Spring 2010 41.2
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Books for Children Edith Fowke My best known children's book is Sallv Go Round the Sun: 300 Songs. Rhvmes. and Games of Canadian Children (Toronto: McClelland & Stewart; New York: Doubleday, 1969). This is a large-size volume beautifully illustrated by Carlos Marchiori. It won the Canadian Association of Children's Librarians ' Award for the best book of the year, and it continues popular. All the items were from oral tradition, collected in 1958-1964 from Canadian children plus a few from adult friends who remembered them from their youth. I started collecting with some of the children on my own street and then began going to various Toronto schools where I arranged to tape the students in Grade 3 classes, which I found the best age-group for this type of material. I asked them for the games and rhymes they knew, and had no trouble getting a wide variety. Children's lore is probably the easiest kind of folklore to collect today. When I had assembled a number of tapes, I transcribed them, picked the best versions of the various items, arranged them in categories, and cited the sources and references to other versions. I was lucky in the artist whose delightful color illustrations made the book very attractive. He used two unusual techniques: many of his pictures included fingerprints, others looked like lace. This book is still in print, still popular, and still representa- tive of the children's lore common in Canada. Students in my introductory folklore classes at York University collected children's rhymes and games as an annual assignment during the seventies and eighties, and found very few that were not in Sally. -
Fifty Years of Historical Geography in Canada 5
Fifty Years of Historical Geography in Canada 5 ‘Tracing One Warm Line Through a Land so Wide and Savage’. Fifty Years of Historical Geography in Canada Graeme Wynn Department of Geography University of British Columbia ABSTRACT: In this essay I enlist Canadian folk singer Stan Rogers to provide a title and a structure for inevitably personal reflections on the scholarly contributions of Canadian historical geographers and the changing fortunes of historical geography in their country since the 1960s. From the “Northwest Passage” (“one warm line…”) to “Make and Break Harbour” (where “the boats are so few”) this is a tale of considerable achievement, but one that, may lack a particularly happy or optimistic ending unless we attend to “The Field Behind the Plow” (and “Put another season’s promise in the ground”). Because this story, however told, bears the marks of influence from the United Kingdom, the United States and elsewhere, this essay speaks to developments beyond the territory of Canada and the geographical interests of those who live within its borders. Like several of Rogers’ songs, it might also be considered something of a parable. hen Robert Wilson invited me to give the fourth HGSG distinguished lecture he observed: “You may speak on whatever topic you like. It could be about some aspect Wof your current research or about the state of historical geography (or both).” In the end I decided to do both – and more. To structure the inevitable jumble spilling from this great portmanteau I make two moves. First I focus my comments on historical geography in Canada since the late 1960s. -
Chapters in Canadian Popular Music
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Ilona Šoukalová Chapters in Canadian Popular Music Diplomová práce Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Olomouc 2015 Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky Chapters in Canadian Popular Music (Diplomová práce) Autor: Ilona Šoukalová Studijní obor: Anglická filologie Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Počet stran: 72 Počet znaků: 138 919 Olomouc 2015 Prohlašuji, že jsem diplomovou práci na téma "Chapters in Canadian Popular Music" vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla jsem všechny použité podklady a literaturu. V Olomouci dne 3.5.2015 Ilona Šoukalová Děkuji vedoucímu mé diplomové práce panu Mgr. Jiřímu Flajšarovi, Ph.D. za odborné vedení práce, poskytování rad a materiálových podkladů k práci. Poděkování patří také pracovníkům Ústřední knihovny Univerzity Palackého v Olomouci za pomoc při obstarávání pramenů a literatury nezbytné k vypracování diplomové práce. Děkuji také své rodině a kamarádům za veškerou podporu v době mého studia. Abstract The diploma thesis deals with the emergence of Canadian popular music and the development of music genres that enjoyed the greatest popularity in Canada. A significant part of the thesis is devoted to an investigation of conditions connected to the relation of Canadian music and Canadian sense of identity and uniqueness. Further, an account of Canadian radio broadcasting and induction of regulating acts which influenced music production in Canada in the second half of the twentieth century are given. Moreover, the effectiveness and contributions of these regulating acts are summarized and evaluated. Last but not least, the main characteristics of the music style of a female singer songwriter Joni Mitchell are examined. -
The Maple Leaf Dog
“There’s some played harder, and there’s some played smarter, but nobody played like you.” The Life and Times of Stringband By Gary Cristall Gary Cristall wrote this essay in 2002 as the liner notes – possibly the world’s longest – for the Indispensable Stringband box set. Someone asked me if I had read them before publication. I said I had and I thought they were terrific. He was surprised. “You don’t come off very well,” he said. “I thought I did,” I said. To my ear, Gary’s account rings remarkably true. - Bob Bossin IF YOU HAD WANDERED through downtown Toronto on a summer’s evening in 1972, you might have wound up on the Yonge Street mall. A half dozen blocks of Toronto’s main thoroughfare had been closed to traffic that summer and turned into a cross between a European boulevard and an Arab souk. There were hippie jewellers and sellers of tie-dyed T-shirts. There was also a profusion of buskers. As you walked along, one quartet might have caught your ear. They were your typical folk band–banjo, guitar, fiddle, and washtub bass–played by three long-haired young men and a comely young woman with a beguiling voice. The banjo player exuded energy and chutzpah; the lanky fiddler sawed his violin with passion and skill. A dog of undetermined breed snoozed at their feet. They would play two or three hot tunes to gather a crowd and then the bass player would flip over his washtub to reveal the legend “Fight Muzak” painted on the bottom. -
“The Stories Behind the Songs”
“The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992. -
Hall of Fame
HALL OF FAME 2020 EDITION National Library of Canada Cataloguing in Publication Data Main entry under title: City of Orillia Hall of Fame 2020 edition Library and Archives Canada Cataloguing in Publication Isabel Brillinger, 1916-2011 author Commemorative Awards Committee / Kym Kennedy / Ellen Cohen -- 2020 edition. ISBN 978-0-9689198-2-8 (paperback) 1. Orillia (Ont.)--Biography. 2. Awards--Ontario--Orillia. I. Orillia (Ont.). Commemorative Awards Committee, issuing body II. Title. FC3099.O74Z48 2020 971.3’17 C2020-905298-X HALL OF FAME 2020 Edition Updated by: The Commemorative Awards Committee City of Orillia Cover Art by: Jieun Kim Introduction The Orillia Hall of Fame was established in 1964 to recognize residents, or past residents, of Orillia and area for their outstanding accomplishments. The award serves to build upon the history of our city and the incredible patrons who have built its past and present. Those nominated have received national and/or international recognition in their field of work or endeavour. Nominees have included those in the arts, professions, politics, business, philanthropy, athletics and more. In all cases, the nominees and, ultimately the inductees, have made a substantial impact on the destiny of Orillia. In order to ensure the legacy of the deeds and achievements of our Orillia citizenship, we invite nominations of those who inspire and illuminate. Details regarding criteria and deadlines are available at orillia.ca/halloffame. Take some time to visit the display of the 50+ inductees at the Orillia City Centre in the hall outside of the council chamber. 4 Chair’s Remarks Orillia isn’t just a beautiful city. -
Subsidising Stan: Measuring the Social Benefits of Cultural Spending
Subsidising Stan: Measuring the social benefits of cultural spending Jeff Dayton-Johnson Dalhousie University, Department of Economics, Halifax, Nova Scotia B3H 3J5 , [email protected] (e), 902.494.2026 (t); 902.494.6917 (f) Emily King Strategic Research and Analysis, Department of Canadian Heritage November 2003 Abstract We use social cost-benefit analysis to estimate the net social benefit of the 2002 Stan Rogers Folk Festival in rural Nova Scotia. We analyse festival-goer survey data using a variant of the travel-cost method to quantify festival-generated consumer surplus, yielding an estimate of just over $300,000. In addition, we consider non-use values and sociability benefits (related to the musical content, to the conviviality of festival- goers’ experience, and to economies of scope in collective action) of the festival. While we cannot provide estimates of most of these non-use and sociability values (except to argue that they are nonnegative), our baseline estimate of the festival’s net social benefit nevertheless substantially exceeds the subsidy it receives. keywords: festivals, cultural goods, intangibles, cost-benefit analysis JEL classification codes: B49, D61, D62, H43, R58, Z10 Subsidising Stan: Measuring the social benefits of cultural spending∗ 1 Introduction The Stan Rogers Folk Festival (“StanFest”) takes place in Canso, Nova Scotia, each year during the first weekend in July. Festival organizers have repeatedly, and often successfully, solicited funding from various levels of government. This support might imply that music festivals, and indeed this particular festival, benefit the lives of Canadians (or merely that a regional politician is able to “deliver the goods”). -
Aka Nova Scotia Song)
Urbandale Corporation celebrated its 50th Anniversary in 2008 as one of the region's largest land developers, rental property owners and commercial landlords. Urbandale Corporation's diverse portfolio consists of residential rental units, commercial plazas and office buildings. The company's core activity remains the development of its land holdings and the creation of communities. With additional operations in Montreal and Palm Beach, Florida, Urbandale Corporation is currently active in four communities across Canada's National Capital Region, from the established Bridlewood and Kanata Lakes, to the progressive fast growing community of Riverside South and Kemptville. Chances are you'll find an Urbandale Corporation rental community that's perfect for you and your family. You may choose from affordable townhomes and apartments in clean, family settings to elegant suites in prestigious high-rises; all are managed with a personal touch and maintained to Urbandale Corporation's high standards. Urbandale Corporation's commitment to tenant satisfaction is the source of our excellent reputation in the Ottawa area. Urbandale Corporation is proud to have two superior Condominium projects offering units for sale. Urbandale Corporation also manages 8 Shopping Plazas throughout the National Capital Region and 2 office buildings located in downtown Ottawa and is proud to announce two brand new commercial plaza developments in Riverside South and Bridlewood in Kanata. www.urbandale.com Atlantic Voices: The Newfoundland and Labrador Choir of Ottawa Atlantic Voices: The Newfoundland and Labrador Choir of Ottawa was founded in the spring of 2002. Atlantic Voices is an amateur choir in its tenth season with a repertoire consisting mainly of Newfoundland, Maritime, and Celtic songs and music. -
Matthew Capel Thesis 18 September 2007
'Damned If They Do And Damned If They Don't': The Inferiority Complex, Nationalism, and Maclean's Music Coverage, 1967-1995 By Gordon Matthew Donald Capel A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Master of Arts in History Waterloo, Ontario, Canada, 2007 © Gordon Matthew Donald Capel 2007 Author's Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as required by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This thesis critically analyses music coverage in Maclean’s between 1967-1995, and reveals that the magazine continually stressed Canadian music as inferior to that produced by foreign artists. Only during times of intense nationalism were Canadian musicians positively received in its pages. More generally, domestic productions were seen as deficient. The historical components of this investigation reveal an essential irony in the perception of Canadian music during the last four decades of the 20th century. Despite nationalist rhetorics and Maclean's self-appointed title of "Canada's National Newsmagazine," its critics consistently emphasised that Canadian music was of poor quality in the 1967-1995 period. iii Acknowledgements I would like to express my gratitude to all those wonderful people who helped me complete this thesis. First, I must applaud my thesis advisor P. Whitney Lackenbauer for his motivation, discerning eye, and willingness to tell me when something wasn't history. For this confused, stubborn, and excitable grad student, your support cannot be overstated. -
Alan Greyeyes ’01 Nurturing First Nations and Métis Music
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NEW DIRECTIONS for GOVERNMENT in the SECOND ERA of the DIGITAL AGE Strategy, Policy, and Action for the Biden-Harris Administration Don Tapscott and Anthony D
IN COLLABORATION WITH NEW DIRECTIONS FOR GOVERNMENT IN THE SECOND ERA OF THE DIGITAL AGE Strategy, Policy, and Action for the Biden-Harris Administration Don Tapscott and Anthony D. Williams, Co-Authors, Wikinomics Kirsten Sandberg, Editor-in-Chief, Blockchain Research Institute Foreword by Tony Scott, former Federal CIO of the United States February 2021 A BLOCKCHAIN RESEARCH INSTITUTE SPECIAL REPORT Realizing the new promise of the digital economy In 1994, Don Tapscott coined the phrase, “the digital economy,” with his book of that title. It discussed how the Web and the Internet of information would bring important changes in business and society. Today the Internet of value creates profound new possibilities. In 2017, Don and Alex Tapscott launched the Blockchain Research Institute to help realize the new promise of the digital economy. We research the strategic implications of blockchain technology and produce practical insights to contribute global blockchain knowledge and help our members navigate this revolution. Our findings, conclusions, and recommendations are initially proprietary to our members and ultimately released to the public in support of our mission. To find out more, please visitwww.blockchainresearchinstitute.org . Blockchain Research Institute, 2021 Except where otherwise noted, this work is copyrighted 2021 by the Blockchain Research Institute and licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public License. To view a copy of this license, send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA, or visit creativecommons.org/ licenses/by-nc-nd/4.0/legalcode. This document represents the views of its author(s), not necessarily those of Blockchain Research Institute or the Tapscott Group. -
The Blockchain Corridor
THE BLOCKCHAIN CORRIDOR: Building an Innovation Economy in the 2nd Era of the Internet Don Tapscott and Alex Tapscott | The Tapscott Group Tuesday, Feb 7, 2017 CONTENTS 1. EXECUTIVE SUMMARY 3 2. BACKGROUND: THE BLOCKCHAIN REVOLUTION HAS BEGUN 6 Some Blockchain Challenges 9 3. CANADA AS A GLOBAL HUB FOR THE INTERNET’S SECOND ERA 11 A Strong Financial Sector 12 Talent and Diversity 12 Improved Investment Climate 14 Fintech Innovation 14 Blockchain Entrepreneurship 15 Government Priorities 16 4. CANADA’S SHORTCOMINGS 18 A Clear National Strategy 20 Funding Bottlenecks 21 Risk Aversion 23 Inadequate R&D Spending 24 Policy and Regulatory Impediments 25 The Brain Drain 26 The Start-Up Drain 27 5. THE WAY FORWARD 28 A Canadian Digital Economy Commission 29 Solving the Dilemma of Flow-Through Shares for Blockchain R&D 29 The Blockchain Research Institute 31 Engage Governments as Model Users 32 Protect and Expand Access to the U.S. 33 Education and Cultural Change 34 Project Leadership 36 Project Funding 36 APPENDICES 37 Appendix A: December 19 2016 Roundtable Participants 37 Appendix B: Roundtable Responses - Canadian Blockchain Economy Obstacles* 40 Appendix C: Roundtable Responses – Action Items: What is to be done?* 42 Appendix D: Blockchain Opportunities Beyond Financial Services 44 SOURCES 49 » 01 EXECUTIVE SUMMARY EXECUTIVE SUMMARY 3 The internet is entering a second The first generation of the internet centered on Silicon Valley, which today is home to many of the world’s generation and it is feasible that largest Internet companies, and has become an engine the vast ecosystem for this new of innovation, financing, incubation and acceleration of entrepreneurial activity and business transformation.