80Th ANNUAL ACADEMY AWARDS
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Bakhtinian Study
Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 A Polyphonic Reading of Asghar Farhadi's A Separation : Bakhtinian Study Abdol Hossein Joodaki 1, Maryam Eskandarzadeh 2 1. Associate Professor , Department of English Language and Literature, Lorestan University, Khorramabad, Iran [email protected] / [email protected] 2.M.A. Student, Department of English Language and Literature, Lorestan University, Khorramabad, Iran [email protected] Abstract A Separation film, written and directed by Asghar Farhadi, is a modern and provoking film worth consideration. Asghar Farhadi has always tried to depict conflict ideas and discourses throughout the society, and that's the reason why his movies always penetrate through different social classes and become epidemic; his recent film: A Separation is not an exception. In this article we have carefully examined the term “polyphony” and its application in a descriptive-analytical manner throughout the film, while explaining this term according to Bakhtin. We have tried first to answer the question “what are the components or factors of a polyphonic work and how is it embodied or manifested in the film”. Accordingly, in this article, the emphasis is on the components of polyphony, including the structure of conflict components, polyphony among social strata, change in viewpoint, heteroglossia, Intertextuality, etc. These factors are then examined and analyzed in the film. The result of this article is that the polyphonic film, with the tools it provides to the audience, leads them to a new perception of the text. Keywords : Mikhail Bakhtin, Polyphony, A separation, social classes, heteroglossia, intertextuality Volume XIII, Issue 4, 2021 Page No: 100 Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 Introduction In the present article, we will first explain the term Polyphony. -
Chris Pratt Is One of Hollywood's Most Sought
CHRIS PRATT BIOGRAPHY: Chris Pratt is one of Hollywood’s most sought- after leading men. Pratt will next appear in The Magnificent Seven opposite Denzel Washington and Ethan Hawke for director, Antoine Fuqua on September 23, 2016. Chris just wrapped production on the highly anticipated Sony sci-fi drama, Passengers opposite Jennifer Lawrence for Oscar nominated director of The Imitation Game, Morten Tyldum. The film is slated for a December 2016 release. Most recently, Chris headlined Jurassic World which is the 4th highest grossing film of all time behind Avatar, Titanic, and Star Wars: The Force Awakens. He will reprise his role of 'Owen Grady’ in the 2nd installment of Jurassic World- set for a 2018 debut. 2015 also marked the end of seventh and final season of Emmy- nominated series Parks & Recreation for which Pratt is perhaps best known for portraying the character, ‘Andy Dwyer’ opposite Amy Poehler, Nick Offerman, Aziz Ansari, and Adam Scott. 2014 was truly the year of Chris Pratt. He top lined Marvel’s Guardians of the Galaxy which was one of the top 3 grossing films of 2014 with over $770 million at the global box office. He will return to the role of ‘Star Lord’ in Guardians of the Galaxy Vol. 2 which is scheduled for a May 2017 release. Plus, Chris lent his vocal talents to the lead character, ‘Emmett,’ in the enormously successful Warner Bros, animated feature The Lego Movie which made over $400 million worldwide. Other notable film credits include: the DreamWorks comedy Delivery Man, Spike Jonze’s critically acclaimed, Her, and the Universal comedy feature, The Five-Year Engagement. -
Kenji Mizoguchi Cinematographic Style (Long Take) in 'The Life of Oharu' (1952)
KENJI MIZOGUCHI CINEMATOGRAPHIC STYLE (LONG TAKE) IN 'THE LIFE OF OHARU' (1952). Rickmarthel Julian Kayug Bachelor ofApplied Arts with Honours (Cinematography) 2013 UNIVERSITI MALAYSIA SARAW AK BORANG PENGESAHAN STATUS TESIS/LAPORAN JUDUL: Kenji Mizoguchi Cinematographic Style (Long Take) In The 'Life OfOharu' (1952). SESI PENGAJIAN: 200912013 Saya RICKMARTHEL JULIAN KA YUG Kad Pengenalan bemombor 890316126011 mengaku membenarkan tesisl Laporan * ini disimpan di Pusat Khidmat Maklumat Akademik, Universiti Malaysia Sarawak dengan syarat-syarat kegunaan seperti berikut: 1. Tesisl Laporan adalah hakmilik Universiti Malaysia Sarawak 2. Pusat Khidmat Maklumat Akademik, Universiti Malaysia Sarawak dibenarkan membuat salinan untuk tujuan pengajian sahaja 3. Pusat Khidmat Maklumat Akademik, Universiti Malaysia Sarawak dibenarkan membuat pengdigitan untuk membangunkan Pangkalan Data Kandungan Tempatan 4. Pusat Khidmat Maklumat Akademik, Universiti Malaysia Sarawak dibenarkan membuat salinan tesisl laporan ini sebagai bahan pertukaran antara institusi pengajian tinggi 5. *sila tandakan rn (mengandungi maklumat yang berdarjah keselamatan SULIT 6·D atau kepentingan seperti termaktub di dalam AKTA RAHSIA 1972) TERHAD D (mengandungi maklumat Terhad yang telah ditentukan oleh Organisasilbadan di mana penyelidikan dijalankan) V ~IDAK TERHAD Disahkan Disahkan Oleh: c:dt~f • Tandatangan Penulis Tandatangan Penyelia Tarikh t:L~ 1"""~ ~ l3 Tarikh: '~I O-=l""/?4l ~ Alamat Tetap: Kg. Pamilaan, Peti Surat 129,89908 Tenom, Sabah. Mobil Jefri ~ samareoa Lect\Il'U . faculty ofApplie4 aM CrcallVe Catatan: *Tesis/ Laporan dimaksudkan sebagai tesis bagi Ijazah Doktor Falsafah,~a Muda • lika Tesis/ Laporan SULIT atau TERHAD, sila lampirkan surat daripada pihak berkuasal organisasi berkenaan dengan menyatakan sekali sebab dan tempoh tesis/ laporan ini perlu dikelaskan $ebagai SULIT atau TERHAD This project report attached hereto, entitled "KENJI MIZOGUCHI CINEMATOGRAPHIC STYLE (LONG TAKE) IN THE LIFE OF OHARU (1952)". -
Press Release 23/5/2018
THE KARLOVY VARY FESTIVAL TO HONOR ACADEMY AWARD-WINNING DIRECTOR BARRY LEVINSON At this year’s Karlovy Vary festival, screenwriter-producer-director Barry Levinson, who won an Academy Award for Rain Man, will accept the Crystal Globe for Outstanding Artistic Contribution to World Cinema. The Karlovy Vary festival continues its tradition of recognizing the most important personalities of world cinema, the likes of which include directors William Friedkin, Jerry Schatzberg, and Ken Loach, and screenwriter Paul Laverty. In his writing and directing capacity, Academy Award winner and five-time nominee Barry Levinson deftly combines personal stories with an often satirical look at society, and his movies have fundamentally influenced numerous young filmmakers. Barry Levinson established himself as a writer of successful television shows. With his onetime wife, Valerie Curtin, he then wrote the movie script for Norman Jewison’s courtroom drama …and justice for all (1979), which brought them an Oscar nomination. He debuted as a director with the comedy-drama Diner (1982), receiving his second Oscar nomination for the script. Ivan Král, a Czech musician based in the US, co- wrote the film music. Subsequent titles confirmed his reputation with critics and audiences: The Natural (1984) with Robert Redford, Tin Men (1987) with Richard Dreyfuss and Danny DeVito, and Good Morning, Vietnam (1987) with Robin Williams. This year marks the 30th anniversary of the legendary picture Rain Man (1988), awarded four Oscars (e.g. Best Director for Barry Levinson) and numerous other honors, including the Golden Bear at the Berlinale and the David di Donatello for Best Foreign Film. -
19.05.21 Notable Industry Recognition Awards List • ADC Advertising
19.05.21 Notable Industry Recognition Awards List • ADC Advertising Awards • AFI Awards • AICE & AICP (US) • Akil Koci Prize • American Academy of Arts and Letters Gold Medal in Music • American Cinema Editors • Angers Premier Plans • Annie Awards • APAs Awards • Argentine Academy of Cinematography Arts and Sciences Awards • ARIA Music Awards (Australian Recording Industry Association) Ariel • Art Directors Guild Awards • Arthur C. Clarke Award • Artios Awards • ASCAP awards (American Society of Composers, Authors and Publishers) • Asia Pacific Screen Awards • ASTRA Awards • Australian Academy of Cinema and Television Arts (AACTS) • Australian Production Design Guild • Awit Awards (Philippine Association of the Record Industry) • BAA British Arrow Awards (British Advertising Awards) • Berlin International Film Festival • BET Awards (Black Entertainment Television, United States) • BFI London Film Festival • Bodil Awards • Brit Awards • British Composer Awards – For excellence in classical and jazz music • Brooklyn International Film Festival • Busan International Film Festival • Cairo International Film Festival • Canadian Screen Awards • Cannes International Film Festival / Festival de Cannes • Cannes Lions Awards • Chicago International Film Festival • Ciclope Awards • Cinedays – Skopje International Film Festival (European First and Second Films) • Cinema Audio Society Awards Cinema Jove International Film Festival • CinemaCon’s International • Classic Rock Roll of Honour Awards – An annual awards program bestowed by Classic Rock Clio -
10 –19 January
29TH INTERNATIONAL SHORT FILM FESTIVAL ELECTRIFYING SHORT FILMS 10 –19 JANUARY BONDI PAVILION, BONDI BEACH As Australia’s leading Academy® accredited Affairs And Trade, and Australia now ASEAN short film festival, the shorts in competition at 2019, European Union Delegation to Australia, Flickerfest are fiercely vying for a number of and Screen NSW. prestigious prizes including the Flickerfest Award I would also like to extend an enormous thanks for Best International Short Film, the Yoram to our major government partner Screen Gross Award for Best International Animation, Australia who supports both our festival, and the the Flickerfest Award for Best Australian Short national tour, and who has been a continuous Film, and for Best Documentary. Plus a host of source of encouragement as we strive to deliver other hotly contested prizes, which recognise the our vision of providing a platform that nurtures various craft areas inherent in making a great and supports Australian Filmmakers, and in turn short film. provides Australian audiences with access to 2020 will bring over 23 different short film inspirational storytelling from their own backyard programmes across the 10-day festival and beyond. season. We are proud to announce that BRONWYN KIDD To all our partners who are acknowledged in due to the outstanding home grown talent FESTIVAL DIRECTOR this programme, I am extremely grateful for the and creativity received this year, we will essential and ongoing support they provide. We Welcome to the 29th Flickerfest International be screening 7 Australian competitive thank them enormously for their belief in us, Short Film Festival. As we move forward into programmes in addition to the 5 international which assists us in maintaining Flickerfest as one another film filled and jam packed festival, I am and 2 documentary programmes, which of the best short film competitions in the world. -
Erzsebet Forgacs
Erzsebet Forgacs Key Make-Up Artist Education: • 1970: Study French in l,Alliance Francaise in Paris • 1972: Certificate of Final Examination in Secondary School Specialited in French • 1975-76: Study Italian lanquage and literature in Institute Italian in Budapest • 1978: Certificate Secondary of Study Foreign Trade Qualification: • 1980: Certificate for Cosmetician Profession-State Owned School for Professionals • Received the Award of "Ida Dallos" of the Cosmetician School • 1986: Certificate from the Cultural Ministry for Film Professionals,Scenic Section, High School Degree Nyelvismeret: • French - Stat Superior Certificate 1987 • Italian - Superior • English - Intermediate • German - Basic Position: • KEY MAKE-UP ARTIST from 1986- • Assistant Make-Up Artist from 1981- Exhibition: • 2007: III Richard on the Wall - organization and direction, for performance III Richard of the Theatre Vörösmarty of City Székesfehérvár with Hungarian Theatre Museum and Institute (2007) Teacher: • 2007-08: Teacher of Make-Up branch of the Crew-school of H.S.C. - (The Hungarian Society of Cinematographers) • Member of the Make-Up Section of H.S.C. (The Hungarian Society of Cinematographers) • 2010-11: Private tution in the subject of Make-Up on the Visual Education Department of the Hungarian University of Fine Arts (MKE) Award: • 2007: "JOLÁN ÁRVAI" AWARD Received the Diploma of the Award for outstanding work for the Hungarian Movie nominated by the Hungarian Directors and Cameramen Nominations: • 2001: NOMINATION of PARAMOUNT CLASSICS for the Best Period Make-Up (Feature) of Hollywood Make-Up Artist and Hair Stylist Guild Awards for the Film "SUNSHINE" • 2010: NOMINATION of DAVID DI DONATELLO Award 2010 (of Italian Film Academy) for the Best Make-Up (with Luigi Rochetti) for the Film "Memories of Anne Frank". -
APPENDIX Lesson 1.: Introduction
APPENDIX Lesson 1.: Introduction The Academy Awards, informally known as The Oscars, are a set of awards given annually for excellence of cinematic achievements. The Oscar statuette is officially named the Academy Award of Merit and is one of nine types of Academy Awards. Organized and overseen by the Academy of Motion Picture Arts and Sciences (AMPAS),http://en.wikipedia.org/wiki/Academy_Award - cite_note-1 the awards are given each year at a formal ceremony. The AMPAS was originally conceived by Metro-Goldwyn- Mayer studio executive Louis B. Mayer as a professional honorary organization to help improve the film industry’s image and help mediate labor disputes. The awards themselves were later initiated by the Academy as awards "of merit for distinctive achievement" in the industry. The awards were first given in 1929 at a ceremony created for the awards, at the Hotel Roosevelt in Hollywood. Over the years that the award has been given, the categories presented have changed; currently Oscars are given in more than a dozen categories, and include films of various types. As one of the most prominent award ceremonies in the world, the Academy Awards ceremony is televised live in more than 100 countries annually. It is also the oldest award ceremony in the media; its equivalents, the Grammy Awards (for music), the Emmy Awards (for television), and the Tony Awards (for theater), are modeled after the Academy Awards. The 85th Academy Awards were held on February 24, 2013 at the Dolby Theatre in Los Angeles, California. Source: http://en.wikipedia.org/wiki/Academy_Award Time of downloading: 10th January, 2013. -
Short Film Marketing Guide
SHORT FILM FESTIVAL MARKETING GUIDE 2021 Kia ora, welcome to Te Tumu Whakaata Taonga New Zealand Film Commission (NZFC) Short Film Festival Marketing Guide, designed to help with your most frequently asked festival related questions and to support you in planning a targeted release strategy for your short film. Wishing you the best of luck on your festival journey. Film Still: Ani (2019) – Written and directed by Josephine Stewart-Te Whiu (Ngāpuhi, Te Rarawa), produced by Sarah Cook Official Selection: Berlin International Film Festival ‘In Competition Generation Kplus’, Toronto International Film Festival, imagineNATIVE Film + Media Arts Festival, New Zealand International Film Festival, Rotorua Indigenous Film Festival, Vladivostok Pacific Meridian International Film Festival, Hamptons International Film Festival, Show Me Shorts Film Festival - Winner Best New Zealand Film Award, Best Cinematographer Award DISCLAIMER: This document is written as a guide only, intended for use by short film directors, writers and producers when referring to ‘you’, ‘your’ and ‘filmmakers’. Festival dates included in this guide are correct at publishing and subject to change. 1 © New Zealand Film Commission 2021 INDEX The First Steps – Preparing for Festival Success……………………………………………………………… 3 In Pre-Production………………………………………………………………………………………………. 3 In Production…………………………………………………………………………………………………….. 3 In Post-Production…………………………………………………………………………………………….. 4 At the Finish Line……………………………………………………………………………………………….. 4 Press Kit…………………………………………………………………………………………………. -
Film Festival Rankings Compiled by Stephen W. Davega by ATTENDANCE 01 Tribeca Film Festival 465,000 02 Rotterdam International
Film Festival Rankings Compiled by Stephen W. DaVega BY ATTENDANCE 01 Tribeca Film Festival 465,000 02 Rotterdam International Film Festival 355,000 03 Montreal World Film Festival 350,000 04 Toronto International Film Festival 340,843 05 Berlin Int'l Film Festival 340,000 06 Buenos Aires Int'l Indy Film Festival 260,700 07 Rio De Janeiro Int'l Film Festival 223,000 08 Festival of Deauville American Cinema 200,000 09 Pan African Film Festival 200,000 10 San Sebastian Int'l Film Festival 200,000 11 Shanghai International Film Festival 200,000 12 Pusan International Film Festival 198,603 13 Locarno Int'l Film Festival 192,600 14 Sao Paulo Int'l Film Festival 180,000 15 Kerala International Film Festival 175,000 16 Melbourne Int'l Film Festival 170,000 17 Seattle International Film Festival 160,000 18 Mar del Plata Film Festival 150,000 19 Short Shorts Film Festival 150,000 20 Sitges Int'l Film Festival Catalonia 150,000 21 Vancouver Int'l Film Festival 148,360 22 Karlovy Vary Int'l Film Festival 135,759 23 Sydney Film Festival 132,500 24 Clermont Ferrand Short Film Festival 132,000 25 Int'l Doc Film Festival Amsterdam 131,214 26 Fantasporto Oporto Int'l Film Festival 130,000 27 Goteborg Film Festival 122,400 28 Belgrade Int'l Film Festival 120,000 29 Comic Con Int'l San Diego 120,000 30 Molodist Film Festival of Kiev 120,000 BY MEDIA ATTENDANCE 01 Cannes Film Festival 4,376 02 Berlin Int'l Film Festival 3,696 03 Generation 3,600 04 Venice Film Festival 3,500 05 Clermont Ferrand Short Film Festival 2,000 06 Moscow Int'l Film Festival 2,000 -
HOW to BERLINALE Una Breve Guía Para Presentar Tus Películas
HOW TO BERLINALE Una breve guía para presentar tus películas SECCIONES Y PROGRAMAS International Competition cuenta con unas 25 películas en la sección Oficial (dentro y fuera de la competición). Los premios son decididos por un Jurado Internacional. Contacto: [email protected] Berlinale Special y Berlinale Special Gala son programas comisariados por el director del festival. Sólo son accesibles con invitación y no acepta inscripciones. Se presentan nuevas producciones extraordinarias y películas de o sobre personalidades del mundo del cine, las cuales están estrechamente ligadas al festival. Contacto: [email protected] Panorama dentro de la Sección oficial (no competitiva) presenta nuevos trabajos de directores de renombre; muestra óperas primas y otros nuevos descubrimientos. La selección de los filmes da una visión global de las tendencias del arte cinematográfico mundial. Contacto: [email protected] Forum se centra en las nuevas tendencias en el cine mundial, formas de narración prometedoras y nuevas voces. Forum también destaca debuts de directores así como la innovación en los trabajos de jóvenes cineastas. El Forum Expanded se dedica a los límites entre cine y artes visuales. Es un programa comisariado por el Forum al que sólo se accede con invitación y no aceptan inscripciones. Contacto: [email protected] Generation abre Berlinale a los jóvenes y niños. Las competiciones de Kplus y 14plus no sólo presentan producciones realizadas especialmente para niños y jóvenes; también muestran películas dirigida a los jóvenes y a público de otras edades debido a su forma y contenido. El marketing potencial de estas películas se ve, de este modo, potenciado. Contacto: [email protected] Berlinale Shorts cuenta con cortometrajes de cineastas y artistas innovadores. -
Lynn Hershman-Leeson Papers M1452M1452
http://oac.cdlib.org/findaid/ark:/13030/kt7k4039hc Online items available Lynn Hershman-Leeson Papers M1452M1452 Finding aid prepared by Crystal Rangel and Bill O'Hanlon Department of Special Collections and University Archives 2010 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Lynn Hershman-Leeson Papers M145213265 1 M1452M1452 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Lynn Hershman-Leeson Papers Creator: Hershman-Leeson, Lynn Identifier/Call Number: M1452 Identifier/Call Number: 13265 Physical Description: 155 Linear Feet(100 manuscript boxes, 90 record storage containers) Date (inclusive): 1976-2004 Abstract: A collection of archival papers, audio-visual media, publications, artifacts, photographs, letters, and other documents connected to Hershman-Leeson's art works and projects created since the 1970s and through 2003. Related Collections Women art revolution : videotape interviews by Lynn Hershman-Leeson for film, 1990-2008, M1639. A digital collection containing the video interviews, as well as transcripts, is available online at http://lib.stanford.edu/women-art-revolution. Biographical Note Lynn Hershman Leeson (b. 1941) is a performance artist and filmmaker who, in various media, has investigated the idea of selfhood and what establishes an individual as a sentient, gendered, unique person. Between the years of 1974 and 1978, Hershman Leeson spent much of her time performing as an alter ego, the character Roberta Breitmore. Much of the work--drawings, photographs, clothing, medical records, letters, etc.--Hershman Leeson produced during the Breitmore years related to the character's emotional and practical existences. Hershman Leeson seemed to be demonstrating that the two existences could and should not be easily separated--nor should the artist herself be easily separated from the character she created.