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GSA* E/I Green Hornet GSA* E/I Leave It to Beaver GSA* E/I

EFFECTIVE 5/26/2014 ALL TIMES EASTERN / PACIFIC MONDAY - FRIDAY SATURDAY SUNDAY 5:00a Wanted: Dead or Alive He-Man & The Masters of the Universe 5:00a 12 O'Clock High 5:30a Make Room for Daddy Dobie Gillis 5:30a 6:00a Petticoat Junction Family Affair 6:00a Combat! 6:30a The Beverly Hillbillies Family Affair 6:30a 7:00a The Donna Reed Show H.R. Pufnstuf Leave It to Beaver 7:00a 7:30a I Love Lucy Land of the Lost Leave It to Beaver 7:30a 8:00a Leave It to Beaver GSA* E/I Green Hornet GSA* E/I Leave It to Beaver 8:00a 8:30a Leave It to Beaver GSA* E/I Guns of Will Sonnett GSA* E/I Leave It to Beaver 8:30a 9:00a Travel Thru History E/I Guns of Will Sonnett Travel Thru History E/I Petticoat Junction 9:00a Daniel Boone 9:30a Mystery Hunters E/I Branded Mystery Hunters E/I Petticoat Junction 9:30a 10:00a Safari E/I Branded Safari E/I Beverly Hillbillies 10:00a The Love Boat 10:30a Edgemont E/I The Rebel Edgemont E/I Beverly Hillbillies 10:30a 11:00a The Rebel Gilligan's Island 11:00a The Mod Squad 11:30a Gilligan's Island 11:30a 12:00p Wagon Train 12:00p The Rockford Files 12:30p 12:30p The Brady Bunch Brunch 1:00p 1:00p Gunsmoke Gunsmoke 1:30p 1:30p 2:00p 2:00p Bonanza Bonanza The Love Boat 2:30p 2:30p 3:00p 3:00p The Big Valley Rawhide Remington Steele 3:30p 3:30p 4:00p Adam-12 Wanted: Dead or Alive 4:00p The Streets of San Francisco 4:30p Adam-12 Wanted: Dead or Alive 4:30p 5:00p The Rifleman 5:00p Emergency! Cannon 5:30p The Rifleman 5:30p 6:00p The Rifleman Adam-12 6:00p The Rockford Files 6:30p The Rifleman Adam-12 6:30p 7:00p M*A*S*H Batman 7:00p Kojak 7:30p M*A*S*H Batman 7:30p 8:00p Gilligan's Island 8:00p Wonder Woman 8:30p Happy Days Columbo 8:30p 9:00p Hogan's Heroes 9:00p Star Trek: Original 9:30p Welcome Back, Kotter M*A*S*H 9:30p 10:00p 10:00p See Breakout Below Thriller 10:30p Svengoolie 10:30p 11:00p The Twilight Zone Classic Horror & Sci-Fi Movie 11:00p The Alfred Hitchcock Hour 11:30p 11:30p Perry Mason 12:00a 12:00a Lost in Space The Fugitive 12:30a Dragnet 12:30a 1:00a Adam-12 Get Smart 1:00a Naked City 1:30a Night Gallery Get Smart 1:30a 2:00a The Honeymooners Peter Gunn 2:00a The Alfred Hitchcock Hour 2:30a The Honeymooners Mr. Lucky 2:30a 3:00a Car 54, Where Are You? 3:00a Thriller Route 66 3:30a Car 54, Where Are You? 3:30a 4:00a The Phil Silvers Show 4:00a Wagon Train The Saint 4:30a The Phil Silvers Show 4:30a MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY 10:00p Summertime Comedy Get Smart The Honeymooners F Troop Bosom Buddies The Odd Couple 10:00p Conundrum Breakout 10:30P Get Smart The Honeymooners F Troop Bosom Buddies The Odd Couple 10:30P LOCAL STATION SCHEDULES MAY VARY BY CITY SUBJECT TO CHANGE (E/I) = EDUCATIONAL/INFORMATIONAL - * Green Screen Adventures COLOR INDICATES CHANGE TO SCHEDULE.

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The Beverly Hillbillies: a Comedy in Three Acts; 9780871294111; 1968; Dramatic Publishing, 1968
Paul Henning; The Beverly Hillbillies: A Comedy in Three Acts; 9780871294111; 1968; Dramatic Publishing, 1968 The Beverly Hillbillies is an American situation comedy originally broadcast for nine seasons on CBS from 1962 to 1971, starring Buddy Ebsen, Irene Ryan, Donna Douglas, and Max Baer, Jr. The series is about a poor backwoods family transplanted to Beverly Hills, California, after striking oil on their land. A Filmways production created by writer Paul Henning, it is the first in a genre of "fish out of water" themed television shows, and was followed by other Henning-inspired country-cousin series on CBS. In 1963, Henning introduced Petticoat Junction, and in 1965 he reversed the rags The Beverly Hillbillies - Season 3 : A nouveau riche hillbilly family moves to Beverly Hills and shakes up the privileged society with their hayseed ways.Â The Beverly Hillbillies - Season 3 English Sub | Fmovies. Loading Turn off light Report. Loading ads You can also control the player by using these shortcuts Enter/Space M 0-9 F. Scroll down and click to choose episode/server you want to watch. - We apologize to all users; due to technical issues, several links on the website are not working at the moments, and re - work at some hours late. Watch The Beverly Hillbillies 3 Online. the beverly hillbillies 3 full movie with English subtitle. Stars: Buddy Ebsen, Donna Douglas, Raymond Bailey, Irene Ryan, Max Baer Jr, Nancy Kulp.Â "The Beverly Hillbillies" is a classic American comedy series that originally aired for nine seasons from 1962 to 1971 and was the first television series to feature a "fish out of water" genre.
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Newsletter Summer 2017
Newsletter-SUMMER 2017 Since the mid-1980's this organization has been dedicated to honoring Rod Serling—one of the most talented and prolific writers in American television. This newsletter highlights RSMF activities, as well as the continuing interest in Rod Serling in the press... on bookshelves... DVDs and the internet. THE TWILIGHT ZONE COMES HOME On July 15, 2017, nearly two hundred Rod Serling fans attended “The Twilight Zone Comes Home” at the Forum Theatre in Serling’s hometown of Binghamton, New York. Fans traveled from across the country and even from Canada for a full-day celebration of Serling’s love for his hometown. Hosted by the Rod Serling Memorial Foundation, the event featured readings by Rod’s daughters, Anne and Jodi, a screening of the documentary, The Carousel (winner of the 2017 Rod Serling award), a performance of the one-act play Everything I Need to Know I Learned in the Twilight Zone, a panel discussion and Q&A session with the country’s foremost Serling scholars (our very own Board members Tony Albarella, Amy Boyle Johnston, Brian Frey, and Nicholas Parisi, as well as author Mark Dawidziak), and ended with three classic Twilight Zone episodes shown on the big screen: The Monsters Are Due on Maple Street, Time Enough at Last, and Walking Distance (courtesy of CBS, Inc.) Proceeds from the event, which will almost certainly be the first of many such events, will support the Foundation’s continuing efforts to promote and preserve Rod Serling’s legacy. Thank you to all that attended! by Nick Parisi “Twilight Zone Comes Home” July 15, 2017 Forum Theater Binghamton, NY PHOTOS BY: RSMF Board member KATE MURRAY Night Gallery will forever be remembered as Rod Serling’s “other” sci-fi/fantasy/horror series, and a perennial distant cousin to The Twilight Zone.
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Enter the Zone...THE TWILIGHT ZONE West Endicott Park Ross Park (Closed for Summer 2020) Recreation Park Highland Park George W
Enter the zone...THE TWILIGHT ZONE West Endicott Park West Park Ross Recreation Park Highland Park Johnson Park George W. CF Johnson Park “Everyone has to have a hometown... (Closed for Summer 2020) Binghamton’s Mine” -Rod Serling Rod Serling (1924-1975) Enter the SERLING zone (Limited Hours for Summer 2020) Binghamton Native, Writer, Producer, Teacher Rod Serling (1924-1975) graduated from Known primarily for his role as the host of Binghamton Central HS, Class of 1943. Now television’s The Twilight Zone, Rod Serling known as Binghamton High School, it is the had one of the most exceptional and varied home of the Rod Serling School of Fine Arts. careers in television. As a writer, a producer, Visit the plaque dedicated to Serling on the and for many years a teacher, Serling constantly front lawn, see the door casing where he signed challenged the medium of television to reach for his name in 1943 while working backstage, visit loftier artistic goals. the Helen Foley Theatre named after Rod’s drama After a brief career in radio, Serling entered television in 1951, penning teacher and mentor and where he was commencement speaker in 1968, scripts for several programs including Hallmark Hall of Fame and leaf through his high school yearbook at the library, or just stroll through Playhouse 90, at a time when the medium was referred to as “The the halls that Rod passed through each school day. Appointments are Golden Age.” suggested. Please contact Lawrence Kassan, Coordinator of Special Events In 1955, Kraft Television Theatre presented Serling’s teleplay Patterns and Theatre for the Binghamton City School District at (607) 762-8202.
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The Twilight Zone: Landmark Television Derek Kompare
The Twilight Zone: Landmark Television Derek Kompare From the original edition of How to Watch Television published in 2013 by New York University Press Edited by Ethan Thompson and Jason Mittell Accessed at nyupress.org/9781479898817 This work is licensed under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International License (CC BY-NC-ND). 32 The Twilight Zone Landmark Television Derek Kompare Abstract: Few programs in television history are as iconic as Te Twilight Zone, which lingers in cultural memory as one of the medium’s most distinctive aesthetic and cultural peaks. Derek Kompare examines the show’s signature style and voice of its emblematic creator Rod Serling, exploring how the program’s legacy lives on today across genres and eras. As with any other art form, television history is in large part an assemblage of exemplary works. Industrial practices, cultural infuences, and social contexts are certainly primary points of media histories, but these factors are most ofen recognized and analyzed in the form of individual texts: moments when par- ticular forces temporarily converge in unique combinations, which subsequently function as historical milestones. Regardless of a perceived historical trajectory towards or away from “progress,” certain programs have come to represent the confuence of key variables at particular moments: I Love Lucy (CBS, 1951–1957) revolutionized sitcom production; Monday Night Football (ABC, 1970–2005; ESPN, 2005–present) supercharged the symbiotic relationship of sports and tele- vision; Hill Street Blues (NBC, 1981–1987) introduced the “quality” serial drama to primetime. Te Twilight Zone (CBS, 1959–1964) is an anomalous case, simultaneously one of the most important and least representative of such milestones.
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Crossroads Film and Television Program List This resource list will help expand your programmatic options for the Crossroads exhibition. Work with your local library, schools, and daycare centers to introduce age-appropriate books that focus on themes featured in the exhibition. Help libraries and bookstores to host book clubs, discussion programs or other learning opportunities, or develop a display with books on the subject. This list is not exhaustive or even all encompassing – it will simply get you started. Rural themes appeared in feature-length films from the beginning of silent movies. The subject matter appealed to audiences, many of whom had relatives or direct experience with life in rural America. Historian Hal Barron explores rural melodrama in “Rural America on the Silent Screen,” Agricultural History 80 (Fall 2006), pp. 383-410. Over the decades, film and television series dramatized, romanticized, sensationalized, and even trivialized rural life, landscapes and experiences. Audiences remained loyal, tuning in to series syndicated on non-network channels. Rural themes still appear in films and series, and treatments of the subject matter range from realistic to sensational. FEATURE LENGTH FILMS The following films are listed alphabetically and by Crossroads exhibit theme. Each film can be a basis for discussions of topics relevant to your state or community. Selected films are those that critics found compelling and that remain accessible. Identity Bridges of Madison County (1995) In rural Iowa in 1965, Italian war-bride Francesca Johnson begins to question her future when National Geographic photographer Robert Kincaid pulls into her farm while her husband and children are away at the state fair, asking for directions to Roseman Bridge.
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Highway Patrol the Facts of Life Hogan's Heroes the Twilight Zone the Jeffersons Carol Burnett and Friends M*A*S*H Svengoolie Cl
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Psychos' Haunting Memories: A(N) (Un)Common Literary
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repositório Científico da Universidade de Évora Sanglap Vol. 1 No. 1 Psycho’s Haunting Memories Psychos’ Haunting Memories: A(n) (Un)common Literary Heritage Maria Antónia Lima // University of Évora Sanglap: Journal of Literary and Cultural Inquiry Issue: Terror and the Literary, Vol. I No. I Editors: Arka Chattopadhyay and Sourit Bhattacharya Email: [email protected] Link: http://sanglap-journal.in/ 0 Maria Antónia Lima Sanglap Vol. 1 No. 1 Psycho’s Haunting Memories Psychos’ Haunting Memories: A(n) (Un)common Literary Heritage In his homage to Edgar Allan Poe, Lou Reed attached a text to the album entitled Raven (2003), where he says: “Edgar Allan Poe is that most classical of American writers – a writer more peculiarly attuned to our new century’s heartbeat than he ever was to his own. Obsessions, paranoia, wilful acts of self-destruction surround us constantly. Though we age we still hear the cries of those for whom the attraction to mournful chaos is monumental.” Because of this common contemporary feeling, our age can be called, what Teresa Brennan has termed “the age of paranoia” (Brennan 20). Everything we experience seems to belong to a global world of technological information that gives us access to instantaneous “contact”, giving also the feeling that we live in a reality that does not exist, or only exists in our minds as a kind of imaginary construct, leading to what Freud called a fixation in a narcissistic state of being.
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Metv Nat Sch 1Q14 Eff 12-28-13
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Newsletter-SPRING 2019
Newsletter-SPRING 2019 Since the mid-1980's this organization has been dedicated to honoring Rod Serling—one of the most talented and pro- lific writers in American television. This newsletter highlights RSMF activities, as well as the continuing interest in Rod Serling in the press... on bookshelves... DVDs and the internet. SERLING FEST ! Following two successful public events in 2017 & 2018 — the RSMF is planning another MAJOR celebration in October 2019! SERLING FEST 2018 Attendees in Binghamton, NY (July 5-7) experienced everything ROD SER- LING... from a “Rod Serling Day” Press Conference... Presentations by guest experts on Serling and his work... big- screen presentations (PLANET OF THE APES and TWILIGHT ZONE: THE MOV- IE)... a live radio production of “The Time Element”... guest authors & book signings... a reading by Anne Serling... a Rod Serling Trivia Challenge Game... Raffle Prizes... The Twilight Zone Es- cape Room, and MUCH more. Check out the gallery of PHOTOS on page 7 of this Newsletter! INSIDE THIS ISSUE: Narrate Your Own Twilight Zone................. 2 RSMF Member’s New Serling Book.......... 2 Serling’s First Rejection Letter................... 4 Rod Serling Film Festival............................. 4 From the RSMF ARCHIVES.......................... 4 2018 Rod Serling Award............................... 5 Dimension of Re-imagination...................... 6 Live Radio Performance-2018 Fest............. 7 RSMF Profile: VP Kate Murray..................... 8 Narrate Your Own Twilight Zone: Behind the Scenes By Steve Schlich You’ve probably heard the phrase “Ten year overnight success”—meaning something good that seems to come out of nowhere, but in fact was years in the making. The Narrate Your Own Twilight Zone contest is that.
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CBS, Rural Sitcoms, and the Image of the South, 1957-1971 Sara K
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971 Sara K. Eskridge Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Eskridge, Sara K., "Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971" (2013). LSU Doctoral Dissertations. 3154. https://digitalcommons.lsu.edu/gradschool_dissertations/3154 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. RUBE TUBE: CBS, RURAL SITCOMS, AND THE IMAGE OF THE SOUTH, 1957-1971 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Sara K. Eskridge B.A., Mary Washington College, 2003 M.A., Virginia Commonwealth University, 2006 May 2013 Acknowledgements Many thanks to all of those who helped me envision, research, and complete this project. First of all, a thank you to the Middleton Library at Louisiana State University, where I found most of the secondary source materials for this dissertation, as well as some of the primary sources. I especially thank Joseph Nicholson, the LSU history subject librarian, who helped me with a number of specific inquiries.
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Not for Publication ,Dimensions of Violence In
NOT FOR PUBLICATION ------------ ,DIMENSIONS OF VIOLENCE IN TELEVISION DRAMA A study of network programs transmitted October 1 through 7 in 1967 and 1968; conducted in October and November, 1968 for the ~ass Media Task' Force National Commission en the Causes and Prevention of Violence PROJECT STAFF Principal investigator: George --~rbner, Professor of Communications. Associate inves tigators: Marten Brouwer, Vis iting Professor of Communications.' Consultant on data processing, and supervisor of study of role re1a- .. tionships in violent encounters. Cedric C. Clark, Postdoctoral FeUo,,' in Corrrrnunications.. Supervisor of data processing. Special study of values and ethnic relationships in violence (not available for this report). Jay Haley, Director of Family Research, Child Guidance Clinic, Philadelphia. Special study of family relationships in the portrayal of violence (not avaUab1e for this report). Klaus Krippendorff, Assistant Professor of Communications. Supervisor of general methodology and computer programming. Special study of violent acts. ' Administrative Assistant and Staff Supervisor: Michael F. E1eey Technical Director: Vernon J. Wattenberger, Director of Facilities and Engineering Assistants: Barry Hampe, Supervisor of Film Laboratory Services John Massi, Supervisor of Broadcasting Laboratory Services CONTENTS PREVIEW 1 The task 1 Challenge and difficulties 1 Accomplishments 2 A 'bird's-eye view of the results 3 The extent of violence 4 The nature of violence 5 The people of violence 6 The world of violence 7 METHOD OF ANALYSIS 9 Selection of the television programs 10 Units of analysis and types of data generated 15 The recording of data 18 Reliability 19 Training of observers 20 Process of recording 21 Results 22 Analysis 24 Merging of categories 24 Effects of reliability 26 Effects of unitizing and conditional judgments 27 DIMENSIONS OF VIOLENCE 30 The extent of violence 32 Prevalence 33 Significance to the story 34.
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