The Battle of Shimonoseki. with Illustration
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VOLUME 1: BORDERS 2018 Published by National Institute of Japanese Literature Tokyo EDITORIAL BOARD Chief Editor IMANISHI Yūichirō Professor Emeritus of the National Institute of Japanese 今西祐一郎 Literature; Representative Researcher Editors KOBAYASHI Kenji Professor at the National Institute of Japanese Literature 小林 健二 SAITō Maori Professor at the National Institute of Japanese Literature 齋藤真麻理 UNNO Keisuke Associate Professor at the National Institute of Japanese 海野 圭介 Literature KOIDA Tomoko Associate Professor at the National Institute of Japanese 恋田 知子 Literature Didier DAVIN Associate Professor at the National Institute of Japanese ディディエ・ダヴァン Literature Kristopher REEVES Associate Professor at the National Institute of Japanese クリストファー・リーブズ Literature ADVISORY BOARD Jean-Noël ROBERT Professor at Collège de France ジャン=ノエル・ロベール X. Jie YANG Professor at University of Calgary 楊 暁捷 SHIMAZAKI Satoko Associate Professor at University of Southern California 嶋崎 聡子 Michael WATSON Professor at Meiji Gakuin University マイケル・ワトソン ARAKI Hiroshi Professor at International Research Center for Japanese 荒木 浩 Studies Center for Collaborative Research on Pre-modern Texts, National Institute of Japanese Literature (NIJL) National Institutes for the Humanities 10-3 Midori-chō, Tachikawa City, Tokyo 190-0014, Japan Telephone: 81-50-5533-2900 Fax: 81-42-526-8883 e-mail: [email protected] Website: https//www.nijl.ac.jp Copyright 2018 by National Institute of Japanese Literature, all rights reserved. PRINTED IN JAPAN KOMIYAMA PRINTING CO., TOKYO CONTENTS -
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x i: w s \\ i: i, i; i\ s i: FOURTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 . 737-4215/842-6353 FOR IMMEDIATE RELEASE MAJOR EXHIBITION OF JAPANESE ART AT NATIONAL GALLERY OF ART Exhibition To Appear Only In Washington WASHINGTON, August 25, 1988- The art of the daimyo, feudal lords who ruled the provinces of Japan for nearly 700 years, will be the focus of a new exhibition, Japan: The Shaping of Daimyo Culture 1185 - 1868, opening this fall at the National Gallery of Art. The exhibition will bring together more than 450 Japanese-owned works of art that express the values that helped shape the aesthetic ideals and social character of the Japanese nation in its feudal age. An unprecedented number of objects officially designated by the Japanese government as National Treasures, Important Cultural Properties and Important Art Objects will be on view in what will be the largest exhibition of its kind ever presented in the West, or even in Japan. This exhibition will appear only in Washington. Japan: The Shaping of Daimyo Culture 1185 - 1868 will be in the East Building of the National Gallery of Art, Oct. 30, 1988 through Jan. 23, 1989. The exhibition is organized by the National Gallery of Art, The Agency for Cultural Affairs of Japan, and The Japan Foundation. The R.J. Reynolds Tobacco Company, The Yomiuri Shimbun and The Nomura Securities Co., Ltd. made the exhibition possible. Japan Air Lines provided transport. The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. -
CSJR Newsletter
Centre for the Study of Japanese Religions CSJR Newsletter Autumn 2009 Issue 18-19 CSJR Newsletter • Autumn 2009 • Issue 18-19 In this issue 2 From the Centre Chair Centre Activities FROM THE CHAIR 3 CSJR Seminar and Fora Schedule 4 Film Screening: A Zen Life: D.T. Suzuki 5 Spring International Workshop: Minakata Another academic year has just concluded and while we look forward to the summer Kumagusu and London break we reflect back on the past months. As I write, the field of Japanese religion is saddened by the news that Carmen Blacker has passed away, on the morning of her Centre Activities Reports 85th birthday. Perhaps the most influential British scholar of Japanese religions, Carmen Blacker’s work opened up a new understanding of religious practices in Japan. She was 6 CSJR Spring International Workshop very supportive of the Centre, as she was of young scholars and of new initiatives, and I 8 Numata Lecture Series (2007-2008) have fond memories of her visits in the early years of the Centre. We will be remember- 9 Portraiture: Power & Ritual ing her and honouring her scholarly contributions in coming events. Research Notes Last year several people were away from the CSJR. After Brian Boching took up a post 10 O-take Dainichi Nyorai, a Shugendō Icon at the University of Cork, John Breen also left London to take up a three-year assignment 13 Motoori Norinaga’s Thoughts at Nichibunken in Kyoto. A few of our PhD students spent periods in Japan conducting on Astronomy fieldwork, and I myself was on sabbatical for the first two terms of 2008-2009. -
Sengoku Revised Edition E-Book
SENGOKUSENGOKUTM CHANBARA ROLEPLAYING IN FEUDAL JAPAN Revised Edition CREDITS Authors: Anthony J. Bryant and Mark Arsenault Michelle Knight, Charles Landauer, Bill Layman, Greg Lloyd, Fuzion Roleplaying Rules: David Ackerman-Gray, Bruce Paradise Long, Steve Long, Jonathan Luse, Kevin MacGregor, Harlick, Ray Greer, George MacDonald, Steve Peterson, Mike Shari MacGregor, Paul Mason, John Mehrholz, Edwin Pondsmith, Benjamin Wright Millheim, Mike Montesa, Dale Okada, Arcangel Ortiz, Jr., Sengoku-specific Rules: Mark Arsenault Ken Pryde, Mauro Reis, David Ross, Arzhange Safdarzadeh, Project Developer & Revisions: Mark Arsenault Rick Sagely, Janice Sellers, Matt Smith, Susan Stafford, Editorial Contributions: David Carroll, Dorian Davis, Paul Patrick Sweeney, Simon Taylor, Andy Vetromile, Marissa Mason, Andrew Martin, Sakai Naoko Way, Paul Wilcox, Chris Wolf. Cover Illustration: Jason A, Engle Additional Thanks: To Paul Hume, and to everyone on the Interior Illustrations: Paul Abrams, Mark Arsenault, Heather Sengoku mailing list for their suggestions and encouragement, Bruton, Nancy Champion, Storn Cook, Audrey Corman, Steve especially Dorian Davis, Anthony Jackson, Dave Mattingly, Goss, John Grigni, Kraig Horigan, Bryce Nakagawa, J. Scott Mike Montesa, Simon Seah, and Paul Wilcox. Reeves, Greg Smith, Tonya Walden Revised Edition Thanks: To Peter Corless for helping us real- Layout Design & Graphics: Mark Arsenault ize the “new” dream, Sakai Naoko and David Carroll for edi- Cartography: Mark Arsenault & Anthony J. Bryant torial contributions, Kurosawa Akira and Mifune Toshirô for Playtesters: Margaret Arsenault, Mark Arsenault, Andrew feuling the fire, Margaret for continued support, and to all the Bordner, Theron Bretz, Matt Converse-Willson, Josh Conway, fans for keeing Sengoku alive! Mark Craddock, Dorian Davis, Paul Delon, Frank Foulis, Scott Sengoku Mailing List: To join the Sengoku e-mail list just Galliand, Steve B. -
Creating Heresy: (Mis)Representation, Fabrication, and the Tachikawa-Ryū
Creating Heresy: (Mis)representation, Fabrication, and the Tachikawa-ryū Takuya Hino Submitted in partial fulfillment of the Requirement for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Takuya Hino All rights reserved ABSTRACT Creating Heresy: (Mis)representation, Fabrication, and the Tachikawa-ryū Takuya Hino In this dissertation I provide a detailed analysis of the role played by the Tachikawa-ryū in the development of Japanese esoteric Buddhist doctrine during the medieval period (900-1200). In doing so, I seek to challenge currently held, inaccurate views of the role played by this tradition in the history of Japanese esoteric Buddhism and Japanese religion more generally. The Tachikawa-ryū, which has yet to receive sustained attention in English-language scholarship, began in the twelfth century and later came to be denounced as heretical by mainstream Buddhist institutions. The project will be divided into four sections: three of these will each focus on a different chronological stage in the development of the Tachikawa-ryū, while the introduction will address the portrayal of this tradition in twentieth-century scholarship. TABLE OF CONTENTS List of Abbreviations……………………………………………………………………………...ii Acknowledgements………………………………………………………………………………iii Dedication……………………………………………………………………………….………..vi Preface…………………………………………………………………………………………...vii Introduction………………………………………………………………………….…………….1 Chapter 1: Genealogy of a Divination Transmission……………………………………….……40 Chapter -
The Samurai in JAPANESE HISTORY
ONCE AND FUTURE WARRIORS The Samurai IN JAPANESE HISTORY By Karl Friday he samurai exercise a powerful hold on popular imaginations, both in and out of Japan, rival- T ing cherry blossoms, geisha, and Sony as Japanese cultural icons. Emerging during the early part of the Heian period (794–1185), these war- riors—known as bushi, tsuwamono, musha, mononofu, and other names at various times in their history—dominated the political and economic land- scape by the early 1200s, and ruled outright from the late fourteenth to the late nineteenth century. Their story is, therefore, central to the history of premodern and early modern Japan, and has become the subject of dozens of popular and scholarly books. It also inspires a veritable Mt. Fuji of misperceptions and misin- formation—a karate instructor in Japan once told me of a New Zealand man who came to live and train with him, and who was absolutely convinced that samurai were still living on some sort of reservation on the back side of a nearby mountain! Until a generation ago, scholars pondering the samurai were Detail from the Mounted Warrior all-too-readily seduced by perceptions of an essential similarity Hanging scroll; ink and color on silk between conditions in medieval Japan and those of northwestern Nanbokuch¯o period, fourteenth century Agency for Cultural Affairs, Tokyo. Important Cultural Europe. Samurai and daimy¬ (the regional military lords who Property Image source: Japan: The Shaping of Daimyo Culture 1185–1868, emerged during Japan’s late medieval age) were equated with edited by Yoshiaki Shimizu. Published by the National Gallery of Art, Washington, 1988 knights and barons; and theories on the origins and evolution of the samurai were heavily colored by conceptions of how the knights and their lords had come to be. -
Medieval Japan Through Art: Samurai Life in Medieval Japan
www.colorado.edu/ptea-curriculum/imaging-japanese-history Medieval Japan Through Art: Samurai Life in Medieval Japan by Jaye Zola, Retired Teacher and Librarian, Boulder Valley Schools Introduction: Teachers are encouraged to read “Medieval Japan: An Introductory Essay,” by historian Ethan Segal, prior to conducting this lesson. The introductory essay may also be assigned to students with advanced reading abilities (grades 11-12). The essay provides context for this lesson by sketching the history of medieval Japan. Medieval Japan saw warfare and chaos. The growth of the warrior class and the influence of Buddhism eventually gave rise to a refined culture having roots in the classical Japanese tradition. The time period referred to as medieval Japan actually comprised three distinct periods: the Kamakura (1185-1333), Muromachi (1336-1573), and Momoyama (1568-1603). Beginning with the Kamakura through the mid-19th century, military rulers governed Japan. During the Muromachi and Momoyama, the feudal structure concentrated wealth, culture, and power in the hands of feudal lords called daimyō. The social structure of samurai as retainers to noble lords enabled a few powerful daimyō to eventually be shogun or the military ruler. This lesson is designed to challenge the view of sword-wielding samurai of U.S. movies. Rather than focusing on one particular art form, this lesson uses a variety of images from scrolls, screens, and artifacts. Using these visual sources, students learn about the three different periods of medieval Japan. Adding to the visual record of this time period, literature selections bring the voice of the samurai into the historical account. -
15.6 Significant Individual: Minamoto No Yoritomo
15B How was Japanese society organised during the rule of the shoguns? 15.6 Signicant individual: Minamoto no Yoritomo Minamoto no Yoritomo was a warrior chief of the Yamato class. Beginning in 1180, Yoritomo and other clan who, in 1192 CE, was named the rst shogun by the Minamoto clan leaders decided to rise up against emperor. As the shogun, Yorimoto wielded huge amounts the Taira clan in Kyoto. The war between the of political and military power. He set up his own capital in Minamoto and the Taira lasted for ve years until Kamakura, far to the east of the emperor’s capital in Kyoto. Minamoto armies drove the Taira from Kyoto to In Kamakura, he would be free to rule without interference nal defeat. from the emperor. He was the rst in a line of shoguns who In 1185, Yoritomo established government at would go on to rule Japan for the next 700 years. Kamakura, a small coastal village south of modern- day Tokyo, where the Minamoto clan had many The emergence of a warrior class supporters. A few years later, in 1192, Yoritomo received the title of shogun from the emperor. Until the end of the 12th century, Japan was still ruled by This made him Japan’s rst ofcial shogun. The the emperor and his government from the Imperial Palace government Yoritomo founded, which lasted in Kyoto. At this time, the decisions made by the emperor from 1185 until 1333, is known as the Kamakura were very heavily inuenced by members of the Fujiwara shogunate. clan (who were trusted advisors at court). -
Title: the Development of Feudalism in Japan and Its Presence in Japan
Title: The Development of Feudalism in Japan and its Presence in Japan Today Author: Chelsea Maxwell Recommended Time Frame: 3-4 60-minute periods Grade Level: Middle School World History Standards: 7.5 Students analyze the geographic, economic, religious, and social structure of the civilizations of Medieval Japan. Lesson Objective: Students will understand the development of feudalism and the lasting evidence of feudalism in Japan today. Lesson Background Information: This lesson is designed for middle school students studying world history. Since this is typically the first time students have examined Japan in depth this lesson first provides an introduction to feudalism in Japan (The Development of Feudalism in Japan Reading and Problem-Solution Journal). After building background information, students are then asked to examine various structures in Japan that were essential to the continuance of feudalism during the feudal period (Feudal Japanese castles), and structures that were created to preserve this time in history. Anticipatory Set: Students will examine various images of feudal castles in Japan. They will be asked to take note of the following: • What are the castles made of? • What are some details you notice in the structure of the castle? • What surrounds the castle? • Is this similar to or different from other castles you have seen in pictures or movies? • Why do you think these castles were built this way? The objective of this anticipatory set is to have students looks critically at the design and structure of a feudal castle in Japan as an introduction to Japanese feudalism. Moreover, it is designed to help students push aside what they traditionally think of as a “castle” in order to think of a castle as a strategic weapon of defense during the feudal era in Japan. -
A Comparison of Ruler Longevity in Merit and Feudal Institutions Cody Schmidt Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2016 Constraints that Bind? A Comparison of Ruler Longevity in Merit and Feudal Institutions Cody Schmidt Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the History Commons, and the Political Science Commons Recommended Citation Schmidt, Cody, "Constraints that Bind? A Comparison of Ruler Longevity in Merit and Feudal Institutions" (2016). Graduate Theses and Dissertations. 15806. https://lib.dr.iastate.edu/etd/15806 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Constraints that bind? A comparison of ruler longevity in merit and feudal institutions by Cody Schmidt A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: Political Science Program of Study Committee: Robert Urbatsch, Major Professor Jonathan Hassid Amy Erica Smith Mack Shelley Iowa State University Ames, Iowa 2016 Copyright © Cody Schmidt, 2016. All rights reserved. ii TABLE OF CONTENTS LIST OF FIGURES ................................................................................................... iii LIST OF TABLES .................................................................................................... -
Statler 8/16-50
Taira Tadamori was annoyed. Very annoyed. A Chinese ship lay offshore loaded with goods that meant hefty profits. But here too were the pests he had he had tried to dodge: Dazaifu inspectors intent on boarding the ship, interrogating the captain, and inspecting the cargo so they could nab a considerable part of it in the name of taxes and fees. The ship’s captain was fuming. Had Taira Tadamori forgotten his assurance that at this out-of-the-way anchorage there would be no hungry officials? On the strength of that promise he had by-passed the familiar port of Hakata to sail a long, looping course southward around Kyushu’s western outreaches through island-clogged passages and bays then back northward more than sixty miles to the farthest shore of the gulf called the Ariake Sea. Here, he had been assured, was the security of the estate that Tadamori managed. Tadamori tried to cool the irate Chinese. He insisted that he could handle the situation. As manager he represented the owners of the estate, and though it was held by a temple in the capital that temple had been founded by imperial order and the estate was in fact part of the lanes belonging to the imperial family. In this year 1133 the head of the imperial family was the retired emperor Toba, the most influential man in the capital. Toba took a keen interest in the family lands. He was zealous in expanding them and he would not look kindly on any attempt to cut into the revenue they yielded. -
Arts in the Wind: JICC Kite Collection List and Supplementary Descriptions 2017 6/12-8/18
Arts in the Wind: JICC Kite Collection List and Supplementary Descriptions 2017 6/12-8/18 Goryokaku: 1 This kite, designed by Hikozo Ohta, originates in Hakodate, Hokkaido and depicts Fort Goryokaku, where loyalists to the Shogunate staged their final resistance when the Meiji Restoration returned power to the Emperor. Today, the remains of the fort, in what is now known as Goryokaku Park, are a special Historical Site and popular cherry blossom viewing spot. Noshiro kite: 2, 3, 8 This type of kite originated in Noshiro, Akita Prefecture. It is unique in that the frame has no diagonal pieces and no bottom. Daruma: 7, 16, 39, 49 Bodhidharma, a Zen Buddhist mystic from the 5th or 6th century, is known as Daruma in Japan. The Daruma doll (left) is used to achieve an important goal. Upon undertaking a task, one eye is filled. The other eye is filled only when the goal is achieved. In one legend, he is said to have sat facing a wall in a cave near the Shaolin Monastery for nine years, neither moving nor speaking, as his legs atrophied. This is why the Daruma doll commonly seen in Japan has neither arms nor legs. “Rashomon”: 11, 69 “Rashomon” is a Noh story which contains a depiction of the battle between a samurai and an oni at Rashomon. The samurai here is Watanabe no Tsuna, who is one of the four champions of Minamoto no Yorimitsu - a revered samurai lord of the Minamoto Clan from the Heian period (794 - 1185.) Kintoro/Sakata Kintoki: 21, 33 Contemporary to Watanabe no Tsuna, this legendary figure was also one of the four champions of Minamoto no Yorimitsu.