Marist Fashion Archives 11 - 12 the TARGET 13 - 16 GRANTS + SPONSORS 17 - 20 the EXHIBIT 21 - 62

CAPSTONE

SPRING 2020 CAPSTONECAPSTONE CONTENTS

CONTENTS PROJECT OVERVIEW 1 - 12

The Need 1 - 2

Demand 3 - 4

Benefits 5 - 6

Facts 7 - 8

The Big Players + Competition 9 - 10

The Marist Fashion Archives 11 - 12 THE TARGET 13 - 16 GRANTS + SPONSORS 17 - 20 THE EXHIBIT 21 - 62

Timing + Logistics 23 - 24

Marketing Campaign 25 - 36

Retail + Events 37 - 38

Display + Signage 39 - 40

Gallery Layout 41 - 42

Exhibit Themes 43 - 62 EXPENSES 63 - 64 CONTACT 65 - 66 WORKS CITED 67 - 70 A PROPOSAL AIMED TOWARD THE CURATION AND DEVELOPMENT OF A FUTURE EXHIBITION AT MARIST COLLEGE IN COLLABORATION WITH THE MET.

1 Society in general as well as higher education FASHION institutions would benefit from increased exposure to the history and art of fashion, with an emphasis AS ART on the importance of the intersection between fashion and all art forms.

Providing a solution to the problem of the rather MARIST small collection currently in existence in the COLLEGE Marist Fashion Archives. Serve as an educational enhancement tool as well as a recruitment tool.

Wider access to their collection in relation to the THE MET greater Hudson Valley artistic community.

The need to expand their educational programs and other career oriented opportunities specifically for college students.

Fostering a sense of community across creative STUDENT disciplines such as fashion, fine art and design.

THE NEED 2 DEMANDDEMAND

(“The Met”) DEMANDDEMAND

TO OCTOBER 8, 2018” OCTOBER TO

OF HEAVENLY BODIES: OF HEAVENLY AND THE MET CLOISTERS AND THE MET DEMAND “THE FIRST TWO“THE FIRST MONTHS

TO THE MET FIFTH AVENUE THE MET FIFTH AVENUE TO IMAGINATION...ATTRACTED

DEMAND THE CATHOLIC AND FASHION DURING ITS RUN FROM MAY 10 DURING MAY FROM ITS RUN A RECORD 1,659,647 VISITORS A RECORD 1,659,647 VISITORS 3

DEMAND

DEMANDDEMAND EDUCATIONAL EMPHASIS FASHION +ART DIVIDE should becomemore integrated. which bothprograms appearto betreated separately they whereas Particularly to inreference climate thecurrent Collegein atMarist Valley creative communityto cometogether. taught to students. asanoutletfortheHudson Thiswouldalsoserve would beableto theways diversify inwhichfashionandarttopics are ina more tailored andspecificway.for collegestudents Marist College The Met from expandingtheireducational opportunities wouldbenefit DEMANDDEMAND

4 DEMAND THE MET

Aid in expanding their current educational programs and boosting popularity among college students while providing an opportunity to partner with a college which aligns with their international outlook and emphasis on fashion and art education.

Strengthens the bond between New York institutions and provides an opportunity for their collections to be shared with the Hudson BENEFITSValley artistic community. BENEFITS BENEFITS

5 MARIST STUDENTS

Will benefit the overall college image and Will bring together the student body across reputation in terms of recruitment. disciplines and provide for further educational and career oriented opportunities. Heighten the reputation of the fashion and art programs and provide for hands-on learning Serve as a future fashion capping opportunity. opportunities for students and professors.

6 RD MOST VISITED MUSEUM WORLDWIDE

The Met is the 3rd most visited museum worldwide, only behind that of the Louvre in Paris and the National Museum 3 of China in Beijing (Locke).

MILLION VISITORS IN 2019

“FY19 is the third year in a row that the Museum drew over 7 million visitors. Fiscal year 2018’s extraordinary attendance of 7.35 million was the result of a particularly exceptional year for The Met that included attendance for the exhibitions Michelangelo: Divine Draftsman and Designer(with 702,516 visitors) and David Hockney (with 363,877), and the first two months of Heavenly Bodies: Fashion and the Catholic Imagi- nation, which attracted a record 1,659,647 visitors to The Met Fifth Avenue and The Met Cloisters during its run from May 7 10 to October 8, 2018” (“The Met”). FACTS 7 “MUSEUMS ACROSS THE COUNTRY ...HAVE THE OPPORTUNITY TO PARTNER WITH ORGANIZATIONS IN HIGHER LEARNING TO ADVANCE THEIR OWN MISSIONS...”

(Maloney and Hill)

FACTS 8 THE MUSEUM AT FIT

Serves as the primary competition to this partnership and exhibit concept. The Fashion Institute of Teechnology boasts a well-developed collection, gallery and exhibitions while providing hands-on opportunities for students. FASHION + ART SCHOOLS

Serve as threats to the prospect of specifically choosing Marist as the initial primary partner for this exhibition program.

Parsons School of Design Pratt Institute Cornell University New York University MUSEUMS IN NEW YORK

Serve as possible threats to The Met in terms of their specific programs, unique fashion showcases and educational aspects.

American Museum of Natural History The Brooklyn Museum Whitney Museum of American Art MoMA Cooper Hewitt Smithsonian Design Museum OTHER BIG PLAYERS

Inside New York American Museum of Natural History - Offer Rental Exhibit Options MoMA - Showcases Select Fashion Exhibitions The Brooklyn Museum - Showcases Select Fashion Exhibitions Whitney Museum of American Art - Featured a Fashion Exhibition + Retail Store

Outside New York MFA Boston - Offer Traveling Exhibitions for Museums National Geographic - Offer a Custom Exhibition Program

9 THE BIG PLAYERS + COMPETITION

10 11 MARIST FASHION ARCHIVES

Information received from Sonia Roy and Jared Aswegan. We recommend asking The Met for further information regarding their available fixtures as well. ABOUT

There is a relatively small collection that exists in the Marist Fashion Archives. A large majority of the available collection is borrowed and will soon be returned due to lack of value. Garments owned are great as a reference collection, but not for exhibition display.

Estimated 1,500 - 1,800 Pieces COLLECTION GOALS AMERICAN SPORTSWEAR

A goal for the direction of the Marist Fashion Collection. Rather than focusing on Victorian pieces, this will build upon Marist College’s history as an American institution while speaking to the general lack of archival acquisitions of American designers. REFERENCE

Serves as a resource for students to borrow. This collection will have a catalog of all garments available for borrowing. As most of the owned collection pieces are homemade, they will be of great use for understanding garment construction. FIXTURES

Brackets and poles to display kimonos. Archival Mannequins Two full length display cases and two table height display cases.

12 THE TARGET

13 HOUSES MORE THAN 2 MILLION PIECES OF ART (Lock)

3RD MOST VISITED ART MUSEUM WORLDWIDE (Prichard)

THE MET

Expansion of their education programs and popularity among college students.

Providing an opportunity to partner with a college which aligns with their international outlook as well as an emphasis on fashion and art education in relation to our wider culture.

Strengthening of an emphasis on supporting New York institutions, students and residents. Providing the opportunity to share their collection with the Hudson Valley artistic community. THE MUSEUM THE MUSEUM 14 5000

MARIST Traditional-age Undergraduates

The Marist Fashion Archive does not have the capability of standing alone. 400 Adult Undergraduates Will bring together the student body across disciplines, as well as the overall Hudson Valley artistic community. 900 Would be a great recruitment tool for Marist. Graduate Students Creating a partnership with an acclaimed art institution would elevate Marist College’s liberal arts values. 47 Further molds the reputation beyond the Fashion Program to an emphasis on the arts in general. Undergraduate Majors

Provides further opportunities for educational enhancement in terms of hands-on learning. Also would provide an opportunity for the future 14 development of this partnership. Graduate Degree Programs (“Overview”) ABROAD #12 MOST POPULAR STUDY ABROAD (“Most”) FASHION #38 OF TOP 50 FASHION PROGRAMS 15 (“Marist”) BRING TOGETHER MALE AND FEMALE FASHION AND ART DISCIPLINE STUDENTS.

Generally aged between 18 and 24, Marist art and fashion students often do not have the opportunity to collaborate on a cross-disciplinary level within their classes.

Will attract the wider student body and serve as a social forum for artistic discussion.

The lifestyles and behaviors of these students may involve being involved in clubs or societies specific to their major or interest, in addition to daily social activities on or off campus around the Hudson Valley. Being digitally native citizens on a campus offering online courses, these students also spend a considerable amount of time on digital devices used for coursework, communication or other social media outlets.

58% STUDENTS Female Students

There is not enough emphasis on the exposure to 42% both fashion and art students on campus. Male Students The need to foster a common community between (“Overview”) fashion and art students. #12 MOST POPULAR STUDY ABROAD Providing an opportunity for educational enhancement in terms of a hands-on approach and integration of the exhibition into the course curriculum. This could lead to future jobs at The Met for students working within the partnership.

A sense of community and artistic expression which crosses disciplines.

Educational enhancement opportunities in classes.

16 GRANTS

THE COBY FOUNDATION EXHIBITION PLANNING GRANT

http://cobyfoundation.org/guidelines/ REQUIREMENTS

Seven copies of the following: (Each with a cover sheet and organizational information from this website: http:// www.philanthropynewyork.org.)

A short letter of inquiry including a project description, dates and a budget with projected income and expenses. (http://cobyfoundation.org/inquiry/)

A statement explaining the importance of the theme or subject and the objects under consideration.

An explanation of who will be contributing to the scholarly content and who the project manager will be, with one paragraph biographies of each person.

The goals of the exhibition and the intended audience.

Ten hard-copy color visuals and captions with each copy of the application.

The dates, months and years, of the proposed exhibition.

A description of the planned catalogue, whether it be hard copy or digital.

A project budget including income and expenses. DUE DATE

Rolling Admission

17 MARIST COLLEGE STUDENT RESEARCH GRANTS

The College has established a fund for the purpose of assisting students in pursuing scholarly projects under the guidance of a faculty member. Undergraduate students in all academic schools are invited to apply. Students are encouraged to seek funding from their individual department or school where possible prior to applying for a Student Research Grant. Grant awards will typically range from $100 to $500. https://www.marist.edu/academics/academic-resources/student-research- grants APPLICATION

Request form with a faculty member endorsement and Dean signature.

Project description of no more than 500 words.

The proposed budget. ELIGIBILITY

Eligible students must have a minimum GPA of 2.5, have received no more than one prior Student Research Grant and have approval and consent for supervision from a full-time Marist faculty member.

Eligible projects for funding will typically include travel funds for the purpose of conducting research or presenting findings, communication expenses, and other materials and supplies to support the project. DUE DATE

Fall Semester

18 19 WESTWOOD THE HOUSEOFVIVIENNE MUSEUM OFART THE METROPOLITAN

SPONSORS SPONSORS A collaboration couldinvolvethepromotion oftheexhibitionwithintheir https://darksiderecords.com/ (845) 452-8010 Tpke,611 Dutchess Poughkeepsie, NY DARKSIDE RECORDS BUSINESSES included to besoldwithinMPorium record shop. alongsidetheconsignment for theinteractive record player stationaswellhaving theirproducts through to Instagram, thisbrand couldbeemployed theheadphones provide dueto Chosen audience inreaching ayoungmillennial theirexpertise https://www.marshallheadphones.com/us/en/ MARSHALL HEADPHONES records withinMPorium couldalsobearranged. shop, ontheirwebsite list. andthrough theiremail sectionof Aconsignment 20

EXHIBITEXHIBIT

EXHIBIT EXHIBIT 21

EXHIBIT 22

EXHIBITEXHIBIT EXHIBITEXHIBIT EXHIBIT TIMING LOGISTICS 2020/2021 OPENING PARTY Timing selected here coincides with the period following the MARCH 24, 6PM - 8PM Spring Break.

Classes Resume after Break EXHIBITION March 22 Classes End for the Semester MARCH 25 - APRIL 23 May 7 MONDAY - FRIDAY Family Weekend September 9AM - 5PM Homecoming Weekend September 25 - 27

OPENING PARTY

The opening party would occur the night prior to the official opening of the exhibit, following the conclusion of most classes. Food and drinks will be provided by Sodexo. A goal for this event would be to bring Vivienne Westwood or an associated acquaintance to speak. This could be accomplished through a discussion with the CFDA.

THE EXHIBITION

The first step will be to apply for the gallery space using the specified form available in the Fashion Department. Exhibits in the Fashion Gallery are usually a month and a half at most, but it can be posssible to lengthen this. The gallery hours would depend on the specific security measures in terms of the type of staff and the discussion with The Met. 23 LOANING

LOGISTICS Anna Yanofsky, Senior Research Assistant, Loans at The Met TIMING In the initial stages of planning the exhibit, contact Anna Yanofsky at The Met in order to inquire about loaning the required garments from the Vivienne Westwood collection. INFORMING

When the concrete connection with The Met has been secured, make sure to reach out to the college community through the President, the Director of the Fashion Program and the School of Communication and the Arts in order to inform them of the goals and prospects of this proposal. SECURITY

John Blaisdell, Director of Safety & Security at Marist College

Reach out to John Blaisdell regarding the security measures associted with the exhibit. Accoridng to information gathered from researching the exhibit space and the archives, an increase in the amount and type of security would be possible as the gallery hours and type of security is flexible depending on the exhibit. Cameras are not allowed in the gallery but are present in the hallways of the Steel Plant.

Details of security, transporting the items and the requirements regarding the safety and handling of the garments should also be discussed with The Met. MARKETING

Jacob Finklea, Assistant Director of Student Activities

Have the marketing poster approved, stamped and printed in the Copy Center through Student Affairs in the Student Center.

Additionally, graphics for the Marist Fashion social media pages will need to

be approved with the current Marist Fashion Social Media Director, or the cooresponding staff member, according to certain post guidelines and a post request form. A conversation with The Met should be fostered to inquire about their social media pages.

24 SOCIAL MEDIA

THE MET

IG - @metmuseum IG - @metcostumeinstitute

Collaborate with The Met and aim to gain an understanding of how “involved” The Met and The Costume Institute would like to be regarding social media marketing. We would need to understand their usual practices in this area.

25 MARIST COLLEGE SOCIAL CONTENT IG - @maristcommarts IG - @marist

Introduction to Marist x The Met Collaboration Marist Fashion Capping Project

Introduction to “Vivienne Westwood: Social Rebellion + Youth Culture” MEDIA Description + Poster MARIST FASHION CONTENT

IG - @maristfashion FB - @MaristFashionProgram

Introduction to Marist x The Met Collaboration Marist Fashion Capping Project

Introduction to “Vivienne Westwood: Social Rebellion + Youth Culture” Description + Poster

Posts Leading up to the Exhibition Opening Sneak Peaks of the Pieces in the Exhibit History of Vivienne Westwood History of the Punk Movement

Punk T-Shirt Making Event in Collaboration with Fashion Inc. When, Where, and Time Description of the Event

T-Shirt and Pin Art/Graphic Contest Submission Open to All Marist Students Description of the Contest Rules + Regulations

26 27 PRESS PRESS PUBLICATIONS

Select publications which have established connections PRESSwith Marist Fashion. Content

Inviting the Hudson Valley Community to the “Vivienne Westwood: Social Rebellion + Youth Culture” Exhibition

All are welcome to attend the opening night and exhibition during opening hours. Vivienne Westwood will be speaking at the opening. When, where, and the duration of the exhibit.

Description of the Exhibition + Vivienne Westwood Origins of the Exhibition Marist Fashion Capping Project Marist x The Met Partnership

MARIST CIRCLE POUGHKEEPSIE JOURNAL HUDSON VALLEY POST MID-HUDSON NEWS

28 WEB

1980, Westwood, and her then partner Malcolm McLaren, incorporated incorporated and her then partner Malcolm McLaren, 1980, Westwood, While the designers’ interests designs. their the voices of their time into evolved the decade, so did the title of their brick-and-mortar throughout titles such as Too and evolving into location. Starting with Let it Rock, Die, SEX and eventually to Seditionaries, the Young Live, Too to Fast of the punk fashion scene. The explicit location became the center retail themes anti-semitism, expressing culture, of rape and t-shirts graphic overall shock value, can be seen displayed as catalysts of acts of resistance youth culture. by modern day VIVIENNE WESTWOOD + SOCIAL REBELLION CULTURE YOUTH Westwood: Social “Vivienne of the collaboration, The first project Westwood’s the first stage of display serves Culture,” to + Youth Rebellion Between 1971 and and unashamed expressiveness. long lasting radical Serve and provide to enhancement as an educational exposure tool career opportunities. institutions and provide an York Strengthen the bond between New with the be shared Costume Collection to opportunity for The Met community. Valley Hudson student the disciplines. body across Bring together Present concepts beliefs of art and culture. that expand preconceived ABOUT MARIST X THE MET X MARIST ABOUT INTRODUCTION a partnership a fashion merchandising capstone project, Through between Marist and The Metropolitan College Museum of Art emerged in the spring of 2020. With an emphasis on fashion as an art form, the Marist x The Met project aims to: 29

WEBWEB 30

WEBWEB WEBWEB X WEB EMAILS

MARIST EMAIL CONTACTS FASHION DEPARTMENT

Ellie Heinzinger - [email protected] COMM + ARTS

Alicia Plevritis - [email protected] WGSS DEPARTMENT

Kristin Bayer - [email protected] STUDENT ACTIVITIES

Jacob Finklea - [email protected] MEDIA RELATIONS

[email protected] OTHER

Deb DiCaprio - [email protected]

School of Liberal Arts - [email protected]

31 COLLEGES SPONSOR

Vassar College DARKSIDE Bard College

New Paltz RECORDS Reach out to our possible sponsor for the Culinary Institute exhibit, Darkside Records in order to have the general exhibit details to be sent through Dutchess County their mailing list. Other “Hudson Made” Community College shops, where the poster could be placed, could be contacted in a similar fashion. Dutchess BOCES

GENERAL CONTENT

Inviting (Insert Target) to the Punk T-Shirt Making Event in Collaboration with Fashion Inc. When, Where and Timing Description of the Event

Inviting (Insert Target) to the “Vivienne Westwood: Social Rebellion + Youth Culture” Exhibition All are welcome to attend the opening night and exhibition during the gallery open hours. Vivienne Westwood will be speaking at the opening.

When, Where and the Length of the Exhibit Description of the Exhibition How the Exhibition Came About Marist Fashion Capping Project Marist x The Met Partnership Include Any Poster or Graphic for Each Event ADDITIONAL CONTENT - MARIST

T-Shirt + Pin Art/Graphic Contest Submission Open to all Marist Students Description of the Contest Rules + Regulations

32 HUDSON VALLEY TOURISM EMAIL CONTENT

When, Where and the Length of the Exhibit Description of the Exhibition and Information on Vivienne Westwood How the Exhibition Came About Marist Fashion Capping Project Marist x The Met Partnership Include the Poster WEB PAGE

Also encourage adding the Marist Steel Plant Fashion and Art Galleries to the Arts & Culture website page.

https://travelhudsonvalley.com/things-to-do-old/arts-culture/

33 34 POSTER 35 36 (Kingston) (Kingston) (Hudson, NY)(Hudson, (New Paltz) (Hudson) (Poughkeepsie) (Poughkeepsie) (Poughkeepsie) (Newburgh) In addition to being placed on campus at Maristbeing placed on campus addition to College... In White Barn Farm Sheep & Wool Sheep & Wool Barn Farm White Artist Fiber Howard, Kat & Owner Hunter of Mikel Founder Hunter, Mikel Catherine of Eleven Carnevale, Co-founder Director Six and Creative Consignment & Owner of Trilogy Founder Reid, Heather WomensWork.Art Atlas Studios Darkside Records ART CENTERS ART Barrett Art Center The Art Effect Art’s Midhudson HUDSON MADE SHOPS HAS ESTABLISHED A ESTABLISHED HAS WITH IN RELATIONSHIP TO REQUEST ORDER TO THERE OUR POSTER PLACE SPREAD AWARENESS. TO UTILIZE HUDSON VALLEY VALLEY HUDSON UTILIZE AND SHOPS CENTERS ART FASHION MARIST THAT POSTER MPORIUM

T-SHIRT $28.00

CANVAS $20.00 TOTE SQUARE $20.00 SCARF RETAILPOSTER $15.00 RETAIL FASHION INC. DIY PUNK RETAIL T-SHIRT DESIGN CONTEST MPORIUM T-SHIRT $28.00 Will utilize the existing MPorium GRAPHIC production methods as well as the POS System (Shopify). CONTEST PIN $5.00 Pricing corresponds with MPorium and The Met Store pricing. 37 Students bring their own t-shirts to create a FASHION INC. brand new punk design. We could also provide DIY PUNK MPorium’s excess t-shirt stock. Supplies for designing and distressing would T-SHIRT include paint, patches, pins, studs, scissors and fabric glue.

A contest to design t-shirt and pin graphics MPORIUM which would be open to all Marist students but specifically marketed to fashion, art and GRAPHIC design courses through class visits. The chosen art will be used in the exhibition merchandise CONTEST collection sold at MPorium. Theme - Modern Resistance, Rebellion, Social Justice and Change 38 39 DISPLAY + SIGNAGE DISPLAY

5 Full Mannequins with White Wigs

3 Half Mannequins With Arms

1 Platform for “Fashion Fetish” Mannequins

23 Individual Hanging Acrylic Displays

Record Player, Record, Block Stand and Headphones

Paper and Coordinating Stickers for Interactive Wall With a Block to Hold Items

SIGNAGE

7 Large Museum Exhibit Boards

1 Hanging Board for “Fashion Fetish”

Remaining Signage is Removable Wall Murals

Colored Lines on the Floor Connecting the Themes

Garment Details as Stickers on Acrylic Displays

2 Stands for Mannequin Garment Details

40 41 Credit - Carolina Manco KEY

Themes

Main Signage

Interactive

Full Mannequins

Half Mannequins

42 43 INTERACTIVE WALL

In the spirit of Vivienne, attendees have the opportunity to answer the question, “What would your t-shirt say to start a revolution?”, by sticking a piece of paper on the wall.

Elements - Mural on Wall, Pieces of Paper, Pens, Stickers and a Block to Hold MUSIC

70s Punk music will be playing throughout the exhibit.

The Clash, Ramones, Stiff Little Fingers, The Stooges, Blondie, The Damned, New York Dolls, The Modern Lovers, The Runaways, Sid Vicious, Joy Division, Talking Heads, 999 LISTENING

A station next to “The Sex Pistols” theme with a record player and headphones that will be playing the Sex Pistols 1977 album “Never Mind the Bollocks, Here’s the Sex Pistols”.

Elements - Record Player, Record, Block Stand, Mural on Wall

44 INTRODUCTION

History of the T-Shirt Connecting to Rebellious American Youth Employment of this rather genderless and democratic garment provided the perfect canvas to display messages which mirror the spirit of youth and rebellion of their time and place.

Making a Connection to our Modern Day The “mainstreaming” of displaying messages through t-shirts and the present day questioning of preconceived “normalities” or “binaries”.

Demonstrate how Westwood + McLaren used this symbol of American rebellion to forge their own form of youthful rebellion through the subculture of punk.

Elements - Rigid Board, Mural for Timeline

45 TEDDY BOYS

The promotion of 1950s culture in the adoption of the Teddy Boy and Rocker subcultures which reject the primary development of the hippie culture. THE RAPIST

Demonstrates the satirization of fantastical media messages surrounding the “Cambridge Rapist” and introduces shocking graphics and content that emphasizes a sense of sexuality. FEMININITY

These garments, in addition to the symbol of “Jordan” who worked at SEX, question the expectations of women having to align with the traditional feminine appearance or demeanor and relate to the liberation of women’s bodies through the punk movement. SHOCK ME + ANARCHY

Demonstrates the continuation of the portrayal of increasingly shocking imagery of often hidden themes of nudity and other profanity or taboo images related to religion, politics or history. THE SEX PISTOLS + FASHION FETISH

Perhaps the most well known facet of this body of work is the pair’s association with the Sex Pistols which included the promotion of the ethos of the band and eventually was combined with a study of BDSM culture. An increased visibility of these themes promoted a sense of liberation and an outlet for youth culture to have their voices heard.

Statement on Westwood’s dissatisfaction with punk’s naive rebellious goals and her disillusionment in terms of its adoption by the mainstream.

46 TEDDY BOYS

“Rejecting the hippie ethos that was fashionable towards the end of the 1960s, Westwood and McLaren cre- ated clothes that referenced youth culture’s recent past” (“Vivienne”).

Elements - 2 Hanging Acrylic Displays, Mural on Wall, Photograph Board

47 T-Shirt

Retailer - Let it Rock

1971 - 1972

Accession Number - 1997.59.11

A short sleeved black t-shirt with a zipper in the center running from the middle to the top. Neck is a v-neck. Graphics consist of nude playing cards in small pockets (one with a pin attached), a man playing a guitar and thick streaks of green, red, and blue running across the front and back.

Cotton and Metal

“Gene Vincent” Shirt

1971 - 72

Accession Number - 2006.253.30

Washed out black short sleeved sweatshirt with blue lettering displaying “Gene Vincent and his Blue Caps”.

Cotton

48 THE RAPIST

“Across the mask, in ‘marquee’ lettering with graphic stars picked out in hot pink and fluorescent green, McLaren emblazoned the name ‘Cambridge Rapist’ as though it were a pop star’s pseudonym” (Gorman 254 - 255).

Elements - 5 Hanging Acrylic Displays, Mural on Wall, Photograph Board

49 “Cambridge Rapist” T-Shirt “Cambridge Rapist” T-Shirt

Retailer - Seditionaries Retailer - SEX

1976 - 80 1974

Accession Number - 2006.253.26 Accession Number - 2006.253.39

A sleeveless t-shirt featuring typography A short sleeved white t-shirt with reading “Cambridge Rapist” atop an a crew neck. Graphic includes image of a man’s face, a lyric from The “Cambridge Rapist” in black writing Beatles’ “A Hard Day’s Night” and text at with a red and green outline 3D the bottom hem noting the death of Brian effect across the chest with three Epstein, the manager of The Beatles. small stars.

Cotton Cotton

“Rape” T-Shirt “Rape” T-Shirt

Retailer - SEX Retailer - SEX

1974 - 75 1975

Accession Number - 2018.762 Accession Number - 2018.803

A white tank t-shirt, cropped. A white muslce t-shirt, cropped. Graphic includes an explicit Graphic includes an explicit description of rape in red and description of rape in red and some some yellow ink. Holes and purple ink. Zippers on each breast patching with some neon starting from the end of one side of yellow mesh on top. the breast and running across.

Cotton Cotton and Metal

“Cambridge Rapist” T-Shirt

Retailer - Seditionaries

1978

Accession Number - 2018.783

A sleeveless t-shirt featuring typography reading “Cambridge Rapist” atop an image of a man’s face wearing a black mask, a lyric from The Beatles’ “A Hard Day’s Night” and text at the bottom hem noting the death of Brian Epstein, the manager of The Beatles and his photograph.” Cotton

50 FEMININITY

“One of the most significant factors of Punk was that it gave license for women to dress alternatively, unlike the predominantly male clothes of the Teds and Rockers” (Wilcox 13 - 14).

Elements - 6 Hanging Acrylic Displays, Mural on Wall, Photograph Board

51 “Venus” T-Shirt T-Shirt Retailer - Let it Rock 1971 - 72, altered 1977 1971 - 72 Accession Number - 2015.523 Accession Number - 2015.1 A sleeveless black t-shirt with “Among their earliest designs, a wool graphic embelishment the “Venus” T-shirt is a stylistic spelling out “Jordan”, most harbinger of punk and an probably referring to a woman exceptionally rare artifact” named Jordan who worked (“Search”). A black sleeveless at SEX. t-shirt wth embelishments. Cotton and Wool Cotton, Tin, Brass, Horsehair and Rubber

“Tits” T-Shirt T-Shirt 1975 Retailer - SEX Accession Number - 2018.771 1972 - 74 A long sleeved white t-shirt Accession Number - 1997.59.18 with slits by the collar bones and metal hoops on the top A black muscle t-shirt with zippers on left shoulder and middle right each breast running from the bottom sleeve. Graphic consists of a of each breast to the top. Neck is a photo of breasts across the crew cut. chest in blue and white. Cotton and Metal Cotton

“Tits” T-Shirt “Tits” T-Shirt Retailer - SEX 1975 1975 Accession Number - 2018.772 Accession Number - 2018.769 A white muscle t-shirt with a A white muscle t-shirt with a crew neck. Graphic consists crew neck. Graphic consists of a of a photo of breasts across photo of breasts across the chest the chest in red and white. in black and white. Cotton Cotton

52 SHOCK ME

“In 1975, they were prosecuted under the obscenity laws for ‘exposing to public view and indecent exhibition’ for a T-shirt showing two naked cowboys” (Wilcox 12).

Elements - 4 Hanging Acrylic Displays, Mural on Wall, Photograph Board

53 “Snow White and the Sir Punk” T-Shirt “Two Cowboys” T-Shirt Retailer - Seditionaries 1974 - 75 1977 Accession Number - 2018.766 Accession Number - 2018.789 A long sleeved t-shirt with shoulder rips, metal buckle A white long sleeved t-shirt with slits details and a red and blue by each collar bone. Metal hooks and graphic displaying two naked single chain hoops attached. Graphic cowboys with text above consists of an explicit image of Snow and below. White and the seven dwarves having sex. “Snow White & the Sir Punks” is Cotton and Metal written on the bottom.

Cotton and Metal

“You’re Gonna Wake Up One Morning” T-Shirt “Piss Marilyn” T-Shirt Retailer - SEX Retailer - Seditionaries 1976 1978 Accession Number - 2018.763 Accession Number - 2018.814 This t-shirt lists the loves and hates of McLaren and A sleeveless t-shirt including rips Westwood at the time (Wilcox around the neck and a graphic of 12). It is a sleeveless t-shirt with Marilyn Monroe with the word multicolored text of this list “Piss” placed over the top. along with “Fuck” written in large painted letters over the top. Cotton

Cotton

54 ANARCHY!

“You can never create anything in a vacuum. It comes out of chaos really, but that chaos is something you’re continually piecing together and discovering” (Wilcox 13).

Elements - 2 Hanging Acrylic Displays, 2 Half Mannequins, Mural on Wall, Photograph Board

55 “Destroy” T-Shirt “Destroy” T-Shirt

Retailer - Seditionaries Retailer - SEX

1976 - 80 1975 - 76

Accession Number - 2006.253.2 Accession Number - 2018.815

A white short sleeved crew neck A white crew neck t-shirt. t-shirt. Graphic consists of a blue Graphics consist of a pink swastika on top of a blue circle, swastika in a red circle in the “DESTROY” across the top in red, center, with an upside down an upside down crucifix in red from crucifix of Jesus on top. top to bottom, and a red stamp of “DESTROY” is written in black the queen on the left side of on the top. A stamp is slanted on the swastika. the bottom right corner.

Cotton Cotton

Shirt “Anarchy Karl Marx” Shirt Retailer - Seditionaries Retailer - Seditionaries 1976 1976 - 77 Accession Number - 1985.357.6 Accession Number - 2018.782 “An anarchy shirt—distressed to look old with bleached-out stripes, and A washed out brown and orange appliquéd with badges, flags and striped collared shirt with an image slogans: ‘Only anarchists are Pretty!,’ of Karl Marx alongside the ‘Dangerously close to Love,’ ‘We are sentiment, “Only Anarchists are not afraid of Ruins,’ ‘Chaos,’ and a Pretty” and an armband that woven label from Chinatown of the reads “Chaos”. portrait of Karl Marx, to which Malcolm added a swastika” (Krell 12). Cotton Cotton

“Armband”

Retailer - SEX

1976

Accession Number - 2018.776

A faded red armband with white stitching. Graphic consists of “CHAOS” written in white across the front.

Cotton

56 THE SEX PISTOLS

“Many of the items sold at Seditionaries were worn by members of the Sex Pistols (1975 – 78), the punk group McLaren had brought together to exploit what he saw as youth culture’s readiness for a protest-based band” (“Vivienne”).

Elements - 4 Hanging Acrylic Displays, 2 Mannequins, Mural on Wall, Photograph Board

57 “Anarchist Punk Gang - The 1% ers” Shirt

Retailer - Seditionaries

1977

Accession Number - 2018.801

A long sleeved t-shirt featuring shoulder rips, metal details on the shoulder and sleeves and graphics and text throughout referencing punk and anarchy themes.

Cotton and Metal

Necktie

1976

Accession Number - 2006.253.20

Black necktie with a zipper in the center running from bottom to top.

Cotton, Leather, Metal, Elastic and Synthetic

Trousers

Retailer - Seditionaries

1976 - 80

Accession Number - 2006.253.21

Ankle cut trousers with a blue wool waist band, butt pockets, and shins. Center is made of black plastic. Metal hoops are on the bottom of each belt loop.

Wool, Synthetic, Metal and Plastic

58 “Sex Pistols” T-Shirt

1977

Accession Number - 2018.773

A long sleeved t-shirt with shoulder rips, metal buckle details and a Sex Pistols graphic of a red and blue guitar overlayed on images of a naked boy holding a cigarette.

Cotton and Metal

“Anarchy in the UK” Handkerchief

1977

Accession Number - 2018.792

A square handkerchief with a Union Jack graphic placed atop which is ripped and held together by pins and clips. The Sex Pistols song “Anarchy in the UK” is written within this graphic.

Cotton

“Anarchy in the UK” Shirt

1977

Accession Number - 2006.13

A long sleeved t-shirt with slits by the collar bones and metal holding together the halves of the long sleeves. Graphic consists of the UK flag and writing of “Anarchy in the UK” and “Sex Pistols.”

Cotton and Metal

59 “Sex Pistols” T-Shirt

Retailer - Seditionaries

1977

Accession Number - 2018.795

A short sleeved t-shirt with seams showing and a Sex Pistols graphic of a red, yellow and green guitar overlayed on images of a naked boy holding a cigarette.

Cotton

“God Save the Queen” T-Shirt

Retailer - Seditionaries

1977

Accession Number - 2018.802

A short sleeved t-shirt featuring ripped shoulder details and a graphic reminiscent of the Sex Pistols “God Save the Queen” album. Queen Elizabeth is shown with a safety pin through her lip.

Cotton

Trousers

Retailer - SEX

1976

Accession Number - 2018.799a-d

Plaid blue and pink plaid trousers with a pleated flap in front and knee strap details.

Cotton and Metal

60 FASHION FETISH

“For Seditionaries, Westwood and McLaren transformed the straps and zips of obscure sexual fetishism into fashion” (Wilcox 13).

Elements: 2 Sided Hanging Sign, Platform for Mannequins, 3 Mannequins, 1 Half Mannequin

61 Ensemble Ensemble Retailer - Seditionaries Retailer - Seditionaries 1976 - 80 1977 Accession Number - 2004.15a-c Accession Number - 2018.775a-e “The ‘Bondage’ suit epitomized the maverick creative collaboration A full black bondage ensemble between Westwood and McLaren” consisting of a top and pants with (“Search”). Includes a black jacket metal buckles, hardware, straps and trousers featuring zips, straps and zippers. and metal details throughout. Cotton, Metal and Rubber Cotton and Metal

“Only Anarchists Are Pretty” Shirt Shirt Retailer - Seditionaries Retailer - Seditionaries 1977 1978 Accession Number - 2018.793a, b Accession Number - 2018.807a, b A bondage style shirt that is blue with red, tan and purple accents A bright red and black long exclaiming sentiments such sleeved collared shirt featuring as “No Future” and “Only bondage details such as buckles Anarchists are Pretty”. Includes and straps across the chest. bondage style buckles and straps across the chest. Cotton, Metal and Rubber Cotton, Metal and Rubber

Trousers

Retailer - Seditionaries

1978

Accession Number - 2018.806a-d

Bright red trousers featuring knee straps, pockets, a belt and a flap attached at the back.

Cotton, Metal and Nylon

62 EXPENSES

From The Met to Marist College TRANSPORT $2,500

Security Guard during Steel Plant Hours SECURITY $13/hr for 242 hours = $3,146

Full Mannequins EXHIBIT $250 x 5 = $1,250

DISPLAY Half Mannequins $200 x 3 = $600

White Wigs $20 x 8 = $160

Hanging Acrylic Sheets $140 for 2 Sheets x 23 = $3,220 Merchandise and merchandise sales are not included here as this Platform (Fashion Fetish) will be part of MPorium’s Profit $200 and Loss Statement. Record Player Additionally, aspects such as the $45 headphones, record, and supplies for the t-shirt event may be covered Record as part of sponsorships or the $40 collaboration with Fashion Inc. Block Stand (Record) $60

Headphones $5

Stand for Mannequin Garment Details SIGNAGE $50 x 2 = $100

Large Murals for Themes $150 x 9 = $1,350

Hanging Signage (Fashion Fetish) $50

Large Museum Exhibit Boards (Photographs and Main Signage) $100 x 7 = $700

63 EXPENSES EXPENSES EXPENSES PRINTING OPENING T-SHIRT T-SHIRT EVENT PARTY WALL TOTAL -$15,746.73 $60 Stand $10 x3=$30 Colored Tape $6 x3=$18 Pens $12 x3=$36 Paper $0.25 x15=$3.75 Printing Marist 8.5x11Color Based off Poster (11x17) $25 andSetup Delivery gallonx2=$19.98 $9.99 per Lemonade” -“Minty Drink x100=$1,998 person $19.48 per Food -“Artisanal andPlatters” Deli Sodexo Food andDrink $7 x3=$21 Safety Pins $6 x3=$18 Fabric Glue $15 x2=$30 Studs $13 x3=$39 Paint $11 x2=$22 Scissors (12Pack) 64 CONTACT

MARIST COLLEGE

Stephanie Conover - [email protected] Ellie Heinzinger - [email protected] ARCHIVES

Jared Aswegan - [email protected] GALLERY

Sonia Roy - [email protected] MPORIUM

Rebecca Brown - [email protected] GRANTS

Donna Berger (Government Grants) - [email protected] Jonea Gurwitt (Non - Government Grants) - [email protected] Molly Reddish - [email protected] SECURITY

John Blaisdell - [email protected] STUDENT ACTIVITIES

Jacob Finklea - [email protected]

65 THE MET THE COSTUME INSTITUTE [email protected] ANNA YANOFSKY

Senior Research Assistant, Loans at The Costume Institute [email protected]

66 WORKS CITED

“Available Traveling Exhibitions.” Museum of Fine Arts Boston, www.mfa.org/exhibitions/traveling/available-traveling-exhibitions. “Catering Services.” Marist Dining, maristdining.sodexomyway.com/catering. “Collections.” Fashion Institute of Technology, www.fitnyc.edu/museum/collections/index.php. “Custom Exhibition.” National Geographic Society, www.nationalgeographic.org/events/traveling-exhibition/custom-exhibition/. “Darkside Records.” Home, darksiderecords.com/. Gorman, Paul. The Life & Times of Malcolm Mclaren: the Biography. Constable, 2020. “Guidelines.” The Coby Foundation, Ltd., cobyfoundation.org/guidelines/. “High Speed Digital Printing.” Marist College, www.marist.edu/infotech/departments-facilities/digital-publication-center/high-speed- digital-printing. “How Much Do Security Guard Jobs Pay per Hour in 2020?” ZipRecruiter, www.ziprecruiter.com/Salaries/How-Much-Does-a-Security- Guard-Make-an-Hour. “Items: Is Fashion Modern?” The Museum of Modern Art, www.moma.org/calendar/exhibitions/1638. Kennicott, Philip. “The Metropolitan Museum’s New Admission Policy Sticks It to Tourists.” The Washington Post, WP Company, 4 Jan. 2018, www.washingtonpost.com/entertainment/museums/the-metropolitan-museums-new-admission-policy-sticks-it-to- tourists/2018/01/04/794b4e58-f18c-11e7-b390-a36dc3fa2842_story.html. Krell, Gene. Vivienne Westwood. Thames and Hudson, 1997. Lock, S. “Most Visited Art Museums Worldwide in 2018 .” Statista, 28 May 2019, www.statista.com/statistics/246293/art-museums-by- total-attendance-worldwide/. Madsen, Susanne. “Malcolm McLaren: Let It Rock.” Dazed, Dazed Digital, 13 Aug. 2014, www.dazeddigital.com/fashion/article/21204/1/ malcolm-mclaren-let-it-rock. Maloney, Beth, and Matt D. Hill. “Museums and Universities: Partnerships with Lasting Impact.” Taylor & Francis, Journal of Museum Education, 12 Oct. 2016, www.tandfonline.com/doi/full/10.1080/10598650.2016.1235814. “Marist College.” The Business of Fashion, www.businessoffashion.com/education/rankings/2017/schools/marist-college?type=bachelors. “Most Popular Study Abroad Program.” The Princeton Review, www.princetonreview.com/college-rankings?rankings=most-popular- study-abroad-program. “Museum Exhibit Rentals: Traveling Exhibitions: AMNH.” American Museum of Natural History, www.amnh.org/global-business-development/traveling-exhibitions. “Museum FAQs.” Fashion Institute of Technology, www.fitnyc.edu/museum/about/faq.php. “Official Brand Store of Marshall Headphones and Speakers.” Marshall Headphones, www.marshallheadphones.com/us/en/. “Overview of Marist College.” U.S. News & World Report, U.S. News & World Report, www.usnews.com/best-colleges/marist-college-2765. “Pierre Cardin: Future Fashion.” Brooklyn Museum, www.brooklynmuseum.org/opencollection/exhibitions/3379/. Prichard, Beau. “Facts About the Metropolitan Museum of Art.” USA Today, Gannett Satellite Information Network, 21 Mar. 2018, traveltips.usatoday.com/metropolitan-museum-art-4174.html. “PUNK: Chaos to Couture.” Metmuseum.org, www.metmuseum.org/exhibitions/listings/2013/punk. Rhodes, Zandra, and Alice Rawsthorn. “Is Fashion a True Art Form?” The Guardian, Guardian News and Media, 13 July 2003, www. theguardian.com/artanddesign/2003/jul/13/art.artsfeatures1. Riding, Alan. “A Fashion Idol’s Odyssey From Punk to Prosperity; Museum Celebrates a Designer Who Shocked Britons.” The New York Times, The New York Times, 21 Apr. 2004, www.nytimes.com/2004/04/21/arts/fashion-idol-s-odyssey-punk-prosperity- museum-celebrates-designer-who-shocked.html. Romack, Coco. “A Look Inside the Whitney Museum’s First Fashion Exhibition in 20 Years.” Galerie, Galerie, 16 Aug. 2018, www.gal- eriemagazine.com/eckhaus-latta-whitney-exhibition/.

67 “Search the Collection - Vivienne Westwood.” Metmuseum.org, www.metmuseum.org/art/collection/search#!?q=Vivienne%20Westwoo d&perPage=20&searchField=All&sortBy=Date&offset=100&pageSize=0&sortOrder=asc. “Student Research Grants.” Marist College, www.marist.edu/academics/academic-resources/student-research-grants “The Met Welcomed More Than 7 Million Visitors in Fiscal Year 2019.” Metmuseum.org, 10 July 2019, www.metmuseum.org/press/ news/2019/fy-2019-attendance. “The Story so Far.” Vivienne Westwood, blog.viviennewestwood.com/the-story-so-far/. “University Students and Faculty.” Metmuseum.org, www.metmuseum.org/learn/university-students-and-faculty. Vázquez-López, Raúl J. “T-Shirt, 1946–1960.” Clothing and Fashion: American Fashion from Head to Toe, edited by Jose F. Blanco, ABC- CLIO, 1st edition, 2015. Credo Reference, http://online.library.marist.edu/login?url=https://search.credoreference.com/content/entry/abccliozury/t_shirt_1946_1960/0?institutionId=7655. “Vivienne Westwood.” Victoria and Albert Museum, www.vam.ac.uk/collections/vivienne-westwood. “What Does It Cost to Rent a Traveling Exhibition?” IDEA, www.idea.org/blog/2011/02/10/what-does-it-cost-to-rent-a-traveling-exhibition/. Wilcox, Claire. Vivienne Westwood. Nicolai, 2005.

68 IMAGES

“Adam Ant and Jordan Bring Punk to the Premiere of Saturday Night Fever in 1978.” The Guardian, PA, 23 Apr. 2019, www.theguardian. com/music/2019/apr/23/punk-jordan-mooney. A Pierre Cardin Exhibition. images.squarespace-cdn.com/content/5bb22f5711f7844a36489bca/1569632028772-2PPSGN5SUFVMSSZO- HHTS/pierre-cardin_960_slide1.jpg?content-type=image%2Fjpeg. “Burri-Preis Graphic Design – Works.” Famous Last Words, Burri-Preis, 28 Dec. 2019, box.bohion.com/burri-preis-graphic-design- works/. Carly, Jean-François. “Malcolm McLaren Let It Rock.” Dazed Digital, 13 Aug. 2014, www.dazeddigital.com/fashion/gallery/18330/0/ malcolm-mclaren-let-it-rock. Instagram Logo with Transparent Background. i.ya-webdesign.com/images/white-instagram-icon-png.png. “Issey Mitake at the Holon Design Museum in Israel.” Window France, Window France, www.windowfrance.com/blog.php#test_32. Jenkins, Tim. “Vivienne Westwood in London in 1977.” Vogue, 8 Oct. 2013, www.vogue.es/moda/news/galerias/basicos-clasicos-la-caza- dora-de-cuero/10115?image=5cc717e5b18fdc48471df203. Kim, Rob. “Punk Mannequins.” 31 Photos Of The “Punk” Exhibition At The Met, Getty Images, 8 May 2013, www.buzzfeed.com/ alexrees/31-photos-of-the-punk-exhibition-at-the-met?utm_term=.rgMJJmX5z0. “Malcolm McLaren & Vivienne Westwood, 1976.” AnOther, 28 Nov. 2013, www.anothermag.com/fashion-beauty/3216/malcolm-mclaren- the-definitive-punk-visionary. Manco, Carolina. “Gallery Measurements.” 8 May 2020. “Marist College James A. Cannavino Library.” Newsweek, d.newsweek.com/en/full/393848/11-13-marist-college-01.jpg?w=1600&h=1600& q=88&f=fd026c56cc25b245054b4f3f771962cf. “Marist College Rotunda Photograph.” Marist.edu, www.marist.edu/documents/20182/21464/RotundaHEADER.jpg/1f79a9de-86ec-44ab- 9ca0-c47edd824a0b?t=1540487702000. “Marist College Stone Entryway.” Champlainstone.com, www.champlainstone.com/wp-content/uploads/2018/12/Marist-College-15.jpg. “Marist Fashion Design Collage.” Facebook, Marist Fashion Inc. , 6 Sept. 2017, www.facebook.com/maristfashioninc/photos/a.180127086 6568882/1801270403235595/?type=3&theater. “Model Wearing the Venus Bike Tire T-Shirt for Let It Rock in 1972.” Jolly, 10 Dec. 2019, jollybiglive.ru/content?jolly=cz1mYXNoaW- 9uZ3dlbmJsb2cuZmVtaW5hdGFsay5ydSZwPTYxMzY5MS1mYXNoaW9uLXB1bmstNzBzLXZpdmllbm5lLXdlc3R3b29kLTcwL- WJlc3QtaWRlYXMuaHRtbA==. Nevermind the Bollocks Here’s the Sex Pistols Album Cover. images.roughtrade.com/product/images/files/000/081/825/ original/100000x100000-999.jpg?1472502441. “Photograph of the Facade of The Met.” Wall Street Journal, si.wsj.net/public/resources/images/RV-BA261_MPMET_ GR_20190404190620.jpg. “Photograph of Various Newspapers.” Britannica.com, cdn.britannica.com/25/93825-050-D1300547/collection-newspapers.jpg. Photograph of Vivienne Westwood. brands7.ru/wp-content/uploads/Vivienne-Westwood-%D0%A4%D1%83%D1%82%D0%B1%D0%BE%D 0%BB%D0%BA%D0%B8.jpg. Schichel, Sebastian. “Unheard Voices.” Tumblr - Exhibition Design Club, exhibitiondesignclub.tumblr.com/post/141145427376/unheard- voices-by-sebastian-schichel. “Search the Collection - Vivienne Westwood.” Metmuseum.org, www.metmuseum.org/art/collection/search#!?q=Vivienne%20Westwoo d&perPage=20&searchField=All&sortBy=Date&offset=100&pageSize=0&sortOrder=asc. “Siouxsie Sioux in Infamous Vivienne Westwood Tees.” The Selvedge Yard, 7 Oct. 2010, selvedgeyard.com/2010/10/07/the-filth-the- fashion-vivienne-westwoods-70s-sex-rag-revolution/. Sukita, Masayoshi. “Teds Congregate Outside the Shop with Assistant Addie Isman and Designer Vivienne Westwood in July 1972.” Paul Gorman, An Magazine, www.paulgormanis.com/?p=16781. “Steel Plant Opening.” Facebook.com, Marist College, 5 Feb. 2019, www.facebook.com/marist/photos/ms.c.eJxlzMkJADAMA8GOgmX5w- P03FvIKyN9BKxiyyqctiWny4AssVFzFR6t0Fa4KqVK9RX~_KuolVxTy5TIErcw~-~-.bps.a.10156629704939733/101566297053197 33/?type=3&theater.

69 “The Front Steps of The Met with People.” The Wall Street Journal, si.wsj.net/public/resources/images/BN-QA176_ NYMET0_M_20160927173239.jpg. The Outside of The Met with Cars Passing. images.nycgo.com/image/fetch/q_70,w_900/https://www.nycgo.com/images/uploads/articles/ Met_5th_Ave_guide/TheMetFifthAve_KateGlicksberg_0076.jpg. “The Sex Pistols Band Members Photograph.” Mirror, 26 Nov. 2016, www.mirror.co.uk/news/uk-news/vivienne-westwoods-son- torch-10-9339754. Walkway over the Hudson. mainetti.law/wp-content/uploads/2019/02/walkway-over-the-hudson.jpg. “Walkway T-Shirt Exhibit.” Instagram, Marist Fashion, 11 Mar. 2020, www.instagram.com/p/B9nEeF5BozL/. “Westwood Wears the Controversial Destroy T-Shirt.” Dazed Digital, 8 Apr. 2015, www.dazeddigital.com/fashion/article/24335/1/vivienne-westwood-s-top-ten-political-moments.

70 CLASS OF 2020 CLASS OF 2020 CLASS OF 2020 CLASS OF 2020 CLASS OF 2020 CLASS

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