THE 20TH ANNIVERSARY COLLECTION Nathan A
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Sayings & Stuff
F e r e n g I R u l e s O f A c q u i s i t i o n ? # RULE SOURCE 1 Once you have their money, you never give it back. (18) DS9: "The Nagus", "Heart of Stone" 2 The best deal is the one that brings the most profit. The 34th Rule (1999) (17) 2.1 Money is everything. (18) Strange New Worlds 9 (2006) (17) 3 Never spend more for an acquisition than you have to. DS9: "The Maquis, Part II" DS9: "The Nagus"; ENT: "Acquisition" 6 Never allow family to stand in the way of opportunity. (1) 7 Keep your ears open. DS9: "In the Hands of the Prophets" 8 Small print leads to large risk. Legends of the Ferengi (17) 9 Opportunity plus instinct equals profit. DS9: "The Storyteller" DS9: "Prophet Motive"; VOY: "False 10 Greed is eternal. Profits" 13 Anything worth doing is worth doing for money. (18) Legends of the Ferengi (17) 16 A deal is a deal. DS9: "Melora" (2) 17 A contract is a contract is a contract, but only between Ferengi. DS9: "Body Parts" 18 A Ferengi without profit is no Ferengi at all. DS9: "Heart of Stone" 19 Satisfaction is not guaranteed. Legends of the Ferengi (17) 21 Never place friendship above profit. DS9: "Rules of Acquisition" DS9: "Rules of Acquisition"; VOY: 22 A wise man can hear profit in the wind. "False Profits" Nothing is more important than your health, except for your money. 23 ENT: "Acquisition" (18) 27 There is nothing more dangerous than an honest businessman. -
Deep Space Nine
CHARACTER CREATION DaiMon Barx stopped counting. He sniffed the air. Something was burning. Reluctantly tearing his eyes away from his stacked and sparkling piles of gold- pressed latinum slips, he rose, sniffing about the room for the source of the smell. A high-pitched noise assaulted his fine- tuned ears. It was coming from behind the door. The door was a meter-thick slab of duranium with the most complex force locks money could buy—and it was the thing that was burning. A pinprick of light appeared near the handle and began working its way upward and around, tracing the shape of the door with a burnt line. Barx dashed for his crate to fill it as fast as he could with lat- inum slips. He’d have only seconds before the phaser burned through the door and its owner kicked the slab in. Sealing the crate, he engaged its hover- field and dragged it through the air behind him, running to the picture of the Grand Nagus on the wall. He punched the image of the Nagus in the nose and a hidden door slid open beneath the picture. He bent down and pushed the crate through ahead of him, squeezing in after it just as the main door fell from its hinges and a voice yelled: “Ferengi! Where’s my money?” Barx, his finger almost on the stud to seal the door behind him, frowned. He couldn’t resist yelling back at the intruder: “It was a fair deal! The Chazon Passage is prime property!” “But it’s already owned by the Klingon Colonial Command!” the dis- gruntled colonist yelled, aiming his phaser at the Ferengi he could now see crouched in a small passageway. -
Bajoran Language
Bajoran Language All Bajoran written languages are based on a series of ideograms; even copies of the Bajoran texts found at ancient archaeological sites share certain root ideograms. Bajoran ideogrammatic symbols are vaguely square shaped, and feature a series of complex, interconnecting swirls. In times past, the symbols were rectangular; modern Bajoran script breaks down words into their components more frequently, thus two modern symbols often correlate to a single ancient word. Bajoran spoken language also consists of many small words for simple concepts, which can combine to produce words representing more complex ideas. There are 25 basic Bajoran language symbols, which form the foundation of all ideograms. Each symbol can be used in any of eight rotations (flipped and rotated each and every way). Bajoran tends to be written in horizontal lines, although it can be written vertically. In the Bajoran alphabet, the analogue of “C” is the fourth letter, the analogue of “E” the seventh. List of Words and Language Components Edit A: Prefix signifying definite article “the”, as in a prime or model example. Aclim: An era of history. Alva: A yellow fruit. The syllabic component “va” translates to “source”, and is found in the names of other foods like Veklava and Kava. Amojan: “The Evil One” (From “A”- “the”, “Mo”- “one”, and “Jan”- “Evil”). Amoran: “The Banishment"”(From “A”- “the”, and “Moran”- “Banishment", itself derived from the syllabic roots for “one” and “aftermath”- essentially, to have become "one", cut off from others). Ara/Arra: “Place”, usually in a spiritual or figurative sense rather than denoting literal location, although as the Bajoran proverb teaches, “the land and the people are one”. -
Super! Drama TV June 2021 ▶Programs Are Suspended for Equipment Maintenance from 1:00-6:00 on the 10Th
Super! drama TV June 2021 ▶Programs are suspended for equipment maintenance from 1:00-6:00 on the 10th. Note: #=serial number [J]=in Japanese 2021.05.31 2021.06.01 2021.06.02 2021.06.03 2021.06.04 2021.06.05 2021.06.06 Monday Tuesday Wednesday Thursday Friday Saturday Sunday 06:00 00 00 00 00 06:00 00 00 06:00 STINGRAY #27 STINGRAY #29 STINGRAY #31 STINGRAY #33 STINGRAY #35 STINGRAY #37 『DEEP HEAT』 『TITAN GOES POP』 『TUNE OF DANGER』 『THE COOL CAVE MAN』 『TRAPPED IN THE DEPTHS』 『A CHRISTMAS TO REMEMBER』 06:30 30 30 30 30 06:30 30 30 06:30 STINGRAY #28 STINGRAY #30 STINGRAY #32 STINGRAY #34 STINGRAY #36 STINGRAY #38 『IN SEARCH OF THE TAJMANON』 『SET SAIL FOR ADVENTURE』 『RESCUE FROM THE SKIES』 『A NUT FOR MARINEVILLE』 『EASTERN ECLIPSE』 『THE LIGHTHOUSE DWELLERS』 07:00 00 00 00 00 07:00 00 00 07:00 CRIMINAL MINDS Season 11 #19 CRIMINAL MINDS Season 11 #20 CRIMINAL MINDS Season 11 #21 CRIMINAL MINDS Season 11 #22 STAR TREK Season 1 #29 INSTINCT #5 『Tribute』 『Inner Beauty』 『Devil's Backbone』 『The Storm』 『Operation -- Annihilate!』 『Heartless』 07:30 07:30 07:30 08:00 00 00 00 00 08:00 00 00 08:00 MACGYVER Season 2 #12 MACGYVER Season 2 #13 MACGYVER Season 2 #14 MACGYVER Season 2 #15 MANHUNT: DEADLY GAMES #2 INSTINCT #6 『Mac + Jack』 『Co2 Sensor + Tree Branch』 『Mardi Gras Beads + Chair』 『Murdoc + Handcuffs』 『Unabubba』 『Flat Line』 08:30 08:30 08:30 09:00 00 00 00 00 09:00 00 00 09:00 information [J] information [J] information [J] information [J] information [J] information [J] 09:30 30 30 30 30 09:30 30 30 09:30 ZOEY'S EXTRAORDINARY PLAYLIST MANHUNT: -
DEEP SPACE NINE® on DVD
Star Trek: DEEP SPACE NINE® on DVD Prod. Season/ Box/ Prod. Season/ Box/ Title Title # Year Disc # Year Disc Abandoned, The 452 3/1994 3/2 Emissary, Part I 401 1/1993 721 1/1 Accession 489 4/1996 4/5 Emissary, Part II 402 1/1993 Adversary, The 472 3/1995 3/7 Emperor's New Cloak, The 562 7/1999 7/3 Afterimage 553 7/1998 7/1 Empok Nor 522 5/1997 5/6 Alternate, The 432 2/1994 2/3 Equilibrium 450 3/1994 3/1 Apocalypse Rising 499 5/1996 5/1 Explorers 468 3/1995 3/6 Armageddon Game 433 2/1994 2/4 Extreme Measures 573 7/1999 7/6 Ascent, The 507 5/1996 5/3 Facets 471 3/1995 3/7 Assignment, The 504 5/1996 5/2 Family Business 469 3/1995 3/6 Babel 405 1/1993 1/2 Far Beyond the Stars 538 6/1998 6/4 Badda-Bing, Badda-Bang 566 7/1999 7/4 Fascination 456 3/1994 3/3 Bar Association 488 4/1996 4/4 Favor the Bold 529 6/1997 6/2 Battle Lines 413 1/1993 1/4 Ferengi Love Songs 518 5/1997 5/5 Begotten, The 510 5/1997 5/3 Field of Fire 563 7/1999 7/4 Behind the Lines 528 6/1997 6/1 For the Cause 494 4/1996 4/6 Blaze of Glory 521 5/1997 5/6 For the Uniform 511 5/1997 5/4 Blood Oath 439 2/1994 2/5 Forsaken, The 417 1/1993 1/5 Body Parts 497 4/1996 4/7 Hard Time 491 4/1996 4/5 Broken Link 498 4/1996 4/7 Heart of Stone 460 3/1995 3/4 Business as Usual 516 5/1997 5/5 Hippocratic Oath 475 4/1995 4/1 By Inferno's Light 513 5/1997 5/4 His Way 544 6/1998 6/5 Call to Arms 524 5/1997 5/7 Homecoming, The 421 2/1993 2/1 Captive Pursuit 406 1/1993 1/2 Homefront 483 4/1996 4/3 Cardassians 425 2/1993 2/2 Honor Among Thieves 539 6/1998 6/4 Change of Heart 540 6/1998 6/4 House -
Episode Guide
Episode Guide Episodes 001–176 Last episode aired Tuesday June 2, 1999 www.cbs.com © © 1999 www.imdb.com © 1999 www.cbs.com © 1999 memory-alpha.org The summaries and recaps of all the Star Trek: Deep Space Nine episodes were downloaded from http://www.tv.com and http://www.cbs.com and http://memory-alpha.org and processed through a perl program to transform them in a LATEX file, for pretty printing. So, do not blame me for errors in the text ! This booklet was LATEXed on December 10, 2020 by footstep11 with create_eps_guide v0.65 Contents Season 1 1 1 Emissary (1) . .3 2 Emissary (2) . .7 3 A Man Alone . .9 4 Past Prologue . 13 5 Babel .............................................. 15 6 Captive Pursuit . 17 7 Q-Less . 19 8 Dax ............................................... 21 9 The Passenger . 23 10 Move Along Home . 25 11 The Nagus . 27 12 Vortex . 29 13 Battle Lines . 31 14 The Storyteller . 33 15 Progress . 35 16 If Wishes Were Horses . 37 17 The Forsaken . 39 18 Dramatis Personae . 41 19 Duet............................................... 43 20 In the Hands of the Prophets . 45 Season 2 47 1 The Homecoming (1) . 49 2 The Circle (2) . 53 3 The Siege (3) . 55 4 Invasive Procedures . 57 5 Cardassians . 59 6 Melora . 63 7 Rules of Acquisition . 65 8 Necessary Evil . 67 9 Second Sight . 71 10 Sanctuary . 73 11 Rivals . 75 12 The Alternate . 77 13 Armageddon Game . 79 14 Whispers . 81 15 Paradise . 83 16 Shadowplay . 87 17 Playing God . 91 18 Profit and Loss . 95 19 Blood Oath . -
Racial Issues and Star Trek's Deep Space Nine
Racial Issues and Star Trek’s Deep Space Nine By J. Emmett Winn Spring 2003 Issue of KINEMA HIGHLY OFFENSIVE FERENGI: RACIAL ISSUES AND STAR TREK’S MULTICUL- TURAL DEEP SPACE NINE STAR TREK: DEEP SPACE NINE is the third official Star Trek series based on the ideas of the late Gene Roddenberry. The popularity of the Star Trek series has earned them an honoured place in America’s popular culture.(1) Likewise, scholarly attention to Star Trek points to its importance to the study of media culture.(2) Star Trek, even before its broadcast of television’s first interracial kiss, has always had two missions. The first, its entertainment mission as part of the television industry, is the well known: ”Its five yearmissionis to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man [sic] has gone before.”(3) Deep Space Nine’s creators, Berman and Pillar, state the second is the less publicly articulated mission of addressing matters of socio-cultural concern. Star Trek: Deep Space Nine is very successful in syndication and with Star Trek fans.(4) DS9 assembles the most racially and ethnically diverse group of all the preceding Star Treks. The most prominent difference is that the lead character, Captain Benjamin Sisko, is played by African-American actor Avery Brooks. Brooks is the first (and so far the last) Black actor to play the lead role inany Star Trek series or film. Equally important, the basic plot of DS9 (throughout its seven year run, 1993-2000) revolves around the problems associated with different ”races” of peoples living together in an hostile environment. -
1 DS9 the Complete 2003 Rittenhouse
DS9 The Complete 2003 Rittenhouse 01 Deep Space Nine Montage 45 The Maquis, Part I 02 Deep Space Nine Montage 46 The Maquis, Part II 03 Deep Space Nine Montage 47 The Wire 04 SEASON ONE 48 Crossover 05 Emissary, Part I 49 The Collaborator 06 Emissary, Part II 50 Tribunal 07 Past Prologue 51 The Jem'Hadar 08 A Man Alone 52 SEASON THREE 09 Babel 53 The Search, Part I 10 Captive Pursuit 54 The Search, Part II 11 Q-Less 55 The House of Quark 12 Dax 56 Equilibrium 13 The Passenger 57 Second Skin 14 Move Along Home 58 The Abandoned 15 The Nagus 59 Civil Defense 16 Vortex 60 Meridian 17 Battle Lines 61 Defiant 18 The Storyteller 62 Fascination 19 Progress 63 Past Tense, Part I 20 If Wishes Were Horses 64 Past Tense, Part II 21 The Forsaken 65 Life Support 22 Dramatis Personae 66 Heart of Stone 23 Duet 67 Destiny 24 In the Hands of the Prophets 68 Prophet Motive 25 SEASON TWO 69 Visionary 26 The Homecoming 70 Distant Voices 27 The Circle 71 Through the Looking Glass 28 The Siege 72 Improbable Cause 29 Invasive Procedures 73 The Die Is Cast 30 Cardassians 74 Explorers 31 Melora 75 Family Business 32 Rules of Acquisition 76 Shakaar 33 Necessary Evil 77 Facets 34 Second Sight 78 The Adversary 35 Sanctuary 79 SEASON FOUR 36 Rivals 80 The Way of the Warrior, Part I 37 The Alternate 81 The Way of the Warrior, Part II 38 Armageddon Game 82 The Visitor 39 Whispers 83 Hippocratic Oath 40 Paradise 84 Indiscretion 41 Shadowplay 85 Rejoined 42 Playing God 86 Starship Down 43 Profit and Loss 87 Little Green Men 44 Blood Oath 88 The Sword of Kahless http://de.geocities.com/csxbst/index.html 1 DS9 The Complete 2003 Rittenhouse 89 Our Man Bashir 135 Rocks and Shoals 90 Homefront 136 Sons and Daughters 91 Paradise Lost 137 Behind the Lines 92 Crossfire 138 Favor the Bold 93 Return to Grace 139 Sacrifice of Angels 94 Sons of Mogh 140 You Are Cordially Invited.. -
Nicole Valeria Companiytsev
Among Us: Cross-Cultural Encounters in Science Fiction Media by Nicole Valeria Companiytsev A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Anthropology University of Alberta © Nicole Valeria Companiytsev, 2019 ii Abstract Storytelling is an essential part of our experience as human beings. We turn to narrative to explain our own lives – casting ourselves as protagonists, others as secondary characters and antagonists, and the myriad of events that happen to us as a coherent, linear story. Fiction and metaphor are lenses for our collective imagination – a representation of how we see ourselves as a society, and how we see others outside of our culture. In the Western world, nowhere is this view more prominent than in the genre of science fiction. In the fictional interactions between humans and aliens – diplomacy, conflict, oppression, misunderstandings, and cultural sharing – we can see a reflection of our society’s values, its moral prescriptions, and its warnings for the future. Anthropologists, as experts on extracting cultural rules from observation, and picking up on cross-cultural misunderstandings, have long been aware of the human tendency to exaggerate difference between cultures in order to define them as distinct. Thus, an anthropological study of science fiction is crucial for understanding how a society defines itself. In this thesis, I undertake an analysis of the influential science fiction television serial, Star Trek. I seek to answer how the portrayal of specific alien societies in Star Trek inform and reflect the American society’s understanding of both itself and “the other”. -
This Show Periodically Replaces Their Ad Breaks with New Promotional Clips. Because of This, Both the Transcription for Th
Note: This show periodically replaces their ad breaks with new promotional clips. Because of this, both the transcription for the clips and the timestamps after them may be inaccurate at the time of viewing this transcript. 00:00:00 Sound Effect Transition [Computer beeps.] 00:00:01 Ben Harrison Promo The Greatest Generation and The Greatest Discovery support Black Lives Matter and activists fighting systems of white supremacy. We've created Friends of DeSoto for Justice as a place where our podcast community can contribute to this cause, and Adam and I have each contributed $1,701 toward organizations that are fighting to fix our broken systems of justice. We've already raised over $10,000, and we want to raise a lot more. Please help! By going to Bit.ly/greatesttrek to learn more, and to contribute to the fund. 00:00:35 Sound Effect Transition [Computer beeps.] 00:00:36 Music Transition Dark Materia’s “The Picard Song,” record-scratching into a Sisko- centric remix by Adam Ragusea. Picard: Here’s to the finest crew in Starfleet! Engage. [Music begins. A fast-paced techno beat.] Picard: Captain Jean-Luc Picard, the USS Enterprise! [Music slows, record scratch, and then music speeds back up.] Sisko: Commander Benjamin Sisko, the Federation starbase... Deep Space 9. [Music ends.] 00:00:50 Music Music Record scratch back into "The Picard Song," which plays quietly in the background. 00:00:51 Ben Host Welcome to The Greatest Generation: Deep Space Nine. It's a Star Trek podcast by a couple of guys who are a little bit embarrassed to have a Star Trek podcast. -
The Mineralogy of Star Trek: Notitiae Novum
THE MINERALOGY OF STAR TREK: NOTITIAE NOVUM Jeffrey de Fourestier, MSM, FRSA, FMinSoc Ottawa, Canada [email protected] “Native sulphur, diamonds. This place is a mineralogist’s dream. Yet there is something about sulphur. Something very old. Something? If only I could remember.” (Captain James T. Kirk, 2267) “Asteroid mining. To think anyone would be foolish enough to be taken in by that old trick…” (Quark, 24th century). INTRODUCTION Notitiae novum refers to “a new awareness” of recently discovered information with respect to minerals in the Star Trek universe — as in Star Trek: The Next Generation, where the USS Enterprise is on a “continuing mission,” and in the most recent series, Star Trek: Discovery and Star Trek: Picard. Added to that, continual reviewing has, as before, uncovered further additions and corrections to the previously described canon of minerals and substances with mineral-like names. Some references to these substances are from fleeting mentions, easily missed. However, most importantly, almost all scripts for most of the series are now available. The purpose of this article is to contribute further new additions, new updates and corrections to the previous two articles about the minerals and mineralogy as they exist in the Star Trek universe (de Fourestier, 2005; de Fourestier, 2016). Geology has often been central to Star Trek plot lines. In fact, over 100 episodes and films make reference to mineral deposits, mining or geology in some manner. Sometimes what is being mined is not mentioned but the act of mining forms the backdrop to the story. An example of this is the new “particle fountain” technology designed to mine a planet’s resources from space, wherefrom the ore could more easily be shipped, as in the case of the moon Tyrus VIIa.1 1 Once proven, it was hoped that the technology could be used for mining on other planets including Carema III. -
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00:00:00 Music Transition Dark Materia’s “The Picard Song,” record-scratching into a Sisko- centric remix by Adam Ragusea. Picard: Here’s to the finest crew in Starfleet! Engage. [Music begins. A fast-paced techno beat.] Picard: Captain Jean-Luc Picard, the USS Enterprise! [Music slows, record scratch, and then music speeds back up.] Sisko: Commander Benjamin Sisko, the Federation starbase... Deep Space 9. [Music ends.] 00:00:14 Music Music Record scratch back into "The Picard Song," which plays quietly in the background. 00:00:15 Ben Harrison Host Welcome to The Greatest Generation: Deep Space Nine. It's a Star Trek podcast from a couple of guys who are a little bit embarrassed to have a Star Trek podcast. I'm Ben Harrison. 00:00:24 Adam Host I'm Adam Pranica. And it is, uh—it's Greatest Generation's 2020 Pranica Election Special. [Music fades out.] You might be— 00:00:32 Ben Host [Laughs.] Oh no! 00:00:35 Adam Host You might be in line— 00:00:36 Ben Host People try to tune into this show to like—to take a break from all that! [Laughs.] 00:00:39 Adam Host You might be in line right now! Looking for something to do with the next... eight to sixteen hours. Depending on where you're at. 00:00:47 Ben Host Depending on how suppressed votes are in your state. 00:00:51 Adam Host Yeah! Yeah. We—Ben, we famously, four years ago— [Ben laughs.] —uh, were laughing all the way up to election day.