The Letters of Henry James Vol. I
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19Th-Century Male Visions of Queer Femininity
19TH-CENTURY MALE VISIONS OF QUEER FEMININITY A Thesis Presented to the Faculty of California State Polytechnic University, Pomona In Partial Fulfillment Of the Requirement for the Degree Master of Arts In English By Dino Benjamin-Alexander Kladouris 2015 i SIGNATURE PAGE PROJECT: 19TH-CENTURY MALE VISIONS OF QUEER FEMININITY AUTHOR: Dino Benjamin-Alexander Kladouris DATE SUBMITTED: Spring 2015 English and Foreign Languages Dr. Aaron DeRosa _________________________________________ Thesis Committee Chair English and Foreign Languages Lise-Hélène Smith _________________________________________ English and Foreign Languages Dr. Liliane Fucaloro _________________________________________ English and Foreign Languages ii ACKNOWLEDGEMENTS Dr. Aaron DeRosa, thank you for challenging and supporting me. In the time I have known you, you have helped to completely reshape my scholarship and in my worst moments, you have always found a way to make me remember that as hopeless as I am feeling, I am still moving forward. I do not think that I would have grown as much in this year without your mentorship. Thank you for always making me feel that I am capable of doing far more than what I first thought. Dr. Lise-Hélène Smith, my writing skills have improved drastically thanks to your input and brilliant mind. Your commitment to student success is absolutely inspiring to me, and I will be forever grateful for the time you have taken to push me to make this project stronger as my second reader, and support me as a TA. Dr. Liliane Fucaloro, you helped me switch my major to English Lit 6 years ago, and I am honored that you were able to round out my defense. -
Henry James , Edited by Adrian Poole Frontmatter More Information
Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES general editors Michael Anesko, Pennsylvania State University Tamara L. Follini, University of Cambridge Philip Horne, University College London Adrian Poole, University of Cambridge advisory board Martha Banta, University of California, Los Angeles Ian F. A. Bell, Keele University Gert Buelens, Universiteit Gent Susan M. Grifn, University of Louisville Julie Rivkin, Connecticut College John Carlos Rowe, University of Southern California Ruth Bernard Yeazell, Yale University Greg Zacharias, Creighton University © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01143-4 — The Princess Casamassima Henry James , Edited by Adrian Poole Frontmatter More Information the cambridge edition of the complete fiction of HENRY JAMES 1 Roderick Hudson 23 A Landscape Painter and Other Tales, 2 The American 1864–1869 3 Watch and Ward 24 A Passionate -
A Little Tour in France
A LITTLE TOUR IN FRANCE with ninety-four illustrations by JOSEPH PENNELL LONDON WILLIAM HEINEMANN 1900 Preface Preface The notes presented in this volume were gathered, as will easily be perceived, a number of years ago and on an expectation not at that time answered by the event, and were then published in the United States. The expectation had been that they should accompany a series of drawings, and they themselves were altogether governed by the pictorial spirit. They made, and they make in appearing now, after a considerable interval and for the first time, in England, no pretension to any other; they are impressions, immediate, easy, and consciously limited; if the written word may ever play the part of brush or pencil, they are sketches on "drawing-paper" and nothing more. From the moment the principle of selection and expression, with a tourist, is not the delight of the eyes and the play of fancy, it should be an energy in every way much larger; there is no happy mean, in other words, I hold, between the sense and the quest of the picture, and the surrender to it, and the sense and the quest of the constitution, the inner springs of the subject—springs and connections social, economic, historic. One must really choose, in other words, between the benefits of the perception of surface—a perception, when fine, perhaps none of the most frequent—and those of the perception of very complex underlying matters. If these latter had had, for me, to be taken into account, my pages would not have been collected. -
THE DELIGHTS in FRANCE for the TOURISTS Denisa Wolfe ID 499 Dr. James Hightower
THE DELIGHTS IN FRANCE FOR THE TOURISTS by Denisa Wolfe ID 499 Dr. James Hightower TABLE OF CONTENTS Loire Valley 1 - 27 Normandy 28 - 36 Brittany 37 - 44 Pyrenees 45 - 53 Perigord 54 - 63 Provence 64 - 74 - - LOIRE VALLEY The Loire River is the longest river in France, flowing for approximately six hundred miles. This river, with the Cher River and the Indre River, forms the Loire Valley. This is the area of France for dreaming along the banks of the rivers. Dreams of those of the past have dotted the Loire Valley with magnificent chateaux. This is truly the chateaux country of France. This region of France was very popular with the royalty, and many of their royal residences are still there. Many of these chateaux are not only beautiful, but also possess intriguing stories of love, jealousy, and murder. Amboise The Chateau d'Amboise is in Italian Renaissance style. One of the main attractions of this chateau is the Tour des Minimes which is the five-storey spiral ramp used for bringing horses and carriages up to the chateau from the river below. In 1470, Charles VIII was born here and began to rebuild it in 1492. In 1498, Charles VIII died from striking his forehead on a low-hanging doorway in the chateau. In 1560, the chateau was the site of a gruesome scene. There was the massacre of the Protestants for the conspiracy of La Renaudie. They were hung from the iron balconies of the chateau. A fanciful visitor today can 2 perhaps picture traces of blood on the crossed iron bars of the balcony where heads were hung. -
Epistolary Encounters: Diary and Letter Pastiche in Neo-Victorian Fiction
Epistolary Encounters: Diary and Letter Pastiche in Neo-Victorian Fiction By Kym Michelle Brindle Thesis submitted in fulfilment for the degree of PhD in English Literature Department of English and Creative Writing Lancaster University September 2010 ProQuest Number: 11003475 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003475 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract This thesis examines the significance of a ubiquitous presence of fictional letters and diaries in neo-Victorian fiction. It investigates how intercalated documents fashion pastiche narrative structures to organise conflicting viewpoints invoked in diaries, letters, and other addressed accounts as epistolary forms. This study concentrates on the strategic ways that writers put fragmented and found material traces in order to emphasise such traces of the past as fragmentary, incomplete, and contradictory. Interpolated documents evoke ideas of privacy, confession, secrecy, sincerity, and seduction only to be exploited and subverted as writers idiosyncratically manipulate epistolary devices to support metacritical agendas. Underpinning this thesis is the premise that much literary neo-Victorian fiction is bound in an incestuous relationship with Victorian studies. -
UC Davis UC Davis Previously Published Works
UC Davis UC Davis Previously Published Works Title The Inward Revolution’: Sexual Terrorism in The Princess Casamassima Permalink https://escholarship.org/uc/item/0fc4b349 Author Miller, EC Publication Date 2021-06-27 Peer reviewed eScholarship.org Powered by the California Digital Library University of California 7KH,QZDUG5HYROXWLRQ6H[XDO7HUURULVPLQ7KH3ULQFHVV &DVDPDVVLPD (OL]DEHWK&DURO\Q0LOOHU The Henry James Review, Volume 24, Number 2, Spring 2003, pp. 146-167 (Article) 3XEOLVKHGE\-RKQV+RSNLQV8QLYHUVLW\3UHVV DOI: 10.1353/hjr.2003.0015 For additional information about this article http://muse.jhu.edu/journals/hjr/summary/v024/24.2miller.html Access provided by University of California, Davis (8 Feb 2016 03:42 GMT) 146 The Henry James Review The Inward Revolution: Sexual Terrorism in The Princess Casamassima By Elizabeth Carolyn Miller, University of Wisconsin, Madison He would become most acquainted with destiny in the form of a lively inward revolution. —Henry James, Preface to The Princess Casamassima The day of mere external revolutions has passed [. .] the only revolution now possible is that most fundamental of all, the revolution of the human spirit. —Havelock Ellis, “Women and Socialism” In 1884, one year before Henry James’s novel The Princess Casamassima began its serial run in the Atlantic Monthly, social scientist Karl Pearson wrote in the Fortnightly Review: There are two, and we might almost say only two, great problems of modern social life—they are the problems of women and of labour. Interwoven in a remarkable and hardly yet fully appreciated manner, they are the ground-tones of modern thought and disguised under many varied forms the chief factors in modern social and political changes. -
Charles James Papers, 1704-1978 (Bulk 1960-1978)
Charles James papers, 1704-1978 (bulk 1960-1978) Finding aid prepared by Celia Hartmann and Caitlin McCarthy This finding aid was generated using Archivists' Toolkit on August 21, 2019 The Costume Institute's Irene Lewisohn Costume Reference Library The Metropolitan Museum of Art 1000 Fifth Avenue New York, NY, 10028 [email protected] Charles James papers, 1704-1978 (bulk 1960-1978) Table of Contents Summary Information .......................................................................................................3 Biographical note.................................................................................................................4 Scope and Contents note.....................................................................................................6 Arrangement note................................................................................................................ 7 Administrative Information .............................................................................................. 8 Related Materials .............................................................................................................. 9 Controlled Access Headings............................................................................................... 9 Collection Inventory..........................................................................................................11 Series I. Business Ventures.........................................................................................11 -
ABSTRACT Title of Document: ANXIOUS JOURNEYS: PAST
ABSTRACT Title of Document: ANXIOUS JOURNEYS: PAST, PRESENT, AND CONSTRUCTION OF IDENTITY IN AMERICAN TRAVEL WRITING Donna Packer-Kinlaw Doctor of Philosophy, 2012 Directed By: Professor John Auchard Department of English Travel writing ostensibly narrates leisurely excursions through memorable landscapes and records the adventures associated with discovering new scenes. The journey presumably provides an escape from the burdens of daily life, and the ideal traveler embraces the differences between home and another place. Yet, the path can sometimes lead to distressing scenes, where visitors struggle to situate themselves in strange and unfamiliar places. Americans, in particular, often demonstrate anxiety about what sites they should visit and how such scenes should be interpreted. The differences between their ideas about these spaces and the reality can also foment anguish. More, American travelers seem to believe that personal and national identities are tenuous, and they often take steps to preserve their sense of self when they feel threatened by uncanny sites and scenes. Thus, their travel narratives reveal a distinct struggle with what is here identified as the anxiety of travel. This dissertation identifies its triggers, analyzes its symptoms, and examines how it operates in American-authored narratives of travel. While most critics divide these journeys into two groups (home and abroad), this dissertation considers tension in both domestic and transatlantic tours. This broader approach provides a more thorough understanding of the travel writing genre, offers more information on how this anxiety functions, and helps us to formulate a more specific theory about the roles of anxiety and travel in identity construction. It also invites a reassessment of destination and what constitutes a site, and makes it easier to recognize disguised anxiety. -
Artist Failures in the Fiction of Henry James
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1974 Artist Failures in the Fiction of Henry James Robert E. Terrill Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Terrill, Robert E., "Artist Failures in the Fiction of Henry James" (1974). Dissertations. 1441. https://ecommons.luc.edu/luc_diss/1441 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1974 Robert E. Terrill ARTIST FAILURES IN THE FICTION OF HENRY JAMES by Robert E. Terrill A Dissertation Submitted to the Faculty of the Graduate School of Loyola University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Mey 1974 ACKNOWLEDGMENTS I wish to thank the director of the dissertation, Dr. John Gerrietts, and the members of the committee, Dr. Joseph Wolff and Dr. Martin J. Svaglic. I also acknowledge the assistance of the staff of the E. M. Cudahy.Library in obtaining materials on inter library loan. ii TABLE OF CONTENTS Chapter Page I. JAMES'S INTEREST IN THE FINE ARTS, ARTISTS, AND THE ISSUES OF AESTHETIC CONSCIOUSNESS •• 1 II. RODERICK HUDSON •• . 28 III. THE TRAGIC MUSE. • • • • • 76 IV. THE SACRED FOUNT • . 143 v. THE STORIES OF ARTISTS AND WRITERS • . 183 BIBLIOGRAPHY • . -
ANALYSIS the Bostonians
ANALYSIS The Bostonians (1886) Henry James (1843-1916) “The Bostonians (1886)...deals with a group of American oddities somewhat stridently set on improving the status of women. Henry James himself belonged with the school of those who hold, in a phrase which he would have given up his position rather than use, that woman’s place is in the home. He brought to his narrative the tory inclination to satire, and filled the book with sharp caustic portraits and an unprecedented amount of caricature. His Bostonians recall that angular army of Transcendentalists whom Lowell’s essay on Thoreau hung up once for all in its laughable alcove of New England history. James regards them only too obviously from without, choosing as the consciousness through which they are to be represented a young reactionary from Mississippi, Basil Ransom, who invades this fussy henyard and carries away its prized heroine, Verena Tarrant, on the very eve of her great popular success as a lecturer in behalf of her oppressed but rising sex. By such a scheme James was naturally committed to making his elder Feminists all out as unpleasant persons, preying on Verena’s youth and charm and enthusiasm, and bound to keep her for their campaign no matter what it might cost her in the way of love and marriage.” Carl Van Doren The American Novel 1789-1939, 23rd edition (1921; Macmillan 1968) 174-75 “Miss Birdseye is believed to represent Elizabeth Peabody. Basil Ransom, a Mississippi lawyer, comes to Boston to seek his fortune, and becomes acquainted with his cousins, the flirtatious widow, Mrs. -
Imagistic Clues to the Labyrinth of Ambiguity in Henry James's the Golden Bowl
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 6-1986 The Fascination of Knowledge: Imagistic Clues to the Labyrinth of Ambiguity in Henry James's The Golden Bowl Marijane R. Davis University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the English Language and Literature Commons Recommended Citation Davis, Marijane R., "The Fascination of Knowledge: Imagistic Clues to the Labyrinth of Ambiguity in Henry James's The Golden Bowl. " PhD diss., University of Tennessee, 1986. https://trace.tennessee.edu/utk_graddiss/2511 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Marijane R. Davis entitled "The Fascination of Knowledge: Imagistic Clues to the Labyrinth of Ambiguity in Henry James's The Golden Bowl." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. Daniel J. Schneider, Major Professor We have read this dissertation and recommend its acceptance: William Shurr, Allison Ensor, L. B. Cebik Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council : I am submitting herewith a dissertation written by Marijane R. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title The Myth of Writer's Block: Imagining American Moral Realism Permalink https://escholarship.org/uc/item/50t6h6kd Author Moore, Kevin Christopher Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles The Myth of Writer’s Block: Imagining American Moral Realism A dissertation filed in partial satisfaction of the requirements for the Degree of Doctor of Philosophy in English by Kevin Christopher Moore 2013 ABSTRACT OF THE DISSERTATION The Myth of Writer’s Block: Imagining American Moral Realism by Kevin Christopher Moore Doctor of Philosophy in English University of California, Los Angeles 2013 Professor Eric Sundquist, Chair The Myth of Writer’s Block takes the prominent postwar cultural myth of the “blocked” writer and reexamines it as an objective historical phenomenon. Modern literary texts often emerge from psychological crises, or seek to capture fictional crises, but once a writer’s reputation is marked by a block myth —a negative formulation that a writer has somehow failed to live up to popular or critical standards of production—literary and philosophical problems can take on the appearance of psychological calamity. Block myths take flight because they are marketable; an established author’s work increases in cultural value when it is perceived to be scarce. Such myths rarely represent reality, however, and most American authors who are perceived to have encountered a significant block, including Joseph Mitchell, Henry Roth, and Ralph Ellison, published a considerable amount of influential work in their lifetimes. These writers moreover shared an uncanny interest in documenting precarious matters of social and political morality, often disregarding conventions of craft and narrative coherence.