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Concert Program March 28 2014

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Concert Program March 28 2014 PRESENTED in PART BY MUELLER NICHOLLS BUildERS Notes From INDIA RAVI SHANKAR & PHILIP GLASS FRidAY, MARCH 28, 2014 AT 8 PM Excerpts from Passages PARAMOUNT THEATRE OAklAnd Channels and Winds LUDWIG VAN BEETHOVEN Symphony No. 7 in A major, Op. 92 I. Poco sostenuto; Vivace II. Allegretto III. Presto; Assai meno presto IV. Allegro con brio INTERMISSION JUHI BANSAL Where Shadow Chases Light (World Premiere) (New Visions/New Vistas Commissioning Project, supported by a grant from The James Irvine Foundation and the National Endowment for the Arts) RAVI SHANKAR Sitar Concerto No. 1 I. Raga Khamaj II. Raga Sindhi Bhairavi III. Raga Adana IV. Raga Manj Khamaj with Stephen Slawek, sitar Guest Artist Sponsor: Pradeep Bhatia, Derivative Path, Inc. MiCHAEL MoRGAN, Season Media Sponsors: Oakland Magazine, Oakland Tribune, East Bay Express, KDFC Music Director and Conductor Season Guest Artist Accommodation provided by: Oakland Marriott City Center The 2013-2014 season is supported by grants from the California Arts Council, BRYAN NIES, The William and Flora Hewlett Foundation, The James Irvine Foundation, the National Assistant Conductor Endowment for the Arts, and the City of Oakland’s Cultural Funding Program. STEPHEN SLAWEK, Sitar II OAKLAND EAST BAY SYMPHONY OAKLAND EAST BAY SYMPHONY III OAKLAND EAST BAY SYMPHONY GUEST ARTIST FIRST VIOLIN CELLO HORN interests in Southeast Asian music and American Jeremy Preston, Concertmaster Daniel Reiter, Principal Eric Achen, Principal popular music. A senior disciple of Pandit Ravi Vivian Warkentin, Joseph Hébert, Asst. Principal Alicia Telford Shankar, he has an international reputation as an Asst. Concertmaster Michelle Kwon Stuart Gronningen accomplished performer on the Indian sitar. Kristina Anderson Rebecca Roudman Ross Gershenson Patrice May Elizabeth Vandervennet His publications draw upon extensive field experience Carla Picchi Michael Graham TRUMPET and personal studies of performance practice in Ellen Gronningen Jeff Parish William Harvey, Principal India. He has authored one book, Sitar Technique in Deborah Spangler Paul Rhodes Leonard Ott Nibaddh Forms (Delhi: Motilal Banarsidass 1987) and, with Robert Hardgrave, Jr., co-authored Musical Emanuela Nikiforova John Freeman Instruments of North India: Eighteenth Century Portraits Emily Greitzer BASS by Baltazard Solvyns (Delhi: Manohar Publishers Joseph Maile Patrick McCarthy, Principal TROMBONE 1997). He has contributed articles and reviews to Stephanie Bibbo Carl Stanley, Asst. Principal Bruce Chrisp, Principal several journals such as Ethnomusicology, Asian Music, Antoine Van Dongen Randall Keith Thomas Hornig The Yearbook for Traditional Music, Notes and Journal Andy Butler of Vaishnava Studies, and has articles in The Garland SECOND VIOLIN David Arend BASS TROMBONE Encyclopedia for World Music: South Asia and The New Liana Berube, Principal Abraham Gumroyan Steve Trapani Grove Dictionary of Music and Musicians. Professor David Cheng, Asst. Principal Slawek has served as a member of the Council of Candace Sanderson FLUTE TUBA the Society for Ethnomusicology, as Second Vice- Sharon Calonico Alice Lenaghan, Principal Scott Choate, Principal STEPHEN SLAWEK, SITAR President of the Society for Ethnomusicology, as Adrienne Duckworth Rena Urso-Trapani a member of the Board of the Society for Asian Sergi Goldman-Hull Amy Likar HARP tephen Slawek joined the faculty of the University Music, and as editor of Asian Music, the Journal of Cecilia Huang Natalie Cox, Principal Sof Texas at Austin in 1983, adding an Asianist’s the Society for Asian Music. In addition to teaching Robert Donehew PICCOLO Meredith Clark perspective to the curricular offerings of the undergraduate courses on Asian music and graduate Alison Miller Amy Likar ethnomusicology program. He specializes in the seminars in ethnomusicology, Professor Slawek directs Sue-mi Shin CELESTA musical traditions of South Asia and has secondary the Indian Classical Music Ensemble at U.T. Austin. OBOE Jeff LaDeur, Principal VIOLA Andrea Plesnarski, Principal James Hurley, Principal Robin May TIMPANI Margaret Titchener, Tyler Mack, Principal Asst. Principal CLARINET A Gilded Celebration Janice Negherbon Bill Kalinkos, Principal PERCUSSION In support of Betsy London Diane Maltester Ward Spangler, Principal Music Education David Gilbert Allen Biggs Darcy Rindt SOPRANO SAXOPHONE Jim Kassis Patricia Whaley David Henderson Kevin Neuhoff Stephanie Railsback ALTO SAXOPHONE BONGOS A Golden James Dukey Ward Spangler Anniversary BASSOON PERSONNEL MANAGER An art deco-inspired evening of Deborah Kramer, Principal Carl Stanley Gala and Auction David Granger Cocktails, Dinner, and Music LIBRARIAN celebrating 50 years with the Candace Sanderson Oakland Youth Orchestra Sunday, May 4 $125 per person Get Your Seat Today by calling (510) 444-0801 IV OAKLAND EAST BAY SYMPHONY OAKLAND EAST BAY SYMPHONY V LOBBY PRE – CONCERT PERFORMER PROGRAM NOTES DOUGHERTY VAllEY HIGH SCHOOL conductor, and string teacher. Maestro Michael And seeing how interested he was I told him Morgan has worked with these students as part everything I could in that short time.” CHAmbER ORCHESTRA of his East Bay wide school visits, upon which CONDUCTED BY PATTY DRURY he immediately invited this talented ensemble For his part, Glass remembers: “It was possible for a pre-concert performance in the lobby. A to graduate from a major Western conservatory, he Dougherty Valley High School Chamber handful of musicians are also members of the in my case Juilliard, without exposure to music TOrchestra is led by Patty Drury, violinist, Oakland Youth Orchestra. from outside the Western tradition. World music was completely unknown in the mid-60’s…. I owe a lot to Ravi; he was one of my teachers. " In 1990 Glass and Shankar released a collaborative studio album titled Passages. The result was a mixture of Hindustani classical music and American minimalism. It reached number three on Billboard’s Top World Music Albums. PRE-CONCERT PERFORMER SHANKAR Channels and Winds is an instrumental work atthew Striplen is an active soloist and San with optional vocalists in A-B-A-B-A-B form MFrancisco Bay Area native. Matthew gave his which was conceived as a bridge between the concerto debut in 2012, performing the Launy Excerpts from Passages two Shankar compositions based on the Glass Grøndahl Concerto with the Oakland Civic melodies. Orchestra. In May 2012, Matthew performed the RAVI SHANKAR (1920-2012) And American premiere of the trombone concerto by PHILIP GLASS (B.1937) British composer Michael Nyman with the Hot Symphony No. 7 in A major, Op. 92 Air Festival Orchestra, conducted by Donato hilip Glass met Ravi Shankar in Paris in LUDWIG VAN BEETHOVEN (1770-1827) Cabrera. Matthew recently graduated from the P1965. At the time Glass was studying with San Francisco Conservatory of Music, where Nadia Boulanger, and conducting a recording eethoven’s Seventh Symphony was first he studied with former principal trombonist of session for the soundtrack of Conrad Rook’s film Bperformed on December 8, 1813 at a concert the San Francisco Symphony Mark Lawrence. Chappacqua. The score’s composer, Ravi Shankar, in Vienna to benefit wounded Austrian and His previous teachers include principal bass was directing his ensemble from the sitar. Bavarian soldiers. Also on the program was trombonist of the San Francisco Opera, David Beethoven’s Wellington’s Victory. Ridge and legendary pedagogue John Swallow. “From the very first moment I saw such interest In addition to his performing endeavors, he from him,” Shankar recalled, “and he started It was Wagner who dubbed the Seventh “the maintains a busy teaching schedule, working asking me questions about ragas and talas and apotheosis of the dance, the dance in its in several schools throughout the East Bay. started writing down the whole score, and for highest condition, the happiest realization of Matthew was also the trombone instructor the seven days he asked me so many questions. the movements of the body in ideal form.” He MATTHEW STRIPLEN, TROMBONE at UC Berkeley’s Young Musician’s Program wrote: “If anyone plays the Seventh, tables and 2013 YOUNG ARTIST COmpETITION HONORAblE MENTION from 2011-2013. benches, cans and cups, the grandmother, the blind and the lame, aye, the children in the cradle, fall to dancing!” Wagner once demonstrated his theory by dancing to the Seventh Symphony, accompanied by Franz Liszt at the piano. “It would require more than a technical yardstick to measure the true proportion of this Symphony—the sense of immensity which it conveys,” writes John N. Burk. “Beethoven seems to have built up this impression by willfully driving a single rhythmic figure through each movement, until the music attains (particularly in the body of the first movement, and in the Finale) a swift propulsion, an effect of cumulative GLASS growth which is akin to extraordinary size.” VI OAKLAND EAST BAY SYMPHONY OAKLAND EAST BAY SYMPHONY VII PROGRAM NOTES PROGRAM NOTES Concerto No. 1 for Sitar Hall in London on January 18, 1971. Shankar and Orchestra himself was the soloist, with André Previn conducting. The work is dedicated to Shankar’s RAVI SHANKAR (1920-2012) teacher, Ustad Allaudin Khan. “If East has to meet West,” wrote Edward Greenfield inThe hankar joined his brother Uday’s traveling Guardian, “then few musicians have achieved it Sdance company at the age of thirteen. He with such open joy as Ravi Shankar.” abandoned dancing in favor of the sitar in 1938, studying with Ustad Allauddin Khan. He wrote “This is my first humble offering to be performed music for director Satyajit Ray’s Apu Trilogy and in the West,” Shankar wrote in his program worked for All India Radio in New Delhi. He note. “The listener will not find much of the began touring in Europe and the Americas, and harmony, counterpoint or sound patterns he is soon attracted the attention of violinist Yehudi used to, and which form the basis of Western Menuhin and George Harrison of the Beatles. classical music. I have consciously avoided He served in India’s Parliament, and was awarded these, only using them minimally, because they India’s highest civilian honor, the Bharat Ratna, are elements which, if emphasized, can spoil BEETHOVEN BANSAL in 1999.
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