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CALIFORNIA's NORTH COAST: a Literary Watershed: Charting the Publications of the Region's Small Presses and Regional Authors
CALIFORNIA'S NORTH COAST: A Literary Watershed: Charting the Publications of the Region's Small Presses and Regional Authors. A Geographically Arranged Bibliography focused on the Regional Small Presses and Local Authors of the North Coast of California. First Edition, 2010. John Sherlock Rare Books and Special Collections Librarian University of California, Davis. 1 Table of Contents I. NORTH COAST PRESSES. pp. 3 - 90 DEL NORTE COUNTY. CITIES: Crescent City. HUMBOLDT COUNTY. CITIES: Arcata, Bayside, Blue Lake, Carlotta, Cutten, Eureka, Fortuna, Garberville Hoopa, Hydesville, Korbel, McKinleyville, Miranda, Myers Flat., Orick, Petrolia, Redway, Trinidad, Whitethorn. TRINITY COUNTY CITIES: Junction City, Weaverville LAKE COUNTY CITIES: Clearlake, Clearlake Park, Cobb, Kelseyville, Lakeport, Lower Lake, Middleton, Upper Lake, Wilbur Springs MENDOCINO COUNTY CITIES: Albion, Boonville, Calpella, Caspar, Comptche, Covelo, Elk, Fort Bragg, Gualala, Little River, Mendocino, Navarro, Philo, Point Arena, Talmage, Ukiah, Westport, Willits SONOMA COUNTY. CITIES: Bodega Bay, Boyes Hot Springs, Cazadero, Cloverdale, Cotati, Forestville Geyserville, Glen Ellen, Graton, Guerneville, Healdsburg, Kenwood, Korbel, Monte Rio, Penngrove, Petaluma, Rohnert Part, Santa Rosa, Sebastopol, Sonoma Vineburg NAPA COUNTY CITIES: Angwin, Calistoga, Deer Park, Rutherford, St. Helena, Yountville MARIN COUNTY. CITIES: Belvedere, Bolinas, Corte Madera, Fairfax, Greenbrae, Inverness, Kentfield, Larkspur, Marin City, Mill Valley, Novato, Point Reyes, Point Reyes Station, Ross, San Anselmo, San Geronimo, San Quentin, San Rafael, Sausalito, Stinson Beach, Tiburon, Tomales, Woodacre II. NORTH COAST AUTHORS. pp. 91 - 120 -- Alphabetically Arranged 2 I. NORTH COAST PRESSES DEL NORTE COUNTY. CRESCENT CITY. ARTS-IN-CORRECTIONS PROGRAM (Crescent City). The Brief Pelican: Anthology of Prison Writing, 1993. 1992 Pelikanesis: Creative Writing Anthology, 1994. 1994 Virtual Pelican: anthology of writing by inmates from Pelican Bay State Prison. -
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Unstill Life: The Emergence and Evolution of Time-Lapse Photography Permalink https://escholarship.org/uc/item/2q89f608 Author Boman, James Stephan Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Unstill Life: The Emergence and Evolution of Time-Lapse Photography A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Film and Media Studies by James Stephan Boman Committee in charge: Professor Janet Walker, Chair Professor Charles Wolfe Professor Peter Bloom Professor Colin Gardner September 2019 The dissertation of James Stephan Boman is approved. ___________________________________________________ Peter Bloom ___________________________________________________ Charles Wolfe ___________________________________________________ Colin Gardner ___________________________________________________ Janet Walker, Committee Chair March 2019 Unstill Life: The Emergence and Evolution of Time-Lapse Photography Copyright © 2019 By James Stephan Boman iii ACKNOWLEDGMENTS I would like to thank my friends and colleagues at UC Santa Barbara, including the fellow members of my cohort—Alex Champlin, Wesley Jacks, Jennifer Hessler, and Thong Winh—as well as Rachel Fabian, with whom I shared work during our prospectus seminar. I would also like to acknowledge the diverse and outstanding faculty members with whom I had the pleasure to work as a student at UCSB, including Lisa Parks, Michael Curtin, Greg Siegel, and the rest of the faculty. Anna Brusutti was also very important to my development as a teacher. Ross Melnick has been a source of unflagging encouragement and a fount of advice in my evolution within and beyond graduate school. -
2005 Next Wave Festival
November 2005 2005 Next Wave Festival Mary Heilmann, Last Chance for Gas Study (detail), 2005 BAM 2005 Next Wave Festival is sponsored by: The PerformingNCOREArts Magazine Altria 2005 ~ext Wave FeslliLaL Brooklyn Academy of Music Alan H. Fishman William I. Campbell Chairman of the Board Vice Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Prod ucer presents Symphony No.6 (Plutonian Ode) & Symphony No.8 by Philip Glass Bruckner Orchestra Linz Approximate BAM Howard Gilman Opera House running time: Nov 2,4 & 5, 2005 at 7:30pm 1 hour, 40 minutes, one intermission Conducted by Dennis Russell Davies Soprano Lauren Flanigan Symphony No.8 - World Premiere I II III -intermission- Symphony No. 6 (Plutonian Ode) I II III BAM 2005 Next Wave Festival is sponsored by Altria Group, Inc. Major support for Symphonies 6 & 8 is provided by The Robert W Wilson Foundation, with additional support from the Austrian Cultural Forum New York. Support for BAM Music is provided by The Aaron Copland Fund for Music, Inc. Yamaha is the official piano for BAM. Dennis Russell Davies, Thomas Koslowski Horns Executive Director conductor Gerda Fritzsche Robert Schnepps Dr. Thomas Konigstorfer Aniko Biro Peter KeserU First Violins Severi n Endelweber Thomas Fischer Artistic Director Dr. Heribert Schroder Heinz Haunold, Karlheinz Ertl Concertmaster Cellos Walter Pauzenberger General Secretary Mario Seriakov, Elisabeth Bauer Christian Pottinger Mag. Catharina JUrs Concertmaster Bernhard Walchshofer Erha rd Zehetner Piotr Glad ki Stefa n Tittgen Florian Madleitner Secretary Claudia Federspieler Mitsuaki Vorraber Leopold Ramerstorfer Elisabeth Winkler Vlasta Rappl Susanne Lissy Miklos Nagy Bernadett Valik Trumpets Stage Crew Peter Beer Malva Hatibi Ernst Leitner Herbert Hoglinger Jana Mooshammer Magdalena Eichmeyer Hannes Peer Andrew Wiering Reinhard Pirstinger Thomas Wall Regina Angerer- COLUMBIA ARTISTS Yuko Kana-Buchmann Philipp Preimesberger BrUndlinger MANAGEMENT LLC Gorda na Pi rsti nger Tour Direction: Gudrun Geyer Double Basses Trombones R. -
Advance Program Notes Powaqqatsi: Life in Transformation Philip Glass Ensemble Friday, November 1, 2013, 8 PM
Advance Program Notes Powaqqatsi: Life in Transformation Philip Glass Ensemble Friday, November 1, 2013, 8 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. CENTER FOR THE ARTS AT VIRGINIA TECH presents POWAQQATSI LIFE IN TRANSFORMATION The CANNON GROUP INC. A FRANCIS FORD COPPOLA and GEORGE LUCAS Presentation Music by Directed by PHILIP GLASS GODFREY REGGIO Photography by Edited by GRAHAM BERRY IRIS CAHN/ ALTON WALPOLE LEONIDAS ZOURDOUMIS Performed by PHILIP GLASS and the PHILIP GLASS ENSEMBLE conducted by Michael Riesman with the Blacksburg Children’s Chorale Patrice Yearwood, artistic director PHILIP GLASS ENSEMBLE Philip Glass, Lisa Bielawa, Dan Dryden, Stephen Erb, Jon Gibson, Michael Riesman, Mick Rossi, Andrew Sterman, David Crowell Guest Musicians: Ted Baker, Frank Cassara, Nelson Padgett, Yousif Sheronick The call to prayer in tonight’s performance is given by Dr. Khaled Gad Music Director MICHAEL RIESMAN Sound Design by Kurt Munkacsi Film Executive Producers MENAHEM GOLAN and YORAM GLOBUS Film Produced by MEL LAWRENCE, GODFREY REGGIO and LAWRENCE TAUB Production Management POMEGRANATE ARTS Linda Brumbach, Producer POWAQQATSI runs approximately 102 minutes and will be performed without intermission. SUBJECT TO CHANGE PO-WAQ-QA-TSI (from the Hopi language, powaq sorcerer + qatsi life) n. an entity, a way of life, that consumes the life forces of other beings in order to further its own life. POWAQQATSI is the second part of the Godfrey Reggio/Philip Glass QATSI TRILOGY. With a more global view than KOYAANISQATSI, Reggio and Glass’ first collaboration, POWAQQATSI, examines life on our planet, focusing on the negative transformation of land-based, human- scale societies into technologically driven, urban clones. -
The Postmodern Aspects Reflected in the Qatsi Trilogy
THE POSTMODERN ASPECTS REFLECTED IN THE QATSI TRILOGY by PETER-WAYNE VIVIER Submitted in partial fulfillment for the degree MAGISTER TECHNOLOGIAE: FINE ARTS in the Department of Fine & Applied Arts FACULTY OF THE ARTS TSHWANE UNIVERSITY OF TECHNOLOGY Supervisor: Prof I Stevens Co-supervisor: Ms R Kruger Table of contents Chapter 1: Introduction................................................................................................. 3 1.1 Postmodernism.................................................................................................... 3 1.2 Godfrey Reggio and the Qatsi trilogy................................................................. 7 1.3 Research aims ..................................................................................................... 9 1.4 Research methods ............................................................................................... 9 1.5 Summary of chapters ........................................................................................ 10 Chapter 2: Postmodernism.......................................................................................... 11 2.1 Etymology......................................................................................................... 11 2.2 Definition.......................................................................................................... 13 2.3 From grand narratives to pluralism................................................................... 18 2.4 Production of meaning and reality................................................................... -
MUSICAL and DRAMATIC FUNCTIONS of LOOPS and LOOP BREAKERS in PHILIP GLASS's OPERA the VOYAGE Chia-Ying Wu Dissertation Prepar
MUSICAL AND DRAMATIC FUNCTIONS OF LOOPS AND LOOP BREAKERS IN PHILIP GLASS’S OPERA THE VOYAGE Chia-Ying Wu Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS May 2016 APPROVED: David Bard-Schwarz, Major Professor Hendrik Schulze, Related Field Professor Stephen Slottow, Committee Member Frank Heidlberger, Chair of the Division of Music History, Theory, and Ethnomusicology Warren Henry, Interim Dean of the College of Music Costas Tsatsoulis, Dean of the Toulouse Graduate School Copyright 2016 by Chia-Ying Wu ii ACKNOWLEDGEMENTS Continuous support from faculty members and students of Music History, Theory and Musicology Division at the University of North Texas, and my family make the production of this dissertation possible. I wish to express my deepest appreciation to my major professor, Dr. David Schwarz, for guiding me through doctoral coursework, qualifying exams, dissertation proposal, and this dissertation; and also to my related field professor, Dr. Hendrik Schulze, who provides me insights into the field of opera. I appreciate the help from dissertation committee member Dr. Stephen Slottow for shaping this research from an idea to a dissertation; and also the help from Dr. Margaret Notley for the early development of this dissertation. I thank Jay Smith, a PhD student in music theory, for sharing his paper presented at the 2015 Texas Society for Music Theory conference. Finally, I would like to give special thanks to my father professor Chung-Yu (Peter) Wu at the National Chiao-Tung University in Taiwan, my mother Chao-Ling Wu Tseng, my younger sister Ying-Hsuen Wu, and relatives for their encouragement. -
Walpole Public Library DVD List A
Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair, -
PGE Retro: Philip Glass Ensemble (1969–1983)
FESTSPILLENEFESTSPILLENE I BERGEN PROGRAM1 2016 I BERGEN KR 20 GRIEGHALLEN PEER GYNT–SALEN FREDAG 27. MAI KL 21:00 PGE Retro: Philip Glass Ensemble (1969–1983) BERGEN 25. MAI — 08. JUNI INTERNATIONAL 2016 FESTIVAL WWW.FIB.NO 1 2 FESTSPILLENE I BERGEN FESTSPILLENE I BERGEN 3 2016 2016 PGE Retro: Philip Glass Ensemble (1969–1983) GRIEGHALLEN PEER GYNT-SALEN Fredag 27. mai kl 21:00 Friday 27 May at 21:00 Varighet: 2 t 25 min inkludert pause Duration: 2 h 25 min including interval Philip Glass komponist, keyboard composer, keyboard Michael Riesman dirigent, keyboard music director, keyboard Lisa Bielawa keyboard, vokal keyboard, voice All kultur er Dan Bora live lydmix live sound mix Peter Hess sopran-, alt- og tenorsaksofon soprano, smal for noen alto and tenor saxophone Jon Gibson fløyte, sopransaksofon flute, soprano Man kan tvile på om Norge er et saxophone Ryan Kelly lyd audio engineer kulturland, men det er sabla mye Eleonor Sandresky keyboard keyboards kultur her. Derfor velger vi vekk Andrew Sterman fløyte, piccolo, bassklarinett flute, nesten alt. Vi skriver om det vi har piccolo, bass clarinet lyst til å diskutere videre etter møtet, Yousif Sheronick, Frank Cassara gjestemusikere, perkusjon guest musicians, percussion etter lunsj og etter kontortid. Fordi Pomegranate Arts, Inc. produksjonsledelse nysgjerrighet smitter, og enighet er production management skrinn jord for nye tanker. Vi kan ikke Linda Brumbach produsent producer love at alle finner sine favoritter hver uke – men vi gjør vårt beste for at Sponset av Sponsored by Morgenbladet alle skal finne noe de er uenig i. Espen Hauglid, kulturredaktør En ukeavis om politikk, kultur og forskning 2 WWW.FIB.NO WWW.FIB.NO 3 4 FESTSPILLENE I BERGEN FESTSPILLENE I BERGEN 5 2016 2016 PHILIP GLASS (1937–) Parts 1 and 2 Fra From CIVIL warS – Cologne section (1984) MUSIC IN 12 PARTS (1971-1974) CIVIL warS #2 Music in 12 Parts ble påbegynt i mai 1971 og ferdigstilt i april 1974. -
2016 LOTTE LENYA COMPETITION FINALS Daytime Round Kilbourn Hall, Eastman School of Music Saturday, 16 April 2016, 11:00 Am About the Lotte Lenya Competition
1st Prize Winners, 2013-2015. Clockwise from top left: Ben Edquist, 2014; Lauren Michelle, 2015; Doug Carpenter, 2013. 2016 LOTTE LENYA COMPETITION FINALS Daytime Round Kilbourn Hall, Eastman School of Music Saturday, 16 April 2016, 11:00 am About the Lotte Lenya Competition In 1998, to celebrate the centenary of the birth of Lotte Lenya (1898-1981), an extraordinary singer/actress and one of the foremost interpreters of the music of her husband, Kurt Weill, the Board of Trustees of the Kurt Weill Foundation for Music approved President Kim Kowalke’s proposal to establish an annual Lotte Lenya Competition. The Lotte Lenya Competition recognizes talented young singer/actors ages 19-32 who are dramatically and musically convincing in wide-ranging modes of theater repertoire, from opera/operetta to contemporary Broadway musicals, with a focus on the works of Kurt Weill. More than a vocal competition, the Lenya Competition emphasizes idiomatic performance and the acting of songs within a dramatic context. Competition guidelines for 2016 require each contestant to prepare four selections: one theatrical selection by Kurt Weill; two songs from the American musical theater repertoire (one from the pre-1968 “Golden Age” and one from 1968 or later); and one aria from the operatic or operetta repertoire. The Weill selections and the opera/ operetta aria must be sung in their original theatrical versions and languages (with the exception of authorized English translations of The Threepenny Opera and Happy End). For the preliminary round, 224 contestants from eleven countries auditioned by submitting a video of their four repertoire selections. In mid-March, thirty-one semi- finalists then auditioned live in New York for adjudicator/coaches Jeanine Tesori and Victoria Clark. -
Space and Defense Issue
33SPAC E and DEFENSE Volume Eleven Number One Spring 2019 China’s Military Space Strategy Sam Rouleau Volume Five Number One Communicating Cyber Consequences Sum Timothy Goines mer 2011 Why Brazil Ventured a Nuclear Program Saint-Clair Lima da Silva Arms Control & Deterrence Coalitions in Space:Damon Coletta Where Networks are CadetPower Voice—Curious Trinity: War, Media, Public Opinion byLaura James Olson Clay Moltz The 2010 National Space Policy: Down to Earth? by Joan Johnson-Freese Space & Defense Journal of the United States Air Force Academy Eisenhower Center for Space and Defense Studies Publisher Col. Kris Bauman, [email protected] Director, Eisenhower Center for Space and Defense Studies Editors Dr. Damon Coletta Dr. Michelle Black U.S. Air Force Academy, USA University of Nebraska, Omaha Associate Editors Mr. Deron Jackson Dr. Peter Hays U.S. Air Force Academy, USA George Washington University, USA Dr. Schuyler Foerster Ms. Jonty Kasku-Jackson U.S. Air Force Academy, USA National Security Space Institute, USA Thank You to Our Reviewers Andrew Aldrin Christopher Dunlap United Launch Alliance, USA Naval Postgraduate School, USA James Armor Paul Eckart ATK, USA Boeing, USA William Barry Andrew Erickson NASA Headquarters, USA Naval War College, USA Daniel Blinder Joanne Gabrynowicz UNSAM-CONICET, Argentina University of Mississippi, USA Robert Callahan Jason Healey NORAD-NORTHCOM, USA Atlantic Council, USA James Cameron Stephen Herzog Fundação Getúlio Vargas, Brazil Yale University, USA Robert Carriedo Theresa Hitchens U.S. -
Fall 2021 Catalog Download
Fall 2021 Contents New Titles 5 Collector’s Editions 29 Toiletpaper 51 Backlist 57 Photography 58 Contemporary Art 70 Fashion & Lifestyle 72 Architecture & Design 74 Antiques & Collectibles 74 Distributors 76 Contacts & Press Office 78 New Titles 6 Photography Mike Mandel Zone Eleven Photographs by Ansel Adams Zone Eleven is a reference to Ansel Adams’ Zone System, a method to control exposure of the negative in order to obtain a full range of tonality in the photographic print from the deepest black of Zone 0 to the brightest highlight in Zone 10. Zone Eleven is a metaphor coined by artist Mike Mandel in his challenge to create a book of Adams’ photographs outside of the bounds of his personal work. Many of these photographs were found in the archives of his commercial and editorial assignments, and from his experimentation with the new Polaroid material of the times. For this book, Mandel has unearthed images that are unexpected for Adams, and created a new context of facing Text by Erin O'Toole page relationships, and sequence. Zone Eleven is the product 28 x 23 cm | 11 x 9 inches of Mike Mandel’s research of over 50,000 Adams images 112 pages, 83 b&w, hardbound located within four different archives to present a body of ISBN 978-88-6208-748-3 Fall 2021 Adams’ work that was unknown until now. $55 | €50 | £45 Mike Mandel is well known for his collaboration with Larry Sultan in the 1970s - 1990s. They published 'Evidence' in 1977, a collection of 59 photographs chosen from more than two million images that the artists viewed at the archives of government agencies and tech-oriented corporations. -
A CHARGED EMBRACE Program Notes Bruce
A CHARGED EMBRACE Program Notes The Harpsichord Resuscitated Bach was so completely out of fashion when he died William Kraft: Quillery for harpsichord (2013) that it wasn’t until a teenaged Felix Mendelsohn re- Gloria Cheng, harpsichord discovered the Saint Matthew Passion through the activities of his aunt, Sarah Levy, an influential sing- Bruce Broughton: Sonata for Cello & Piano (2012) er in Berlin’s most important choral society. She was Andrew Shulman, cello; Robert Thies, piano also a harpsichordist trained by Bach’s eldest son, Veronika Krausas: Sillages for 4 double basses (2013) Wilhelm Friedemann. After a century of neglect and Nico Abondolo, Steve Dress, Christian Kollgaard & Denis five years of editorial and preparational effort, the Trembly, double basses twenty-year-old Mendelsohn conducted the redis- covered work in 1829 with a vast and historically Broughton: Concerto for Cello & Ten Instruments (2015) incorrect chorus nearing 400. According to con- Andrew Shulman, cello; Sara Andon, flute; Keve Wilson, oboe; temporary accounts, the German King and his Eric Jacobs, clarinet; Anthony Parnther, bassoon; Daniel Rosen- boom, trumpet; Allen Fogle, horn; Noah Gladstone, bass trom- entire court attended, and a thousand people were bone; Aron Kallay, piano; Sidney Hopson, percussion; Thomas turned away. That night the direction of music his- Harte, double bass; conducted by Benjamin Wallfisch tory changed: the floodgates opened to the past. In 1924, when Man Ray painted “f” holes on a nude In 1850, the Bach Society (Gesellschaft) was founded photograph of his inamorata Kiki de Montparnasse, to publish all of his known works. That enterprise who was posed to resemble a stringed instrument, was finally completed in 1900.