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The Anime Galaxy Japanese Animation As New Media
i i i i i i i i i i i i i i i i i i i i Herlander Elias The Anime Galaxy Japanese Animation As New Media LabCom Books 2012 i i i i i i i i Livros LabCom www.livroslabcom.ubi.pt Série: Estudos em Comunicação Direcção: António Fidalgo Design da Capa: Herlander Elias Paginação: Filomena Matos Covilhã, UBI, LabCom, Livros LabCom 2012 ISBN: 978-989-654-090-6 Título: The Anime Galaxy Autor: Herlander Elias Ano: 2012 i i i i i i i i Índice ABSTRACT & KEYWORDS3 INTRODUCTION5 Objectives............................... 15 Research Methodologies....................... 17 Materials............................... 18 Most Relevant Artworks....................... 19 Research Hypothesis......................... 26 Expected Results........................... 26 Theoretical Background........................ 27 Authors and Concepts...................... 27 Topics.............................. 39 Common Approaches...................... 41 1 FROM LITERARY TO CINEMATIC 45 1.1 MANGA COMICS....................... 52 1.1.1 Origin.......................... 52 1.1.2 Visual Style....................... 57 1.1.3 The Manga Reader................... 61 1.2 ANIME FILM.......................... 65 1.2.1 The History of Anime................. 65 1.2.2 Technique and Aesthetic................ 69 1.2.3 Anime Viewers..................... 75 1.3 DIGITAL MANGA....................... 82 1.3.1 Participation, Subjectivity And Transport....... 82 i i i i i i i i i 1.3.2 Digital Graphic Novel: The Manga And Anime Con- vergence........................ 86 1.4 ANIME VIDEOGAMES.................... 90 1.4.1 Prolongament...................... 90 1.4.2 An Audience of Control................ 104 1.4.3 The Videogame-Film Symbiosis............ 106 1.5 COMMERCIALS AND VIDEOCLIPS............ 111 1.5.1 Advertisements Reconfigured............. 111 1.5.2 Anime Music Video And MTV Asia......... -
Protoculture Addicts #61
Sample file CONTENTS 3 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ PROTOCULTURE ✾ PRESENTATION ........................................................................................................... 4 STAFF WHAT'S GOING ON? ANIME & MANGA NEWS .......................................................................................................... 5 Claude J. Pelletier [CJP] — Publisher / Manager VIDEO & MANGA RELEASES ................................................................................................... 6 Martin Ouellette [MO] — Editor-in-Chief PRODUCTS RELEASES .............................................................................................................. 8 Miyako Matsuda [MM] — Editor / Translator NEW RELEASES ..................................................................................................................... 10 MODEL NEWS ...................................................................................................................... 47 Contributors Aaron Dawe Kevin Lilliard, James S. Taylor REVIEWS Layout LIVE-ACTION ........................................................................................................................ 15 MODELS .............................................................................................................................. 46 The Safe House MANGA .............................................................................................................................. 54 Cover PA PICKS ............................................................................................................................ -
Goldorak En Clair Obscur FINAL
www.insulaeuropea.eu 1/12 COLLECTIF FRANCORAK GOLDORAK EN CLAIR-OBSCUR. 40 ans d'une série culte en France : l'aventure continue ! Une expérience éclairante. Goldorak était déjà une expérience pour les enfants que nous étions à la fin des années 70 et au début des années 80. Tout enfant savait, sans pouvoir l'expliquer, qu'il regardait un dessin animé d'action et d'aventures hors normes, complexe et subtil, donc stimulant pour l'esprit et... d'une certaine beauté - voire même d'une beauté certaine -, quoiqu'en disaient et en disent encore nombre de nos aînés. Ceux-là, pour qui ce dessin animé fut un autre genre d'expérience, le trouvaient, jusqu'aux journalistes de renom, "épouvantable". Ce qualificatif a perduré bien au-delà des années 80 et 90.1 Violent ? En tant que "crash télévisuel" oui, certainement ; en tant qu'anime à contenu réaliste, oui, certainement aussi, parce que racontant finalement la "vraie vie". Certainement moins violent, par contre, que les guerres des adultes, que le monde politique et du travail et que les propos et comportements – épouvantables, osons-le à notre tour - tenus et observés à l'encontre des auteurs. Mais il est vrai que la fascination des adultes pour l'Amérique - à chacun ses fascinations - et pour tout ce qui allait avec, interdisait de s'intéresser aux anime, et pire. Par conséquent, si "l'épouvantable anime Grendizer Raids" a été acheté par Antenne 2 via le distributeur Jacques CANESTRIER et le réalisateur Gérard CALVET avec son responsable Guy MAXENCE à l'été 1977, avec, peut-être bien, un coup de pouce du producteur Armand JAMMOT, on peut se demander si ce n'est pas simplement en raison des possibilités de glissement vers l'Amérique qu'il offrait, comparé à Mazinger Z et Great Mazinger : un Kôji (futur Alcor) qui arrive de la NASA, une ferme appelée Ranch avec vaches, chevaux et lassos, le passé de Danbei (futur Rigel) au Texas, les tenues vestimentaires plébiscitées dans ce ranch et le côté "mexicain" du voisin, les allusions au Western au travers de plusieurs autres personnages, dialogues et musiques.. -
New Chogokin Series“Absolute Chogokin”
September 24, 2015 Metal figurines on your hand!? New Chogokin series“Absolute Chogokin” Vol.1 “Dynamic Characters” to be released in December 2015 Vol.2 “Fujiko F Fujio Characters”in January 2016 Bandai Co., Ltd. (President & CEO: Masaru Kawaguchi, Heradquarters: Taito-ku, Tokyo) will release palm-sized die-cast figurines, Absolute Chogokin (“Chogokin-no-katamari” in Japanese, retail price: ¥1,296 including 8% tax, ¥1,200 before tax). The products will be released in December 2015 in Japan. The key target market is primarily male Chogokin and TV animation fans in their 20s and 50s. The products will be available for sale mainly at hobby stores, toy stores, and the hobby and toy departments of electronics stores. Abusolute Chogokin are palm-sized die-cast figurines that precisely express the distinctive features of robots or anime characters. The products are 100% formed of die-cast so that customers can feel not only the weight and the coolness of the metal, but also see the shine of the finish. Abusolute Chogokin are assemble of line selections so that they are suitable for making collections. Abusolute Chogokin Vol.1 “Dynamic Characters” released in December consist of 6 anime characters, Mazinger Z, Bossborot, Garada K7, Grendizer, Getter dragon, and Kotetsu JEEG. Kotetsu JEEG is commercialized for the first time in Chogokin brand. Vol.2 “Fujiko F Fujio characters” will be released in January 2016. Logo and product image ©DYNAMIC PLANNING Absolute Chogokin “Dynamic Characters” (From left, Mazinger Z, Bossborot, Garada K7, Grendizer, Getter dragon, and Kotetsu JEEG) ¥1,296 each including 8% tax/ ¥1,200 each before tax, to be released in December 2015 ©DYNAMIC PLANNING 【Absolute Chogokin “Dynamic Characters” Product Overview】 Product Name Absolute Chogokin “Dynamic Characters” Release Date December 2015 ¥1,296 each (including 8% tax), Suggested Retail Price Targeted Age 15 and older ¥1,200 each (before tax) Size Full height approx. -
Dossier De Reference
DURANDAL LEGILIS 2014 DOSSIER DE REFERENCE 1 Sommaire 1. Naissance de Mobile Suit Gundam et explications : Page 3 2. Les caractéristiques de Gundam : Page 4 3. Les différentes dimensions : Page 7 4. Importance dans la culture populaire : Page 15 2 1 : Naissance de Mobile Suit Gundam et explications Mobile Suit Gundam (Kidō Senshi Gandamu en Japonais) ou Gundam plus couramment est une franchise d’animation Japonaise créée par Yoshiyuki Tomino et Hajime Yatate pour le studio d’animation Sunrise en 1979. Elle appartient au genre « Mecha », restant assez classique dans son thème de science-fiction mais est très innovatrice de par sa volonté du réalisme, aussi bien à travers sa narration qu’à ses éléments technologiques. Malgré des débuts difficiles, Gundam à réussi à se faire un nom en 1980 jusqu’à nos jours. Aujourd’hui, la franchise comporte une trentaine de séries, d’OAV (Original Animation Video) et de films. Mais aussi une dizaine de mangas, de romans, de jeux-vidéos et même de parodies (SD Gundam). En 1979, les japonais voyaient débarquer sur leurs écrans une nouvelle série de science- fiction nommée Kidô Senshi Gundam (appelée plus communément Mobile Suit Gundam). Dans cette série il y avait des mechas, mais pour la première fois depuis des années, le rôle de ces robots n'est pas super important. Ici, ces monstres de métal ne sont pas indestructibles, ils ne sont pas des armes ultimes et sont encore moins destinés à sauver le monde d'une menace extra-terreste (par exemple). Pour la première fois dans une série d'animation de science-fiction avec des mechas, les personnages jouent un rôle déterminant dans une guerre qui fait rage. -
Medium and Mediators: Tracing Collaborative Authorship
International Journal of Languages, Literature and Linguistics, Vol. 2, No. 1, March 2016 Medium and Mediators: Tracing Collaborative Authorship Jesse C. Newman Cowboy Bebop is the definitive example of the porting of Abstract—This paper investigates how stylistic decisions of Bebop Jazz procedures to film and animated formats. Genre is authors can be tracked in the context of the inherently emphasised, the interactions of the creatives are spontaneous collaborative mediums of film, television and animated serials. and de-hierarchised, even the plot itself, the overarching In order to measure and evaluate authorial input, dual sets of cases studies in credit taking, inspiration and collaboration are characteristic of serial entertainment, is given a backseat role explored and assessed. The jealously credited script writing and to structural and aesthetic objectives and considerations. As in concept development of Aaron Sorkin is compared with the Bebop Jazz, the viewer is forced to read the work closely, or more reflexive and pluralistic credit of Japanese animated series risk missing the key concepts and narrative subtleties. authored by ‘Sunrise’ creative staff under a shared nom de plume of ‘Hajime Yatate’. B. A Ghost out of the Corporate Machine The central figure in the Bebop project is unquestionably Index Terms—Anime, authorship, collaboration, Shinchiro the director, Shinchiro Watanabe. With his career proper Watanabe, Sorkin. starting only a few years prior on 1994‟s action animated special „Macross Plus‟, Watanabe‟s first project as full director was to be „Cowboy Bebop‟ [3]. The „Macross‟ entry I. INTRODUCTION he codirected was a jetfighter space opera populated with The question can be raised, in the case of collaborative arts, stock characters put forward without apparent irony. -
September 2, 2014
September 2, 2014 FOR IMMEDIATE RELEASE LOVE LIVE! SCHOOL IDOL PROJECT 1ST SEASON PREMIUM EDITION OUT TODAY! Santa Ana, CA (September 2, 2014) – It’s time to take the mic and sing along with your favorite high school idols! NIS America is excited to announce that Love Live! School Idol Project 1st Season Premium Edition is out today. Love Live! School Idol Project is a show about nine girls who form a school idol group to keep their school from shutting down. And as they will soon learn, being a school idol might be hard work, but it will help to prepare them for the challenges that await them throughout life. It will be available at the following select online retailers: Right Stuf, The Anime Corner Store, Anime Pavilion, and NIS America Online Store. Love Live! School Idol Project 1st Season Premium Edition About the show: The traditional school Otonokizaka High is situated between the three towns of Akihabara, Kanda, and Jimbocho. This school is also in imminent danger of closing. Because of this crisis, the second year student Honoka Kosaka takes center stage with eight others to do something about it! "To protect the school we love so much, we have to do all we can... We have to become school idols! By becoming idols and advertising how great our school is to the world, more students will want to apply!" About the extras: - Hardcover art book (full color, approx. 28 pages) with episode guide, character info, and gorgeous full color illustrations Cast Emi Nitta as Honoka Kosaka Pile as Maki Nishikino Yoshino Nanjo as Eli Ayase Aina Kusuda as Nozomi Tojo Aya Uchida as Kotori Minami Yurika Kubo as Hanayo Koizumi Suzuko Mimori as Umi Sonoda Sora Tokui as Nico Yazawa Riho Iida as Rin Hoshizora Staff Original Story: Hajime Yatate Original Plan: Sakurako Kimino Director: Takahiko Kyogoku Series Organization: Jukki Hanada Character Design/Animation Director: Asako Nishida Character Designs & Animation Animator: Yuhei Murota Music Production: Lantis © 2013 PROJECT Lovelive! Animation Production: SUNRISE Inc. -
Char's Counterattack © 1998, 2002 Sotsu Agency • Sunrise
TT HH EE AA NN II MM EE && MM AA NN GG AA MM AA GG AA ZZ II NN EE $$ 44 .. 99 55 UU SS // CC AA NN PROTOCULTURE PROTOCULTUREAA DD DD II CC TT SS MAGAZINE www.protoculture-mag.com 7373 •• cosmocosmo wwarriorarrior zerozero •• ccowboyowboy bebopbebop thethe moviemovie •• jojojosjos bizarrebizarre Sample file adventureadventure •• natsunatsu hehe nono totobirabira •• projectproject armsarms •• sakurasakura warswars •• scryedscryed •• slayersslayers premiumpremium •• NEWSNEWS && REVIEWSREVIEWS CHAR’S COUNTERATTACK CHAR’S COUNTERATTACK C o v e r 2 o f 2 Sample file CONTENTS 3 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ PROTOCULTURE ✾ PRESENTATION ........................................................................................................... 4 STAFF NEWS ANIME & MANGA NEWS: Japan / North America ............................................................... 5, 10 Claude J. Pelletier [CJP] — Publisher / Manager ANIME RELEASES (VHS / DVD) & PRODUCTS (Live-Action, Soundtracks, etc.) .............................. 6 Miyako Matsuda [MM] — Editor / Translator MANGA RELEASES / MANGA SELECTION / MANGA NEWS .......................................................... 7 Martin Ouellette [MO] — Editor JAPANESE DVD (R2) RELEASES .............................................................................................. 9 NEW RELEASES ..................................................................................................................... 11 Contributing Editors Aaron K. Dawe, Asaka Dawe, Keith Dawe Kevin Lillard, Gerry -
Protoculture Addicts Is ©1987-2003 by Protoculture
Sample file CONTENTS 3 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ P r o t o c u l t u r e A d d i c t s # 7 9 November / December 2003. Published bimonthly by Protoculture, P.O. Box 1433, Station B, Montreal, Qc, ANIME VOICES Canada, H3B 3L2. Web: http://www.protoculture-mag.com Presentation ............................................................................................................................ 3 Letters ................................................................................................................................... 70 E d i t o r i a l S t a f f Claude J. Pelletier [CJP] – Publisher / Editor-in-chief [email protected] NEWS Miyako Matsuda [MM] – Editor / Translator ANIME & MANGA NEWS: Japan ................................................................................................. 5 Martin Ouellette [MO] – Editor ANIME RELEASES (VHS / R1 DVD) .............................................................................................. 6 PRODUCTS RELEASES (Live-Action, Soundtracks) ......................................................................... 7 C o n t r i b u t i n g E d i t o r s MANGA RELEASES .................................................................................................................... 8 Keith Dawe, Kevin Lillard, James S. Taylor MANGA SELECTION .................................................................................................................. 8 P r o d u c t i o n A s s i s t a n t s ANIME & MANGA NEWS: North America ................................................................................... -
PORSCHE 911 TARGA Dropping the Top
GET YOUR GEEK ONON! CES 2014 What tech to expect PORSCHE 911 TARGA Dropping the top FIND INSIDE: • Offi ce Attire • Fitness Gear • Manbags • Heist Movies • Tech Horoscope FROM THE EDITOR The End of the Virus s Facebook on its way out? If you compare the social network to that of an infectious disease, then by 2017 it could only have as little as 20% of its peak user base left. IThat is according to researchers at Princeton University, who used epidemiological models to explain user adoption and abandonmentndonmmeent of social networks. Granted, they did base their conclusionsons off Facebook on that of the disaster that was Myspace, whichh wass left abandoned because of mass migration to Facebook. For now there is no new social network that threatens Facebook’sceboookk’s popularity, but the fact that younger people are simply nott ass enamoured by the big F (3 million less 13-17 year old userserss thanthhan inin Jan 2011) is interesting. This might be because posting becomesbeecocomes increasingly less cool once you’ve accepted that friend requesteququest from mom. I have also heard a number of users complaining about simply not coping with Facebook’s continuous updates ofof smiling selfies, happy loving couples, ‘inspirational’ pictures,rress, kids off to their first day of school, babies born, new brilliant jobs, and friends showing off their holiday cabin at the edge of Mount Couldntcareless. Complaining about that though seems a bit like criticising a chair because itt forces you to sit down. There are a couple of solutions to this problem – defriend, defriend, defriend, or simply uninstall that stupid Facebook app. -
Reality Bonsai Animism and Science-Fiction As a Blueprint for Media Art in Contemporary Japan
Reality Bonsai Animism and Science-Fiction as a Blueprint for Media Art in Contemporary Japan Mauro Arrighi A thesis submitted in partial fulfilment of the requirements of the Southampton Solent University for the degree of Master of Philosophy March 2018 ‘This work is the intellectual property of Mauro Arrighi. You may copy up to 5% of this work for private study, or personal, non-commercial research. Any re-use of the information contained within this document should be fully referenced, quoting the author, title, university, degree level and pagination. Queries or requests for any other use, or if a more substantial copy is required, should be directed in the owner(s) of the Intellectual Property Rights’. Table of Contents Section 1 1 Abstract………………………………………………………………………………...........3 2 Introduction…………………………………………………………………….....................4 2.1 Aims.....………………………………………………………………………........9 3 Research Methods…………………………………………………………………….........10 4 Literature Survey…………………………………………………………………………..12 5 Historical and Theoretical Frameworks that Inform Japanese Media Art……………........22 6 Convergence of the Real and the Virtual in Japanese Society 6.1 The Relationship Between Escapism and Media Art...………..............................25 7 Case study: Media Artist Takahiro Hayakawa…………………...…...……….……...........35 8 Case study: Media Artist Kazuhiko Hachiya………………………………………..…......38 9 Conclusion………………………………………………………………………….............43 10 List of Illustrations……………………………………………………………………......44 Section 2 1 Evidence of Practical work……………………………………………………....................47 -
Previews #306 (Vol. Xxiv #3, Mar14)
PREVIEWS #306 (VOL. XXIV #3, MAR14) PREVIEWS PUBLICATIONS PREVIEWS #308 MAY 2014 THIS MONTH’S COVER ART: New projects from Image and DC! THIS MONTH’S THEME: Women in Comics! Since 1988, PREVIEWS has been your ultimate source for all of the comics and merchandise to be available from your local comic book shop… revealed up to two months in advance! Hundreds of comics and graphic novels from the best comic publishers; the coolest pop-culture merchandise on Earth; plus PREVIEWS exclusive items available nowhere else! Now more than ever, PREVIEWS is here to show the tales, toys and treasures in your future! This May issue features items scheduled to ship in July 2014 and beyond. Catalog, 8x11, 500+pg, PC $4.50 PREVIEWS #308 CUSTOMER ORDER FORM — MAY 2014 PREVIEWS makes it easy for you to order every item in the catalog with this separate order form booklet! This May issue features items scheduled to ship in July 2014 and beyond. Comic-sized, 62pg, PC PI MARVEL PREVIEWS VOLUME 2 #22 Each issue of Marvel Previews is a comic book-sized, 120-page, full-color guide and preview to all of Marvel’s upcoming releases — it’s your #1 source for advanced information on Marvel Comics! This May issue features items scheduled to ship in July 2014 and beyond. FREE w/Purchase of PREVIEWS Comic-sized, 120pg, FC $1.25 COMICS SECTION PREMIER VENDORS DARK HORSE COMICS HATSUNE MIKU: UNOFFICIAL HATSUNE MIX TP KEI (W/A/Cover) On sale July 2 FC/b&w, 480 pages $19.99 TP, 5 3/4" x 8 1/4" Who's that girl with the long green ponytails you've been seeing everywhere? It's Hatsune Miku, the Vocaloid—the synthesizer superstar who's singing your song! She's a global cyber celebrity and a cosplay favorite at conventions.