The Best Surfers Are the Ones Having
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98Th ISPA Congress Melbourne Australia May 30 – June 4, 2016 Reimagining Contents
98th ISPA Congress MELBOURNE AUSTRALIA MAY 30 – JUNE 4, 2016 REIMAGINING CONTENTS ACKNOWLEDGEMENT OF PEOPLE & COUNTRY 2 MESSAGE FROM THE MINISTER FOR CREATIVE INDUSTRIES, 3 STATE GOVERNMENT OF VICTORIA MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, ARTS CENTRE MELBOURNE 4 MESSAGE FROM THE DIRECTOR OF PROGRAMMING, ARTS CENTRE MELBOURNE 5 MESSAGE FROM THE CHAIR, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 6 MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 7 LET THE COUNTDOWN BEGIN: A SHORT HISTORY OF ISPA 8 MELBOURNE, AUSTRALIA 10 CONGRESS VENUES 11 TRANSPORT 12 PRACTICAL INFORMATION 13 ISPA UP LATE 14 WHERE TO EAT & DRINK 15 ARTS CENTRE MELBOURNE 16 THE ANTHONY FIELD ACADEMY SCHEDULE OF EVENTS 18 THE ANTHONY FIELD ACADEMY SPEAKERS 22 CONGRESS SCHEDULE OF EVENTS 28 CONGRESS PERFORMANCES 37 CONGRESS AWARD WINNERS 42 CONGRESS SESSION SPEAKERS & MODERATORS 44 THE ISPA FELLOWSHIP CHALLENGE 56 2016 FELLOWSHIP PROGRAMS 57 ISPA FELLOWSHIP RECIPIENTS 58 ISPA STAR MEMBERS 59 ISPA OUT ON THE TOWN SCHEDULE 60 SPONSOR ACKNOWLEDGEMENTS 66 ISPA CREDITS 67 ARTS CENTRE MELBOURNE CREDITS 68 We are committed to ensuring that everyone has the opportunity to become immersed in ISPA Melbourne. To help us make the most of your experience, please ask us about Access during the Congress. Cover image and all REIMAGINING images from Chunky Move’s AORTA (2013) / Photo: Jeff Busby ACKNOWLEDGEMENT OF PEOPLE MESSAGE FROM THE MINISTER FOR & COUNTRY CREATIVE INDUSTRIES, Arts Centre Melbourne respectfully acknowledges STATE GOVERNMENT OF VICTORIA the traditional owners and custodians of the land on Whether you’ve come from near or far, I welcome all which the 98th International Society for the Performing delegates to the 2016 ISPA Congress, to Australia’s Arts (ISPA) Congress is held, the Wurundjeri and creative state and to the world’s most liveable city. -
Gloria Swanson
Gloria Swanson: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Swanson, Gloria, 1899-1983 Title: Gloria Swanson Papers [18--]-1988 (bulk 1920-1983) Dates: [18--]-1988 Extent: 620 boxes, artwork, audio discs, bound volumes, film, galleys, microfilm, posters, and realia (292.5 linear feet) Abstract: The papers of this well-known American actress encompass her long film and theater career, her extensive business interests, and her interest in health and nutrition, as well as personal and family matters. Call Number: Film Collection FI-041 Language English. Access Open for research. Please note that an appointment is required to view items in Series VII. Formats, Subseries I. Realia. Administrative Information Acquisition Purchase (1982) and gift (1983-1988) Processed by Joan Sibley, with assistance from Kerry Bohannon, David Sparks, Steve Mielke, Jimmy Rittenberry, Eve Grauer, 1990-1993 Repository: Harry Ransom Center, University of Texas at Austin Swanson, Gloria, 1899-1983 Film Collection FI-041 Biographical Sketch Actress Gloria Swanson was born Gloria May Josephine Swanson on March 27, 1899, in Chicago, the only child of Joseph Theodore and Adelaide Klanowsky Swanson. Her father's position as a civilian supply officer with the army took the family to Key West, FL and San Juan, Puerto Rico, but the majority of Swanson's childhood was spent in Chicago. It was in Chicago at Essanay Studios in 1914 that she began her lifelong association with the motion picture industry. She moved to California where she worked for Sennett/Keystone Studios before rising to stardom at Paramount in such Cecil B. -
September-October 2018 from the Editor: Welcome to the September/October Edition of the 2018 AAA Newsletter
AMERICAN ACCORDIONISTS’ ASSOCIATION A bi-monthly publication of the AmericanNewsletter Accordionists’ Association September-October 2018 From the Editor: Welcome to the September/October edition of the 2018 AAA Newsletter. As we reflect on the outstanding success of the 80th Anniversary Festival in Alexandria, VA, the summer draws to a close bringing with it a sense of great pride and accomplishment. The array of talent fea- tured during our gala Anniversary festival showcased the accordion at its finest, in a variety of genres and settings. A wonderful review with pictures and videos can be found online at www.ameraccord.com and serves as a lasting souvenir of the spectacular gathering. As always, I would like to offer my sincere thanks to the AAA Past- President, Linda Reed and Board of Director, Rita Davidson for their kind assistance with the AAA Newsletter. We invite you to submit your news items for publication so that your fellow members can see the incredible array of accordion activities happening throughout the country. Items for the 2018 November/December Newsletter can be sent to me at [email protected] or to the official AAA e-mail address at: [email protected]. Please include ‘AAA Newsletter’ in the subject box, so that we don’t miss any items that come in. Text should be sent within the e-mail or as a Word attach- ment. Pictures should be sent as a high quality .jpg file, and the larger the file size the better. We can always reduce/crop the picture if necessary, however we are unable to increase the quality from smaller pictures. -
June 2019 – Issue No
SINGLE? FREE We have your partner MONTHLY Affordable chilled meals FRESH NOT FROZEN FREE delivery to metro area Dedicated matchmakers helping you Order online to meet genuine, suitable partners. www.tbtorder.com Forget ‘online’ dating! Be matched safely or contact our friendly staff and personally by people who care. See Friend to Friend page for 9397 8018 Solutions Contacts Column [email protected] SOLUTIONS 9371 0380 for more information LIFESTYLE OPTIONS FOR THE MATURE WESTERN AUSTRALIAN www.solutionsmatchmaking.com.au PRINT POST 100022543 VOLUME 28 NO. 11 ISSUE NO. 327 JUNE 2019 Proud partner AGL - It’s gas, plus a whole lot more Shock, horror possums, Dame Edna is back! “Sex is the most beau- tiful thing that can take place between a happily married man and his sec- retary. New Zealand is a country of thirty thousand IN THIS ISSUE million sheep, three mil- let’s go lion of whom think they travelling are human.” Dame Edna confess- • Steve Collins’ train es that while she’s been adventure on board rising to superstardom, Rovos Rail, South Africa Humphries continued to • Winter in the West get a giggle with lines like: • QE2 celebrates 50 years “The diffi culty about a theatre job is that it inter- feres with party going.” “Australia is an outdoor Have a Go News Jo Allison country. People only go speaks with author inside to use the toilet. Tricia Stringer And that’s only a recent development.” “To live in Australia per- • Retire in Style - 12 pages manently is rather like go- • Where opinions matter ing to a party and dancing • Food & Wine all night with one’s moth- - reviews, recipes and more er.” Dame Edna agrees she and Humphries have COMPETITIONS/GIVEAWAYS endured with sell-out Ad Words - $200 Shopping voucher shows. -
Guide to the Dennis Mcbride Collection on LGBTQ Las Vegas, Nevada
Guide to the Dennis McBride Collection on LGBTQ Las Vegas, Nevada This finding aid was created by Tammi Kim. This copy was published on March 25, 2021. Persistent URL for this finding aid: http://n2t.net/ark:/62930/f1vp61 © 2021 The Regents of the University of Nevada. All rights reserved. University of Nevada, Las Vegas. University Libraries. Special Collections and Archives. Box 457010 4505 S. Maryland Parkway Las Vegas, Nevada 89154-7010 [email protected] Guide to the Dennis McBride Collection on LGBTQ Las Vegas, Nevada Table of Contents Summary Information ..................................................................................................................................... 3 Biographical Note ............................................................................................................................................ 3 Scope and Contents Note ................................................................................................................................ 4 Arrangement .................................................................................................................................................... 4 Administrative Information ............................................................................................................................. 5 Related Materials ............................................................................................................................................. 5 Names and Subjects ....................................................................................................................................... -
Music Education: Thoughts, Reflections and Considerations in 'Uniting Voices'
australian asociety s for mumsic Music education: Thoughts, reflections e ducation incorporatede and considerations in ‘Uniting voices’ Jacinth Oliver Memorial Address, 2017 David Forrest RMIT University Abstract The paper, presented as the Jacinth Oliver Memorial Address at the ASME national conference in 2017 explores a range of issues in music, education and music education. Past addresses are explored in the framework of a series of preludes. Key words: Music, education, music education, Kabalevsky, music for children. I acknowledge the Wurundjeri people of the Kulin be heard was for them to become politically Nations as the traditional owners of the land on active and she urged the ASME executive to which we meet. I respectfully recognise Elders adopt a strong advocacy agenda. She enrolled in both past and present. a PhD at ANU and began studies in government In acknowledging Elders I am reminded of my policy processes which were cut short by her elders, my parents, my teachers and the people who untimely death. Jacinth developed networks have so impacted on my thinking and practice. I’ll through her work with professional associations return to this later in the paper. such as the Australian Curriculum Association. I’m deeply honoured to be presenting this She was a member of an Australian delegation address. Since 1990 ASME has remembered and of arts educators who toured USA and visited honoured the contribution of Jacinth Oliver with various schools and centres promoting arts this address at the national conference. ASME in its education. (ASME, 2017, p. 23) directions and guidance for national conferences This paper is structured and presented as a has provided the following background on this set of preludes – 24 preludes. -
The Music Scene December 2002 — February 2003 Contents E N E C
FREE www.scena.org December 2002 - February 2003 Issue 02 yo-yo Ma An Invitation to Explore Holidays Classical Music Calendar Southern Ontario & Western Canada AVE MARIA BEETHOVEN HANDEL MOZART Sacred Arias And Choruses Symphony No. 9 “Choral” The Messiah (Highlights) Requiem ORFF PETER AND THE WOLF RACHMANINOV TCHAIKOVSKY Carmina Burana Narrated by Piano Concerto No. 2 Nutcracker/Swan Lake Dame Edna Everage Bank/Sparks Ottawa Carrefour Laval Laval Cataraqui Town Centre Kingston Devonshire Mall Windsor Fairview Mall Willowdale First Canadian Place Toronto Halifax Halifax Laurier Ste-Foy Market Mall Calgary Mayfair Victoria Montreal Megastore Montréal Park Royal Vancouver Pointe-Claire Pointe- Claire Polo Park Winnipeg Portage Place Winnipeg Richmond Centre Richmond Rideau Ottawa Scarborough Town Centre Scarborough Sherway Gardens Etobicoke Square One Mississauga St Vital Winnipeg Stone Road Guelph TD Square Calgary Toronto Superstore Toronto Upper Canada Mall Newmarket West Edmonton Edmonton Yonge & Bloor Toronto Yonge & Eglinton Centre Toronto Yorkdale Toronto 3 CDs for $20 offer in effect at participating HMV locations only until December 24, 2002. Offer applies to specially stickered CD selections only. Individually priced at 7.99 each. HMV reserves the right to limit quantities and cease offer at any time. Offer valid only while quantities last. One HMV Coupon Booklet per transaction. HMV reserves the right to limit quantities. Minimum $40 purchase before taxes required. ATMAclassique Introducing the Pacific Baroque Orchestra recognized -
Barry Humphries
AUSTRALIAN EPHEMERA COLLECTION FINDING AID BARRY HUMPHRIES PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JANUARY 2015 Barry Humphries was born in Melbourne on the 17th of February 1934. He is a multi-talented actor, satirist, artist and author. He began his stage career in 1952 in Call Me Madman. As actor he has invented many satiric Australian characters such as Sandy Stone, Lance Boyle, Debbie Thwaite, Neil Singleton and Barry (‘Bazza’) McKenzie - but his most famous creations are Dame Edna Everage who debuted in 1955 and Sir Leslie (‘Les’) Colin Patterson in 1974. Dame Edna, Sir Les and Bazza between them have made several sound recordings, written books and appeared in films and television and have been the subject of exhibitions. Since the 1960s Humphries’ career has alternated between England, Australia and the United States of America with his material becoming more international. Barry Humphries’ autobiography More Please (London; New York : Viking, 1992) won him the J.R. Ackerley Prize in 1993. He has won various awards for theatre, comedy and as a television personality. In 1994 he was accorded an honorary doctorate from Griffith University, Queensland and in 2003 received an Honorary Doctorate of Law from the University of Melbourne. He was awarded an Order of Australia in 1982; a Centenary Medal in 2001 for “service to Australian society through acting and writing”; and made a Commander of the Order of the British Empire for "services to entertainment" in 2007 (Queen's Birthday Honours, UK List). Humphries was named 2012 Australian of the Year in the UK. The Barry Humphries PROMPT collection includes programs, ephemera and newspaper cuttings which document Barry Humphries and his alter egos on stage in Australia and overseas from the beginning of his career in the 1950s into the 21st Century. -
Sunday, August 14, 8Pm Florence Gould Auditorium, Seiji Ozawa Hall the WALTER and ALICE GORHAM FOUNDATION CONCERT BARRY HUMPHRIE
Sunday, August 14, 8pm Florence Gould Auditorium, Seiji Ozawa Hall THE WALTER AND ALICE GORHAM FOUNDATION CONCERT BARRY HUMPHRIES’ WEIMAR CABARET with MEOW MEOW RICHARD TOGNETTI, artistic director & violin AUSTRALIAN CHAMBER ORCHESTRA BARRY HUMPHRIES, conférencier & voice MEOW MEOW, cabaret artist RODNEY FISHER, director The program order will be introduced from the stage by Barry Humphries. HINDEMITH Kammermusik No. 1, Op. 24 KRENEK (arr. Grandage) “Jonny spielt auf,” Op. 45 (excerpt) JEŽEK “Bugatti Step” SPOLIANSKY (arr. Grandage) Alles Schwindel WEILL (arr. Grandage) Seeräuber-Jenny from “Die Dreigroschenoper” TOCH Geographical Fugue GROSZ “Jazzband” SCHULHOFF (arr. Tarkmann) Jazz from Suite for Chamber Orchestra WEILL (arr. Grandage) Surabaya Johnny from “Happy End” ABRAHAM (arr. Grandage) Mousie from “Viktoria und ihr Husar” SPOLIANSKY (arr. Grandage) Ach, er hasst SCHULHOFF (arr. Tarkmann) Tango from Suite, Op. 37 SCHULHOFF “Sonata Erotica” BRAND (arr. Tregear) Black Bottom-Jazz from “Maschinist Hopkins” SPOLIANSKY (arr. Ziegler) Wenn die beste Freundin KRENEK (arr. Grandage) “Potpourri,” Op. 54 (excerpt) EISLER (arr. Grandage) An den kleinen Radioapparat from “Die Hollywood-Elegien” WEILL (arr. Grandage) Tango-Habanera ‘Youkali’ from “Marie Galante” HOLLAENDER (arr. Grandage) Wenn ich mir was wünschen dürfte from “Der Mann der seinen Mörder sucht” HOLLAENDER (arr. Grandage) The Ruins of Berlin from “A Foreign Affair” Original commission supported by Warwick and Ann Johnson, and Connie and Craig Kimberley. The 2013 Australian National Tour was proudly presented by BNP Paribas. WHAT YOU ARE ABOUT TO HEAR Trawling through the second-hand bookstores of Melbourne in the late 1940s I came across a stack of sheet music published by the famous Universal Company in Vienna in the 1920s. -
Az Costume Ideas
A-Z COSTUME IDEAS A Archangel Beast ABBA Ariel Beatnik (Bohemian) Abel Tasman Army Beauty and the Beast Abraham Lincoln Arnold Schwarzeneger Beauty Queen AC/DC Art Deco Bee Accident victim Artist Bee Gees Achilles Asian Beefeater Acrobat Athlete Beetlejuice Adam Ant Attila the Hun Beige Brigade Adams Family Audrey Hepburn Belly Dancer Aerobics Austin Powers Betty Boop African Austin Powers Biggles Air Force Aviator Biker Air Hostess Axel Rose Billy Idol Al Capone King Arthur Blind Man Aladdin The A Team Blondie Ali G Blues Brothers Alice Cooper B Bo Peep Alice in Wonderland Baby Bob Marley All Black Baby Spice Bob the Builder Amadeus Backstreet Boys Bohemian Amazon Ballet Dancer Bollywood American Football Bambam Bon Jovi American Softball Barbarella Bonanza Amy Winehouse Barbie Doll Bonnie & Clyde Anastasia Barmaid Bonnie and Clyde Anchorman Barney Rubble Borat Angel Baseball Player Bowler Angel of Death Basketball Player Brady Bunch Angus Young Bat Braveheart Antony and Cleopatra Batgirl Breakdancer Ape Batman Breaking Bad Aphrodite Batwoman Bride Arab Bear Bride of Frankenstein Aragorn Bearded Lady Bridget Bardot Britney Spears Count Dracula Elvira Bruce Lee Court Jester Elvis Bum Cousin it Emperor/Empress Business Man Cowboy Equestrian Butch Cassidy Cowgirl Eskimo Butterfly Crocodile Hunter Evel Knievel The Beatles Crossdresser Executioner Cruella De Vil C F Captain America D Fairy Captain Cook Dame Edna Everage Fairy Princess Carmen Miranda Dancer Faith Hill Carnival Dark Angel Fallen Angel Carpenter Darth Vader Farah Fawcett Carrie -
UNIVERSITY of CALIFORNIA Los Angeles Reading Rupaul's Drag Race
UNIVERSITY OF CALIFORNIA Los Angeles Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Carl Douglas Schottmiller 2017 © Copyright by Carl Douglas Schottmiller 2017 ABSTRACT OF THE DISSERTATION Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire by Carl Douglas Schottmiller Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor David H Gere, Chair This dissertation undertakes an interdisciplinary study of the competitive reality television show RuPaul’s Drag Race, drawing upon approaches and perspectives from LGBT Studies, Media Studies, Gender Studies, Cultural Studies, and Performance Studies. Hosted by veteran drag performer RuPaul, Drag Race features drag queen entertainers vying for the title of “America’s Next Drag Superstar.” Since premiering in 2009, the show has become a queer cultural phenomenon that successfully commodifies and markets Camp and drag performance to television audiences at heretofore unprecedented levels. Over its nine seasons, the show has provided more than 100 drag queen artists with a platform to showcase their talents, and the Drag Race franchise has expanded to include multiple television series and interactive live events. The RuPaul’s Drag Race phenomenon provides researchers with invaluable opportunities not only to consider the function of drag in the 21st Century, but also to explore the cultural and economic ramifications of this reality television franchise. ii While most scholars analyze RuPaul’s Drag Race primarily through content analysis of the aired television episodes, this dissertation combines content analysis with ethnography in order to connect the television show to tangible practices among fans and effects within drag communities. -
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