Brazen Notes Issue 25, Trinity Term 2018
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Thebrazennose2004.Pdf
The Brazen Nose 2003 2 THE BRAZEN NOSE Brasenose Society The object of the Society shall be the advancement of the welfare and interests of Brasenose College by: (i) encouraging closer relations between past and present members of the College and fostering interests which they have in common; (ii) keeping members of the Society informed of events in the College; (iii) any other methods which from time to time appear likely to achieve the Society's object. [Revised 1999] ★ The Brasenose College Charitable Foundation USA William W. Sterling [1961] is President of the BNC Charitable Foundation. His address is: 1821 Shoreline Highway Sausalito, CA 94965, USA. Members of the College resident in the USA are urged to keep him informed of their addresses. ★ Please note that details and application forms for all Brasenose Society events in 2004 will be found in the back pages of this issue. 3 Contents Brasenose College...........................................................4 Editors’ Notes................................................................. 9 College Records 2003: ...................................................13 Class Lists College Prizes and University Prizes Award Holders Matriculations Blues and Half Blues Articles........................................................................... 29 Reports............................................................................62 News and Notes..............................................................85 Death and Obituary Notices..........................................95 -
The Journal of Roman Studies with Acknowledgments to the British Academy the Cambridge H
THE JOURNAL OF ROMAN STUDIES WITH ACKNOWLEDGMENTS TO THE BRITISH ACADEMY THE CAMBRIDGE H. A. THOMAS FUND AND THE OXFORD CRAVEN COMMITTEE All rights reserved THE JOURNAL OF ROMAN STUDIES VOLUME LVIII PUBLISHED BY THE SOCIETY FOR THE PROMOTION OF ROMAN STUDIES AT THE OFFICE OF THE SOCIETY, 31-34 GORDON SQUARE, LONDON, W.C.I 1968 Printed in Great Britain by Stephen Austin & Sons, Ltd., Oriental & General Printers, Caxton Hill, Ware Road, Hertford, Herts. The Society for the Promotion of Roman Studies CONTENTS PAGE T. D. BARNES, Legislation against the Christians ........ 32 PETER BROWN, Christianity and Local Culture in Late Roman Africa ..... 85 ALAN CAMERON, Gratian's repudiation of the Pontifical Robe ...... 96 STERLING DOW, Latin Calligraphy at Hawara : P. Hawara 24 . .60 PETER GARNSEY, The Criminal Jurisdiction of Governors . 51 F. R. D. GOODYEAR, Development of Language and Style in the Annals of Tacitus . 22 N. G. L. HAMMOND, Illyris, Rome and Macedon in 229-205 B.C. ..... i SHELAGH JAMESON, Chronology of the Campaigns of Aelius Gallus and C. Petronius . 71 A. J. MARSHALL, Pompey's Organization of Bithynia-Pontus : two neglected Texts . -103 FERGUS MILLAR, Local Cultures in the Roman Empire: Libyan, Punic and Latin in Roman Africa • 126 R. F. PAGET, The ancient ports of Cumae . .152 BED6ICH SVOBODA, The Silver Lanx as means of propaganda of a Roman Family . .124 RONALD SYME, People in Pliny 135 MARIO TORELLI, The Cursus Honorum of M. Hirrius Fronto Neratius Pansa . 170 P. R. C. WEAVER, Family Dating Criteria, Proximi and ' Provincia ' in the Familia Caesaris . no Roman Britain in 1967. -
Artists & Photographs
25_10_11 _ Artists & Photographs Pierre Bergé & associés Société de Ventes Volontaires_agrément n°2002-128 du 04.04.02 12, rue Drouot 75009 Paris T. +33 (0)1 49 49 90 00 F. +33 (0)1 49 49 90 01 Pierre Bergé & associés - Belgique Grand Sablon 40 Grote Zavel Bruxelles B-1000 Brussel T. +32 (0)2 504 80 30 F. +32 (0)2 513 21 65 10, Place Saint-Barthélémy Liège 4000 T. + 32 (0)4 222 26 06 Pierre Bergé & associés - Suisse 11, rue du général Dufour CH-1204 Genève BRUXELLES T. +41 22 737 21 00 F. +41 22 737 21 01 ARTISTS & PHOTOGRAPHS www.pba-auctions.com mardi 25 octobre 2011 1 2 JUST WHAT IS IT THAT MAKES THESE BOOKS SO DIFFERENT, SO APPEALING ? En 1986, alors étudiant en histoire de l’art à l’Ecole du Louvre, Philippe Nolde découvre « Après une première partie « historique » avec, quelques livres d’artistes de Baldessari au Musée d’Art Moderne de la Ville de Paris, l’exposition, « Fördertürme Chevalements ou Ruscha, une collection des catalogues de la Galerie Sonnabend, nous avons la Mineheads » de Bernd & Hilla Becher. La sérialité et le monde industriel le séduisent. boîte complète d’« Artists & Photographs » édité par Marian Goodman en 1970. Ileana Il retrouve des points communs entre cette œuvre photographique, répétitive et Sonnabend et Marian Goodman sont deux extraordinaires galeries d’art tenues par des typologique, et les musiques industrielles voire les chorégraphies de Trisha Brown, femmes. Une deuxième partie est consacré aux livres et aux œuvres des années ’80 / montrées au Théâtre de la Ville au milieu des années ’80. -
From the Principal
Issue 17 | Michaelmas Term 2013 BrazenNotes From the Principal On 20 September we were privileged to have David Cameron (PPE, 1985) officially open our new kitchen and dining facilities, the result of our Quincentennial Renovations, Project Q. The Prime Minister addressed the growing success of British Universities, the importance of philanthropy and his love of Brasenose in a speech to 150 College members in Old Quad, before adjourning for a drinks reception in the 1 David Cameron visits Brasenose, 20 September 2013 SCR, stopping to talk to our students on the way. I believe his sentiments would have touched everybody in attendance when he said,’…every On the subject of Classics, two Brasenose Ninety-five finalists survived the last winter, time I come back to Brasenose College I have only Classicists, with outstanding but very different however, and emerged from the Schools with one request which is that I could start my three claims to distinction have also been remembered in an excellent set of results, once again: 33 years here all over again, as they were some of the appropriate ways in the summer of 2013. Maurice firsts, 56 upper seconds and 6 lower seconds happiest and most interesting moments that I’ve Platnauer was Fellow in Classics (a.k.a. ‘Mods – congratulations to all of them! One or two spent. I think it was here that I really learnt who Tutor’) from 1922-56 and Principal from 1956- individual results can have a dramatic effect on the I was and what I wanted to do, and the brilliant 60 and is remembered with great affection and notorious table of college rankings, in which we teaching that you get here, the fantastic tuition, the respect by those who knew him. -
Art Moderne Contemporain
ART MODERNE & 17_12_20 CONTEMPORAIN PARIS - JEUDI 17 DÉCEMBRE 2020 ART MODERNE & CONTEMPORAIN - Pierre Bergé & associés Société de Ventes Volontaires_agrément n°2002-128 du 04.04.02 92 avenue d’Iéna 75116 Paris T. +33 (0)1 49 49 90 00 F. +33 (0)1 49 49 90 01 www.pba-auctions.com VENTE AUX ENCHÈRES PUBLIQUES PARIS Pierre Bergé & associés ART MODERNE & CONTEMPORAIN DATE DE LA VENTE / DATE OF THE AUCTION Jeudi 17 décembre 2020 à 19 heures Thursday December 17th, 2020 at 7:00 pm LIEU DE VENTE / LOCATION Atelier-Richelieu 60, rue Richelieu 75002 Paris EXPOSITION / VIEWING Mardi 15 et mercredi 16 décembre de 10 heures 30 à 18 heures 30 Jeudi 17 décembre de 10 heures 30 à 17 heures Tuesday 15 and Wednesday 16 December from 10.30 am to 6.30 pm Thursday 15 December from 10.30 am to 5.0 pm TÉLÉPHONE PENDANT L’EXPOSITION PUBLIQUE ET LA VENTE CONTACT DURING VIEWING AND THE SALE T. +33 (0)9 63 21 03 15 SPÉCIALISTE / SPECIALIST Fabien Béjean-Leibenson T. +33 (0)1 49 49 90 32 - [email protected] CONTACT / CONTACT Amélie Sieffert T. +33 (0)1 49 49 90 26 - [email protected] CATALOGUE ET RÉSULTATS CONSULTABLES EN LIGNE www.pba-auctions.com Départements ANTOINE GODEAU EXPERTISE-INVENTAIRE HAUTE ÉPOQUE Président Pierre-Harald Leducq Xavier Peters Commissaire Priseur habilité T. +33 (0)1 49 49 90 29 T. +33 (0)1 49 49 90 33 [email protected] [email protected] FABIEN BÉJEAN-LEIBENSON ART AFRICAIN & OCÉANIEN BIJOUX Vice président Daphné Vicaire ORFÈVRERIE & MINIATURES T. -
The FLAG Art Foundation Presents New Exhibition: “Attention To
The FLAG Art Foundation Pre sents New Exhibition: “Attention to Detail” The FLAG Art Foundation is pleased to announce its inaugural ex hibition, "Attention to Detail." Curated by renowned contemporary artist Chuck Close, the show includes work from a wide range of both established and emerging artists: Louise Bourgeois Brice Marden Delia Brown Tony Matelli Glenn Brown Ron Mueck Maurizio Cattelan Richard Patterson Vija Celmins Richard Pettibone Jennifer Dalton Elizabeth Peyton Thomas Demand Richard Phillips Tara Donovan Marc Quinn Olafur Eliasson Alessandro Raho Dan Fischer Gerhard Richter Tom Friedman Aaron Romine Ellen Gallagher Ed Ruscha Tim Gardner Cindy Sherman Franz Gertsch James Siena Ewan Gibbs Ken Solomon Robert Gober Thomas Struth Andreas Gursky Tomoaki Suzuki Damien Hirst Yuken Teruya Jim Hodges Fred Tomaselli Naoto Kawahara Jim Torok Ellsworth Kelly Mark Wagner Cary Kwok Rachel Whiteread Robert Lazzarini Fred Wilson Graham Little Steve Wolfe Christian Marclay Lisa Yuskavage Whether it is through conceptual or technical precision, the deceptively lifelik e nature of a hand-crafted image, a playful interpretation or distortion of a familiar object or the detailed appropriation of another artist's work, an acute focus on the minute connects these works and these artists’ approaches. These artists demonstrate a labor-intensive and exacting artistic passion in their respective processes. As Chuck Close fittingly reflects with respect to his own work, "I am going for a level of perfection that is only mine...Most of the pleas ure is in getting the last little piece perfect." Chuck Close (b. 1940, Monroe, WA) received his B.A. from the University of Washington, Seattle before studying at Yale University School of Art and Architecture (B.F.A., 1963; M.F.A. -
Alessandro Raho
Alessandro Raho 1971 Born in Nassau, Bahamas Lives and works in London Education 1989-90 Croydon College of Art,Diploma inFoundarion studies 1991-94 Goldsmith College,University of London,B.A.(Hons.)Fine Art Solo Exibitions 2012 2012 Alison Jacques Gallery, London, UK 2011 The Pavilion of Realism, Thomas Williams Fine Art, London 2009 Effearte Gallery, Milan 2008 Ruzicska Gallery, Salzburg Thomas Williams Fine Art, London; special exhibition curated by Charles Asprey 2006 Ruzicska Gallery, Salzburg 2005 Alison Jacques Gallery , London National Portrait Gallery, new display showing Judi Dench painting with works from the NPG collection selected by Alessandro Raho 2004 TARO NASU GALLERY, Tokyo (also 2002, 2001, 1999) 2003 Cheim & Read, New York Thaddaeus Ropac, Paris (also 2001) 2000 asprey jacques,London 1997 Monica de Cardenas,Milan 1996 Maureen Paley Interim Art,London (also 1995) Jay Gorney Modern Art,New York (private viewing gallery) 1995 Rena Bransten Gallery,San Francisco Seleceted Group Exibitions 2014 I Cheer a Dead Man's Sweetheart: Painting in Britain Now - from Auerbach to Wragg, De La Warr Pavilion, Bexhill-on-Sea, Sussex, UK 2013 In a Sentimental Mood, La Galerie des Galeries, Paris, France Knock Knock: Seven Artists in Hastings, Jerwood Gallery, Hastings, UK 2011 Painting Show, Eastside Projects, Birmingham Two person exhibition with Dietmar Lutz, Jens Ulrich gallery CENTRE Berlin 2009 Double show with Simon Popper at Hats Plus, London 2008 Wall Rockets, curated by Lisa Dennison, FLAG Art Foundation, New York 2007 “Great -
The New Portraiture
ALTERED IMAGES: THE NEW PORTRAITURE Simply painting a portrait is so last century. Nowadays, leading artists are using diverse methods, from computer technology to neon signs, to depict a person’s character Louisa Buck, The Telegraph Luxury, 8 October 2015 Alessandro Raho, Michael Craig Martin, 2012, (left); Polka Dot Man, 2015, (right), Picture: Alessandro Raho. Courtesy of Alison Jacques Gallery From primitive images of hunters on cave walls to portraits of Medici popes and princes, the urge to portray and to be portrayed is as old as art itself. And even in our current era of selfies, Snapchat and Instagram when everyone’s smartphone can take a top-quality snap, there remains a hunger for a more formal portraiture: the National Portrait Gallery’s annual BP Portrait Award packs in the crowds every year and the Royal Society of Portrait Painters continues to rake in commissions. But at the same time the definition of what now constitutes a bespoke portrait has become as broad and as various as art itself, and many of our most progressive artists are pushing back the boundaries of the made-to- order likeness for their own artistic ends. Marc Quinn has not only produced a series of self-portrait busts from his own frozen blood, but his portrayal of Sir John Edward Sulston hanging in the NPG consists of the geneticist’s own DNA (taken from a sperm sample) preserved in agar jelly and mounted in stainless steel. Rather more restrained is German artist Tobias Rehberger’s practice of portraying his subjects as sculptured flowers in vases – patrons are invited to bring along their favourite blooms – while French artist Dominique Gonzalez-Foerster’s family portrait for Cincinatti collector Andy Stillpass took the form of a freestanding metal clothesline festooned with white clothes belonging to each family member. -
PETER FRASER Photograph: B
PETER FRASER Photograph: B. J. Harris, Oxford Peter Marshall Fraser 1918–2007 THE SUBJECT OF THIS MEMOIR was for many decades one of the two pre- eminent British historians of the Hellenistic age, which began with Alexander the Great. Whereas the other, F. W. Walbank (1909–2008),1 concentrated on the main literary source for the period, the Greek histor- ian Polybius, Fraser’s main expertise was epigraphic. They both lived to ripe and productive old ages, and both were Fellows of this Academy for an exceptionally long time, both having been elected aged 42 (Walbank was FBA from 1951 to 2008, Fraser from 1960 to 2007). Peter Fraser was a tough, remarkably good-looking man of middle height, with jet-black hair which turned a distinguished white in his 60s, but never disappeared altogether. When he was 77, a Times Higher Education Supplement profile of theLexicon of Greek Personal Names (for which see below, p. 179) described him as ‘a dashing silver-haired don’. He was attract ive to women even at a fairly advanced age and when slightly stout; in youth far more so. The attraction was not merely physical. He was exceptionally charming and amusing company when not in a foul mood, as he not infrequently was. He had led a far more varied and exciting life than most academics, and had a good range of anecdotes, which he told well. He could be kind and generous, but liked to disguise it with gruffness. He could also be cruel. He was, in fact, a bundle of contradictions, and we shall return to this at the end. -
The Brazen Nose
The Brazen Nose Volume 52 2017-2018 The Brazen Nose 2017–2018 Printed by: The Holywell Press Limited, www.holywellpress.com CONTENTS Records Articles Editor’s Notes ..................................5 Professor Nicholas Kurti: Senior Members ...............................8 An Appreciaton by John Bowers QC, Class Lists .......................................18 Principal ..........................................88 Graduate Degrees...........................23 E S Radcliffe 1798 by Matriculations ................................28 Dr Llewelyn Morgan .........................91 College Prizes ................................32 The Greenland Library Opening Elections to Scholarships and Speech by Philip Pullman .................95 Exhibitions.....................................36 The Greenland Library Opening College Blues .................................42 Speech by John Bowers QC, Principal ..........................................98 Reports BNC Sixty-Five Years On JCR Report ...................................44 by Dr Carole Bourne-Taylor ............100 HCR Report .................................46 A Response to John Weeks’ Careers Report ..............................51 Fifty Years Ago in Vol. 51 Library and Archives Report .........52 by Brian Cook ...............................101 Presentations to the Library ...........56 Memories of BNC by Brian Judd 3...10 Chapel Report ...............................60 Paper Cuts: A Memoir by Music Report .................................64 Stephen Bernard: A Review The King’s Hall Trust for -
ART CRITICISM I I, I
---~ - --------c---~ , :·f' , VOL. 14, No.2 ART CRITICISM i I, I ,\ Art Criticism vol. 14, no. 2 Art Department State University of New York at Stony Brook Stony Brook, NY 11794-5400 The editor wishes to thank Jamali and Art and Peace, Inc., The Stony . Brook Foundation, President Shirley Strumm Kenny, Provost Rollin C. Richmond, the Dean ofHumaniti~s and Fine Arts, Paul Armstrong, for their gracious support. Copyright 1999 State University of New York at Stony Brook ISSN: 0195-4148 2 Art Criticism Table of Contents Abstract Painting in the '90s 4 Mary Lou Cohalan and William V. Ganis Figurative Painting in the '90s 21 Jason Godeke, Nathan Japel, Sandra Skurvidaite Pitching Charrettes: Architectural Experimentation in the '90s 34 Brian Winkenweder From Corporeal Bodies to Mechanical Machines: 53 Navigating the Spectacle of American Installation in the '90s Lynn Somers with Bluewater Avery and Jason Paradis Video Art in the '90s 74 Katherine Carl, Stewart Kendall, and Kirsten Swenson Trends in Computer and Technological Art 94 Kristen Brown and Nina Salvatore This issue ofArt Criticism presents an overview ofart practice in the 1990s and results from a special seminar taught by Donald B. Kuspit in the fall of 1997. The contributors are current and former graduate students in the Art History and Criticism and Studio Art programs at Stony Brook. vol. 14, no. 2 3 Abstract Painting in the '90s by Mary Lou Cohalan and William V. Ganis Introduction In a postmodem era characterized by diversity and spectacle, abstract painting is just one of many fonnal strategies in the visual art world. -
Paul Morrison Biography
PAUL MORRISON BIOGRAPHY 1966 Born in Liverpool Lives and works in Sheffield and London EDUCATION 1996 – 98 Goldsmiths College of Art, London, MA Fine Art 1995 – 96 Goldsmiths College of Art, London, Postgraduate DIP Fine Art SOLO EXHIBITIONS 2012 Paul Morrison: Auctorum, Millennium Gallery, Sheffield, UK (6/7- 11/4/12) 2011 Allison Jacques Gallery, London (10/12-11/12/11) Florigen, Fondazione Volume, Rome (2/24-4/22/11) 2009 Manchester Art Gallery, Manchester (2/14 – 5/31/09) Paul Morrison: Calathidium, Horticultural Society of New York, New York (2/13 – 3/18/09) Paul Morrison, Cheim & Read, New York (2/12 – 3/21/09) Drawings, Tanja Pol Galerie, Munich (9/9-7/11/09) 2008 Rhode Island School of Design Museum of Art, Providence, RI Galerie Emmanuel Perrotin, Miami, FL Alison Jacques Gallery, London Paul Morrison, Las Vegas Art Museum, Las Vegas, NV (2/2 – 4/27/08) 2007 Galerie Sabine Knust, Munich Bloomberg Space, London PS, Amsterdam 2006 The Contemporary Museum, Honolulu 2005 Spruth Magers Projekte, Munich Bloomberg (Public Art Fund), New York Alison Jacques Gallery, London 2004 Paul Morrison, Cheim & Read, New York (4/14 – 5/28/04) 2003 Phenotype, Michael Janssen, Cologne Brake, Sprüth Magers Projekte, Munich Saxifraga, Galleria d’Arte Moderna e Contemporanea, Bergamo Haematoxylon, Irish Museum of Modern Art, Dublin PS, Amsterdam 2002 Mesophylle, Magasin, Grenoble Corymb, Kunstverein Ulm Cambium, aspreyjacques, London Bast, Art & Public, Geneva Chloroplast, Southampton City Art Gallery; Kunsthalle Nürnberg 2001 Karyn Lovegrove, Los Angeles