Hifi-Stereo-Review-1987-11.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Hifi-Stereo-Review-1987-11.Pdf 5 27276 1IOTO-S**w********136.:Ast E220V 0T60A0062H38* 26trOit. HOS T600068 fTb2. osNer 614 a'Aea S NdNtiHD1113 lld*TT 006S 10113A 000M la /01111111 311IASIM01 AN eatact, ogki ,,,' __,- - -- - . / r, CHANGER CD PIONEER RECEIVER, NAD SPEAKERS, POLK TUNER, KARDON HARMAN TESTED: VEGA SUZANNE COMPOSERS OF CALENDAR TUNER A BUY TO HOW SEPARATES NEW THE Review$2.25 1987 NOVEMBER Stereo "Polk Builds State -of -the -ArtComponents:' Consistently Superior Technology Results in Dramatically Better Sounding Loudspeakers for You. IIIIatthew Polk's genius is multifaceted. Poll8 Exclusive Silver Coil In addition to breakthroughs like SDA technology which totally revo- Dome 7iveeter Technology lutionized the whole concept of stereo- This state-of-the-art transducer is the only phonic reproduction, it is also responsible tweeter in the world which utilizes a voice coil for the advanced and exclusive component wound with costly silver coated wire formore technology present in every Polk loud- extended frequency response. The extremely speaker which results in unequalled high light polyamide dome allows exeptionally definition musical sound quality. quick transient response while the inherently well damped material eliminates annoying High Definition Reproduction resonances. The small diameter diaphragm Polk loudspeakers are true high definition assures wide dispersion of high frequencies systems which reproduce sonic images with throughout your listening room. In addition, life -like clarity and detail, much like a high the huge magnet structure combined with the resolution camera captures a visual image low mass moving system results in vanishingly Tweeter voice coils are centered with exacting precision by a with all the subtle detail and focus intact. sophisticated machine designed and built by Polk Audio eng,neers low distortion, superb wave form accuracy When you listen to a pair of Polks, notice how and high efficiency. A specially contoured response. Additionally, they don't deteriorate non -resonant faceplate improves dispersion, you can hear each and every individual instru- over time as do foam surrounds. They incor- ment clearly and distinctly, even when there lowers diffraction and helps eliminatereso- porate high -temperature aluminum voice coilsnant distortion. are many instruments playing at the same which allow high power operation without time. This high resolution capability is in large burnout. Optimized Flux Density magnet struc- part due to the consistently excellent transient Polk Fluid Coupled tures are used for perfectly balanced opera- Subwoofers response of all the drivers as well as the tion assuring clearer, more highly defined, Most Polk home speakers utilize a fluid seamless blending achieved by the Isophase more musical sonic performance. - Crossover systems. coupled subwoofer system for tight, quick, The Polk Isophase Crossover deep, powerful and room -filling bassresponse. Polks Exclusive fl-ilaminate This system realizes the performance advan- The crossover network is the most impor- tages of both large and small diameter woofers Polymer Driver Technology tant component in a high quality loudspeaker at the same time. Small diameter woofers have These superb drivers are specifically engi- system. It is responsible for properly blending neered to cover the entire fundamental musi- the sound of the individual drivers together faster transient response, better midrange and dispersion. Large diameter bass drivers couple cal range with life -like clarity and minimal into the homogeneous sounds of individual better to your room and produce more bass. coloration. PQIk's exclusive trilaminate (3 instruments and voices. The crossover acts like The Polk Fluid Coupled Subwoofer System layer) polymer cone technology is responsiblethe "musical conductor" of the loudspeaker, excels in all these areas. It utilizes the low for a purity and naturalness of reproduction telling each driver just when to come in and frequency energy produced within the en- unapproachable by conventional drivers exactly how loud to play. The elaborate Polk closure by the small bass/midrange driver to which utilize paper, or simply vacuum formed Isophase Crossover Systems utilize huge cop- plastic cones. Polk's unique trilaminate poly- per coils and precision capacitors and resis- hydraulically energize the large diameter low resonance subwoofer below approximately 60 mer cone is made of three complimentary tors to assure the lowest possible harmonic, Hz. The result is remarkably clear, well-defined materials, each of which has unique perform- IM, and transient distortion with complex high low frequency reproduction, exhibiting excep- ance advantages all its own. One material is level musical signals. Close tolerance, ex- tional upper bass detail which extends very light and structurally strong, one is very tremely costly mylar and silver mica capacitors smoothly and seamlessly down through the stiff with a high speed of sonic wave trans- are used in many models to achieve even sub -bass and cleanly up into the midrange. mission, and one very effectively removes higher sonic definition. In addition, driver sonic colorations by efficiently damping the equalization is optimized by the sophisticated cone structure. The exceptional performance and complex circuitry, while isophase (phase gained when all three are combined together coherent) operation is maintained by careful could never be equalled by a simple one layercontrol of the various phase relationships in cone of any single material. Polk drivers utilizethe system. Many loudspeaker manufacturers costly butyl rubber surrounds for more accu- polk skimp on this critically important component rate cone movement and deeper. better bass because it is usually hidden from sight, but The Speaker Specialists Polk builds crossovers correctly so that our S601 Metro Drive, Baltimore. Md. 21210 speakers will sound better for you. Where to buy Polk Speakers? For your nearest dealer, see page 210. CIRCLE NO37 ON READER SERVICE CARD Polk Audio's dedication to quality is apparent in every &stain of design, constructionirand performance. "Matthew Polk Hasa Passion for Perfection!" Experience the Awesome Sonic Superiority of His New Signature Edition SDA 1C and SDA 2B. The genius of Matthew Polk has now signal (and speaker) meant to he heard by "Mindboggling, astounding, brought the designer styling, ad- both ears at once. However, the fundamental flabbergasting" MOFidelity Magazine vanced technology and superb sonic and basic concept of stereo is that a much Words alone cannot fully describe how performance of his award winning SDA more lifelike three-dimensional sound is much more lifelike SDA TRUE STEREO repro- Signature Reference Systems into the new achieved by having 2 different signals, each duction is. Reviewers, critical listeners and Signature Edition SDA 1C and SDA 2B. played back through a separate speaker and novices alike are overwhelmed by the magni- each meant to be heard by only one ear apiece tude of the sonic improvement achieved by "They truly represent a (L or R). So quite simply, a mono loudspeaker Polk's TRUE STEREO technology. You will hear breakthrough."Rolling Stone Magazineis designed to be heard by two ears at once a hugh sound stage which extends not only while true stereo loudspeakers should each Polk's critically acclaimed, 5 time Audio - beyond the speakers, but beyond the walls be heard by only one ear apiece (like head- Video Grand Prix Award winning SDA tech- of your listening room itself The lifelike phones). The revolutionary Polk SDAs are the nology is the most important fundamental ambience revealed by the SDAs makes it sound first TRUE STEREO speakers engineered to advance in loudspeaker technology since as though you have been transported to the accomplish this and fully realize the aston- stereo itself Listeners are amazed when they acoustic environment of the original sonic ishingly lifelike three-dimensional imaging ca- hear the huge, lifelike, three-dimensional event. Every instrument, vocalist and sound pabilities of the stereophonic sound medium. sonic image produced by Polk's SDA speakers. becomes tangible, distinct, alive and firmly The nation's top audio experts agree that Polk placed in its own natural spatial position. You SDA loudspeakers always sound better than "A stunning achievement" Australian Hi Piwill hear instruments, ambience and subtle conventional loudspeakers. Stereo Review Polk SDA Technology solves one of the musical nuances (normally masked by con- said, "Spectacular... the result is always better ventional speakers), revealed for your enjoy- than would be achieved by conventional greatest problems in stereo reproduction. When each ear hears both speakers and ment by the SDAs. This benefit is accurately speakers." High Fidelity said, "Astounding described by Julian Hirsch in Stereo Review, ...We have yet to hear any stereo program that signals, as occurs when you use conventional (Mono) speakers to listen in stereo, full stereo "...the sense of discovery experienced when doesn't benefit." Now all 5 SDAs incorporate playing an old favorite stereo record and many of the 3rd generation advances in SDA separation is lost. The undesirable signal reaching each ear from the "wrong" speaker hearing, quite literally, a new dimension in the technology pioneered in the Signature Edition sound is a most attractive bonus..." Records, SRS and SRS2 including full complement sub - is a form of acoustic distortion called inter- aural crosstalk, which confuses
Recommended publications
  • Fluctuations in the Energetic Properties of a Spark-Ignition Engine Model with Variability
    Entropy 2013, 15, 3277-3296; doi:10.3390/e15083367 OPEN ACCESS entropy ISSN 1099-4300 www.mdpi.com/journal/entropy Article Fluctuations in the Energetic Properties of a Spark-Ignition Engine Model with Variability Pedro L. Curto-Risso 1, Alejandro Medina 2, Antonio Calvo-Hernandez´ 3, Lev Guzman-Vargas´ 4;* and Fernando Angulo-Brown 5 1 Instituto de Ingenier´ıa Mecanica´ y Produccion´ Industrial, Universidad de la Republica,´ Montevideo 11300, Uruguay; E-Mail: pcurto@fing.edu.uy 2 Departamento de F´ısica Aplicada, Universidad de Salamanca, Salamanca 37008, Spain; E-Mail: [email protected] 3 Departamento de F´ısica Aplicada and IUFFYM, Universidad de Salamanca, Salamanca 37008, Spain; E-Mail: [email protected] 4 Unidad Profesional Interdisciplinaria en Ingenier´ıa y Tecnolog´ıas Avanzadas, Instituto Politecnico´ Nacional, Av. IPN 2580, L. Ticoman,´ Mexico D.F. 07340, Mexico 5 Departamento de F´ısica, Escuela Superior de F´ısica y Matematicas,´ Instituto Politecnico´ Nacional, Edif. No. 9 U.P. Zacatenco, Mexico D. F. 07738, Mexico; E-Mail: [email protected] * Author to whom correspondence should be addressed; E-Mail: [email protected]; Tel.: +52-55-57296000 ext. 56873; Fax: +52-55-57529318. Received: 8 June 2013; in revised form: 30 July 2013 / Accepted: 13 August 2013 / Published: 19 August 2013 Abstract: We study the energetic functions obtained in a simulated spark-ignited engine that incorporates cyclic variability through a quasi-dimensional combustion model. Our analyses are focused on the effects of the fuel-air equivalence ratio of the mixture simultaneously over the cycle-to-cycle fluctuations of heat release (QR) and the performance outputs, such as the power (P ) and the efficiency (η).
    [Show full text]
  • Admissions Recruiting Cut Outside East
    VOL. LXIX 29, ISSUE NO. 31 TRINITY COLLEGE, HARTFORD FRIDAY, FEBRUARY 19, 1971 Government Dept. Ends Comprehensives by Susannah Heschel The Political Science department voted Hendel said he was "very pleased" with Wednesday to abolish comprehensive the student participation in the department examinations for non-honors majors. The meetings. He said he was "impressed with department also voted to establish a the students themselves - they are sensible, departmental colloquium to be held twice a clear-headed, and quite effective in ex- semester. pressing their opinions and representing the The department also voted to prepare other majors. It gives us a point of view detailed descriptions of each political which we might not otherwise have." science course, including required reading, Wolf said he was enthusiastic about being required term papers or exams, method of on the committee. "Dr. Hendel makes sure instruction,-lecture or discussion- the students are involved in the decision- prerequisites, and limit on class size. The making process. With the new curriculum descriptions for next semester's courses, and changes in the field of political science, will be completed by preregistration. the department must work for reforms According to Samuel Hendel, chairman of within the major." the department, comprehensive exams will be required only for students seeking to graduate with honors. It may also be required, depending on the nature of the Scanty Funds program,, for students engaged in special programs, Hendel said. There will be two colloquia this semester Left-Wing MP for majors and faculty in the department. Cause WRTC Bernadette Devlin, Member of Parliament from Northern Ireland, addresses a crowd The first will be on "Civil Disobedience, 6 9 of over 1,000 at the University of Hartford.
    [Show full text]
  • Elsecar Conservation Area Appraisal Workshop Held: 19Th February 2008 at Milton Hall
    Elsecar Conservation Area Appraisal Version 1.1 1. Introduction Elsecar • Explanation of a Conservation Area, relevant guidance and why an appraisal has been undertaken 2. Location and Scope of Conservation Area • Landscape and surrounding setting • General character and plan form 3. Historical Context and Development • Origins and historical development of the area • Archaeology 4. Townscape Analysis • Current Uses/ Activities • Prominent buildings/ Landmarks • Open Space • Public Realm • Buildings that have a positive, neutral or negative effect on the character of the Conservation Area • Sites that have a positive, neutral or negative effect on the character of the Conservation Area • The character and contribution of Green spaces and their relative biodiversity value 5. Architectural Analysis • Local building materials • Vernacular styles • Key unlisted buildings/ types or groups of unlisted buildings and features • Listed buildings • Aesthetic Appeal of buildings and spaces • The relationship between buildings within the Conservation Area 6. The Character and Appearance of the Conservation Area • Summary of the current character and appearance of the area 7. Proposals for the Future Preservation and Enhancement of the Conservation Area • Policy background • Specific policy guidance for future development in the Conservation Area • Evaluation of proposals for future extension of the Conservation Area 1 Version 1.1 8. Glossary of Terms Elsecar Further Reading Appendices • Appendix A Listed Building Profiles • Appendix B Ancient Monuments profiles • Appendix C Report on Consultation Undertaken Contact Details 2 Version 1.1 1. Introduction Figure 1: The location of Elsecar in relation to surrounding settlements Elsecar 1.1. This document is an appraisal of the Conservation Area that covers the village of Elsecar around 6 miles to the south east of Barnsley.
    [Show full text]
  • 25 Actual Hits from the 80S That Mr. Moderator Liked
    25 Actual Hits From The 80s That Mr. Moderator Liked Even During Those Days When He Was "Too Cool for School": Song Artist Suggested by: 1.) Don't You Want Me Human League Mr. Moderator 2.) True Spandau Ballet Mr. Moderator 3.) Missing You John Waite Mr. Moderator 4.) Like a Virgin Madonna Mr. Moderator 5.) Temptation New Order Mr. Moderator 6.) What You Need INXS Mr. Moderator 7.) Tainted Love Soft Cell funoka 8.) I Melt with You Modern English Mr. Moderator 9.) Faith George Michael Mr. Moderator 10.) She Drives Me Crazy Fine Young Cannibals Mr. Moderator 11.) Always Something There to... Naked Eyes Ohmstead 12.) Age of Consent New Order Slim Jade 13.) Rhythm is Gonna Get You Gloria Estefan Slim Jade 14.) (You Gotta) Fight for Your Right... Beastie Boys Mr. Moderator 15.) So Alive Love and Rockets andyr 16.) Looking for a New Love Jodi Watley jeangray 17.) Pass the Dutchie Musical Youth alexmagic 18.) Antmusic Adam and the Ants alexmagic 19.) Goody Two Shoes Adam Ant alexmagic 20.) Love Plus One Haircut 100 andyr 21.) Paper in Fire John Cougar Melloncamp Mr. Moderator 22.) (Keep Feeling) Fascination Human League alexmagic 23.) Material Girl Madonna Mr. Moderator 24.) Sweet Dreams (Are Made of This) Eurythmics alexmagic 25.) Church of the Poison Mind Culture Club Mr. Moderator Rock Town Hall 80s Master Playlist Song Artist Suggested by: 1.) A Message to You Rudy The Specials ladymisskirroyale 2.) A New England Kristy MacColl Suburban kid 3.) AEIOU Sometimes Y Ebn-Ozn jeangray 4.) Addicted to Love Robert Palmer ladymisskirroyale 5.) Ah! Leah! Donnie Iris Sgt.
    [Show full text]
  • History Never Repeats
    HISTORY NEVER REPEATS… 作、発表。フィル・マンザネラのソロ「K-Scope」 にティム、エディ、ニールが参加。チャン兄弟(ジ 1973 ェフ、マイク)が結成した Citizen Band、NZ で Split Ends、Vertigo よりシングル「For You」で 活動開始。 デビュー。同年、EMI よりシングル「The Sweet Talkin' Spoon Song」をリリース。 1978 ロブ・ギリーズ脱退。クリサリス契約解除。バンド 1974 はロンドンのスタジオに篭り新曲をひたすらに録 幾つ かの メン バー・ チェ ンジ 後、 バンド 名 を 音。世に言う「Luton Tapes」セッションはこの時 「SPLIT ENZ」に改名。White Cloud レーベル のもの。シングル「I See Red」をリリース、英国 と契約。シングル「No Bother To Me」リリース。 では Illegal レーベル(ポリス、クランプス等)よ り。 1975 オーストラリアに進出、マッシュルーム・レーベル 1979 と契約(解散まで全ての作品をリリース)。ファー 再び活動の拠点をオーストラリアに戻す。アルバ スト・アルバム「Mental Notes」を発表。アルバ ム「Frenzy」発表。アルバム・カヴァーはフィル・ ム・カヴァーはフィル・ジャド。ロキシー・ミュージ ジャド。初期音源から構成された編集盤「The ックの豪ツアーをサポート。 Beginning Of The Enz」をリリース。 1976 1980 メンバー・チェンジを経て、前年のロキシーとのツ A&M と契約、再びの世界的リリースを可能に。 アーでの出会いからフィル・マンザネラの助言で 大ヒットアルバム「True Colours」発表。デヴィッ ロンドンに渡る。英クリサリス・レーベルと契約。 ド・ティックルのプロデュース。マル・グリーン、エ フ ィ ル の プDO ロ デュ ー スで ア ルNOT バム 「 Second COPY ンズ脱退。 Thoughts」を制作、マッシュルームより発表。ク リサリスからは「Mental Notes」としてカヴァー・ 1981 デザインを変えリリース。英国以外の各国も順 再 び デ ヴ ィ ッド ・ ティ ッ ク ルと 組 み ア ル バ ム 次リリースされる。(日本は翌 77 年にキングよ 「Corroboree」発表。豪以外では「Waiata」の り) タイトル。フィル・ジャドが結成した Swingers、 アルバム「Practical Jokers」を発表。シングル 「Counting The Beat」が大ヒット。プロデュー スはこれも同じくデヴィッド・ティックル。 1977 主要メンバーだったフィル・ジャド他 3 名がバンド 脱退。NZ よりティムの弟、ニールがバンドに参 加。更にナイジェル・グリッグスとマル・グリーン 1982 の 2 人を加えバンドを再始動。Geoff Emerick 「Frenzy」がリミックス、曲目を変え A&M よりリ のプロデュースでアルバム「Dizrythmia」を制 1 リース。ヒュー・パジャム・プロデュースのアルバ Enz」発表。ニール、自身のミドルネームから名 ム「Time And Tide」発表。世界ツアーを成功さ 付けた 4 人編成バンド「Mullanes」を結成。その せバンドの円熟期を迎える。Swingers、豪ミュ 後 3 人編成になり「Crowded House」に改名。 ージカル映画「Starstruck」のサントラを担当。 バンドとして客演も。 1983 ティム、初ソロ作「Escapade」をリリース、大ヒッ
    [Show full text]
  • Mayke Rademakers
    Mayke Rademakers La Furia: Passion, Fury and Melancholia Enrique Granados | Joaquín Nin | Carlos Guastavino Gaspar Cassadó | Antón García Abril | Manuel de Falla Alberto Ginastera | Ástor Piazzolla Matthijs Verschoor - piano 1 Mayke Rademakers La Furia: Passion, Fury and Melancholia Enrique Granados | Joaquín Nin | Carlos Guastavino Gaspar Cassadó | Antón García Abril | Manuel de Falla Alberto Ginastera | Ástor Piazzolla Matthijs Verschoor - piano ENRIQUE GRANADOS (1867-1916) CARLOS GUASTAVINO (1912-2000) transcription by Mayke Rademakers [12] La Rosa y el Sauce 2:46 [1] Danza Española no. 5 – Andaluza 3:51 JOAQUÍN NIN (1879-1949) MANUEL DE FALLA (1876-1946) Seguida Española transcription by Maurice Maréchal [13] Vieja Castilla 1:58 Suite Popular Española [14] Murciana 1:35 [2] El paño moruno 2:08 [15] Asturiana 3:13 [3] Asturiana 2:27 [16] Andaluza 1:56 [4] Jota 3:02 [5] Nana 2:38 ÁSTOR PIAZZOLLA (1921-1992) [6] Canción 1:27 [17] Le Grand Tango 12:05 [7] Polo 1:33 ALBERTO GINASTERA (1916-1983) ANTÓN GARCÍA ABRIL (b. 1933) transcription by Pierre Fournier transcription by Mayke Rademakers [18] Triste 3:51 [8] No por Amor, no por Tristeza 3:26 GASPAR CASSADÓ (1897-1966) total time 64:07 Suite for Cello Solo [9] Preludio-Fantasia 6:15 [10] Sardana (Danza) 3:27 [11] Intermezzo e Danza Finale 6:20 4 5 Ruud Meijer talks with Mayke Rademakers “All my life, I’ve played a lot of Spanish music, and so has my partner and duo- more lyrical and uses a lot of embellishment, while De Falla is more primitive, pianist Matthijs Verschoor,” says Mayke Rademakers.
    [Show full text]
  • The History of Rock Music: 1970-1975
    The History of Rock Music: 1970-1975 History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Sound 1973-78 (These are excerpts from my book "A History of Rock and Dance Music") Borderline 1974-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. In the second half of the 1970s, Brian Eno, Larry Fast, Mickey Hart, Stomu Yamashta and many other musicians blurred the lines between rock and avantgarde. Brian Eno (34), ex-keyboardist for Roxy Music, changed the course of rock music at least three times. The experiment of fusing pop and electronics on Taking Tiger Mountain By Strategy (sep 1974 - nov 1974) changed the very notion of what a "pop song" is. Eno took cheap melodies (the kind that are used at the music-hall, on television commercials, by nursery rhymes) and added a strong rhythmic base and counterpoint of synthesizer. The result was similar to the novelty numbers and the "bubblegum" music of the early 1960s, but it had the charisma of sheer post-modernist genius. Eno had invented meta-pop music: avantgarde music that employs elements of pop music. He continued the experiment on Another Green World (aug 1975 - sep 1975), but then changed its perspective on Before And After Science (? 1977 - dec 1977). Here Eno's catchy ditties acquired a sinister quality.
    [Show full text]
  • Support Barnsley's Museums
    Cannon Hall is a stunning Georgian country house museum with outstanding fine and decorative art collections, set in Barnsley Museums 70 acres of historic parkland and beautiful landscaped gardens. It is the perfect day out for all the family. is made up of five magnificent Bark House Lane, Cawthorne, Barnsley, S75 4AT [email protected] attractions. All are 01226 772002 • www.cannon-hall.com free to enter and each has its own The Cooper Gallery is a vibrant art gallery in the heart unique identity. of Barnsley town centre. Explore galleries showcasing the beautiful collection of fine art and enjoy our exciting programme of temporary exhibitions, events and arts workshops. Cooper Gallery, Church Street, Barnsley, S70 2AH [email protected] 01226 242905 • www.cooper-gallery.com As well as soaking up the warm, spring as the celebration of one of Barnsley’s sunshine - why not soak up the relaxing influential industries in the exhibition visitors can uncover the incredible Experience Barnsley atmosphere at Barnsley Museums’ five Tins!Tins!Tins! at Experience Barnsley - story of Barnsley told through centuries-old artefacts, fantastic sites. there is something for everyone to enjoy. documents, films and recordings that have been donated by people living and working in the borough. Whether you are hankering after the great So if you are looking for unique outdoors, inspiring local history, a trip out destinations to spend quality time with Town Hall, Church Street, Barnsley, S70 2TA with the family, art exhibitions, fun events, family, friends and loved ones this spring, [email protected] retail therapy or even a bite to eat, then Barnsley’s museums are the perfect place look no further as Barnsley Museums have for you.
    [Show full text]
  • Intellectual Property Center, 28 Upper Mckinley Rd. Mckinley Hill Town Center, Fort Bonifacio, Taguig City 1634, Philippines Tel
    Intellectual Property Center, 28 Upper McKinley Rd. McKinley Hill Town Center, Fort Bonifacio, Taguig City 1634, Philippines Tel. No. 238-6300 Website: http://www.ipophil.gov.ph e-mail: [email protected] Publication Date: August 10, 2015 1 ALLOWED MARKS PUBLISHED FOR OPPOSITION ............................................................................................... 2 1.1 ALLOWED NATIONAL MARKS ....................................................................................................................................... 2 Intellectual Property Center, 28 Upper McKinley Rd. McKinley Hill Town Center, Fort Bonifacio, Taguig City 1634, Philippines Tel. No. 238-6300 Website: http://www.ipophil.gov.ph e-mail: [email protected] Publication Date: August 10, 2015 1 ALLOWED MARKS PUBLISHED FOR OPPOSITION 1.1 Allowed national marks Application No. Filing Date Mark Applicant Nice class(es) Number 25 June 1 4/2010/00006843 AIR21 GLOBAL AIR21 GLOBAL, INC. [PH] 35 and39 2010 20 2 4/2012/00011594 September AAA SUNQUAN LU [PH] 19 2012 11 May 3 4/2012/00501163 CACATIAN, LEUGIM D [PH] 25 2012 24 4 4/2012/00740257 September MIX N` MAGIC MICHAELA A TAN [PH] 30 2012 11 June NEUROGENESIS 5 4/2013/00006764 LBI BRANDS, INC. [CA] 32 2013 HAPPY WATER BABAYLAN SPA AND ALLIED 6 4/2013/00007633 1 July 2013 BABAYLAN 44 INC. [PH] 12 July OAKS HOTELS & M&H MANAGEMENT 7 4/2013/00008241 43 2013 RESORTS LIMITED [MU] 25 July DAIWA HOUSE INDUSTRY 8 4/2013/00008867 DAIWA HOUSE 36; 37 and42 2013 CO., LTD. [JP] 16 August ELLEBASY MEDICALE ELLEBASY MEDICALE 9 4/2013/00009840 35 2013 TRADING TRADING [PH] 9 THE PROCTER & GAMBLE 10 4/2013/00010788 September UNSTOPABLES 3 COMPANY [US] 2013 9 October BELL-KENZ PHARMA INC.
    [Show full text]
  • 00287 1 2 3 4 5 6 7 8 SOUTHEAST ALASKA FEDERAL SUBSISTENCE 9 REGIONAL COUNCIL MEETING 10 11 VOLUME III 12 13 Sitka, Alaska 14 March 19, 2004 15 8:00 O'clock A.M
    00287 1 2 3 4 5 6 7 8 SOUTHEAST ALASKA FEDERAL SUBSISTENCE 9 REGIONAL COUNCIL MEETING 10 11 VOLUME III 12 13 Sitka, Alaska 14 March 19, 2004 15 8:00 o'clock a.m. 16 17 18 COUNCIL MEMBERS PRESENT: 19 20 John Littlefield, Chairman 21 Bertrand Adams 22 Michael Bangs 23 Michael Douville 24 Dolly Garza 25 Donald Hernandez 26 Eric Jordan 27 Harvey Kitka 28 Floyd Kookesh 29 Patricia Phillips 30 Mary Rudolph 31 Michael Sofoulis 32 Richard Stokes 33 34 Herman Kitka, Member Emeritus 35 36 Regional Coordinator, Robert Schroeder 37 38 39 40 41 42 43 44 RECORDED AND TRANSCRIBED BY: 45 46 COMPUTER MATRIX COURT REPORTERS, LLC 47 3522 West 27th Avenue 48 Anchorage, Alaska 99517 49 907-243-0668 50 [email protected] 00288 1 P R O C E E D I N G S 2 3 (Sitka, Alaska - 3/19/2004) 4 5 (On record) 6 7 CHAIRMAN LITTLEFIELD: Okay. We're back 8 in session. The first item on the agenda is -- well, 9 first let me make an announcement. I believe there is a 10 fundraiser today for the Kaagwaantaan. Do you know if 11 that's correct at lunch time? 12 13 DR. SCHROEDER: Mr. Chairman, I believe 14 there's a fundraiser. We have to get final information 15 on where it is. 16 17 CHAIRMAN LITTLEFIELD: Okay. 18 19 DR. SCHROEDER: So we will be finding 20 that out this morning. 21 22 CHAIRMAN LITTLEFIELD: So we will be 23 getting something on that a little later.
    [Show full text]
  • Song List 2012
    SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat.
    [Show full text]
  • Between Liminality and Transgression: Experimental Voice in Avant-Garde Performance
    BETWEEN LIMINALITY AND TRANSGRESSION: EXPERIMENTAL VOICE IN AVANT-GARDE PERFORMANCE _________________________________________________________________ A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Theatre and Film Studies in the University of Canterbury by Emma Johnston ______________________ University of Canterbury 2014 ii Abstract This thesis explores the notion of ‘experimental voice’ in avant-garde performance, in the way it transgresses conventional forms of vocal expression as a means of both extending and enhancing the expressive capabilities of the voice, and reframing the social and political contexts in which these voices are heard. I examine these avant-garde voices in relation to three different liminal contexts in which the voice plays a central role: in ritual vocal expressions, such as Greek lament and Māori karanga, where the voice forms a bridge between the living and the dead; in electroacoustic music and film, where the voice is dissociated from its source body and can be heard to resound somewhere between human and machine; and from a psychoanalytic perspective, where the voice may bring to consciousness the repressed fears and desires of the unconscious. The liminal phase of ritual performance is a time of inherent possibility, where the usual social structures are inverted or subverted, but the liminal is ultimately temporary and conservative. Victor Turner suggests the concept of the ‘liminoid’ as a more transgressive alternative to the liminal, allowing for permanent and lasting social change. It may be in the liminoid realm of avant-garde performance that voices can be reimagined inside the frame of performance, as a means of exploring new forms of expression in life.
    [Show full text]