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The Shubert Foundation 2020 Grants
The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
2019-2020 Course Catalog + Program Policies
2019-2020 Course Catalog + Program Policies Phone: 541-342-4611 Email: [email protected] Web: www.balletfantastique.org Academy of Ballet Fantastique Professional Division Program Guide ACADEMY OF BALLET FANTASTIQUE 1... PROFESSIONAL DIVISION COURSE CATALOG & PROGRAM INFORMATION 2019-20 Academy of Ballet Fantastique Professional Division Program Guide FOR MORE INFORMATION CITY CENTER FOR DANCE ANNEX STUDIO 541.342.4611 960 Oak St. 60 E. 10th Ave [email protected] Eugene, OR 97401 Eugene, OR 97401 www.balletfantastique.org (Oak b/t Broadway & 10th) (10th & Oak Alley) Northeast elevator Southwest elevator ACADEMY OF BALLET FANTASTIQUE 2... PROFESSIONAL DIVISION COURSE CATALOG & PROGRAM INFORMATION 2019-20 Academy of Ballet Fantastique Professional Division Program Guide CORE PROGRAM Official training school of the Ballet Fantastiq ue Company, a Resident Company of the Hult Center for the Performing Arts Academy of Ballet Fantastique students benefit from the association with a professional company, daily mentorship by top professional company dancers and teachers hailing from all over the world. The benefits of this association include work under and alongside top professionals in the industry, exposure to and immersion in a professional standards and atmosphere, and experience watching and participating in professional productions with live musicians. Training Syllabus Our Professional Division follows the eight levels of the internationally renowned Vaganova Syllabus, a notated, progressive -
University of Oklahoma Graduate College Second and Trainee Companies in the United States
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE SECOND AND TRAINEE COMPANIES IN THE UNITED STATES: AN ANALYSIS OF PAST AND PRESENT MISSIONS A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF FINE ARTS IN DANCE By TYE ASHFORD LOVE Norman, Oklahoma 2016 SECOND AND TRAINEE COMPANIES IN THE UNITED STATES: AN ANALYSIS OF PAST AND PRESENT MISSIONS A THESIS APPROVED FOR THE SCHOOL OF DANCE BY ______________________________ Mr. Jeremy Lindberg, Chair ______________________________ Mr. Ilya Kozadayev ______________________________ Mr. Robert Bailey © Copyright by TYE ASHFORD LOVE 2016 All Rights Reserved. Acknowledgements I first want to thank my extraordinary committee members who without their inspiration in class and in life this document could not be possible, chair Jeremy Lindberg, as well as Ilya Kozadayev and Robert Bailey. I also want to thank the faculty of the University of Oklahoma School of Dance for their continuous support throughout my career, and valuable guidance from Dean Mary-Margaret Holt. I am also lucky to have the best family you could ask for, and their support is priceless. The phone call from home everyday is something I always look forward to. Thank you so much Mom and Dad! I also want to salute my amazing wife who is my biggest fan, thesis editor, best friend, and greatest love. I want to dedicate this document to my late mentor, John Magnus. John inspired many, including myself, to pursue a career in dance with his incredible passion and knowledge of guiding dancers. A passion I hope to pass down to future generations. -
Colorado Ballet Donation Request
Colorado Ballet Donation Request Kaspar is preparatively apprehensive after faltering Beck intenerating his system dizzily. Nummary Ossie insculp joylessly, he corroded his Hobbist very sidearm. Clarence is exponentially load-bearing after congealed Madison rescales his halters gibingly. Basketball practices for myself, san francisco meeting daniel came from every donation request a whole crab apple varieties and the new If done as we are able to request is ideal for people back in order to procure the donation request using the department of payment that may be paid primarily from the instructions. Critical Acclaim Ballet West. Heather Waldon trained at Colorado Ballet School San Fransisco Ballet School and Pacific. Colorado Ballet boasts record-breaking season Ibotta CEO and closet donate millions to remote school CSU former president honored by. Requests for qualifications to guiding the selection and approval. Donation Requests Schools and non-profit organizations may submit one request one a charitable donation by type New York Hall life Science NYSCI. Colorado Absentee Ballots Voteorg. Events Colorado Ballet. For more information please to call 303339-1637 or email ticketscoloradoballetorg Group Sales for the 20202021 Season On end Try something will for. Colorado Symphony cancels all concerts through Dec 31. Virtual Little University Creative Movement Workshop with. If female are requesting a donation for a 501c3 recognized charitable organization please condition your reply through our online form below Donation. Colorado Ballet furloughs its dancers reduces staff salaries. Donate blood Thank you for beauty gift to Colorado Ballet Questions or concerns Contact Colorado Ballet Advancement Department at 3033391629 Colorado. Significant financial donations to similar mental health organizations across his Front Range. -
Dance 03.12-13.11.Pdf
Artistic Staff Producer Shellie Cash Showcase Co-directors Shellie Cash and Deirdre Carberry Chair & Stage Management Advisor Michele Kay Resident Technical Director Stirling Shelton DANCE Resident Lighting Designer Jim Gage SERIES PRESENTS Sound Advisor Chuck Hatcher Lighting Advisor Mark C. Williams Faculty, Dance Division Shellie Cash (Division Head), Michael Tevlin, Jiang Qi and Deirdre Carberry Adjunct Faculty Suzette Boyer-Webb, Ka-Ron Brown Lehman, Donna Grisez-Weber and Judith Mikita Program Coordinator Colleen Condit CHOREOGRAPHERS’ Staff Assistant Alexis Williams Sierra Crum SHOWCASE Accompanists Chris Barrick, Wen-Mi Chen, Greg Chesney, Robert Conda, Hitomi Koyoma, Mike Lunoe and David Ralphs YOUTH ON THE MOVE Production Staff Shellie Cash & Deirdre Carberry Lighting Designers Mark C. Williams, Tim Schmall, John Cahill and Nik Robalino co-directors Assistant Lighting Designer Celine Graae Resident Master Electrician Ted Rhyner Master Electrician Nik Robalino Assistant Technical Director Stefan Haase Assistant to the Technical Director Olivia Hill Production Assistant Margot Whitney Saturday, March 12, 2:30 and 8:00 p.m. Stage Manager Adam Moser Sunday, March 13, 2:30 p.m. Assistant Stage Manager Ally O’Connell Patricia Corbett Theater Sound Board Operator Kevin Walker Sound Graduate Assistants Hunter Spoede and Doug Wilken Production Crew Gabriel Firestone, Hannah Holthaus, Danny Jama, Alan Kleesattel, Sam Llewellyn, Evelyn Sisler and Welsey Yount Artists’ Profiles, continued Deirdre Carberry, Assistant Professor at CCM Deirdre Carberry joined the faculty at CCM in the fall of 2008. At age 14, Ms. Carberry was invited by Mikhail Baryshnikov PROGRAM to join the American Ballet Theatre. She was the youngest company member to have performed solo and in principal December 9, 1997 roles. -
The Washington Ballet 5:00 P.M
Contact: Stephanie Heston Phone: 785-383-7918 FOR IMMEDIATE RELEASE Email: [email protected] Kick off your shoes and join Kansas Ballet for vacay vibes … KANSAS BALLET’S 6th ANNUAL SUMMER SHOWCASE Presented with Funding From Kansas Creative Arts Industries Commission and National Endowment for the Arts JULY 28, 2018 | TOPEKA PERFORMING ARTS CENTER Peter and the Wolf Ballet: A Symphonic Fairy Tale for Children Featuring Guest Artists from Oklahoma City Ballet & The Washington Ballet 5:00 P.M. – 6:30 P.M.: Dinner, Select Wines & Beers 6:30 P.M. – 8:00 P.M.: Performance Tickets: $35/Adult and $15/Child, available online: https://www.tututix.com/client/kansasballetacademy/ KANSAS BALLET | PAGE 1 OF 4 Family-Friendly Fun — Beloved Childhood Favorite Kansas Ballet’s Sixth Annual Summer Showcase will be presented at 6:30 p.m. at Topeka Performing Arts Center on Saturday, July 28. From 5:00 p.m. until 6:15 p.m. guests will enjoy sumptuous pre-performance fare prepared by Aboud’s-Engroff Catering. The vibe will be relaxed and family-friendly. Adult ticket-holders may sample selections from and Norsemen Brewery and Crooked Post Winery. Chris Foster will entertain guests during dinner, while little ones will be delighted by Topeka Airheads, sponsored by AJ's Pizzeria. The ballet performance centers on a childhood favorite, Sergei Prokofiev’s Peter and the Wolf. The company will feature professional guest dancers Nicole Graniero and Corey Landolt of The Washington Ballet in D.C.; Alvin Tovstogray and Miki Kawamura of Oklahoma City Ballet; and the student dancers of Kansas Ballet Academy. -
Dancewatch Weekly: White Bird Turns 20, OBT Season Opens | Oregon
Oregon ArtsWatch ABOUT DONATE CONTACT ADVERTISE NEWSLETTER ART CULTURE DANCE FAMILY FILM LIT MUSIC NEWS THEATER COAST YAMHILL DANCE DanceWatch Weekly: White Bird turns 20, OBT season opens A big week in dance starts with White Bird and Oregon Ballet Theatre and then moves to Indian dance and "Moving Through Darkness" OCTOBER 5, 2017 // DANCE // JAMUNA CHIARINI Twenty years ago Paul King and Walter Jaffe moved to Portland from New York City and launched White Bird, Portland’s biggest dance presenter and the sole, dance-only presenter West of the Rockies. Their 20-year contribution to Portland’s dance scene and to the dance community at large is huge. Over the 20 years they have presented 250 dance companies from around the world, commissioned and co-commissioned 36 new works in a range of styles and choreographers from Portland and beyond, and have developed some of the most enthusiastic, dedicated, and educated dance audiences I have ever seen. White Bird’s 20th season is dedicated to those audiences. Complexions Contemporary Ballet from New York, co-directed by Dwight Rhoden and Desmond Richardson, opens that season. Rhoden was a principal dancer with Alvin Ailey American Dance Theatre and Richardson was the first Black American Principal dancer at American Ballet Theater. The company is 23 years old itself, and has been called “America’s original multicultural dance company.” They pride themselves on being based in ballet but not limited to it, expanding their movement vocabulary into any and every genre, proposing an alternate view of classical ballet. Jamuna Chiarini The company will perform three pieces, all choreographed by Rhoden: Ballad Unto…. -
Paula T. Kelso, “Behind the Curtain: the Body, Control, and Ballet”
Paula T. Kelso, “Behind the Curtain: The Body, Control, and Ballet” Why ballet appeals to young girls and their parents: Many young girls and their parents are attracted to the ballet • immediate cause, wish because of the applauding audiences, the lights, the sequins and fulfillment; remote cause, feathers, the colorful, elaborate tutus, and satin pointe shoes. Where social pressure else can a young girl dream of becoming a princess, a swan, a dancing snowflake or flower, a sugarplum, or lilac fairy? Where else can she be a character right out of a fairy tale like Cinderella or Sleeping Beauty? Where else can she be rescued by and collapse into the arms of her handsome prince? Ballet is the magical world where these dreams can come true. Young girls and women can be all of these things, characters that symbolize femininity in a society that In addition to teaches young girls to be and want everything pink and pretty. causes, Kelso plans to However, in the shadows of the spotlight lurks an abusive world of • analyze effects, eating disorders, verbal harassment, fierce competition, and injured, particularly negative ones fatigued, and malnourished dancers. This world of fantasy is just that: fantasy and make-believe. The Problem Body image is defined as the way in which people see themselves in the mirror every day: the values, judgments, and ideas that they attach to their appearance. Benn and Walters (2001) argue that these judgments and ideas come from being socialized Kelso examines into particular ways of thinking, mainly from society’s ideas of what advertising and the media as beauty is, shown especially in the current media and consumer • immediate causes of how a culture (p. -
Olympia Summer Dance Intensive
Registration Form Sample Schedule (subject to change) Student’s Name Monday Tuesday Wednesday Thursday Friday Olympia Summer 9:30-11:15 9:30-11:15 9:30-11:15 9:30-11:15 9:30-11:15 Parent’s Name Ballet Ballet Ballet Ballet Ballet Dance Intensive 11:15-12:00 11:15-12:00 11:15-12:00 11:15-12:00 11:15-12:00 Street Pointe/ Pointe/ Pointe/ Pointe/ Pointe/ August 9-27, 2021 City State Zip Pre-Pointe Pre-Pointe Pre-Pointe Pre-Pointe Pre-Pointe 12:00-1:00 12:00-1:00 12:00-1:00 12:00-1:00 12:00-1:00 E-mail Lunch Lunch Lunch Lunch Lunch 1:00-2:15 1:00-2:15 1:00-2:15 1:00-2:15 1:00-2:15 Home Phone Swing Jazz Modern Jazz Modern 2:15-3:30 2:15-3:30 2:15-3:30 2:15-3:30 2:15-3:30 Work Phone Stretch & Hip-Hop Stretch & Improvisation Musical Strengthen Strengthen Theater Cell Phone Dance Age DOB Gender F M To fully maximize the intensive, it is recommended students attend Ballet Experience Years for the entire three weeks. Limited space is available – register Dance School now! No audition is necessary. Please check which week(s) you’d like to attend: Housing - Week 1: Aug. 9-13 Housing is available. For more information, contact Ken at 360.943.8011 or [email protected] - Week 2: Aug. 16-20 - Week 3: Aug. 23-27 After Tuition: Register by April 1 April 1 Jenna Bitterman - 3 weeks - recommended: $995 (saves 16%) $1044 - 2 weeks: (any combination): $711 (saves 10%) $746 - 1 week: $395 $415 Non-refundable deposit of $150 is due with registration to ensure your space before April 1. -
Ballet Makers, Inc., American Airlines and Covington Travel, Inc
^^^t^vT-^n^ Regional Dance America/MidStates Festival May 17-21, 1995 • Fort Wayne, Indiana Sponsored in part by: Capezio/Ballet Makers, Inc., American Airlines and Covington Travel, Inc. mix, IP VETO AM021OX Regional Dance America was founded in 1988 to promote the artistic development of dance companies throughout the United States and to continue the important work of the National Association for Regional Ballet. Built on the legacy of visionaries Dorothy Alexander and Anatole Chujoy, the NARB contributed to the decentralization of dance as regional companies grew in stature and quality nationwide. Under the leadership of Doris Hering, and with the encouragement of Ben Sommers, its membership grew to five geographical areas and over two hundred companies including more than two dozen nationally recognized professional groups. As we enter a new decade, RDA is dedicated to fostering quality, promoting education and nurturing the talents of dancers and choreographers while exploring new horizons. 35 Performance Advisory Committee Maria Crandy Robert Barnett Edward Villella Choreography Alfred Terlizzi Dennis Nahat jane Cifford Muriel Topaz Saeko Ichinohe Mel Tomlinson CONFERENCE: July 21-Aug. 2,1995 David Howard Robert Lindgren Florence Warren at The University of Iowa in Iowa City, Iowa Lyle Cashion Jon Rodriguez Rochelle Zide-Booth Sally Bliss Ben Stevenson Maria Vegh 1 vJrl Dancers, Composers, Choreographers, Teachers. Artistic Directors rnvULl T Leslie Jane Pessemier, Director of Choreography; Rob Kaplan, Director of Music; Alumni Professional Companies: Frcncoise Martinet, Ballet; Mid States: Madco, Harbinger Dance Company, Minnesota Dance Armando Duarte, Modern Theatre, Indianapolis Ballet Theatre, Ft. Wayne Ballet. Northeast: Berkshire Ballet, Ballet Metropolitan, Boston Ballet, Dayton Contemporary Dance Co., Dayton Ballet, Philadanco, Princeton Ballet. -
ARC DANCE OPENS 16Th PERFORMANCE SEASON with SUMMER DANCE at the CENTER ARC Dance Returns to the Leo K
Marie Chong, Artistic Director FOR IMMEDIATE RELEASE MEDIA CONTACT: March 30, 2015 Michele Garcia Havard [email protected] 206.352.0798 ARC DANCE OPENS 16th PERFORMANCE SEASON WITH SUMMER DANCE AT THE CENTER ARC Dance returns to the Leo K. Theatre at Seattle Center for two weekends Thursday through Saturday, July 16-18 and July 23-25 SEATTLE, WA: ARC Dance Company opens Thursday, July 16 with six performances at Seattle Center’s Leo Kreielsheimer Theatre. The program offers three world premiere dances by dance makers Ilana Goldman (Lines Ballet), Travis Guerin (Kansas City Ballet), and Edwaard Liang (NYCB and Nederlands Dans Theater), along with tantalizing favorites by Jason Ohlberg (Hubbard Street Dance) and Marie Chong (ARC Director). ARC has presented mixed repertory work since 1999, specializing in producing a wide variety of dance programming by different choreographers. Marie Chong, Artistic Director, has offered accessible and evocative productions to Seattle audiences for the past 16 years. She has fostered collaborations with other artists, combined aerial dance with classical ballet, and merged various performing arts medias, making ARC Dance a prominent contributor to Seattle’s dance community. ARC's annual Summer Dance at the Center has been a Seattle fixture since 2008. The dance performances are intriguing, entertaining, and engaging and take place in the beautiful and intimate Leo K. Theatre. The technical diversity of the dancers combined with the eclectic curating of each program showcases an art form full of surprises and beauty. Come see grace and athleticism in Summer Dance at the Center and be moved through the intimacy of live performance.