to write home about. -
Alex Harvey and “The Tomahawk Kid”: Mode and Interpretation
Alex Harvey and “The Tomahawk Kid”: Mode and Interpretation David Montgomery Abstract: Alex Harvey and the Sensational Alex Harvey Band achieved only marginal popularity during Harvey’s lifetime. Yet an examination of Harvey’s “The Tomahawk Kid,” based on Robert Louis Stevenson’s Treasure Island, shows an idiosyncratic musical style that combines rock and Scottish Celtic influences, subtle textual interpretation, unique compositional choices, and modal tonalities. Introduction The academic study of popular music oscillates between two preoccupations. On one hand, the dogmas of sub-cultural theory still influence popular music discourse and general cultural theory to a great degree. On the other hand, this discourse cannot escape the parameters of its label— popular. In essence, the two poles may be staked as cultural theory versus popular appreciation; but in a way difficult to describe, the application of critical theory has begun to seem more like an attempt to avoid an aesthetic conundrum— a kind of elevation of the demotic artefact to a height it cannot bear. Ever resourceful, the practitioners of popular music studies have wriggled out of this quandary and into the at least temporarily secure embrace of post feminist studies, world pop, and the ethnography of locale; in other words, into areas where inquiry is either of self-evident importance, exotic, or comfortably esoteric. Even if the locale is no more exotic than Glasgow, Scotland or Montgomery, Alabama, or the object mundane, the conceit of the critical stance has proven sufficient. Things change, canons crumble, time has done its work. The difficult “aesthetics” of popular music studies, the indeterminate nature of its aims, is a nagging problem. -
Moby,Gotye, Boy&Bear and Australia's Music Elite Join
December 5, 2011 MOBY,GOTYE, BOY&BEAR AND AUSTRALIA’S MUSIC ELITE JOIN FORCES WITH GPY&R SYDNEY IN MASSIVE BUSINESS DRIVE FOR VINNIES George Patterson Y&R Sydney has developed a multi-platform campaign for Vinnies designed to drive foot traffic through the charity’s 253 stores across NSW. It’s called Signed Finds and works on a very basic principle. Leading local and international music artists* have autographed and donated pre-loved, personal items that will be hidden in Vinnies outlets throughout the state. The fans of these bands (numbering in the millions) will receive hints about the shirts’ whereabouts through a dedicated Facebook page and then hit the stores to find them. They might not find the shirt first time, but they’ll likely walk out with some other Vinnies classic. Says ECD Julian Watt, “It’s a highly creative business initiative, and exactly the sort of thinking we’re pushing in the agency. Everyone wins. One of those self perpetuating ideas.” Luke Simkins, senior creative at GPY&R and long-time Vinnies shopper said, “Signed Finds is one of those creative perfect storms. “Recording artists get to do something cool for their fans and fans can get their hands on an amazing piece of memorabilia - all while helping people in need.” Julie McDonald, Community and Corporate Relations Manager for Vinnies said, “We’re delighted and honoured to be working with George Patterson Y&R on such an exciting project. “It’s a win-win situation for everyone involved because by shopping or donating to Vinnies, you are directly supporting the most marginalised and disadvantaged people in our community,” Julie added. -
Blues Greatest Hits 11Pm Don Baker & Rob Strong Band 1Am
Blues Booklet 2018 ii.qxp_Layout 1 10/08/2018 15:09 Page 1 Fri 7th 11pm 1am. FREE FAMILY Blues Greatest Hits Don Baker & Rob Strong Band €10 FUN EVENTS Saturday 8th 1pm-5pm Sat 8th 11pm 1am. Sunday 9th - 1pm-5pm Charlie Hussey 'Blues Train' The Paul Deslauriers Band €10 @the Courthouse Sun 9th Charlie Hussey 'Blues Train' 10pm The Grainne Duffy Band 12pm. €10 Ronnie Marquee The Squealing McKennas Westenra Terr ys Bar Tir Na Og The Brewery Venues Pig Greer Band Bar On The Restaurant Bar Arms Hotel & Lounge Bar McKennas Upstairs Diamond THURSDAY 9 - 11.30pm MONAGHAN Blues Jam FRIDAY 1. Westenra Arms Hotel 9 - 11.30pm 2. The Squealing Pig Glas 3. McKennas Bar 4. Terrys Bar FRIDAY Ruzz Guitars 5. Tir Na Óg Bar 10 - 12.30pm Paddy The Crow Black Revolutionaires Blues Revue Chicken Sherlock SATURDAY 2 - 4.30pm Ronnie Paddy Greer Band Sherlock SATURDAY Ruzz Guitars Clara 4 - 6.30pm Blues Revue Rose Band SATURDAY Alternative 6 - 8.30pm BLUES STAGE Rusty Jacks SATURDAY DD & The 9.30 - 12am Crow Black Chicken Delta Boys SATURDAY Clara 10 - 12.30am The Paddy Ronnie Rose Band Revolutionaires Glas Greer Band Sherlock SUNDAY Ronnie 3 - 5.30pm Rusty Greer Band Jacks SUNDAY DD & The 5 - 7.30pm MONAGHAN Delta Boys Campervans at: Monaghan Coral Leisure Centre Car Park - Blues Jam www.monaghan.coralleisure.ie/ SUNDAY Monaghan Harps GAA Complex in the town - 7 - 9.30pm Crow Black www.monaghanharps.gaa.ie Chicken On first come first served basis. SUNDAY Camping at green area opposite the Coral Leisure Centre. -
HR: in His Recent Interview with Blackmoon Magazine, Jack Bruce Told Us That One of His Favourite Performances Had Been at Rockpalast with Rory Gallagher
HR: In his recent interview with Blackmoon Magazine, Jack Bruce told us that one of his favourite performances had been at RockPalast with Rory Gallagher. What are your own memories of sharing the stage with Rory? Gerry McAvoy : I remember the night Jack Bruce got up and jammed with Rory at Rockpalast. Jack had done his own show before us (solo on piano). It was fantastic, just to listen to that voice was amazing. I don't know if it was pre-planned, but when we finished our performance and as we were about to go back on stage for an encore, Rory asked Jack (who was standing side stage) would he like to get up for a jam. Jack said yes, and asked me if I would mind if he used my bass rig. Here's Jack Bruce, my idol since I was a teenager asking to use my amp. I mean, what do you say? So they jammed "Politician" a Cream number, It was fantastic! As for my own memories of sharing the stage with Rory. It was fantastic 90% of the time. Like any band you do have off nights. But they were few and far between. It was a pleasure to work with a man with so much talent. Ted McKenna : Always on the edge. Never sure of what might happen next. Always pushing to give 150% for the whole 2hr - 2.30min show. That's the way Rory played. It was real and raw with all the rough edges. I'd call it Rock'n'Roll! Hearing from Gerry there about Jack Bruce, it reminded me that I'd had the great pleasure of working with Jack some years ago myself.