El Diario De Alice James
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19Th-Century Male Visions of Queer Femininity
19TH-CENTURY MALE VISIONS OF QUEER FEMININITY A Thesis Presented to the Faculty of California State Polytechnic University, Pomona In Partial Fulfillment Of the Requirement for the Degree Master of Arts In English By Dino Benjamin-Alexander Kladouris 2015 i SIGNATURE PAGE PROJECT: 19TH-CENTURY MALE VISIONS OF QUEER FEMININITY AUTHOR: Dino Benjamin-Alexander Kladouris DATE SUBMITTED: Spring 2015 English and Foreign Languages Dr. Aaron DeRosa _________________________________________ Thesis Committee Chair English and Foreign Languages Lise-Hélène Smith _________________________________________ English and Foreign Languages Dr. Liliane Fucaloro _________________________________________ English and Foreign Languages ii ACKNOWLEDGEMENTS Dr. Aaron DeRosa, thank you for challenging and supporting me. In the time I have known you, you have helped to completely reshape my scholarship and in my worst moments, you have always found a way to make me remember that as hopeless as I am feeling, I am still moving forward. I do not think that I would have grown as much in this year without your mentorship. Thank you for always making me feel that I am capable of doing far more than what I first thought. Dr. Lise-Hélène Smith, my writing skills have improved drastically thanks to your input and brilliant mind. Your commitment to student success is absolutely inspiring to me, and I will be forever grateful for the time you have taken to push me to make this project stronger as my second reader, and support me as a TA. Dr. Liliane Fucaloro, you helped me switch my major to English Lit 6 years ago, and I am honored that you were able to round out my defense. -
Henry James , Edited by Adrian Poole Frontmatter More Information
Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES general editors Michael Anesko, Pennsylvania State University Tamara L. Follini, University of Cambridge Philip Horne, University College London Adrian Poole, University of Cambridge advisory board Martha Banta, University of California, Los Angeles Ian F. A. Bell, Keele University Gert Buelens, Universiteit Gent Susan M. Grifn, University of Louisville Julie Rivkin, Connecticut College John Carlos Rowe, University of Southern California Ruth Bernard Yeazell, Yale University Greg Zacharias, Creighton University © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES 1 Roderick Hudson 23 A Landscape Painter and Other Tales, 2 The American 1864–1869 3 Watch and Ward 24 A Passionate -
Epistolary Encounters: Diary and Letter Pastiche in Neo-Victorian Fiction
Epistolary Encounters: Diary and Letter Pastiche in Neo-Victorian Fiction By Kym Michelle Brindle Thesis submitted in fulfilment for the degree of PhD in English Literature Department of English and Creative Writing Lancaster University September 2010 ProQuest Number: 11003475 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003475 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract This thesis examines the significance of a ubiquitous presence of fictional letters and diaries in neo-Victorian fiction. It investigates how intercalated documents fashion pastiche narrative structures to organise conflicting viewpoints invoked in diaries, letters, and other addressed accounts as epistolary forms. This study concentrates on the strategic ways that writers put fragmented and found material traces in order to emphasise such traces of the past as fragmentary, incomplete, and contradictory. Interpolated documents evoke ideas of privacy, confession, secrecy, sincerity, and seduction only to be exploited and subverted as writers idiosyncratically manipulate epistolary devices to support metacritical agendas. Underpinning this thesis is the premise that much literary neo-Victorian fiction is bound in an incestuous relationship with Victorian studies. -
Charles James Papers, 1704-1978 (Bulk 1960-1978)
Charles James papers, 1704-1978 (bulk 1960-1978) Finding aid prepared by Celia Hartmann and Caitlin McCarthy This finding aid was generated using Archivists' Toolkit on August 21, 2019 The Costume Institute's Irene Lewisohn Costume Reference Library The Metropolitan Museum of Art 1000 Fifth Avenue New York, NY, 10028 [email protected] Charles James papers, 1704-1978 (bulk 1960-1978) Table of Contents Summary Information .......................................................................................................3 Biographical note.................................................................................................................4 Scope and Contents note.....................................................................................................6 Arrangement note................................................................................................................ 7 Administrative Information .............................................................................................. 8 Related Materials .............................................................................................................. 9 Controlled Access Headings............................................................................................... 9 Collection Inventory..........................................................................................................11 Series I. Business Ventures.........................................................................................11 -
Artist Failures in the Fiction of Henry James
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1974 Artist Failures in the Fiction of Henry James Robert E. Terrill Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Terrill, Robert E., "Artist Failures in the Fiction of Henry James" (1974). Dissertations. 1441. https://ecommons.luc.edu/luc_diss/1441 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1974 Robert E. Terrill ARTIST FAILURES IN THE FICTION OF HENRY JAMES by Robert E. Terrill A Dissertation Submitted to the Faculty of the Graduate School of Loyola University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Mey 1974 ACKNOWLEDGMENTS I wish to thank the director of the dissertation, Dr. John Gerrietts, and the members of the committee, Dr. Joseph Wolff and Dr. Martin J. Svaglic. I also acknowledge the assistance of the staff of the E. M. Cudahy.Library in obtaining materials on inter library loan. ii TABLE OF CONTENTS Chapter Page I. JAMES'S INTEREST IN THE FINE ARTS, ARTISTS, AND THE ISSUES OF AESTHETIC CONSCIOUSNESS •• 1 II. RODERICK HUDSON •• . 28 III. THE TRAGIC MUSE. • • • • • 76 IV. THE SACRED FOUNT • . 143 v. THE STORIES OF ARTISTS AND WRITERS • . 183 BIBLIOGRAPHY • . -
ANALYSIS the Bostonians
ANALYSIS The Bostonians (1886) Henry James (1843-1916) “The Bostonians (1886)...deals with a group of American oddities somewhat stridently set on improving the status of women. Henry James himself belonged with the school of those who hold, in a phrase which he would have given up his position rather than use, that woman’s place is in the home. He brought to his narrative the tory inclination to satire, and filled the book with sharp caustic portraits and an unprecedented amount of caricature. His Bostonians recall that angular army of Transcendentalists whom Lowell’s essay on Thoreau hung up once for all in its laughable alcove of New England history. James regards them only too obviously from without, choosing as the consciousness through which they are to be represented a young reactionary from Mississippi, Basil Ransom, who invades this fussy henyard and carries away its prized heroine, Verena Tarrant, on the very eve of her great popular success as a lecturer in behalf of her oppressed but rising sex. By such a scheme James was naturally committed to making his elder Feminists all out as unpleasant persons, preying on Verena’s youth and charm and enthusiasm, and bound to keep her for their campaign no matter what it might cost her in the way of love and marriage.” Carl Van Doren The American Novel 1789-1939, 23rd edition (1921; Macmillan 1968) 174-75 “Miss Birdseye is believed to represent Elizabeth Peabody. Basil Ransom, a Mississippi lawyer, comes to Boston to seek his fortune, and becomes acquainted with his cousins, the flirtatious widow, Mrs. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title The Myth of Writer's Block: Imagining American Moral Realism Permalink https://escholarship.org/uc/item/50t6h6kd Author Moore, Kevin Christopher Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles The Myth of Writer’s Block: Imagining American Moral Realism A dissertation filed in partial satisfaction of the requirements for the Degree of Doctor of Philosophy in English by Kevin Christopher Moore 2013 ABSTRACT OF THE DISSERTATION The Myth of Writer’s Block: Imagining American Moral Realism by Kevin Christopher Moore Doctor of Philosophy in English University of California, Los Angeles 2013 Professor Eric Sundquist, Chair The Myth of Writer’s Block takes the prominent postwar cultural myth of the “blocked” writer and reexamines it as an objective historical phenomenon. Modern literary texts often emerge from psychological crises, or seek to capture fictional crises, but once a writer’s reputation is marked by a block myth —a negative formulation that a writer has somehow failed to live up to popular or critical standards of production—literary and philosophical problems can take on the appearance of psychological calamity. Block myths take flight because they are marketable; an established author’s work increases in cultural value when it is perceived to be scarce. Such myths rarely represent reality, however, and most American authors who are perceived to have encountered a significant block, including Joseph Mitchell, Henry Roth, and Ralph Ellison, published a considerable amount of influential work in their lifetimes. These writers moreover shared an uncanny interest in documenting precarious matters of social and political morality, often disregarding conventions of craft and narrative coherence. -
The Letters of Henry James Vol. I
The Letters Of Henry James Vol.I By Henry James The Letters of Henry James I To Miss Alice James. H. J.'s lodging in Half Moon St., and his landlord, Mr. Lazarus Fox, are described, it will be remembered, in The Middle Years. He had arrived in London from America a few days before the date of the following letter to his sister. Professor Charles Norton, with his wife and sisters, was living at this time in Kensington. I have half an hour before dinnertime: why shouldn't I begin a letter for Saturday's steamer? I really feel as if I had livedI don't say a lifetimebut a year in this murky metropolis. I actually believe that this feeling is owing to the singular permanence of the impressions of childhood, to which any present experience joins itself on, without a broken link in the chain of sensation. Nevertheless, I may say that up to this time I have been crushed under a sense of the mere magnitude of Londonits inconceivable immensityin such a way as to paralyse my mind for any appreciation of details. This is gradually subsiding; but what does it leave behind it? An extraordinary intellectual depression, as I may say, and an indefinable flatness of mind. The place sits on you, broods on you, stamps on you with the feet of its myriad bipeds and quadrupeds. In fine, it is anything but a cheerful or a charming city. Yet it is a very splendid one. It gives you here at the west end, and in the city proper, a vast impression of opulence and prosperity. -
Where Independent Publishers Live Spring / Summer 2020
Where Independent Publishers Live Spring / Summer 2020 Cover image: silent stories 08 from COEXIST by Franziska Stünkel, courtesy Kehrer Verlag. All rights reserved. Congratulations to all our bestsellers! Go the Fuck to Sleep Fuck, Now There Are Two Adam Mansbach of You Illustrated by Ricardo Cortés Go the Fuck to Sleep #3 Akashic Books Adam Mansbach Paper over Board Illustrated by Owen Brozman US $15.95 | CAN $20.99 Akashic Books 9781617750250 W* Paper over Board US $15.95 | CAN $20.99 9781617757600 W* The Rosie Result A Velocity of Being Graeme Simsion Letters to A Young Reader Text Publishing Company Edited by Maria Popova and Trade Paper Claudia Bedrick US $16.99 | CAN $22.99 Enchanted Lion Books 9781925773828 USC Trade Cloth Trade Cloth US $34.95 | CAN $38.99 US $26.99 | CAN $35.99 9781592702282 W* 9781925773811 USC Pleasure Activism Emergent Strategy The Politics of Feeling Good Shaping Change, Changing Edited by adrienne maree Worlds brown adrienne maree brown AK Press AK Press Trade Paper Trade Paper US $20.00 | CAN $25.99 US $16.00 | CAN $21.99 9781849353267 USC 9781849352604 USC Bestsellers Congratulations to all our bestsellers! Night Sky with Exit The Tradition Wounds Jericho Brown Ocean Vuong Copper Canyon Press Copper Canyon Press Trade Paper Trade Paper US $17.00 | CAN $21.99 US $16.00 | CAN $20.99 9781556594861 USC 9781556594953 USC Paper over Board US $23.00 | CAN $29.99 9781556595851 USC Tell Me How It Ends My Grandmother’s Hands An Essay in 40 Questions Racialized Trauma and the Valeria Luiselli Pathway to Mending -
A Superficial Reading of Henry James Otten FM 3Rd.Qxp 4/19/2006 1:36 PM Page Ii Otten FM 3Rd.Qxp 4/19/2006 1:36 PM Page Iii
Otten_FM_3rd.qxp 4/19/2006 1:36 PM Page i A Superficial Reading of Henry James Otten_FM_3rd.qxp 4/19/2006 1:36 PM Page ii Otten_FM_3rd.qxp 4/19/2006 1:36 PM Page iii A SUPERFICIAL READING OF HENRY JAMES Preoccupations with the Material World Thomas J. Ot ten The Ohio State University Press Columbus Otten_FM_3rd.qxp 4/19/2006 1:36 PM Page iv Copyright © 2006 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Otten, Thomas J. A superficial reading of Henry James : preoccupations with the material world / Thomas J. Otten. p. cm. Includes bibliographical references and index. ISBN 0-8142-1026-0 (cloth : alk. paper) — ISBN 0-8142-9103-1 (cd- rom) 1. James, Henry, 1843–1916—Criticism and interpretation. 2. Material culture in literature. 3. Realism in literature. I. Title. PS2127.M37O88 2006 813'.4—dc22 2006000595 Cover photograph: Vase, about 1897–1900. Object place: Boston, Massachusetts, United States. Grueby Faience Company, Boston, 1894–1909. Buff stoneware with applied decoration and matte glaze. 3 31.43 x 15.24 x 15.24 cm (12 /8 x 6 x 6 in.). Museum of Fine Arts, Boston. Anonymous gift in memory of John G. Pierce. 65.212. Cover design by DesignSmith. Type set in Adobe Garamond. Printed by Thomson Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 Otten_FM_3rd.qxp 4/19/2006 1:36 PM Page v For Kelly Hager Otten_FM_3rd.qxp -
Contexts for Reading Gertrude Stein's the Making of Americans
Contexts for Reading Gertrude Stein’s The Making of Americans Lucy Jane Daniel Thesis submitted to the University of London for the degree of Doctor of Philosophy University College^ London February 2002 ProQuest Number: U642307 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642307 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis provides a contextualizing approach to Gertrude Stein’s The Making of Americans (1903-1911), using her notebooks, correspondence and college compositions dating from the 1890s, as well as the more well-known Femhurst, QED, and ‘Melanctha’; the study ends in 1911. Each chapter discusses representative texts with which Stein was familiar, and which had a discernible effect on the themes and style of the novel. In view of a critical tradition which has often obscured her nineteenth-century contexts, this reading provides a clearer definition of the social and intellectual environment which shaped her literary experiment. In chapter 1 I consider the influence of Charlotte Perkins Gilman’s Women and Economics (1898). Stein’s college themes and the speech, ‘The Value of College Education for Women’ (1898), reveal her feelings about the possibility of female creativity. -
The Story of Alice Howe Gibbens James
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UNL | Libraries University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln University of Nebraska Press -- Sample Books and Chapters University of Nebraska Press 2009 Alice in Jamesland: The Story of Alice Howe Gibbens James Susan E. Gunter Follow this and additional works at: https://digitalcommons.unl.edu/unpresssamples Part of the Arts and Humanities Commons Gunter, Susan E., "Alice in Jamesland: The Story of Alice Howe Gibbens James" (2009). University of Nebraska Press -- Sample Books and Chapters. 17. https://digitalcommons.unl.edu/unpresssamples/17 This Article is brought to you for free and open access by the University of Nebraska Press at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in University of Nebraska Press -- Sample Books and Chapters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Alice in Jamesland Buy the Book Buy the Book Alice in Jamesland The Story of Alice Howe Gibbens James susan e. gunter University of Nebraska Press Lincoln and London Buy the Book © 2009 by Susan E. Gunter All rights reserved. Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data Gunter, Susan E., 1947– Alice in Jamesland: the story of Alice Howe Gibbens James / Susan E. Gunter. p. cm. Includes bibliographical references and index. isbn 978-0-8032-1569-6 (cloth: alk. paper) 1. James, Alice Howe Gibbens. 2. James, Henry, 1843–1916 — Family. 3. Sisters-in-law — United States — Biography. 4. James, William, 1842–1910 — Marriage.