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1.4Oti a Week Ending A° 11`,4, 2° 2172 AI 16 Of, 21 26 .46 October 16, 1993 24M 25 No
November St, MON TVEWED TNU FR! SET WEEKLY 1 2345 6 Oct?"6De:oToo II $3.00 2. 7 8 91011 12 13 1993 ,TA',"° A vt,""" 1415 16171819 20 $2.80 plus .20 GST 22 23242526 27 5 61 9 21 Volume 58 No. 14 4 A4AS16 2829 30 1.4oti A Week Ending A° 11`,4, 2° 2172 AI 16 of, 21 26 .46 October 16, 1993 24m 25 No. 1 HIT BLIND MELON Blind Melon ANNE MURRAY Croonin' MELISSA ETHERIDGE Yes I Am LOADED Various Artists SMASHING PUMPKINS DREAMLOVER Siamese Dream Mariah Carey INNER CIRCLE Columbia Bad To The Bone SCORPIONS Face The Heat : JUDGEMENT NIGHT SOUNDTRACK Various Artists THE CURE Show EVERYBODY HURTS R.E.M. HIT PICK NAKED RAIN The Waltons PET SHOP BOYS LOVIN' ARMS Very COUNTRY Darden Smith ADDS SPIRIT OF THE WEST PINK CASHMERE Faithlift Prince RISE AGAIN CULTURE BEAT SUNDAY MORNING The Rankin Family Serenity Earth Wind & Fire SAY THE WORD DUFF McKAGAN ALL THAT SHE WANTS Joel Feeney Believe In Me Ace Of Base THIS OLD HOUSE REN & STIMPY WILD WORLD Lynne & The Rebels You Eediot Mr. Big FALLIN' NEVER FELT SO GOOD: HEAL IT UP REBA McENTIRE THE MOMENT YOU WERE MINE . Shawn Camp Concrete Blonde Greatest Hits Volume Two Beth Neilsen Chapman I.R.S. RUNAWAY ALBUM PICK No. 1 ALBUM EnVogueOVE THE WISH Mae M000re ART OF LIVING The Boomers POSSESSIONS MAKE LOVE TO ME Sarah McLachlan Anne Murray AND IF VENICE IS SINKING SEND ME A LOVER Spirit Of The West Taylor Dayne RUBBERBAND GIRL LET ME SHOW YOU Kate Bush Dan Hill ,k I BELIEVE FULLY COMPLETELY CANDY DULFER Robert Plant DANCE MIX '93 The Tragically Hip Sax -A -Go -Go Various Artists MR. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
OCR Document
Books for Children Edith Fowke My best known children's book is Sallv Go Round the Sun: 300 Songs. Rhvmes. and Games of Canadian Children (Toronto: McClelland & Stewart; New York: Doubleday, 1969). This is a large-size volume beautifully illustrated by Carlos Marchiori. It won the Canadian Association of Children's Librarians ' Award for the best book of the year, and it continues popular. All the items were from oral tradition, collected in 1958-1964 from Canadian children plus a few from adult friends who remembered them from their youth. I started collecting with some of the children on my own street and then began going to various Toronto schools where I arranged to tape the students in Grade 3 classes, which I found the best age-group for this type of material. I asked them for the games and rhymes they knew, and had no trouble getting a wide variety. Children's lore is probably the easiest kind of folklore to collect today. When I had assembled a number of tapes, I transcribed them, picked the best versions of the various items, arranged them in categories, and cited the sources and references to other versions. I was lucky in the artist whose delightful color illustrations made the book very attractive. He used two unusual techniques: many of his pictures included fingerprints, others looked like lace. This book is still in print, still popular, and still representa- tive of the children's lore common in Canada. Students in my introductory folklore classes at York University collected children's rhymes and games as an annual assignment during the seventies and eighties, and found very few that were not in Sally. -
Fifty Years of Historical Geography in Canada 5
Fifty Years of Historical Geography in Canada 5 ‘Tracing One Warm Line Through a Land so Wide and Savage’. Fifty Years of Historical Geography in Canada Graeme Wynn Department of Geography University of British Columbia ABSTRACT: In this essay I enlist Canadian folk singer Stan Rogers to provide a title and a structure for inevitably personal reflections on the scholarly contributions of Canadian historical geographers and the changing fortunes of historical geography in their country since the 1960s. From the “Northwest Passage” (“one warm line…”) to “Make and Break Harbour” (where “the boats are so few”) this is a tale of considerable achievement, but one that, may lack a particularly happy or optimistic ending unless we attend to “The Field Behind the Plow” (and “Put another season’s promise in the ground”). Because this story, however told, bears the marks of influence from the United Kingdom, the United States and elsewhere, this essay speaks to developments beyond the territory of Canada and the geographical interests of those who live within its borders. Like several of Rogers’ songs, it might also be considered something of a parable. hen Robert Wilson invited me to give the fourth HGSG distinguished lecture he observed: “You may speak on whatever topic you like. It could be about some aspect Wof your current research or about the state of historical geography (or both).” In the end I decided to do both – and more. To structure the inevitable jumble spilling from this great portmanteau I make two moves. First I focus my comments on historical geography in Canada since the late 1960s. -
The Rankin Family Live at the Red Robinson Show Theatre
FOR IMMEDIATE RELEASE OCTOBER 11, 2011 BOULEVARD CASINO PRESENTS THE RANKIN FAMILY LIVE AT THE RED ROBINSON SHOW THEATRE FRIDAY, JANUARY 27 Coquitlam, BC – It was in 1989 when Cape Breton siblings – Raylene, John Morris, Jimmy, Cookie and Heather Rankin – began touring together professionally when just a year later with the independent release of their second recording, Fare Thee Well Love, they were signed to Capitol/EMI Music. After the label re-released the album in 1992, it quickly went on to become a platinum seller with the title track finding its way to the Disney film, Into the West. The following year, they released North Country which featured the popular title track along with “Borders and Time” resulting in another-multi platinum success for The Rankin Family. Their music crossed over many musical styles earning them a fast growing following as well as industry accolades that included six Juno Awards and fifteen East Coast Music Awards. Both Grey Dusk of Eve and Endless Seasons were released in 1995 followed by Heather, Cookie and Raylene’s best-selling Christmas album, Do You Hear What I Hear. In 1998, the group released their final album together … aptly titled Uprooted. The following year, they decided to go their separate ways … each pursuing their own interests and musical projects. It wasn’t until eight years later that in 2007, they released their Reunion album and the family soon set out on a cross-Canada tour with niece Molly Rankin – daughter of the late John Morris – completing the line-up. It was as though no time had passed … night after night, audiences welcomed them back into the fold. -
Chapters in Canadian Popular Music
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra anglistiky a amerikanistiky Ilona Šoukalová Chapters in Canadian Popular Music Diplomová práce Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Olomouc 2015 Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky Chapters in Canadian Popular Music (Diplomová práce) Autor: Ilona Šoukalová Studijní obor: Anglická filologie Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Počet stran: 72 Počet znaků: 138 919 Olomouc 2015 Prohlašuji, že jsem diplomovou práci na téma "Chapters in Canadian Popular Music" vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla jsem všechny použité podklady a literaturu. V Olomouci dne 3.5.2015 Ilona Šoukalová Děkuji vedoucímu mé diplomové práce panu Mgr. Jiřímu Flajšarovi, Ph.D. za odborné vedení práce, poskytování rad a materiálových podkladů k práci. Poděkování patří také pracovníkům Ústřední knihovny Univerzity Palackého v Olomouci za pomoc při obstarávání pramenů a literatury nezbytné k vypracování diplomové práce. Děkuji také své rodině a kamarádům za veškerou podporu v době mého studia. Abstract The diploma thesis deals with the emergence of Canadian popular music and the development of music genres that enjoyed the greatest popularity in Canada. A significant part of the thesis is devoted to an investigation of conditions connected to the relation of Canadian music and Canadian sense of identity and uniqueness. Further, an account of Canadian radio broadcasting and induction of regulating acts which influenced music production in Canada in the second half of the twentieth century are given. Moreover, the effectiveness and contributions of these regulating acts are summarized and evaluated. Last but not least, the main characteristics of the music style of a female singer songwriter Joni Mitchell are examined. -
The Maple Leaf Dog
“There’s some played harder, and there’s some played smarter, but nobody played like you.” The Life and Times of Stringband By Gary Cristall Gary Cristall wrote this essay in 2002 as the liner notes – possibly the world’s longest – for the Indispensable Stringband box set. Someone asked me if I had read them before publication. I said I had and I thought they were terrific. He was surprised. “You don’t come off very well,” he said. “I thought I did,” I said. To my ear, Gary’s account rings remarkably true. - Bob Bossin IF YOU HAD WANDERED through downtown Toronto on a summer’s evening in 1972, you might have wound up on the Yonge Street mall. A half dozen blocks of Toronto’s main thoroughfare had been closed to traffic that summer and turned into a cross between a European boulevard and an Arab souk. There were hippie jewellers and sellers of tie-dyed T-shirts. There was also a profusion of buskers. As you walked along, one quartet might have caught your ear. They were your typical folk band–banjo, guitar, fiddle, and washtub bass–played by three long-haired young men and a comely young woman with a beguiling voice. The banjo player exuded energy and chutzpah; the lanky fiddler sawed his violin with passion and skill. A dog of undetermined breed snoozed at their feet. They would play two or three hot tunes to gather a crowd and then the bass player would flip over his washtub to reveal the legend “Fight Muzak” painted on the bottom. -
Weekly
May WEEKLY SUN MON Tur INFO THU FRISAT no, 1 6 7 23 45 v4<..\k, 9 10 1112 13 14 15 $3.00 As?,9030. 8810 85 16 17 18 19 20 21 22 $2.80 plus .20 GST A 2_4 2330 243125 26 27 28 29 Volume 57 No. 14 -512 13 AA22. 2303 Week Ending April 17, 1993 .k2't '1,2. 282 25 No. 1 ALBUM ARE YOU GONNA GO MY WAY Lenny Kravitz TELL ME WHAT YOU DREAM Restless Heart WHO IS IT Michael Jackson SOMEBODY LOVE ME Michael W. Smith LOOKING THROUGH ERIC CLAPTON PATIENT EYES Unplugged PM Dawn Reprise - CDW-45024-P I FEEL YOU Depeche Mode LIVING ON THE EDGE Aerosmith YOU BRING ON THE SUN Londonbeat RUNNING ON FAITH CAN'T DO A THING Eric Clapton (To Stop Me) Chris Isaak to LOOK ME IN THE EYES oc Vivienne Williams IF YOU BELIEVE IN ME thebeANts April Wine coVapti FLIRTING WITH A HEARTACHE Ckade Dan Hill LOITA LOVE TO GIVE 0etex s Daniel Lanois oll.v-oceve,o-c1e, DON'T WALK AWAY Jade NOTHIN' MY LOVE CAN'T FIX DEPECHE MODE 461100'. Joey Lawrence ; Songs Of Faith And Devotion c.,25seNps CANDY EVERYBODY WANTS 10,000 FLYING THE CULT Blue Rodeo Pure Cult BIG TIME DWIGHT YOAKAM I PUT A SPELL ON YOU LEONARD COHEN This Time Bryan Ferry The Future ALBUM PICK DANIEL LANOIS HARBOR LIGHTS ALADDIN . For The Beauty Of Wynona Bruce Hornsby Soundtrack HOTHOUSE FLOWERS COUNTRY Songs From The Rain ADDS HIT PICK JUST AS I AM Ricky Van Shelton No. -
Subsidising Stan: Measuring the Social Benefits of Cultural Spending
Subsidising Stan: Measuring the social benefits of cultural spending Jeff Dayton-Johnson Dalhousie University, Department of Economics, Halifax, Nova Scotia B3H 3J5 , [email protected] (e), 902.494.2026 (t); 902.494.6917 (f) Emily King Strategic Research and Analysis, Department of Canadian Heritage November 2003 Abstract We use social cost-benefit analysis to estimate the net social benefit of the 2002 Stan Rogers Folk Festival in rural Nova Scotia. We analyse festival-goer survey data using a variant of the travel-cost method to quantify festival-generated consumer surplus, yielding an estimate of just over $300,000. In addition, we consider non-use values and sociability benefits (related to the musical content, to the conviviality of festival- goers’ experience, and to economies of scope in collective action) of the festival. While we cannot provide estimates of most of these non-use and sociability values (except to argue that they are nonnegative), our baseline estimate of the festival’s net social benefit nevertheless substantially exceeds the subsidy it receives. keywords: festivals, cultural goods, intangibles, cost-benefit analysis JEL classification codes: B49, D61, D62, H43, R58, Z10 Subsidising Stan: Measuring the social benefits of cultural spending∗ 1 Introduction The Stan Rogers Folk Festival (“StanFest”) takes place in Canso, Nova Scotia, each year during the first weekend in July. Festival organizers have repeatedly, and often successfully, solicited funding from various levels of government. This support might imply that music festivals, and indeed this particular festival, benefit the lives of Canadians (or merely that a regional politician is able to “deliver the goods”). -
Matthew Capel Thesis 18 September 2007
'Damned If They Do And Damned If They Don't': The Inferiority Complex, Nationalism, and Maclean's Music Coverage, 1967-1995 By Gordon Matthew Donald Capel A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Master of Arts in History Waterloo, Ontario, Canada, 2007 © Gordon Matthew Donald Capel 2007 Author's Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as required by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This thesis critically analyses music coverage in Maclean’s between 1967-1995, and reveals that the magazine continually stressed Canadian music as inferior to that produced by foreign artists. Only during times of intense nationalism were Canadian musicians positively received in its pages. More generally, domestic productions were seen as deficient. The historical components of this investigation reveal an essential irony in the perception of Canadian music during the last four decades of the 20th century. Despite nationalist rhetorics and Maclean's self-appointed title of "Canada's National Newsmagazine," its critics consistently emphasised that Canadian music was of poor quality in the 1967-1995 period. iii Acknowledgements I would like to express my gratitude to all those wonderful people who helped me complete this thesis. First, I must applaud my thesis advisor P. Whitney Lackenbauer for his motivation, discerning eye, and willingness to tell me when something wasn't history. For this confused, stubborn, and excitable grad student, your support cannot be overstated. -
Easter 3 Sunday
April 26, 2020 EASTER 3 SUNDAY Prelude: Fare Thee Well Love, by The Rankin Family Arranged and Performed by Bruce Nasmith & Mark Athanasiadis Worship Theme & Welcome Call to worship: “Was it not necessary that the Messiah should suffer these things and then enter into his glory?” Jesus tells the disciples. Like the disciples, we, too, can feel devastated at the suffering all around us and the fear, stress and uncertainty it can engender. One: We, too, can find it hard to understand how the crucifixion is not the end of our faith and hope in the possibility of love winning in a world of violence, hate, illness and death. We, too, are looking for some glory, some new life, some resurrection. One: We, too, like those first disciples, need to understand how God saves not by waving some magic wand from above, but by entering into the darkness, our darkness… awakening us and engaging us as participants on a healing, saving, learning and transforming journey from within… Meet us, each and every one, wherever we are, in this time of worship, O God. Let us worship God together! Hymn #262: Come to us, beloved Stranger Soloists: Shaun Alphonso & Erin Stone Prayer of Approach, Confession & The Lord's Prayer The Peace of Christ be with you all; And also with you. Duet: The Prayer, by Carole B. Sager & David Foster Soloists: Anna Bateman and Elias Theocharidis Scripture: Luke 24: 13-35 Sermon: FROM FEAR TO TRANSFORMATION Duet: We Rise Again, by The Rankin Family Soloists: Shaun Alphonso & Erin Stone Prayers of Thanksgiving & Pastoral Concern Hymn #250: -
Sing a Long Lyrics.2 Pmd Backup
SENIORS SING-A-LONG LYRICS SHEET Logon and Join Us - www.kleeradio.com THE MINERS SONG ALL MY LIFE’S A CIRCLE NEVER ENDING SONG Billy’s first breath was the last CHORUS - All my life’s a circle OF LOVE for his mother Sunrise and sundown CHORUS - I’ve got a never ending love for He was born on the shores of a town The Moon rolls thru the nighttime you, from now on that’s all I wanna do called Glace Bay, Till the daybreak comes around From the first time we met I knew And all that he had was himself All my life’s a circle I’d have a never ending love for you and his father. And I can’t tell you why They lived in a house For the Season’s spinning round again After all this time of being alone about a mile down the way And the years keep rollin’ by We can love one another Feel for each other, from now on His dad was a big man and It seems like I’ve been here before Feel so good I can hardly stand it worked as a miner But I can’t remember when and Billy grew more to be like him each day, I got this funny feeling I’ve got a never ending love for you ‘Cause every boy’s dream That we’ll all be together again From now on that’s all I wanna do was to work with his father No straight lines make up my life From the first time we met I knew In the mines that ran under the bay.