Deutsche Nationalbibliografie 2011 T 09
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ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
Schneider Kacirek S H a D O W S D O C U M E N T S
SCHNEIDER KACIREK S H A D O W S D O C U M E N T S CD / vinyl (+CD) / download Release date: January 16, 2015 Kenia meets Krautronics Stefan Schneider and Sven Kacirek bring African rhythms into dark electronica Label: Bureau B Under the auspices of the Goethe Institute and Unesco, Stefan Distributor: Indigo Schneider and Sven Kacirek have spent a fair amount of time in Cat. no.: BB175 Kenya in recent years. As they travelled the country, they recorded EAN CD 4047179887625 rare, traditional music in different locations, subsequently releasing LP 4047179887618 two albums of unembellished field recordings to document their findings. Indigo no.: CD 98876-2 LP 98876-1 “Shadows Documents” takes a different approach: Schneider and Kacirek graft their acoustically gleaned impressions of Kenya onto pure electronic templates (with analogue accents). Field recordings Tracklisting: as such cannot be heard. A central role is played by the repetitive, 1 Doubles (4:52) hypnotic element which is so integral to tribal music with its complex rhythms. Both musicians share a fascination with these very rhythms, 2 Hand An Wand (4:15) a recurring theme in their careers to date: clearly audible in Stefan 3 To Microphone (4:27) Schneider’s work with Kreidler and To Rococo Rot, as well as on his 4 Birds, Bell and Sticks (2:31) albums with Hans-Joachim Roedelius. In Kacirek’s case we can look 5 Low Rhythm (5:09) to his solo albums for evidence, in particular on the much lauded 6 Electro Electronics (5:45) “Kenya Sessions”. 7 Talwerk (4:33) 8 We Will Need Each Other The duo’s modus operandi differs from that of renowned Krautrock (2:37) pairings such as Dieter Moebius/Mani Neumeier or Michael Rother/ 9 Spiegelmotiv (6:12) Klaus Dinger (= NEU!), where the drum kit plays a dominant role as the driving force. -
Selected Observations from the Harlem Jazz Scene By
SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan. -
KREATOR, EDGUY, SALAMANDRA, PANDEMIA, DEAD POETS SOCIETY - KREATOR - Phantom Victims of the Holy Season Brno, Babylon - 9
St ředa Registrace 22.7.2015 id overkill Denní verze heslo ●●●● dnes logIn s kapelou KREATOR: DEAD POETS SOCIETY KREATOR, EDGUY, SALAMANDRA, PANDEMIA, DEAD POETS SOCIETY - KREATOR - Phantom Victims Of The Holy Season Brno, Babylon - 9. listopadu 2002 Antichrist [Stray] (jako CRUSADER) (1999) KREATOR - Hordes Of Fait Accompli (2001) Chaos [Louis] Březen za kamna vlezem! Ale vzhledem k faktu, že je teprve listopad, vlezeme si raději KREATOR - Enemy of God EDGUY do nějakého pěkného klubu, ne? 9.listopadu nám k tomu dala příležitost novodobá [Louža] The Savage Poetry (1995) Mekka brněnského klubismu – klub Babylon, který toho dne přivítal zajímavou KREATOR - Violent Kingdom of Madness (1996) národnostní a žánrovou směsici – bratislavské speedery DEAD POETS SOCIETY, Revolution [Marigold] Vain Glory Opera (1998) západočeské deathery PANDEMIA, ostravské melodiky SALAMANDRA a německý KREATOR - Endorama [Rudi] Theater of Salvation (1999) dvojzápřah – EDGUY a KREATOR. KREATOR - Outcast [Rudi] The Savage Poetry KREATOR - Cause For (remastered 2CD) (2000) Vzhledem k tomu, že trpím několika královskými chorobami či vlastnostmi, z nichž Conflict [Rudi] Mandrake (2001) musím jmenovat mimo dny hlavně dochvilnost a přesnost, dostavil jsem se pozdě. KREATOR - Renewal [Rudi] Burning Down The Opera KREATOR - Coma Of Souls Paradox? Ani ne. Pořadatelé totiž nečekaně a zákeřně posunuli začátek hudební seance (2003) [Stray] Hellfire Club (2004) na 18:30 hod (místo plánovaných 19:00), tudíž jsem přišel o jistě skvělé vystoupení KREATOR - Extreme Rocket Ride (2006) DEAD POETS SOCIETY vedených famózním petržalským bardem Mayem „Štětulobijcem“ Aggression [Louis] Tinnitus Sanctus (2008) Petraninem. Nezbývá, než pogratulovat „chalanom“ k dalšímu výraznému milníku jejich KREATOR - Terrible Age Of The Joker (2011) kariéry – přece jen dělat předskokana KREATOR, to je věc, které se některým kolegům Certainty [Stray] Space Police: Defenders Of nepodaří, ani kdyby chlastali a lemtali s tuctem promotérů dvě noci v kuse. -
BUREAU B Veröffentlicht Perlen Des SKY-Records-Katalogs Neu
BUREAU B veröffentlicht Perlen des SKY-Records-Katalogs neu Hans-Joachim Roedelius, Dieter Moebius, Conny Plank, Michael Rother – all diese Künstler sind nicht nur bedeutende Protagonisten der deutschen Musik- Avantgarde. Sie haben auch alle mehrere Alben beim Hamburger Label SKY Records veröffentlicht. Die Reissue-Spezialisten von Bureau B haben sich nun über 20 aufregende Alben aus dem umfangreichen SKY-Katalog herausgepickt und veröffentlichen diese neu auf CD und meist auch auf sattem, 180 Gramm schwerem Vinyl. Jedes Release wird begleitet von einem informativen, einordnenden Text des Elektronikpioniers Asmus Tietchens (der ebenfalls bei SKY Records diverse Alben herausbrachte) und von raren Fotos. SKY Records wurde 1975 von Günter Körber und den beiden damaligen Inhabern der GOVI-Plattenläden gegründet und genießt als eines von wenigen deutschen Labels seitdem internationale Hochachtung. Körber hatte seinerzeit seinen Job bei der Plattenfirma Metronome an den Nagel gehängt, nachdem er dort vier Jahre zuvor gemeinsam mit Bruno Wendel für die deutsche Metronome das legendäre BRAIN-Label geformt und gemanagt hatte. Wie bei BRAIN gab Körber zwar auch auf SKY herkömmlicher und progressiver Rockmusik Raum, doch weitaus mehr Aufmerksamkeit brachten ihm die zahlreichen elektronischen, experimentellen Releases. Glücklicherweise konnte er bei seinem Weggang von BRAIN einige Künstler mitnehmen, darunter Michael Rother, der dann bei SKY seine größten Erfolge feierte, sowie Hans-Joachim Roedelius und Dieter Moebius von Cluster, die just zu diesem Zeitpunkt mit dem britischen Musikexzentriker Brian Eno zusammenarbeiteten. Aus dieser Kollaboration gingen zwei Alben hervor, die bis heute als Meilensteine der anspruchsvollen Ambientmusik gelten. Zwischen den Alben der »etablierten« Künstler haben sich in dem Reissue-Paket auch einige weniger bekannte, spannende Kostbarkeiten versteckt, zum Beispiel das »wunderbare« Album von Wolfgang Riechmann, das Ende Juli erscheint. -
A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher Diana Carol Amos University of South Carolina
University of South Carolina Scholar Commons Theses and Dissertations 2015 A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher Diana Carol Amos University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Amos, D. C.(2015). A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3642 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A SURVEY OF THE CAREER OF BARITONE, JOSEF METTERNICH: ARTIST AND TEACHER by Diana Carol Amos Bachelor of Music Oberlin Conservatory of Music, 1982 Master of Music University of South Carolina, 2011 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Performance School of Music University of South Carolina 2015 Accepted by: Walter Cuttino, Major Professor Donald Gray, Committee Member Sarah Williams, Committee Member Janet E. Hopkins, Committee Member Lacy Ford, Senior Vice Provost and Dean of Graduate Studies ©Copyright by Diana Carol Amos, 2015 All Rights Reserved. ii ACKNOWLEDGEMENTS I gratefully acknowledge the help of my professor, Walter Cuttino, for his direction and encouragement throughout this project. His support has been tremendous. My sincere gratitude goes to my entire committee, Professor Walter Cuttino, Dr. Donald Gray, Professor Janet E. Hopkins, and Dr. Sarah Williams for their perseverance and dedication in assisting me. -
Fritz Wunderlich Greatest Successes & Rarities
Labelcopy Fritz Wunderlich Greatest Successes & Rarities 3. Welch ein grau’nvolles Bild / Fliehe, Verräter CD1 Elisabeth Grümmer (Donna Anna) 4. Nur ihrem Frieden weih‘ ich mein Leben FRITZ WUNDERLICH Die zentrale Partie: Tamino 5. O seht, gnäd’ger Herr, dort die allerliebsten Masken / Mög‘ Gott zu unserm Werke uns Kraft und Mut verleih’n (1756 – 1791) Wolfgang Amadeus Mozart Karl Kohn (Leporello), Hermann Prey (Don Giovanni), Elisabeth DIE ZAUBERFLÖTE – as Tamino – Grümmer (Donna Anna), Hildegard Hillebrecht (Donna Elvira) 1. Dies Bildnis ist bezaubernd schön Berliner Symphoniker / Hans Zanotelli - 3-5: 1960 2. Zum Ziele führt dich diese Bahn / Die Weisheitslehre dieser Knaben ZAIDE – as Gomez – Drei Wiener Sängerknaben 6. Ja, nun lass das Schicksal wüten 7. Kannst, Geliebter, du vergeben 3. Wo willst du, kühner Fremdling, hin? / O ew’ge Nacht 8. Wack’rer Freund, voll tiefer Scham Eberhard Wächter (Sprecher) 9. O selige Wonne 4. Wie stark ist nicht dein Zauberton Maria Stader (Zaide), Horst Günter (Allazim) - Sinfonieorchester des 5. Soll ich dich, Teurer, nicht mehr seh’n? Süddeutschen Rundfunks / Alfons Rischner - 6-9: 1956 Lieselotte Fölser (Pamina), Gottlob Frick (Sarastro) DIE GÄRTNERIN AUS LIEBE – as Graf von Belfiore – 6. Der, welcher wandelt diese Straße 10. Welch ein Glück 7. Tamino mein, o welch ein Glück! 11. Nein! Geh ich fort? / Im Park hier gibt es eigenart’ge Grotten Lieselotte Fölser (Pamina), Robert Charlesbois, Alois Pernerstorfer Gustav Grefe (Nardo / Roberto) (Geharnischte) - Chor der Wiener Staatsoper - Wiener Philharmoniker/ Orchester der Württembergischen Staatsoper / Josef Dünnwald Joseph Keilberth - 1-7: 1960 (Live, Salzburger Festspiele) 10,11: 1956 (Live, Ludwigsburg, Barocktheater des Schlosses) 8. -
Swingville Label Discography
Swingville Label Discography: 2000 Series: SVLP 2001 - Coleman Hawkins and The Red Garland Trio - Coleman Hawkins and The Red Garland Trio [1960] It’s a Blue World/I Want to Be Loved/Red Beans/Bean’s Blues/Blues For Ron SVLP 2002 - Tiny In Swingville - Tiny Grimes with Richardson [1960] Annie Laurie/Home Sick/Frankie & Johnnie/Down with It/Ain’t Misbehaving/Durn Tootin’ SVLP 2003 - Tate's Date - Buddy Tate [1960] Me ‘n’ You/Idling/Blow Low/Moon Dog/No Kiddin’/Miss Ruby Jones SVLP 2004 - Callin' the Blues - Tiny Grimes [1960] Reissue of Prestige 7144. Callin’ the Blues/Blue Tiny/Grimes’ Times/Air Mail Special SVLP 2005 – Coleman Hawkins’ All Stars - Coleman Hawkins with Joe Thomas and Vic Dickenson [1960] You Blew Out the Flame/More Bounce to the Vonce/I’m Beginning to See the Light/Cool Blue/Some Stretching SVLP 2006 - The Happy Jazz of Rex Stewart - Rex Stewart [1960] Red Ribbon/If I Could Be with You/Four or Five Times/Rasputin/Please Don’t Talk About me When I’m Gon/San/You Can Depend on Me/I Would Do Most Anything For You/Tell Me/Nagasaki SVLP 2007 - Buck Jumpin' - Al Casey [1960] Buck Jumpin’/Casey’s Blues/Don’t Blame Me/Ain’t Misbehavin’/Honeysuckle Rose/Body & Soul/Rosetta SVLP 2008 - Swingin' with Pee Wee - Pee Wee Russell [1960] What Can I Say Dear/Midnight Blue/Very Thought of You/Lulu’s Back in Town/I Would Do Most Anything For You/Wrap Your Troubles in Dreams/Englewood SVLP 2009 - Yes Indeed! - Claude Hopkins [1960] It Don’t Mean a Thing/Willow Weep For Me/Yes Indeed/Is It So/Empty Bed Blues/What Is This Thing Called Love/Morning Glory SVLP 2010 – Rockin’ in Rhythm - Swingville All Stars (Al Sears, T. -
Wagnerkalender – Sluitingsdatum Van Deze Kalender 1 December 2017
Wagnerkalender – sluitingsdatum van deze kalender 1 december 2017 Amsterdam Tristan und Isolde, 18, 22, 25, 30 januari, 4, 7, 10 en 14 februari 2018 Pierre Audi regie, Christof Hetzer decor, Marc Albrecht dirigent, Stephen Gould (Tristan), Ricarda Merbeth (Isolde), Günther Groisböck (Marke), Ian Paterson (Kurwenal), Michelle Breedt (Brangäne), Roger Smeets (Ein Steuermann), Marc Lachner (Ein Hirt/Ein Junger Seemann) Tannhäuser light, 26 mei, Muziekgebouw aan het IJ Pocketversie van Tannhäuser, samengesteld door Carel Alphenaar. Michael Gieler dirigent, zangers: Laetitia Gerards, Gustavo Peña, Aylin Sezer, Michael Wilmering, orkest: leden van het Koninklijk Concertgebouworkest. Der Ring ohne Worte (arr. Lorin Maazel), Concertgebouw 13 juni 2018 UVA-orkest J.Pzn. Sweelinck Fragmenten uit de Ring, 20, 21 en 22 juni 2018, Concertgebouw Concertant, Koninklijk Concertgebouworkest o.l.v. Daniele Gatti, met medewerking van Eva-Maria Westbroek. Antwerpen Parsifal, 18, 21, 24, 27, 29 maart, 1 en 4 april 2018 Tatjana Gürbaca regie, Henrik Ahr decor, Cornelius Meister dirigent, Erin Caves (Parsifal), Tanja Ariane Baumgartner (Kundry), Stefan Kocan (Gurnemanz), Christoph Pohl (Amfortas), Károly Szemerédy (Klingsor), Markus Suihkonen (Titurel) Baden Baden - Festspielhaus Parsifal, 24 en 30 maart, 2 april 2018 Dieter Dorn regie, Magdalena Gut decor, Simon Rattle dirigent, Stephen Gould (Parsifal), Franz-Josef Selig (Gurnemanz), Ruxandra Donose (Kundry), Evgeny Nikitin (Klingsor), Gerald Finley (Amfortas) Der fliegende Holländer, 18 mei 2018 (concertant) -
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence. -
REFLECTIONS 148X210 UNTOPABLE.Indd 1 20.03.15 10:21 54 Refl Ections 54 Refl Ections 55 Refl Ections 55 Refl Ections
3 Refl ections DAS MAGAZIN DES ÖSTERREICHISCHEN Refl ections SONG CONTEST CLUBS MERCI CHÉRIE – MERCI, JURY! AUSGABE 2015 | ➝ Es war der 5. März 1966 beim Grand und belgischen Hitparade und Platz 14 in Prix d’Eurovision in Luxemburg als schier den Niederlanden. Im Juni 1966 erreichte Unglaubliches geschah: Die vielbeachte- das Lied – diesmal in Englisch von Vince te dritte Teilnahme von Udo Jürgens – Hill interpretiert – Platz 36 der britischen nachdem er 1964 mit „Warum nur war- Single-Charts. um?“ den sechsten Platz und 1965 mit Im Laufe der Jahre folgten unzähli- SONG CONTEST CLUBS SONG CONTEST 2015 „Sag‘ ihr, ich lass sie grüßen“ den vierten ge Coverversionen in verschiedensten Platz belegte – bescherte Österreich end- Sprachen und als Instrumentalfassungen. Wien gibt sich die Ehre lich den langersehnten Sieg. In einem Hier bestechen – allen voran die aktuelle Teilnehmerfeld von 18 Ländern startete Interpretation der grandiosen Helene Fi- der Kärntner mit Nummer 9 und konnte scher – die Versionen von Adoro, Gunnar ÖSTERREICHISCHEN schließlich 31 Jurypunkte auf sich verei- Wiklund, Ricky King und vom Orchester AUSSERDEM nen. Ein klarer Sieg vor Schweden und Paul Mauriat. Teilnehmer des Song Contest 2015 – Rückblick Grand Prix 1967 in Wien Norwegen, die sich am Podest wiederfan- Hier sieht man das aus Brasilien stam- – Vorentscheidung in Österreich – Das Jahr der Wurst – Österreich und den. mende Plattencover von „Merci Cherie“, DAS MAGAZIN DES der ESC – u.v.m. Die Single erreichte Platz 2 der heimi- das zu den absoluten Raritäten jeder Plat- schen Single-Charts, Platz 2 der deutschen tensammlung zählt. DIE LETZTE SEITE ections | Refl AUSGABE 2015 2 Refl ections 2 Refl ections 3 Refl ections 3 Refl ections INHALT VORWORT PRÄSIDENT 4 DAS JAHR DER WURST 18 GRAND PRIX D'EUROVISION 60 HERZLICH WILLKOMMEN 80 „Building bridges“ – Ein Lied Pop, Politik, Paris. -
Guru Guru Dance of the Flames Mp3, Flac, Wma
Guru Guru Dance Of The Flames mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Dance Of The Flames Country: Russia Released: 2014 Style: Space Rock, Experimental MP3 version RAR size: 1181 mb FLAC version RAR size: 1493 mb WMA version RAR size: 1780 mb Rating: 4.1 Votes: 530 Other Formats: AAC MP1 MPC AC3 VOC DTS AAC Tracklist Hide Credits Dagobert Duck's 100th Birthday 1 7:41 Music By – H. Hartmann*, H. Nejadepour*, M. Neumeier*Words By – M. Neumeier* The Girl From Hirschhorn 2 8:38 Music By – H. Hartmann*, H. Nejadepour*, M. Neumeier*Words By – M. Neumeier* The Day Of Timestop 3 5:25 Music By – H. Nejadepour* Dance Of The Flames 4 3:31 Music By – H. Hartmann*, H. Nejadepour*, M. Neumeier* Samba Das Rosas 5 4:08 Music By, Vocals – H. Nejadepour* Rallulli 6 4:38 Music By – H. Hartmann*, H. Nejadepour*, M. Neumeier* At The Juncture Of Light And Dark 7 3:14 Music By – H. Nejadepour* God's Endless Love For Men 8 7:27 Music By – H. Nejadepour* Doing (Live 1975) 9 7:23 Music By – H. Hartmann*, M. Neumeier* Credits Bass Guitar, Contrabass – Hans Hartmann Coordinator [Re-release Coordination] – Michael Schmitz Drums, Percussion, Vocals – Mani Neumeier Electric Guitar, Acoustic Guitar – Houschäng Nejadépour Engineer – David Siddle* Layout [Re-release Layout] – Thomas Ewerhard Liner Notes – Matthias Mineur Liner Notes [Translation] – Markus Schurr, Matt Goodluck Other [Re-release Assistant] – Björn Münz Photography By – Tai Lüdicke* Producer – Guru Guru Remastered By – Eroc Technician [Assistant Engineer] – Günter Theis, Uwe Schier Notes Original album recorded at Studio 70, Munich, April 12 to 20, 1974.