Mhers Ausplc^Us Because Basil Allen (Pat) Ryan, Wealthy Showed That the Japmneile Had- Made^
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1939 R334 Play Ball Gum Inc Baseball Card Set Checklist
1 939 R334 PLAY BALL GUM INC BASEBALL CARD SET CHECKLIST 1 Jake Powell 2 Lee Grissom 3 Red Ruffing 4 Eldon Auker 5 Luke Sewell 6 Leo Durocher 7 Bobby Doerr 8 Henry Pippen 9 Jim Tobin 10 Jimmie Deshong 11 Johnny Rizzo 12 Hersh Martin 13 Luke Hamlin 14 Jim Tabor 15 Paul Derringer 16 Johnny Peacock 17 Emerson Dickman 18 Harry Danning 19 Paul Dean 20 Joe Heving 21 Dutch Leonard 22 Bucky Walters 23 Burgess Whitehead 24 Dick Coffman 25 George Selkirk 26 Joe DiMaggio 27 Fred Ostermueller 28 Syl Johnson 29 Jack Wilson 30 Bill Dickey 31 Sammy West 32 Bob Seeds 33 Del Young 34 Frank Demaree 35 Bill Jurges 36 Frank McCormick 37 Spud Davis 38 Billy Myers 39 Rick Ferrell 40 Jim Bagby Jr 41 Lon Warneke 42 Arndt Jorgens Compliments of BaseballCardBinders.com© 2019 1 43 Mel Almada 44 Don Heffner 45 Pinky May 46 Morrie Arnovich 47 Buddy Lewis 48 Vernon Gomez 49 Eddie Miller 50 Charles Gehringer 51 Mel Ott 52 Tommy Henrich 53 Carl Hubbell 54 Harry Gumbert 55 Arky Vaughan 56 Hank Greenberg 57 Buddy Hassett 58 Lou Chiozza 59 Ken Chase 60 Schoolboy Rowe 61 Tony Cuccinello 62 Tom Carey 63 Heinie Mueller 64 Wally Moses 65 Harry Craft 66 Jimmy Ripple 67 Eddie Joost 68 Fred Sington 69 Elbie Fletcher 70 Fred Frankhouse 71 Monte Pearson 72 Debs Garms 73 Hal Schumacher 74 Cookie Lavagetto 75 Frenchy Bordagaray 76 Goody Rosen 77 Lew Riggs 78 Moose Solters 79 Joe Moore 80 Pete Fox 81 Babe Dahlgren 82 Charles Klein 83 Gus Suhr 84 Lamar Newsome 85 Johnny Cooney 86 Dolph Camilli 87 Milt Shoffner 88 Charles Keller 89 Lloyd Waner Compliments of BaseballCardBinders.com© -
Nelda Reyes-Resume Ryanartists
Nelda Reyes SAG/AFTRA Hair: Dark brown Eyes: Brown Height: 5” 3’ TV/FILM “Not one more” Isabel Heather Dominguez dir./Art Institute of Portland Grimm - Episode # 111 “Tarantella” Maid Peter Werner /NBC COMMERCIAL/INDUSTRIAL *Complete list available upon request “OCDC Spanish & English PSA” Nelda Reyes Rex-post “SEIU Orientation and Safety Video” HCA Branch Ave. Productions “Wired MD Patient Educational Videos” Health Expert Krames Video Solutions “American Red Cross EMR” Health Officer Erica Portfolio Productions “Depression Relapse”-ORCAS Carmen Moving Images VOICEOVER AND DUBBING *Complete list available upon request “Kaiser Permanente Diabetes Bilingual Campaign” Patti The Fotonovela Production Company “Abuelo -Ac tive Living” -Multnomah County Health Univision Portland Mom Department. “CISCO Online Support website ” Narrator Intersect Video THEATER *Complete list available upon request CORRIDO CALAVERA Concepcion, INC Rep, Rosario Miracle Theatre Group/Lakin Valdez dir. DANCE FOR A DOLLAR Gloria Miracle Theatre Group/Daniel Jaquez dir. BLOOD WEDDING Criada, Luna, Niña 1 Miracle Theatre Group/Olga Sanchez dir LA CARPA CALAVERA Nina Miracle Theatre Group/Philip Cuomo dir. ACTING AND MOVEMENT TRAINING Acting, Scene Work and Movement Moscow Art Theatre School and IATT, Harvard University M. Lovanov/ Alla Prokoskaya/ Oleg Topolyanskiy /N. Fedorovna Acting: Process, Classical, Experimental styles Devon Allen. Portland State University. MA. In Theatre Arts Script Analysis and Dramaturgy Karin Magaldi. Portland State University. MA. In Theatre Arts Clown Fausto Ramirez (Mexico) and Les Matapestes (France) Alexander, Decroux, Lecoq, Contact Improv. Diplomado de Teatro del Cuerpo (Mexico City) Diploma for Instructors in Kundalini Yoga IKYTA/ Yoga Alliance Empty Hand Combat and basic weaponry Anthony De Longis (USA) Shelley Lipkin Acting for the Camera (USA) Professional Training in Aerial Arts The Circus Project (US A) Pre-professional Classic Dance Program Ballet Nacional de Cuba/Gloria Campobello Co. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
El Llegat Dels Germans Grimm En El Segle Xxi: Del Paper a La Pantalla Emili Samper Prunera Universitat Rovira I Virgili [email protected]
El llegat dels germans Grimm en el segle xxi: del paper a la pantalla Emili Samper Prunera Universitat Rovira i Virgili [email protected] Resum Les rondalles que els germans Grimm van recollir als Kinder- und Hausmärchen han traspassat la frontera del paper amb nombroses adaptacions literàries, cinema- togràfiques o televisives. La pel·lícula The brothers Grimm (2005), de Terry Gilli- am, i la primera temporada de la sèrie Grimm (2011-2012), de la cadena NBC, són dos mostres recents d’obres audiovisuals que han agafat les rondalles dels Grimm com a base per elaborar la seva ficció. En aquest article s’analitza el tractament de les rondalles que apareixen en totes dues obres (tenint en compte un precedent de 1962, The wonderful world of the Brothers Grimm), així com el rol que adopten els mateixos germans Grimm, que passen de creadors a convertir-se ells mateixos en personatges de ficció. Es recorre, d’aquesta manera, el camí invers al que han realitzat els responsables d’aquestes adaptacions: de la pantalla (gran o petita) es torna al paper, mostrant quines són les rondalles dels Grimm que s’han adaptat i de quina manera s’ha dut a terme aquesta adaptació. Paraules clau Grimm, Kinder- und Hausmärchen, The brothers Grimm, Terry Gilliam, rondalla Summary The tales that the Grimm brothers collected in their Kinder- und Hausmärchen have gone beyond the confines of paper with numerous literary, cinematographic and TV adaptations. The film The Brothers Grimm (2005), by Terry Gilliam, and the first season of the series Grimm (2011–2012), produced by the NBC network, are two recent examples of audiovisual productions that have taken the Grimm brothers’ tales as a base on which to create their fiction. -
Northern Junket, Index
CTT3 I —•\ I •—I I I N D E I I X Digitized by the Internet Archive in 2011 with funding from Boston Library Consortium Member Libraries http://www.archive.org/details/northernjunketinOOpage I ND O NORTHERN JUNKI VOLUME 1. - NUMBER 1. THROUGH VOLUME 14.- NUMBER 9 APRIL 1949. THROUGH JULY 1984. RALPH PAGE - EDITOR AND PUBLISHER. INDEX Compiled and Published by Roger Knox INDEX TO NORTHERN JUNKET COPYRIGHT 1985 by Roger C. Knox Roger C. Knox 702 North Tioga Street Ithaca, NY 14850 TO THE MEMORY OF RALPH PAGE THIS WORK IS RESPECTFULLY AND AFFECTIONATELY DEDICATED "He was a very special human being." (Dave Fuller) "It was a sad day for the dance world when he passed on. He left thousands of friends, and probably hundreds of his-taught Contra-callers who will perpetuate his memory for some time to come." (Beverly B. Wilder Jr.) "All who knew him have suffered a great loss." (Lannie McQuaide) "About very few can it be truly said that 'He was a legend in his own time,' but Ralph certainly was and is such a legend. The world of dance is a richer place because he was here." (Ed Butenhof) ACKNOWLEDGEMENTS There is a danger when one starts naming those who helped in a task that someone may have been left off the "Honor Roll." To avoid that problem 1 wish to thank everyone who gave me any encouragement, advice, orders for the Index, or anything else one can imagine. I wish specifically to thank several people who played an important role in this endeavor and I will risk the wrath of someone I may have missed but who will nevertheless live in my heart forever. -
2019 27Th Annual Poets House Showcase Exhibition Catalog
2019 27th Annual Poets House Showcase Exhibition Catalog Poets House | 10 River Terrace | New York, NY 10282 | poetshouse.org ELCOME to the 2019 Poets House Showcase, our annual, all-inclusive exhibition of the most recent poetry books, chapbooks, broadsides, artists’ books, and multimedia works published in the United States and abroad. This year marks the 27th anniversary of the Poets House Showcase and features over 3,300 books from more than 800 different presses and publishers. For 27 years, the Showcase has helped to keep our collection Wcurrent and relevant, building one of the most extensive collections of poetry in our nation—an expansive record of the poetry of our time, freely available and open to all. Building the Exhibit and the Poets House Library Collection Every year, Poets House invites poets and publishers to participate in the annual Showcase by donating copies of poetry titles released since January of the previous year. This year’s exhibit highlights poetry titles published in 2018 and the first part of 2019. Books have been contributed by the entire poetry community, from the publishers who send on their titles as they’re released, to the poets who mail us signed copies of their newest books, to library visitors donating books when they visit us. Every newly published book is welcomed, appreciated, and featured in the Showcase. The Poets House Showcase is the mechanism through which we build our library: a comprehensive, inclusive collection of over 70,000 poetry works, all free and open to the public. To make it as extensive as possible, we reach out to as many poetry communities and producers as we can, bringing together poetic voices of all kinds to meet the different needs and interests of our many library patrons. -
Report of the State School for the Blind and the Deaf
C3 5- j H 931-3 f c,3t STATE SCHOOL FOR THE BLIND AND THE DEAF RALEIGH, N. C. 1936-1938 Digitized by the Internet Archive in 2019 with funding from State Library of North Carolina https://archive.org/details/reportofstatesch1936nort REPORT OF THE STATE SCHOOL FOR THE BLIND AND THE DEAF FROM JULY 1, 1936 TO JUNE 30, 1938 1938 BOARD OF DIRECTORS J. EDWARD ALLEN MRS. E. S. PADDISON* MRS. T. W. BICKETT DR. B. E. REEVES E. J. BRITT DR. W. A. ROGERS W. G. ENLOE N. McK. SALMON REV. W. L. HUTCHINS CARROLL W. WEATHERS Terms expin May 1, 1941 OFFICERS OF THE BOARD President E. J. BRITT Secretary G. E. LINEBERRY Ex-officio Treasurer CHARLES M. JOHNSON Executive Committee E. J. BRITT MRS. T. W. BICKETT W. G. ENLOE Educational Committee CARROLL W. WEATHERS J. EDWARD ALLEN E. J. BRITT Buildings and Grounds Committee MRS. T. W. BICKETT MRS. E. S. PADDISON* W. A. ROGERS Industrial Committee N. McK. SALMON B. E. REEVES W. L. HUTCHINS Building Committee W. G. ENLOE MRS. T. W. BICKETT E. J. BRITT J. EDWARD ALLEN CARROLL W. WEATHERS * Deceased. OFFICERS OF THE SCHOOL Superintendent G. E. LINEBERRY Principal H. C. GRIFFIN Dean of Girls OLA PASCHAL Stewardess and Bookkeeper GRACE V. LANE Secretary MARY FLORENCE CUMMINGS LITERARY DEPARTMENT A. D. HURST ANNIE LAURIE MELVIN SARAH L. FOSTER GLADYS CURRIN REBECCA GASKIN HELEN GRIER MARY P. JUDD IDA PEARLE EATMON VIRGINIA JAMES RUBY GARRIS MARY GRIFFIN CHRISTINE ALFORD LOIS ARNETTE MILDRED GERMAN ETHEL WILLIAMS MUSIC DEPARTMENT Dean NELLE HANNA Orchestra CADER G. -
Kit Young's Sale #143
Page 1 KIT YOUNG’S SALE #143 1910-11 M116 Sporting Life 1887 N28 Allen & Ginter Cap Anson 1948 Bowman #69 Honus Wagner SGC 10 PR BVG 3 VG George Mikan rookie The famed “Flying Dutchman” in the same pose A scarce card of the 19th century’s greatest slugger. The 1952 Mantle of basketball cards! Beautiful card – sharp cor- ners, great color, minimal surface wear, no creasing, very clean as the famed T206 card. Left border uneven with Just minor corner wear – nice card. $2850.00 back. A very scarce card. Mikan was the game’s first great big wear. Own a Wagner for only $1195.00 man. EX-MT $2495.00 1956 Topps #130 Willie Mays GAI 8 NM/MT 1956 Topps #150 Duke Snider GAI 9 MINT Gorgeous card, crisp corners, strong centering, almost perfect surface, back The best 1956 Snider we’ve ever seen! Perfect centering, sharp corners, blazing clean and well centered. A beauty! $995.00 color, absolutely no surface wear, back is clean and well centered. $895.00 1963 Topps #537 Pete Rose 1957 Topps #95 Mickey Mantle PSA 5 EX 1957 Topps #328 Brooks Robinson rookie PSA 6 EX-MT rookie PSA 5 EX Classic swinging pose from his MVP year. Shows Very strong “6” – looks like 6.5 or 7 to us. Great Very strong “5” – looks undergraded, just a his triple crown stats on back. Virtually no “white centering, very sharp corners, no creasing, very bit of wear at top corners, no creasing, vivid snow” that’s normally on this card, just a tiny bit of clean surface, back clean and off center. -
Class of 1947
CLASS OF 1947 Ollie Carnegie Frank McGowan Frank Shaughnessy - OUTFIELDER - - FIRST BASEMAN/MGR - Newark 1921 Syracuse 1921-25 - OUTFIELDER - Baltimore 1930-34, 1938-39 - MANAGER - Buffalo 1934-37 Providence 1925 Buffalo 1931-41, 1945 Reading 1926 - MANAGER - Montreal 1934-36 Baltimore 1933 League President 1937-60 * Alltime IL Home Run, RBI King * 1936 IL Most Valuable Player * Creator of “Shaughnessy” Playoffs * 1938 IL Most Valuable Player * Career .312 Hitter, 140 HR, 718 RBI * Managed 1935 IL Pennant Winners * Led IL in HR, RBI in 1938, 1939 * Member of 1936 Gov. Cup Champs * 24 Years of Service as IL President 5’7” Ollie Carnegie holds the career records for Frank McGowan, nicknamed “Beauty” because of On July 30, 1921, Frank “Shag” Shaughnessy was home runs (258) and RBI (1,044) in the International his thick mane of silver hair, was the IL’s most potent appointed manager of Syracuse, beginning a 40-year League. Considered the most popular player in left-handed hitter of the 1930’s. McGowan collected tenure in the IL. As GM of Montreal in 1932, the Buffalo history, Carnegie first played for the Bisons in 222 hits in 1930 with Baltimore, and two years later native of Ambroy, IL introduced a playoff system that 1931 at the age of 32. The Hayes, PA native went on hit .317 with 37 HR and 135 RBI. His best season forever changed the way the League determined its to establish franchise records for games (1,273), hits came in 1936 with Buffalo, as the Branford, CT championship. One year after piloting the Royals to (1,362), and doubles (249). -
Gordon Nell, “Borger Bomber” ©Diamondsinthedusk.Com
Gordon Nell, “Borger Bomber” ©DiamondsintheDusk.com In its 16-year existence, the West Texas-New Mexico League was regarded as a haven for hitters with batting averages and home runs inflated by the region’s thin dry air and undersized ball parks, like Amarillo Park (324 feet down both lines and 364 feet to center field). One player that takes full advantage of these circumstances is Gordon Nell, a hard- hitting outfielder-first baseman for the Pampa Oilers and Borger Gassers. In seven seasons playing in the West Texas-New Mexico League (WTNML), the brawny Nell averages 39 home runs, 44 doubles and 160 RBIs per year. Three times Nell will lead the WTNML in home runs and RBIs, doubles twice, while hit- ting a nifty .351 over that seven-year span. Nell’s best season comes in 1939 when he captures the triple crown with a career-high .392 batting average, 44 home runs and 189 RBIs. And just for good measure he has 60 doubles and 15 stolen bases. Starting with a Western Association home run title in his second season in 1931, Nell will be a league leader in home runs five times in his 12-year career. But, in many ways Nell is an enigma. Talented enough to be offered a contract to be- gin his career in a B-level league, he turns it down as a 21-year-old in 1929. By his second season (1931), Nell has already made it to the highest reaches of the minor leagues playing with the Minneapolis Miller of American (AA) Association. -
MAY 2021 (4/26/2021 - 5/2/2021) - WEEK #18 Date Updated:4/16/2021 2:24:45 PM
TLEX GRID (EAST REGULAR) - MAY 2021 (4/26/2021 - 5/2/2021) - WEEK #18 Date Updated:4/16/2021 2:24:45 PM MON (4/26/2021) TUE (4/27/2021) WED (4/28/2021) THU (4/29/2021) FRI (4/30/2021) SAT (5/1/2021) SUN (5/2/2021) SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM 05:00A 05:00A NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 05:30A 05:30A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 06:00A 06:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 06:30A 06:30A (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 07:00A 07:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (SUBNETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 07:30A 07:30A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (SUBNETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 08:00A 08:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) CASO CERRADO CASO CERRADO CASO CERRADO CASO