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Af20-Booking-Guide.Pdf
1 SPECIAL EVENT YOU'RE 60th Birthday Concert 6 Fire Gardens 12 WRITERS’ WEEK 77 Adelaide Writers’ Week WELCOME AF OPERA Requiem 8 DANCE Breaking the Waves 24 10 Lyon Opera Ballet 26 Enter Achilles We believe everyone should be able to enjoy the Adelaide Festival. 44 Between Tiny Cities Check out the following discounts and ways to save... PHYSICAL THEATRE 45 Two Crews 54 Black Velvet High Performance Packing Tape 40 CLASSICAL MUSIC THEATRE 16 150 Psalms The Doctor 14 OPEN HOUSE CONCESSION UNDER 30 28 The Sound of History: Beethoven, Cold Blood 22 Napoleon and Revolution A range of initiatives including Pensioner Under 30? Access super Mouthpiece 30 48 Chamber Landscapes: Pay What You Can and 1000 Unemployed discounted tickets to most Cock Cock... Who’s There? 38 Citizen & Composer tickets for those in need MEAA member Festival shows The Iliad – Out Loud 42 See page 85 for more information Aleppo. A Portrait of Absence 46 52 Garrick Ohlsson Dance Nation 60 53 Mahler / Adès STUDENTS FRIENDS GROUPS CONTEMPORARY MUSIC INTERACTIVE Your full time student ID Become a Friend to access Book a group of 6+ 32 Buŋgul Eight 36 unlocks special prices for priority seating and save online and save 15% 61 WOMADelaide most Festival shows 15% on AF tickets 65 The Parov Stelar Band 66 Mad Max meets VISUAL ART The Shaolin Afronauts 150 Psalms Exhibition 21 67 Vince Jones & The Heavy Hitters MYSTERY PACKAGES NEW A Doll's House 62 68 Lisa Gerrard & Paul Grabowsky Monster Theatres - 74 IN 69 Joep Beving If you find it hard to decide what to see during the Festival, 2020 Adelaide Biennial . -
Sound Diplomacy Hysbysu Strategaeth Gerdd I Gaerdydd
ADRODDIAD DINAS GERDD SOUND DIPLOMACY HYSBYSU STRATEGAETH GERDD I GAERDYDD Astudiaeth Ecosystem Cerdd ac Argymhellion Strategol Cyflwynwyd gan Sound Diplomacy i Gyngor Caerdydd Mawrth 2019 1 1 Hysbysu strategaeth gerdd i Gaerdydd 1 1. Cyflwyniad 5 1.1 Am y project 7 1.2 Methodoleg 7 1.3 Am yr awduron 8 2. Cyd-destun 9 2.1 Cyd-destun byd-eang 9 2.2 Lle Caerdydd yn niwydiant cerddoriaeth y DU 9 3. Ecosystem Cerdd Caerdydd 11 3.1 Effaith economaidd cerdd Caerdydd 11 3.2 Mapio diwydiant Caerdydd 18 3.3 Canfyddiadau allweddol 19 4. Argymhellion Strategol 33 LLYWODRAETHU AC ARWEINYDDIAETH 33 Y Swyddfa Gerdd 33 1.1 Penodi Swyddog Cerdd 34 1.2 Adeiladu a chynnal cyfeiriadur busnes o’r ecosystem cerdd leol 36 1.3 Datblygu llwyfan i gyfathrebu rhwng preswylwyr lleol a digwyddiadau cerdd 37 Y Bwrdd Cerdd 38 2.1 Sefydlu Bwrdd Cerdd 39 2.2 Creu Is-grŵp Sefydliadau Proffesiynol Bwrdd Cerdd Caerdydd 40 2.3 Creu Is-grŵp Lleoliadau Bwrdd Cerdd Caerdydd 40 2.4 Cryfhau a datblygu cydweithredu rhyng-ddinas pellach 41 Trwyddedau A Pholisïau Sy’n Dda i Gerddoriaeth 44 Sound Diplomacy Ltd +44 (0) 207 613 4271 • [email protected] www.sounddiplomacy.com 114 Whitechapel High St, London E1 7PT, UK • Company registration no: 08388693 • Registered in England & Wales 1 3.1 Symleiddio'r broses drwyddedu ar gyfer gweithgareddau cerdd 44 3.2 Ailasesu gofynion diogelwch ar gyfer lleoliadau a digwyddiadau 45 3.3 Gwella mynediad i ddigwyddiadau cerddoriaeth fyw i gynulleidfaoedd dan oed 46 3.4 Cyflwyno parthau llwytho i gerddorion ar gyfer lleoliadau yng nghanol y -
Rose Tattoo: Una Banda De Culte
It's only rock & roll | Pep Saña | Actualitzat el 28/09/2016 a les 15:25 Rose Tattoo: Una banda de culte A la categoria de bandes de culte, Rose Tattoo ocupa un lloc privilegiat a la memòria dels fans de la musica rock tot i el pas dels anys. L'estil de blues rock cru que facturen els australians, el creen a partir d'una barreja de guitarres slide, un ritme contundent i amb la inconfusible veu del seu frontman Angry Anderson, en una manifestació de rock'n'roll exposat de la manera més contundent, poderosa, implacable i sense concessions. Als anys 70 van sorgir multitud de bandes que amb el pas del temps algunes han desaparegut però d'altres afortunadament encara podem disfrutar, moltes d'aquestes han viscut a l'ombra dels grans noms però amb multitud de seguidors fidels que avui en dia encara conserven. Rose Tattoo és una d'aquestes bandes, amb una pila de grans temes i una trajectòria poc reconeguda. Rose Tattoo és una banda que es podria considerar conceptual en referència a la imatge, degut a que Peter Wells quan va decidir formar-la, va posar com a condició per pertànyer a la banda que tots els integrants havien de tenir tatuatges, cabell curt i vestir samarretes negres. https://www.naciodigital.cat/bergueda/noticia/7432/rose-tattoo-banda-culte Pagina 1 de 8 La carrera de Rose Tattoo comença al 1976, a Austràlia, quan Angry Anderson s'uneix a la banda, amb una veu que a Wells li resultava molt semblant a la de Rod Stewart, la química entre tots dos va ser instantània. -
Lobby Loyde: the G.O.D.Father of Australian Rock
Lobby Loyde: the G.O.D.father of Australian rock Paul Oldham Supervisor: Dr Vicki Crowley A thesis submitted to The University of South Australia Bachelor of Arts (Honours) School of Communication, International Studies and Languages Division of Education, Arts, and Social Science Contents Lobby Loyde: the G.O.D.father of Australian rock ................................................. i Contents ................................................................................................................................... ii Table of Figures ................................................................................................................... iv Abstract .................................................................................................................................. ivi Statement of Authorship ............................................................................................... viiiii Acknowledgements ............................................................................................................. ix Chapter One: Overture ....................................................................................................... 1 Introduction: Lobby Loyde 1941 - 2007 ....................................................................... 2 It is written: The dominant narrative of Australian rock formation...................... 4 Oz Rock, Billy Thorpe and AC/DC ............................................................................... 7 Private eye: Looking for Lobby Loyde ......................................................................... -
Festival Statistics: Key Concepts and Current Practices
2695 Festivals can provide substantive income and generate tourism at both local and national levels. There is growing recognition of the importance of collecting data in this field, particularly to gauge the social and economic contributions of festivals to host societies. This requires a greater understanding of how festivals can be measured and data collected in a standardised, systematic manner based on existing models and current practices. This handbook presents the theories, concepts and practices that are currently used in the effective measuring of festivals across the globe. It identifies prevailing theoretical perspectives on measuring festivals; current policy constructs concerning the collection of data on festivals; as well as best practices and processes for festival data collection and statistics based on experience from around the world. 2695 FESTIVAL STATISTICS Key concepts and current practices The UNESCO Institute for Statistics (UIS) is the statistical office of the United Nations Educational, Scientific and Cultural Organization (UNESCO) and is the UN depository for internationally comparable statistics in the fields of education, science and technology, culture and communication. 2009 UNESCO FRAMEWORK FOR CULTURAL STATISTICS HANDBOOK NO. 3 2009 FRAMEWORK FOR CULTURAL STATISTICS HANDBOOK NO. 3 Festival statistics: Key concepts and current practices UNESCO The constitution of the United Nations Educational, Scientific and Cultural Organization (UNESCO) was adopted by 20 countries at the London Conference in November -
Brisbane Gala the Triffid 4Th December 2019
BRISBANE GALA THE TRIFFID 4TH DECEMBER 2019 The Director of the NLMAs, Larry Heath, would like to send his thanks to everyone who has helped make this night possible. In particular The Triffid, our home for the Gala, as well as: The NLMAs Board... Aeron Clark (Music Tasmania, TAS) Andrew Tuttle (APRA AMCOS, QLD) Damian Cunningham (Elastic Entertainment, NSW) Dallas Frasca (Musician, VIC) Katie Noonan (Musician, QLD) Mark Smith (MusicNT, NT) Michelle Padovan (QMusic, QLD) Mike Harris (WAM, WA) Ruth O’Brien (Artist & Disability Advocate, ACT) Sian Walden (Little Acorn Music, SA) ...and all the team & volunteers! With a particular mention to our Queensland event manager Helen Nash, who has been working with us since we started. And for the invaluable assistance of Lucy Joseph on admin, Filipe Franzoni on video, Mick Radojkovic on scripts, Michael Katsavos on socials and Maddi Johnson on graphics. And of course a big thanks to all our sponsors & judges. #NLMAs Program 6.30pm: Doors Open, Drinks and Food Served 7.30pm: Opening Performance: The Blockades 7.35pm: MCs Jeremy Neale, Patience Hodgson and Aimon Clark welcome you to the 2019 National Live Music Awards 7.40pm: Queensland Awards 7.55pm: LIVE: Jack Carty 8.00pm: Genre Awards Part One 8.20pm: LIVE: Little Georgia 8.25pm: Genre Awards Part Two 8.40pm: Live Legend Induction 8.55pm: International Achievement Awards 9:00pm: LIVE: Live Legend - Deborah Conway 9.10pm: Live Photographer of the Year Live Event & Musicianship Awards 9.30pm: LIVE: William Barton 9.35pm: The NLMA, Best New Act Live Voice of the Year & Live Act of the Year 9.50pm: Closing Performance 10pm: Dessert and Drinks QLD AWARDS LIVE ACT OF THE YEAR Presented by Brisbane City Council Cub Sport Sahara Beck LIVE EVENT San Mei BIGSOUND Thelma Plum Caloundra Music Festival WAAX CMC Rocks Queensland Jungle Love Festival LIVE VOICE OF THE YEAR Woodford Jack Carty Katie Noonan ALL AGES ACHIEVEMENT Monica Sottile (Sweater Curse) To be revealed on stage.. -
Cat Empire Live Dvd
Cat empire live dvd click here to download You asked for it! The Cat Empire have played over incredible shows around the world. Finally, they're. Sly - The Cat Empire Live on David Letterman · Steal The Light - WOMADelaide · Steal The Light - Behind The Scenes · Brighter Than Gold - Behind The Scenes · Days Like These, Live at Stage 88, Commonwealth Park · 'Introducing' from the On The Attack DVD · The Car Song, Live at the Forum from the Two Shoes. Live On Earth, double live album The Latest release from THE CAT EMPIRE. This Live double-album features 22 live recordings, from shows recorded all over the world. Melbourne, Montreal, Paris, London, New York and more this is the closest you can come to having The Cat Empire live in your lounge room. Recorded. We had a great thing going for a long time multiple shows in a row at the Shepherd's Bush Empire in London. This one was recorded in Wolves and All Night Loud - New videos LIVE from The Forum Theatre Read More This week's Bacstage Pass is two clips from our early DVD relese, On The Attack. The Lost Song. Find a The Cat Empire - Live At The Bowl first pressing or reissue. Complete your The Cat Empire collection. Shop Vinyl and CDs. Find a The Cat Empire - Live On Earth Sampler first pressing or reissue. Complete Since The Cat Empire began in , our fans have been begging us to release some of our live recordings. This year Feb 28 is the release date for both the double album, LIVE ON EARTH and the DVD, LIVE AT THE BOWL. -
Adelaide Festival 2019 Annual Report
ADELAIDE FESTIVAL CORPORATION 2018-19 Annual Report ADELAIDE FESTIVAL CORPORATION Level 9, 33 King William Street, Adelaide, 5000 www.adelaidefestival.com.au Contact phone number: +61(8)82164444 Contact email: [email protected] ISSN: 0431 Date presented to Minister: 27 September 2019 Adelaide Festival Corporation Annual Report 2018/19 2018-19 ANNUAL REPORT for the Adelaide Festival Corporation To: Hon Steven Marshall MP Premier of South Australia Dear Premier, This annual report will be presented to Parliament to meet the statutory reporting requirements of the Adelaide Festival Corporation Act 1998 and the requirements of Premier and Cabinet Circular PC013 Annual Reporting. This report is verified to be accurate for the purposes of annual reporting to the Parliament of South Australia. Submitted on behalf of the Adelaide Festival Corporation by: Rob Brookman Executive Director Adelaide Festival Corporation 27 September 2019 2 | P a g e 2018-19 ANNUAL REPORT for the Adelaide Festival Corporation From the Executive Director The 2019 Adelaide Festival was one of the most successful in its distinguished 59 - year history, with stellar artistic achievements matched by record-breaking box office receipts, excellent financial results and great outcomes for the State in terms of economic impact. Curated by Joint Artistic Directors Neil Armfield AO and Rachel Healy, the 2019 Adelaide Festival was steeped in exclusive events, standing ovations and critical acclaim. It set a new record with the biggest box office takings in the event’s history, achieving a total box office income of $6,056,904. This represents a 32% increase on the previous box office record set by Armfield and Healy’s second program in 2018. -
Tennessee Williams and the Representation of Animal Images
International Journal of Innovation, Creativity and Change. www.ijicc.net Volume 9, Issue 2, 2019 Tennessee Williams and the Representation of Animal Images Muslim Mohda*, Lehmood Al-Mamourib, a,bAl-Mustaqbal University College Hilla ,Babylon , Iraq, Email: a*[email protected] Since Aristophanes, playwrights have cast animals in roles where they represent human behaviour. These playwrights have chosen one or more animals to pinpoint behavioural tendencies of their characters. Ben Jonson (Volpone), Anton Chekhov (The Seagull), Henrik Ibsen (The Wild Duck) and Eugene Ionesco (The Rhinoceros) are such playwrights who use animal imagery to depict, and comment on, human behaviour. This paper does not deal with animal imagery as it is generally understood in similes and metaphors; in dialogue and descriptions. Instead, this paper deals with animals and their images as metaphors of characters in respective plays. Tennessee Williams was one playwright who employed animals as motifs. He never tired of experimenting with the idea that animals, properly selected and harnessed, could best capture the mental state of his protagonists. This paper is concerned with the "why" and "how" of his powerful fascination. Key words: Animal imagery, conflict, metaphor. Introduction In his personal life, Williams was a fond lover of animals and always had a pet in his house. Attention to this aspect of his personal life was drawn by an apparently trite reference in Richard F. Leavitt's The World of Tennessee Williams, a book prepared from material, both pictorial and biographical, supplied by the playwright himself. It is therefore regrettable that his biographers and critics have generally ignored this - shall we call it the animal side - of his personality. -
Canada and Australia
CANADA AND AUSTRALIA: PROMOTING COLLABORATION IN CREATIVE INDUSTRIES Prepared by the Consulate General of Canada in Sydney 1 TABLE OF CONTENTS 3 Welcome & Introduction 4 Film & Television 11 Music 16 Literature 21 Performing Arts 25 Visual Arts 28 Digital Arts 30 Promoting Canadian Creators Globally 2 WELCOME & INTRODUCTION The creative industries represent an important part of In Australia, the demand in the creative industries Canada’s economy and exports however these times sector was booming pre-coronavirus and represented are unprecedented and present challenges never 6.2% of total Australian employment and employment. before seen for the sector. In light of current events, The creative industries were growing 40% faster than particularly the recent cancellations of cultural events, the Australian economy as a whole. Australia also the Consulate General of Sydney would like to reaffirm recognises the important role and positive impact of the government’s support for all the people affected, the arts in regional, rural and remote areas. This has directly or indirectly, by the coronavirus. We know that led to a growth in festivals, arts markets, concerts, 4 Film & Television times like these can be particularly difficult for self- performances and galleries expanding into these areas employed creative workers, community organizations, due to the positive impact on the community as well as and cultural organizations, among many others. the daily lives of Australians. 11 Music This report, written pre-coronavirus, may be a useful resource as the creative industries move from crisis to Canada and Australia share similar histories and values recovery and seek out new business opportunities. -
Glocal Dialects in the Sydney Jazz Scene: Indigenisation Through the Influence of Oz Rock and Asian Musics
2016 © Jeremy Rose, Context 41 (2016): 35–44. Glocal Dialects in the Sydney Jazz Scene: Indigenisation Through the Influence of Oz Rock and Asian Musics Jeremy Rose There has been a growing interest in the indigenisation of jazz music around the world through a process known as ‘glocalisation’—the push and pull of both local and global music forces.1 This phenomenon has been witnessed in nationalist interpretations of jazz music outside of the USA, where artists seek to authenticate their music through adopting local traditional instruments and folk melodic material into jazz music contexts.2 Distinct national jazz identities have been audible in Brazilian, Nordic, and Japanese jazz scenes, to name a few. Musicians from these countries have conveyed their national character through jazz by borrowing from local traditional cultures, often creating unique musical statements that have added to the global discussion of diasporic jazz music identities. This article, which presents the findings of eleven interviews with Sydney jazz musicians, discusses how and why Sydney musicians are observed to be favouring some of the same sources as their Asian counterparts and enacting a process of indigenisation by drawing on a distinct form of popular music native to Australian soil: Oz rock. 1 Stuart Nicholson, Is Jazz Dead? (Or Has it Moved to a New Address) (New York: Routledge, 2005) 167. See also Stuart Nicholson, Jazz and Culture in a Global Age (Massachusetts: Northeastern University Press, 2014). 2 See E. Taylor Atkins, Blue Nippon: Authenticating -
PRESS KIT Cover Letter
PRESS KIT cover letter Hello dear friends of proper hard rock, we are STINGER, the band that you are still missing for your unforgetable live-event! We have achieved „best hard rock album“ of the German Pop & Rock Award 2017 and 2019 and we are sure we will also convince you with our wide range of own music, AC/DC cover songs and what else the rock giants of these days have to offer. You can book us as a part of the show, but also as the show itself! We can fill the period of an opening act, as well as the whole evening program. We will inform you about our music on these following pages. If you wish to see moving pictures, then please have a look on our website www.stingerrocks.com, or visit the YouTube channel, that can be found looking for „stingerrocks“ as well. You have a question about the technical details, costs or any other topic? Then get in touch with our manager Judy. Her contact details can be found at the bottom of each page. We would love to play live for you. Until then - keep rocking! STINGER rocks! represented by Judy Pieper-Köhler | phone: +49 (0) 170 4854816 | mail: [email protected] WWW.STINGERROCKS.COM BIOGRAphIE photo: Emeraldpics The award-winning band STINGER was founded in 2016. The head and rhythm guitarist of the band is Matthew Sting. The voice of the band belongs to Martin „Schaffi“ Schaffrath. The lead guitar is played by the youngest member of the squad, Ad- rian Seidel.