Moby-Dick Festival

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Berkshire County Historical Society’s Moby-Dick Film Festival Celebrating Herman Melville’s novel Written in Pittsfield, 1850-1851 Thursday, January 17 – THE SEA BEAST (1926-Silent with Music) Starring John Barrymore, Dolores Costello Thursday, January 24 –Assorted short films including ‘Willy, the Whale’ ‘The Whalers’ and Jack Aranson’s one-man show, MobyDick Thursday, January 31 – MOBY DICK (1930) starring John Barrymore, Joan Bennett, Lloyd Hughes Tuesday, February 12 – MOBY DICK, THE MINI-SERIES, PART 1 Starring Patrick Stewart, Henry Thomas, Ted Levine, Dominic Purcell and Gregory Peck as Father Mapple Thursday, February 14 – MOBY DICK, THE MINI-SERIES, PART 2 Tuesday, February 19 – AGE OF THE DRAGONS (2011) with Danny Glover, Vinnie Jones, Corey Sevier, Sofia Pernas Thursday, February 28 – Jake Heggie’s opera MOBY-DICK San Francisco Opera with Jay Hunter Morris as Ahab Moby-Dick was a colossal failure when first published in 1851 but in the early 20th century it began taking its place among the most highly regarded works written in the 19th century; today it is seen as one of the best books ever written. It has inspired plays, other novels and many films in many genres. This short festival explores only a few of the many versions. This is the first Moby-Dick Film Festival ever produced, compiled by the Historical Society at Herman Melville’s Arrowhead and presented with the Friends of the Berkshire Athenaeum at the library located at 1 Bartlett Avenue, Pittsfield. All events are FREE and open to the public; all shows at 6:30pm include refreshments. For more information call 413-442-1793. .

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L'opéra Moby Dick De Jake Heggie
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 20 | 2020 Staging American Nights L’opéra Moby Dick de Jake Heggie : de nouveaux enjeux de représentation pour l’œuvre d’Herman Melville Nathalie Massoulier Édition électronique URL : http://journals.openedition.org/miranda/26739 DOI : 10.4000/miranda.26739 ISSN : 2108-6559 Éditeur Université Toulouse - Jean Jaurès Référence électronique Nathalie Massoulier, « L’opéra Moby Dick de Jake Heggie : de nouveaux enjeux de représentation pour l’œuvre d’Herman Melville », Miranda [En ligne], 20 | 2020, mis en ligne le 20 avril 2020, consulté le 16 février 2021. URL : http://journals.openedition.org/miranda/26739 ; DOI : https://doi.org/10.4000/ miranda.26739 Ce document a été généré automatiquement le 16 février 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. L’opéra Moby Dick de Jake Heggie : de nouveaux enjeux de représentation pour ... 1 L’opéra Moby Dick de Jake Heggie : de nouveaux enjeux de représentation pour l’œuvre d’Herman Melville Nathalie Massoulier Le moment où une situation mythologique réapparaît est toujours caractérisé par une intensité émotionnelle spéciale : tout se passe comme si quelque chose résonnait en nous qui n’avait jamais résonné auparavant ou comme si certaines forces demeurées jusque-là insoupçonnées se mettaient à se déchaîner […], en de tels moments, nous n’agissons plus en tant qu’individus mais en tant que race, c’est la voix de l’humanité tout entière qui se fait entendre en nous, […] une voix plus puissante que la nôtre propre est invoquée.
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The Influence of Herman Melville's Moby-Dick on Cormac Mccarthy's Blood Meridian
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