Tolkien’s Trees Tolkien’s Trees Claudia Riiff Finseth Anyone who has walked in a forest knows there is no with it; the log just lay there. I never forgot better place for adventure. Snow White knew it, so that.’ did Hansel and Gretel. Trees and forests, with all As a lover of trees and a man who abhorred the their branches and paths, hollows and hiding places needless destruction of them, Tolkien the writer often are perfect for suspense, surprise, enchantment and defined his characters as good or evil in part by their danger. feelings about trees. Many of the evil peoples in his In his writings J.R.R. Tolkien gives us all kinds of stories are tree-destroyers. The ores heedlessly and forests and groves in which to find adventure - and mindlessly hew away at the living trees of Fangom; he does more. He ascribes to his individual trees and Saruman destroys the beauty of the Shire by erecting forests a fantastic variety of meanings and buildings from its trees; and Sauron’s evil presence possibilities by drawing from and adding to the rich turns Greenwood the Great to the black and decaying symbolism of trees that has developed throughout the boughs of Mirkwood and makes Mordor so sterile history of literature. Tolkien describes the trees with that a tree cannot grow there (Tolkien, 1937, p. 310; which we are familiar - oak, birch, willow - so that 1966b, pp. 308-309). Conversely, among the good we see them with a fresh eye. He creates new trees peoples of Tolkien’s world are many tree-lovers; one for us such as we have never seen growing on our could almost say it is one of the hallmarks of earth. He gives us a chance to look at things from a Tolkien’s good people. Galadriel (1996a, p.434), treeish point of view, which is to say a fresh point of Legolas and the whole host of Elves show a deep view, and from there he can give an added dimension regard for trees, almost as brethren; the Ents and to his human characters, who define themselves in Huoms tend and guard their forests as shepherds part through their attitude towards trees. protect their sheep (1966b, p.105); Samwise the To speak of J.R.R. Tolkien and trees in one breath hobbit-gardener cherishes the soil of Galadriel’s is to speak of a life-long love affair. From the time he garden (1996c p. 374), using it to restore his own was a boy and played among the trees in the devastated Shire; Aragom, rightful king of Gondor, countryside at Sarehole in Warwickshire at the turn takes as his banner symbol the White Tree (1996c, of the century until his death at Bournemouth in p. 150); and Niggle desires nothing more before he 1973, Tolkien was, as Galadriel says of Sam the dies than to finish his painting of a tree, Tolkien’s hobbit, a “lover of trees” (1966a, p. 486). Humphrey metaphor for one’s life work, for his own writing. Carpenter in his biography (1977, p. 24) says of Tolkien’s life was filled from boyhood with the Tolkien, rich symbolism of the great trees of literature. The ... And though he liked drawing trees, he liked stories that “awakened desire” in him as a child most of all to be with trees. included “above all, forests”. As a devout Catholic, He would climb them, lean against them, he knew Christ’s metaphor of the vine and the even talk to them. It saddened him to discover branches, and perhaps even heard the legends of the that not everyone shared his feelings towards tree that became the cross1. As he grew older he them. Once incident in particular remained in discovered medieval literature, which became his his memory: ‘There was a willow hanging over speciality, including the cross-tree in the Anglo- the mill-pool and I learned to climb it... One Saxon poem “The Dream of the Rood”, and the day they cut it down. They didn’t do anything Poetic Edda of Norse mythology with its World Tree, 1 There are many legends of the cross that identify it with a certain tree. In one such legend the cross is made of an Aspen, when the tree realizes the use to which it is being put, its leaves begin to tremble, thus the Quaking Aspen. In another legend, when the trees leam that Christ is to be crucified, they agree not to let their wood be defiled in this way, and splinter apart at each touch of the axe. But the holly, realizing the inevitability of Christ’s death, out of pity permits itself to be the instrument of the Passion. Another legend tells that the cross is made of the tree that rose up over the bones of Adam after Eve planted a branch of of Knowledge from the Garden of Eden on his grave. (Ferguson, 1961, pp. 13, 16 and 21; Eliade, 1952, pp. 43-44). 37 Mallom XXXV Yggdrasil.2 His concept of trees as growing, living, resemble the shape of a cross with their tall, straight conscious, feeling beings was nurtured by all of trunks from which the main branches grow almost these. Through these he began to see the literary perpendicular before turning up. At the top the main value of the image of the tree. stem divides into “a crown of many boughs” (1966a, One of the earliest literary uses Tolkien makes of p. 444), just as Christ wore a crown of thorns on the trees is in an episode of The Hobbit (1937, pp. 109- cross. 111) where Bilbo, Gandalf, and the Dwarves, fleeing With Frodo’s quest, the question of sacrifice the ores of the Misty Mountains, are suddenly comes to the forest of Lothlorien. Whether good or surrounded by wargs — evil wolf-like creatures. evil avail, the enchanted land and its Golden Wood Luckily they are in a glade of trees. Jumping into the are doomed now that the Ruling Ring has been branches and climbing high, they find refuge and found. If the Ring falls to the enemy he will use its safety as they cradle in the boughs. Even when ores power to destroy Lothlorien and all else that is good come and, discovering them above, set the trees in Middle-earth. If Frodo succeeds in destroying the ablaze, the topmost branches of the trees provide a Ring, Galadriel’s power will fade, for her power, held miraculous escape. For, only there atop the trees in one of the three Elven rings, is tied to the one could Gwaihir, the Windlord, Lord of the Eagles, see Ring. The bitter irony is that Galadriel dare not try to them as he circled to investigate the smoke. use the ruling ring herself, for though it would sustain Summoning his Eagle lords, they pluck the frightened Lorien for a while, eventually it would hideously travellers from the burning trees. The trees are refuge, corrupt her and all she has made beautiful. Galadriel escape, and finally sacrifice for Bilbo and his therefore chooses to sacrifice Lothlorien and its friends. Golden Wood for the chance that the rest of Middle- These themes of refuge and sacrifice blossom into earth might be saved (1966a, pp. 472-474). fullness in Tolkien’s forest of Lothlorien (1966a, pp. To Tolkien, trees are a way to define beauty and 432-491). This piece of heaven on Middle-earth is an life in his terms. It is not just outward appearances, as enchanted land, sustained by the magic of the Lady we discover through Frodo’s experience on the hill of of the Elves, Galadriel. In Galadriel’s land grow the Cerin Amroth in Lorien (1966a, p. 455): loveliest trees of all - the Mallom trees. Their green’ As Frodo prepared to follow him, he laid his leaves do not fall in the autumn, but turn golden and hand upon the tree beside the ladder: never sparkle on their silver branches the whole winter before had he been so suddenly and keenly through. aware of the feel and texture of a tree’s skin, Tolkien’s Silvan Elves set their dwellings, their and of the life within it. He felt delight in wood watchtowers, and even the palace of Galadriel and and the touch of it, neither as forester nor as Celebom in these glorious trees. The trees are not carpenter, it was the delight of the living tree only their refuge and safety, but all that to them is itself. home and comfort. And Tolkien tells us that the Tolkien is redefining life for us. It is not to move, secret of the beauty of the Mallom trees is that they to eat, to breath as we know such things. Intelligence are beloved by elves (1981, p. 419). is not simply the ability to talk. The Mallom do none Lothlorien’s Malloms also give refuge to Frodo of these things and yet through Frodo’s touch we and the Company of the Ring in their first night out sense they are vibrantly alive and keenly aware of all of the dark and dangerous mines of Moria, and around them. These do not DO, but simply ARE, and protect them from the avenging ores (1966a, p. 444- in that fulfil the definition of “alive” more than many 447). The power to protect has been ascribed to other of the beings on Middle-earth who through speech trees in history, most notably the cross. The cross is and action bring destruction, despair and death.