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Short Film Marketing Guide
SHORT FILM FESTIVAL MARKETING GUIDE 2021 Kia ora, welcome to Te Tumu Whakaata Taonga New Zealand Film Commission (NZFC) Short Film Festival Marketing Guide, designed to help with your most frequently asked festival related questions and to support you in planning a targeted release strategy for your short film. Wishing you the best of luck on your festival journey. Film Still: Ani (2019) – Written and directed by Josephine Stewart-Te Whiu (Ngāpuhi, Te Rarawa), produced by Sarah Cook Official Selection: Berlin International Film Festival ‘In Competition Generation Kplus’, Toronto International Film Festival, imagineNATIVE Film + Media Arts Festival, New Zealand International Film Festival, Rotorua Indigenous Film Festival, Vladivostok Pacific Meridian International Film Festival, Hamptons International Film Festival, Show Me Shorts Film Festival - Winner Best New Zealand Film Award, Best Cinematographer Award DISCLAIMER: This document is written as a guide only, intended for use by short film directors, writers and producers when referring to ‘you’, ‘your’ and ‘filmmakers’. Festival dates included in this guide are correct at publishing and subject to change. 1 © New Zealand Film Commission 2021 INDEX The First Steps – Preparing for Festival Success……………………………………………………………… 3 In Pre-Production………………………………………………………………………………………………. 3 In Production…………………………………………………………………………………………………….. 3 In Post-Production…………………………………………………………………………………………….. 4 At the Finish Line……………………………………………………………………………………………….. 4 Press Kit…………………………………………………………………………………………………. -
View Julia's Resume
Julia Kim Smith juliakimsmith.com [email protected] Education University of Michigan, M.F.A. Visual Communication, Rackham Fellowship Recipient Screenings The Real Wi-Fi Of Baltimore 2017 Official Selection of Slamdance Film Festival, Park City, UT 2017 Official Selection of Cinequest Film Festival, San Jose, CA 2017 Official Selection of Calgary Underground Film Festival, Calgary, Canada 2017 Sondheim Semi-Finalist Exhibition, Maryland Institute College Of Art, Baltimore, MD 2015 Vimeo Curated Collection: Comedy Cylburn Park 2018 Sondheim Semi-Finalist Exhibition, Maryland Institute College Of Art, Baltimore, MD 2015 Official Selection of Brooklyn Film Festival, Brooklyn, NY Why 2018 Sondheim Semi-Finalist Exhibition, Maryland Institute College Of Art, Baltimore, MD 2017 Feminist Art Conference, OCAD University, Toronto, Canada 2016 Gold + Beton, Cologne, Germany Exquisit Corpse, Curator: Sarah Faraday, Fuse Art Space, UK 2015 Fuse Art Space, Bradford, UK Exquisite Corpse, Curator: Sarah Faraday, Fuse Art Space, UK 2014-2015 Institute for Women and Art, Rutgers University, MTV: Momentum Technology Video and Momentum: Women/Art/Technology 2014 Official Selection of Center For Asian American Media CAAMFest, San Francisco, Berkeley, Oakland, San Jose, CA 2013 DUMBO Arts Festival, Brooklyn, NY 2013 Washington Project for the Arts, Experimental Media: Cyber In Securities, Washington, DC Curator: Lisa Moren, Professor of Visual Art, University of Maryland, Baltimore County 2013 Baltimore Artscape, Slippage, Center for the Arts Gallery, Towson University, Towson, MD Curator: Daniel Belasco, Curator, Samuel Dorsky Museum of Art, State University of New York 2013 The White Building, Public Assembly: An Alternative Summer Show, London, UK Organized by Free Cooper Union (UK) and Lawrence Lek. -
Richard A. Sherman Pennsylvania State University 124 Carnegie
Richard A. Sherman Pennsylvania State University 124 Carnegie Building, University Park, PA 16802 (W) 814.865.9208 (C) 814.404.9276 [email protected] EDUCATION M.F.A., Film, Ohio University 1999 B.S., Art, James Madison University 1991 ACADEMIC APPOINTMENTS Associate Professor, Pennsylvania State University 2010-present Assistant Professor, Pennsylvania State University 2004-2010 Assistant Professor, Pittsburgh Filmmakers 2002-2004 Visiting Assistant Professor, Ohio University 1999-2002 Graduate Teaching Assistant, Ohio University 1997 COURSES TAUGHT (Graduate, Undergraduate) (U) Advanced Documentary Production (Abroad) (U) Introductory Film Production (U) Intermediate Documentary Production (U) Advanced Documentary Production (U) Intermediate Experimental Production (U) Advanced Experimental Production (U) Intermediate Narrative Production (U) Advanced Narrative Production (U) Intermediate Cinematography (U) Advanced Cinematography (G) 1st Year Film Production (G) 2nd Year Film Production (G) 3rd Year Thesis Film Production (G) Advanced Cinematography GRANTS AND AWARDS • Institute for the Arts and Humanities, Individual Faculty Grant, 2015-16 • Other Israel Film Fund, Film Finishing Grant, 2012 • Institute for the Arts and Humanities, Individual Faculty Grant, 2010 • Deans’ Excellence Fund, College of Communications, funding support, 2009 • Deans’ Excellence Award for Research & Creative Accomplishments, College of Communications, University Park, PA, 2006-2007 • Don Davis Program in Ethical Leadership, funding support, 2009 • Excellence in Teaching Award, Alumni Society Board, College of Communications, 2007 • President’s Future Fund, Pennsylvania State University, funding support, 2009 • Summer Research Grant, College of Communications, 2005, 2006, 2007, 2008, 2009 • Individual Artist Fellowship Award, Ohio Arts Council, Columbus, OH, 2003 1 • Individual Artist Fellowship Award, Virginia Museum of Fine Arts, Richmond, VA, 1997 FILMOGRAPHY The Saucer That Wasn’t There (2018-19). -
Sundance Institute Announces Fellows for Two Focused Intensives
FOR IMMEDIATE RELEASE Media Contact: March 15, 2018 Spencer Alcorn 310.360.1981 [email protected] Sundance Institute Announces Fellows for Two Focused Intensives Diverse Group of Filmmakers Convene for Customized Support and Mentorship 12 Fellows Join Screenwriters Intensive, Supported by the Will & Jada Smith Family Foundation; 10 Join FilmTwo, Supported by Universal Filmed Entertainment Group LOS ANGELES -- This spring, Sundance Institute advances the new work of writers and directors through two focused tracks of support under the auspices of the Feature Film Program: the Screenwriters Intensive, taking place March 15-16, and the FilmTwo Intensive, convening March 22-23. “It’s imperative that we support storytellers at multiple points in their careers, and with tailored programs that address specific challenges,” said Michelle Satter, Founding Director, Sundance Institute Feature Film Program. These Fellows will advance the art and craft of their work under the guidance of experienced filmmakers and industry leaders, while serving the Institute's commitment to introduce the industry to an inclusive pipeline of exciting new storytellers. Under the creative guidance of Satter, the programs are led by Labs Director Ilyse McKimmie (Screenwriters Intensive) and Senior Manager Shira Rockowitz (FilmTwo). Screenwriters Intensive Launched in 2013,, the Screenwriters Intensive provides emerging screenwriters with the opportunity to hone their craft in a two-day concentrated workshop focused on the further development of a fiction feature screenplay. Past projects supported at the Screenwriters Intensive include Spa Night, written and directed by Andrew Ahn, and Monsters and Men, written and directed by Reinaldo Marcus Green; both filmmakers return as advisors for this year’s program. -
Report from the 2019 Slamdance Film Festival William L
Journal of Religion & Film Volume 23 Article 1 Issue 1 April 2019 1-28-2019 Report from the 2019 Slamdance Film Festival William L. Blizek University of Nebraska at Omaha, [email protected] Recommended Citation Blizek, William L. (2019) "Report from the 2019 Slamdance Film Festival," Journal of Religion & Film: Vol. 23 : Iss. 1 , Article 1. Available at: https://digitalcommons.unomaha.edu/jrf/vol23/iss1/1 This Slamdance Film Festival Review is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Report from the 2019 Slamdance Film Festival Abstract This is the Introduction to the 2019 Slamdance Film Festival. Author Notes William Blizek is the Founding Editor of the Journal of Religion and Film, and is Professor of Philosophy and Religion at the University of Nebraska at Omaha. He is also the editor of the Continuum Companion to Religion and Film (2009). This slamdance film festival review is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol23/iss1/1 Blizek: Report from the 2019 Slamdance Film Festival REPORT FROM THE 2019 SLAMDANCE FILM FESTIVAL Published by DigitalCommons@UNO, 1 Journal of Religion & Film, Vol. 23 [], Iss. 1, Art. 1 The Treasure Mountain Inn is the iconic home of the Slamdance Film Festival. It is located at the high end of Main Street’s commercial district in Park City, Utah. This is the 25th Anniversary of the Slamdance Film Festival. -
001. Schedule/Index/1
You spare no expense when it comes to showing off Fluffy’s team spirit, but you don’t have Colts Banking? Bank Like a Fan!® Get your Colts Banking account* exclusively from Huntington. s#OLTSCHECKSs#OLTS6ISA®#HECK#ARDs#OLTSCHECKBOOKCOVER /PENANACCOUNTTODAYAT#OLTS"ANKINGCOMORVISITABANKINGOFlCE Offi cial Bank of the Indianapolis Colts Clarian Health *Some fees may apply. Colts and the Colts’ horseshoe logos are trademarks of the Indianapolis Colts, Inc. Member FDIC. , ® Huntington®andBankLikeaFan!®are federally registered service marks of Huntington Bancshares Incorporated. ©2009 Huntington Bancshares Incorporated. 2009 SEASONPRESEASON SCHEDULE Date Opponent Time Friday, August 14 MINNESOTA VIKINGS 7:30 p.m. Thursday, August 20 PHILADELPHIA EAGLES 8:00 p.m. Saturday, August 29 at Detroit Lions 1:00 p.m. Thursday, September 3 at Cincinnati Bengals 7:30 p.m. REGULAR SEASON Sunday, September 13 JACKSONVILLE JAGUARS 1:00 p.m. Monday, September 21 at Miami Dolphins 8:30 p.m. Sunday, September 27 at Arizona Cardinals 8:20 p.m. Sunday, October 4 SEATTLE SEAHAWKS 1:00 p.m. Sunday, October 11 at Tennessee Titans 8:20 p.m. Sunday, October 18 OPEN DATE Sunday, October 25 at St. Louis Rams 1:00 p.m. Sunday, November 1 SAN FRANCISCO 49ers 1:00 p.m. Sunday, November 8 HOUSTON TEXANS 1:00 p.m. Sunday, November 15 NEW ENGLAND PATRIOTS 8:20 p.m. Sunday, November 22* at Baltimore Ravens 1:00 p.m. Sunday, November 29* at Houston Texans 1:00 p.m. Sunday, December 6* TENNESSEE TITANS 1:00 p.m. Sunday, December 13* DENVER BRONCOS 1:00 p.m. -
88Th ACADEMY AWARDS SHORT FILMS QUALIFYING FESTIVAL LIST
88th ACADEMY AWARDS SHORT FILMS QUALIFYING FESTIVAL LIST PLEASE NOTE: QUALIFYING FESTIVALS AND AWARDS MAY CHANGE WITHOUT NOTICE § ACADEMIA DE LAS ARTES Y LAS CIENCIAS CINEMATOGRAFICAS DE ESPAÑA (Spain) Goya Award for Best Fiction Short Film Goya Award for Best Animated Short Film www.academiadecine.com § ACADÉMIE DES ARTS ET TECHNIQUES DU CINÉMA [CÉSAR] (France) Best Short Film www.academie-cinema.org § ACADEMY OF CANADIAN CINEMA & TELEVISION [CANADIAN SCREEN AWARDS] (Canada) Best Live Action Short Best Animated Short www.academy.ca § AFI FEST (California, USA) Grand Jury Prize www.afi.com/afifest § ANIMA, THE BRUSSELS ANIMATION FILM FESTIVAL (Belgium) Grand Prix Anima for Best International Short Film www.animafestival.be § ANIMA MUNDI (Brazil) Best Animation www.animamundi.com.br § ANIMAFEST ZAGREB – WORLD FESTIVAL OF ANIMATED FILM (Croatia) Grand Prix - Best Short Film of the Festival www.animafest.hr § ANN ARBOR FILM FESTIVAL (Michigan, USA) Ken Burns Award for Best of the Festival Lawrence Kasdan Award for Best Narrative Film Gus Van Sant Award for Best Experimental Film Chris Frayne Award for Best Animated Film www.aafilmfest.org 1 § ANNECY INTERNATIONAL ANIMATION FILM FESTIVAL (France) Le Cristal d’Annecy Jury Award www.annecy.org § ASPEN SHORTSFEST (Colorado, USA) Best Animation Best Comedy Best Drama Best Short Short www.aspenfilm.org § ATHENS INTERNATIONAL FILM AND VIDEO FESTIVAL (Ohio, USA) Best Narrative Best Animation Best Experimental www.athensfest.org § ATLANTA FILM FESTIVAL (Georgia, USA) Best Animated Short Film Best -
UNDER EMBARGO UNTIL OCTOBER 28 at 11Am ET
UNDER EMBARGO UNTIL OCTOBER 28 at 11am ET Announcement video & images available: Press Assets: https://www.dropbox.com/sh/j8x2p88g70f3jvw/AACtnN0fK0da7OK1VhIlZ1Q8a?dl=0 THROUGH HER LENS: THE TRIBECA CHANEL WOMEN’S FILMMAKER PROGRAM RETURNS FOR THE FIFTH YEAR TO CHAMPION WOMEN FILMMAKERS Three-day program provides mentorship, project support and master classes for emerging women filmmakers, and awards $100,000 in grants Leadership committee includes Sarah Jessica Parker, Alison Benson, Catherine Keener, Diane Kruger, Nicole Holofcener, Lesli Linka Glatter, Gugu Mbatha-Raw, Julie Dash, Julie Taymor, Anne Carey, among others NEW YORK, NY (October 28, 2019) – For the fifth year, THROUGH HER LENS: The Tribeca CHANEL Women's Filmmaker Program will create new opportunities for women filmmakers. Tribeca and CHANEL, in collaboration with Pulse Films and Tribeca Film Institute (TFI), founded THROUGH HER LENS in 2015 to provide industry support, artistic development, and funding to emerging U.S.-based female writers and directors. Participants will gather in New York City for the program’s 5th edition, which will run November 4-6, 2019. For the program this year, five pairs of women filmmakers have been selected to receive project support for their short narrative films. They will participate in the three-day immersive program with one-on-one mentorship, master classes around script-to-screen development, casting, music composition, costume design, producing, and directing. Additionally, they will work with mentors to shape and refine their projects and pitches. At the conclusion of the program, each pair will pitch their projects to a jury of industry experts. One team will receive full financing to produce their short film with support from Tribeca Studios. -
2002 NCAA Football Records Book
Individual Collegiate Records Individual Collegiate Records...............................248 248 INDIVIDUAL COLLEGIATE RECORDS Individual Collegiate Records Individual collegiate records are determined by comparing the best records in all four divisions (I-A, I-AA, II and III) in comparable categories. Included are career records of players who played in two divisions (e.g., Dennis Shaw of San Diego St., Howard Stevens of Randolph-Macon and Louisville, and Tom Ehrhardt of C. W. Post and Rhode Island). Players who played seasons other than in the NCAA will have statistics only including NCAA seasons. Total Offense CAREER YARDS PER GAME (Minimum 5,500 Yards) Player, Team (Division[s]) Years G Plays Yards TDR‡ Yd . P G Steve McNair, Alcorn St. (I-AA)........................................... 1991-94 42 2,055 *16,823 152 *400.5 Tim Rattay, Louisiana Tech (I-A)........................................... 1997-99 33 1,705 12,618 117 382.4 Justin Peery, Westminster (Mo.) (III)...................................... 1996-99 39 2,001 13,645 *166 349.9 Aaron Flowers, Cal St. Northridge (I-AA)............................. 1996-97 20 944 6,754 60 337.7 Terry Peebles, Hanover (III) ................................................. 1992-95 23 1,140 7,672 89 333.6 Dave Dickenson, Montana (I-AA) ........................................ 1992-95 35 1,539 11,523 116 329.2 Eric Bruns, Hanover (III) ...................................................... 1999-00 20 995 6,512 44 325.6 Willie Totten, Mississippi Val. (I-AA) .................................... 1982-85 40 1,812 13,007 157 325.2 Grady Benton, West Tex. A&M (II) ...................................... 1994-95 18 844 5,831 55 323.9 Ty Detmer, Brigham Young (I-A) .......................................... 1988-91 46 1,795 14,665 135 318.8 Neil Lomax, Portland St. -
Jets & Redskins Open Season on Thursday Night
WASHINGTON D.C. & NFL KICK OFF SEASON WITH “NFL KICKOFF LIVE FROM THE NATIONAL MALL PRESENTED BY PEPSI VANILLA” ON THURSDAY, SEPTEMBER 4 Football & Music Festival to Salute America’s Heroes With Mary J. Blige, Aretha Franklin & Britney Spears Prior to New York Jets vs. Washington Redskins & NFL Kickoff Weekend Hundreds of thousands of Americans celebrate the Fourth of July by watching a fireworks display over one of America’s most beautiful parks -- The National Mall in the heart of Washington D.C. On the Fourth of September, another unique event with fireworks will take place on the Mall to help kick off the NFL’s 2003 season and salute America’s military members -- “NFL KICKOFF LIVE FROM THE NATIONAL MALL PRESENTED BY PEPSI VANILLA.” The event will be televised live, from 8:00-9:00 PM ET on ABC, leading up to the NFL season opener between the Washington Redskins and the New York Jets at FedEx Field (ABC, 9:00 PM ET). MARY J. BLIGE and BRITNEY SPEARS, joined by thousands of American military personnel, will perform at the show with activities beginning at 6:00 PM ET at the NFL’s second annual football and music festival. The 2002 NFL season opened with a similar Thursday night festival in New York City’s Times Square on September 5. ARETHA FRANKLIN will sing the national anthem from The National Mall to conclude the event. “We had a spectacular first-ever Kickoff event last year in New York City to celebrate the resilient spirit of the city and America,” says NFL Commissioner PAUL TAGLIABUE. -
Boulder International Film Festival
FilmBoulder Festival International movesi celebrating the bold spirit >> welcome Welcome to the 7th Annual Boulder International Film Festival, a non-profit community festival staffed almost entirely by energized volunteers and voted “one of the coolest film festivals in the world” byMovieMaker magazine. That’s because of you, the huge, film-hip, Boulder audiences who show up by the thousands to be a part of the big world of ideas and passions that are light- years beyond the normal muck of American mass corporate media. This year’s BIFF will honor one of the greatest, most thought-provoking film directors of our time—three-time Oscar winner Oliver Stone (Midnight Express, Platoon, Born on the Fourth of July). Mr. Stone will receive BIFF’s Master of Cinema Award and sit down for an in-depth interview and retrospective of his films at the Closing Night ceremonies on Sunday night. Last year, BIFF welcomed Alec Baldwin just weeks before he co-hosted the 2010 Academy Awards. Continuing that tradition, we are excited to present voteWHAT ROCKS YOU AT BIFF? 2011’s Oscar co-host, movie mega-star James Franco (the Spider-Man trilogy, Get a ballot on your way in to Milk, Howl, 127 Hours) for an evening retrospective of his films. - each program. Take 10 sec BIFF is happy to welcome back Oscar-nominated producer Don Hahn (Beauty onds to vote. Hand it back on and the Beast, The Lion King) who will present his touching new film,Hand your way out. Easy! Bribes not Held. Mr. Hahn will also be a moderator of honor for a reprise of one of the accepted. -
Observer Apologizes
Friday, November 19, 1993 • Vol. XXVI No. 54 THE INDEPENDENT NEWSPAPER SERVING NOTRE DAME AND SAINT MARY'S Observer apologizes DAVID KINNEY Board decided last night that it was not Editor-in-Chief appropriate to publish it. Our decision was not based on Running a college newspaper is no whether it was hateful or harmful to easy task. With over 200 paid employ members of the community. Other ees and several hundred reporters. advertisements, stories or letters to the room for error is often great. editor could be considered in the same Sometimes, we drop the ball. light. Sometimes it is an editor, sometimes a We decided it was irresponsible to reporter, sometimes a manager. run the advertisement only because the There are times at any newspaper facts about the Holocaust are not in that the proper channels fall apart, and dispute. The event is considered by vir a decision is made at a lower level tually everyone to be an historical fact, when it should go across the desk of not a subject of debate. the editor-in-chief. We believed the author's real premise - that the Holocaust never Yesterday was one of those times. happened - was thinly veiled by a dis The Observer ran an advertisement cussion of evidence. from a group calling itself the Committee for Open Debate on the But like the debate on other campus Holocaust. On its face, the advertise es, the board's discussion was vigor ment argued that there is no proof that ous. One faction of the board believed Jews were gassed by Germans in the it would have been proper to run the Holocaust.