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Port of Chehalis Officially Awarded a $2.8M Grant
$1 Serving our communities since 1889 — www.chronline.com Early Week Edition Scenes Tuesday, From the Aug. 29, 2017 Threshing Bee / Main 3 New Museum Director Borst Pioneer Church New Leader Jason Mattson Hopes to Grow Work Continues on Replica House of Worship Lewis County Historical Museum / Life 1 in the Fort Borst Park Complex / Main 7 Port of Chehalis Officially Awarded a $2.8M Grant MORE MONEY AWARDED: As Project The Port of Chehalis has been award- $2,577,800 to $2,798,648, the largest al- “It’s a big shot in the arm for our con- ed a $2.8 million grant from the U.S. Eco- lotment of grant money the port has ever struction activities,” Randy Mueller, CEO Cost Jumps, EDA Increases nomic Development Administration to received. of the port, said of the grant allocation. Funding for Maurin Road help develop a rail-served industrial park. The money will be used for a $3.5 mil- “We are a small agency with a small bud- Last year, the port learned it would lion project at its Maurin Road Industrial get and anytime we can leverage a few Industrial Site likely be receiving the grant, but after the Site 1, which includes the construction of hundred thousand dollars of port money, construction costs increased, the port two building pads that would be able to or 20 percent match to 80 percent federal By Justyna Tomtas asked the EDA for more money. support a 136,000-square-foot-building [email protected] The grant total increased from and a 120,000-square-foot building. -
Investor Briefing
Q4 2019 AT&T EARNINGS Investor Briefing No. 307 | JANUARY 29, 2020 INVESTOR BRIEFING Q4 2019 AT&T EARNINGS Contents 3 Communications Mobility Entertainment Group Business Wireline 7 WarnerMedia Turner Home Box Office Warner Bros. 10 Latin America Mexico Vrio 11 Xandr 13 Financial and Operational Information 28 Discussion and Reconciliation of Non-GAAP Measures INVESTOR BRIEFING Q4 2019 AT&T EARNINGS Communications FINANCIAL HIGHLIGHTS Nj $36.5 billion, down 1.9% year over year due to declines in Entertainment Group and Business Revenues Wireline that were partially offset by gains in wireless service revenues Nj $29.0 billion, down 2.0% year over year, reflecting lower Entertainment Group and Business Operating Expenses Wireline expenses partially offset by increases in Mobility expenses Nj $7.5 billion, down 1.2% year over year; operating income margin of 20.6% compared to Operating Income 20.4% in the year-ago quarter MOBILITY Nj $18.7 billion, up 0.8% year over year due to an increase in service revenues offsetting declines in equipment revenues ■ Service revenues: $13.9 billion, up 1.8% year over year due to prepaid subscriber gains Revenues and postpaid phone ARPU growth ■ Equipment revenues: $4.8 billion, down 2.1% year over year with continued low postpaid phone upgrade rates Nj $13.2 billion, up 0.5% year over year due to higher bad debt, promotions and advertising Operating Expenses expenses partially offset by lower equipment costs and cost efficiencies Nj $5.5 billion, up 1.5% year over year; operating income margin of 29.4%, compared -
Planet Simpson: “Early Days” (1987-1991)
Planet Simpson: “Early Days” (1987-1991) • Season 2- “Simpsons” moved air times to compete with “Cosby Show” • Proved popularity during competition with very well acclaimed “Cosby Show” • Became Top Rated Show in 1992 after “Cosby Show” went off air • Birth of the “mass cult” “Simpsonian Golden Age” (1992-1997) • Seasons 4-8 Continued to be popular • Entered syndication in the Fall of 1994 • Became popular on booming internet • Feb. 97’ aired 167th episode passing “Flintstones” and becoming longest running primetime cartoon in history • Won “Peabody Award” “Long Plateau” (1997- ?) • Show declined in popularity after hitting it’s peak • Won 20 Emmy Awards by mid 2003 • Received Hollywood Star in 2000 • Received first ever Golden Globe nomination for best comedy series in 2003 Ancestors of the “Simpsons” •1) Anthropomorphic Animals, Late Night Talk Shows and Such and Such…… Wide Range of Comedic Forms made show successful through use of minor characters •2) Boomer Humor Begets Egghead Humor Sick and deranged humor meets smarter, social, and political humor Ancestors… (Continued) • For Ironic Humor, Blame Canada Canadian references made throughout the show bring a different tone to the “Simpsons” comedy style and the ability to laugh more openly at American satires Reality TV: The Satirical Universe of the Simpsons • “Satire is defined as intellectual judo, in which the writer or performer take on the ideas and character of his target, and then takes both to absurd lengths to destroy them.” Tony Hendra • Satire only works if it is realistic • The Simpsons is based on reality; on the notion that they are realistic. This makes satire possible. -
Tesis En El Extranjero Y Mi Amazon.Com Personalizado
UNIVERSIDAD CATÓLICA ANDRÉS BELLO Facultad de Humanidades y Educación Escuela de Comunicación Social Mención Artes Audiovisuales “Trabajo de Grado” DE PIEDRADURA A SPRINGFIELD ANÁLISIS DEL LENGUAJE AUDIOVISUAL EN DOS SERIES DE DIBUJOS ANIMADOS Tesista María Dayana Patiño Perea Tutor: Valdo Meléndez Materán CARACAS, VENEZUELA 2004 A mis padres, Higgins y Francia. AGRADECIMIENTOS A Dios, por todas sus bendiciones. A mi papá, mi gran amor. Tu me has enseñado a sentarme y pensar, a levantarme y seguir y a luchar para conseguir mi lugar en esta vida. Eres mi mejor ejemplo y mi más grande orgullo. A mi mamá, por tu amor, tu nobleza, tu sabiduría y tu apoyo incoanaal ndicional, no importa la hora ni las distancias. Eres la mujer más maravillosa del mundo y yo tengo la suerte de que seas mi compañía y mi descanso en cada paso que doy. A mis hermanos, hermanas, cuñadas, tíos y primos, porque cada uno, alguna vez, sacó un momento de su tiempo para preguntar ¿cómo va la tesis? y, considerando el tamaño, ¿a quién se le puede olvidar una pregunta que te han hecho unas doscientas veces?...Los quiero a todos, infinitas gracias. A María Bethania Medina, Gabriela Prado y Carolina Martínez por el apoyo moral y los momentos de ocio, justificados o no, las quiero muchísimo. Gracias por tanto aguante. A Olivia Liendo, amiga, gracias por tantas sesiones de consulta cibernética y por ser, además, mi sensei y despertador personal. A Luis Manuel Obregón, mi compañero de tesis ad honorem . Primo, gracias por todo el tiempo y el apoyo que me diste para salir adelante en esto (y gracias también por todo el delivery)...muchacho, you rock! A Sasha Yánez, por la compañía durante tantos trasnochos y las conversaditas en el balcón. -
SSA/CHICAGO at the University of Chicago
A publication by students of the School of Social Service Administration SSA/CHICAGO at the University of Chicago Advocates’ FORUM 2006 Advocates’ FORUM 2006 COEDITORS IN CHIEF Charlotte Hamilton Amy Proger EDITORIAL BOARD Vanessa Askot Stephen Brehm Marianne Cook Jessica Falk Charlotte Hamilton Christina James Amy Proger Liz Schnitz Marion Scotchmer Aaron Willis ADVISOR Virginia Parks, Ph.D. MISSION STATEMENT Advocates’ Forum is an academic journal that explores clinical implications, social issues, admin- istration, and public policies linked to the social work profession. The journal is written, edited, and ESSAYS AND ARTICLES created by students of the School of Social Service Administration, Mapping the American Political Stream: and its readership includes current The Stuart B. McKinney Homeless Assistance Act students, alumni, faculty, fieldwork by Betsy Carlson . 6 supervisors, and other professionals in the field. The editors of Advocates’ The Stink beneath the Ink: How Cartoons Are Forum seek to provide a medium through which SSA students Animating the Gay and Lesbian Culture Wars can contribute to the continuing by Frank Baiocchi . 16 discourse on social welfare and policy. Those of a Queer Age: Insights into Aging in the Gay and Lesbian Community EDITORIAL POLICY by Stephanie Schmitz-Bechteler . 26 Advocates’ Forum is published by the students of the School of Transgender Inclusion and Feminism: Social Service Administration Organizations and Innovation (SSA) at the University of Chicago. by Katherine S. Stepleton . 37 Submissions to the journal are selected by the editorial board from An Introduction to the Client-Oriented, Practical, works submitted by SSA students and edited in an extensive revision Evidence Search (COPES) process with the authors’ permis- by Aaron Willis and Andrew Gill . -
In the Circuit Court of the Sixth Judicial Circuit in and for Travis County, State of Lone Star
IN THE CIRCUIT COURT OF THE SIXTH JUDICIAL CIRCUIT IN AND FOR TRAVIS COUNTY, STATE OF LONE STAR CIVIL DIVISION SARAH SMITH, as personal ) representative of the Estate of Dakota ) Smith, Deceased, ) ) Plaintiff, ) Case No. 2001-5555 ) v. ) ) HOMER SIMPSON, ) ) Defendant. ) ________________________________) Prepared by: Judge Jerry R. Parker Second District Court of Appeal 801 Twiggs Street Suite 600 Tampa, FL 33602 Copyright 2001 Texas Young Lawyers Association -and- Judge Jerry R. Parker ALL RIGHTS RESERVED This case file was commissioned by the Texas Young Lawyers Association and prepared by Judge Jerry R. Parker for the 2002 National Trial Competition. This is the thirteenth year Judge Parker has provided the case file utilized for the National Trial Competition. SARAH SMITH, as personal representative of the Estate of Dakota Smith, Deceased, v. HOMER SIMPSON, Table of Contents Statement of the Case and Stipulations -------------------------------- 1 Witness List -------------------------------------------------------------------- 9 Complaint ----------------------------------------------------------------------- 10 Answer and Affirmative Defense ------------------------------------------ 14 Depositions: Tracy Leduc ---------------------------------------------------------- 17 Sydney Lloyd --------------------------------------------------------- 22 Homer Simpson ----------------------------------------------------- 27 Jane Simpson ------------------------------------------------------- 33 Exhibits: Exhibit A (Leduc street drawing) -
Conan O'brien
Second Place Stars presents… The O’Brien Hourly Bonus 1 Perhaps you know him from his show on TBS or perhaps you have been a devout follower since the days of Late Night with Conan O’Brien. Or maybe you have no idea who this red- headed person in a suit is (in which case, I pity you). Either way, test your knowledge of Conan and the various late night shows he has been affiliated with. Even if you don’t know a single thing about Conan, there may be some questions you may still know the answer to. The number in the brackets at the end of the question represents how many points each question is worth. But in the end, your answers will be graded on a 15 point scale if you don’t use the internet or a 10 point scale if you do use the internet. Good luck! 1. Before becoming the host for Late Night, Conan was a writer for The Simpsons. This episode, written by Conan O’Brien, had a guest appearance by Leonard Nimoy. [1] 2. Before either she or Conan was married or famous and before she played a New York City masseuse or a web therapist, this actress was reportedly more than just “friends” with her fellow Groundling. [1] Several other famous actors had their start on Late Night with Conan O’Brien either as interns or actors. Most of them are still affiliated with the peacock network particularly by its Thursday night comedy line up. Who knew watching television would come in handy one day? 3. -
Memetic Proliferation and Fan Participation in the Simpsons
THE UNIVERSITY OF HULL Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons being a Thesis submitted for the Degree of PhD Film Studies in the University of Hull by Jemma Diane Gilboy, BFA, BA (Hons) (University of Regina), MScRes (University of Edinburgh) April 2016 Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons by Jemma D. Gilboy University of Hull 201108684 Abstract (Thesis Summary) The objective of this thesis is to establish meme theory as an analytical paradigm within the fields of screen and fan studies. Meme theory is an emerging framework founded upon the broad concept of a “meme”, a unit of culture that, if successful, proliferates among a given group of people. Created as a cultural analogue to genetics, memetics has developed into a cultural theory and, as the concept of memes is increasingly applied to online behaviours and activities, its relevance to the area of media studies materialises. The landscapes of media production and spectatorship are in constant fluctuation in response to rapid technological progress. The internet provides global citizens with unprecedented access to media texts (and their producers), information, and other individuals and collectives who share similar knowledge and interests. The unprecedented speed with (and extent to) which information and media content spread among individuals and communities warrants the consideration of a modern analytical paradigm that can accommodate and keep up with developments. Meme theory fills this gap as it is compatible with existing frameworks and offers researchers a new perspective on the factors driving the popularity and spread (or lack of popular engagement with) a given media text and its audience. -
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Andy Richter – Actor, Writer, Comedian and Sidekick of Conan O’Brien
Andy Richter – actor, writer, comedian and sidekick of Conan O’Brien Andy Richter is an actor, writer and comedian. He’s best known for working with Conan O’Brien on three different talk shows over the years. He often plays dumb guys on t-v shows, but he’s super smart. He was born in Indiana but grew up mostly in Illinois. His first inkling of depression came at a very young age and it involved a record player. “My parents divorced when I was four. I remember being a child and listening to Simon and Garfunkel’s Bridge over Troubled Water. I didn’t fully understand it, but I would play it over and over. My Dad stayed in Bloomington and my Mom took us to her parents in Illinois. I would play a slide show in my head of Bloomington and of our house and make myself so sad. So I learned this kind of luxuriating in sadness and depression. I must have been deriving some kind of comfort.” Most kids that age don’t act like that. But Andy had an affinity for depression. Along with finding a connection to misery, he found a connection to comedy. It was the Carol Burnett show. “Honestly, it was imitating the Carol Burnett show and making my Grandmother and my brother and my family laugh. And also being an incorrigible smart-ass. As my mother said ‘I get paid for doing what I used to get sent out into the hall for in grade school.’” Andy said as a kid, his depression went from mental state to physical symptom. -
The Simpsons “Do Diversity” in the Critical Media Literacy Classroom
“Peace and Chicken” The Simpsons “do diversity” in the critical media literacy classroom Emma Jane McGillivray Department of Integrated Studies in Education McGill University, Montreal January 2011 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Masters of Arts © Emma Jane McGillivray 2011 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-75923-3 Our file Notre référence ISBN: 978-0-494-75923-3 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distrbute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C.