Hughes, G. Philip
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Political Change in Dominica, the Commonwealth West Indies. Cuthbert J
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1973 From crown colony to associate statehood : political change in Dominica, the Commonwealth West Indies. Cuthbert J. Thomas University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Thomas, Cuthbert J., "From crown colony to associate statehood : political change in Dominica, the Commonwealth West Indies." (1973). Doctoral Dissertations 1896 - February 2014. 1879. https://scholarworks.umass.edu/dissertations_1/1879 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. ^^^^^^^ ^0 ASSOCIATE STATEHOOD: CHANGE POLITICAL IN DOMINICA, THE COMMONWEALTH WEST INDIES A Dissertation Presented By CUTHBERT J. THOMAS Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 1973 Major Subject Political Science C\ithbert J. Thomas 1973 All Rights Reserved FROM CROV/N COLONY TO ASSOCIATE STATEHOOD: POLITICAL CHANGE IN DOMINICA, THE COMMONWEALTH WEST INDIES A Dissertation By CUTHBERT J. THOMAS Approved as to stylq and content by; Dr. Harvey "T. Kline (Chairman of Committee) Dr. Glen Gorden (Head of Department) Dr» Gerard Braunthal^ (Member) C 1 Dro George E. Urch (Member) May 1973 To the Youth of Dominica who wi3.1 replace these colonials before long PREFACE My interest in Comparative Government dates back to ray days at McMaster University during the 1969-1970 academic year. -
Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter
Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey In partial fulfillment of the requirements for the degree of Master of Jazz History and Research Graduate Program in Arts written under the direction of Dr. Lewis Porter and Dr. Henry Martin And approved by Newark, New Jersey May 2016 ©2016 Zachary Streeter ALL RIGHT RESERVED ABSTRACT Jimmy Raney Thesis: Blurring the Barlines By: Zach Streeter Thesis Director: Dr. Lewis Porter Despite the institutionalization of jazz music, and the large output of academic activity surrounding the music’s history, one is hard pressed to discover any information on the late jazz guitarist Jimmy Raney or the legacy Jimmy Raney left on the instrument. Guitar, often times, in the history of jazz has been regulated to the role of the rhythm section, if the guitar is involved at all. While the scope of the guitar throughout the history of jazz is not the subject matter of this thesis, the aim is to present, or bring to light Jimmy Raney, a jazz guitarist who I believe, while not the first, may have been among the first to pioneer and challenge these conventions. I have researched Jimmy Raney’s background, and interviewed two people who knew Jimmy Raney: his son, Jon Raney, and record producer Don Schlitten. These two individuals provide a beneficial contrast as one knew Jimmy Raney quite personally, and the other knew Jimmy Raney from a business perspective, creating a greater frame of reference when attempting to piece together Jimmy Raney. -
Worlds Apart: Bosnian Lessons for Global Security
Worlds Apart Swanee Hunt Worlds Apart Bosnian Lessons for GLoBaL security Duke university Press Durham anD LonDon 2011 © 2011 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ♾ Designed by C. H. Westmoreland Typeset in Charis by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. To my partners c harLes ansBacher: “Of course you can.” and VaLerie GiLLen: “Of course we can.” and Mirsad JaceVic: “Of course you must.” Contents Author’s Note xi Map of Yugoslavia xii Prologue xiii Acknowledgments xix Context xxi Part i: War Section 1: Officialdom 3 1. insiDe: “Esteemed Mr. Carrington” 3 2. outsiDe: A Convenient Euphemism 4 3. insiDe: Angels and Animals 8 4. outsiDe: Carter and Conscience 10 5. insiDe: “If I Left, Everyone Would Flee” 12 6. outsiDe: None of Our Business 15 7. insiDe: Silajdžić 17 8. outsiDe: Unintended Consequences 18 9. insiDe: The Bread Factory 19 10. outsiDe: Elegant Tables 21 Section 2: Victims or Agents? 24 11. insiDe: The Unspeakable 24 12. outsiDe: The Politics of Rape 26 13. insiDe: An Unlikely Soldier 28 14. outsiDe: Happy Fourth of July 30 15. insiDe: Women on the Side 33 16. outsiDe: Contact Sport 35 Section 3: Deadly Stereotypes 37 17. insiDe: An Artificial War 37 18. outsiDe: Clashes 38 19. insiDe: Crossing the Fault Line 39 20. outsiDe: “The Truth about Goražde” 41 21. insiDe: Loyal 43 22. outsiDe: Pentagon Sympathies 46 23. insiDe: Family Friends 48 24. outsiDe: Extremists 50 Section 4: Fissures and Connections 55 25. -
Paper Delivered by Julian N. Johnson Chairman of the Integrity
“POLITICAL CORRUPTION AND THE IMPLEMENTATION OF INTEGRITY LEGISLATION IN THE ORGANIZATION OF EASTERN CARIBBEAN STATES (OECS) WITH PARTICULAR REFERENCE TO DOMINICA” Paper delivered by Julian N. Johnson Chairman of the Integrity Commission, Dominica th Tuesday 26 June, 2012 Caribbean Small States Conference, St Vincent and the Grenadines June 25 th – 26 th , 2012 ________________________________________________________________________________ “POLITICAL CORRUPTION AND THE IMPLEMENTATION OF INTEGRITY LEGISLATION IN THE ORGANIZATION OF EASTERN CARIBBEAN STATES (OECS) WITH PARTICULAR REFERENCE TO DOMINICA” BY JULIAN N. JOHNSON 1. INTRODUCTION I have been invited to write a “practitioner’s paper” relating to the work of the integrity commissions in the member states of the OECS. It is taken that the Commonwealth Secretariat’s instructions, properly construed, require me to examine the recent anti-corruption statutes passed by the OECS governments and the performance of the integrity commissions focusing on the activities of the Integrity Commission of the Commonwealth of Dominica and drawing on my experiences as Chairman thereof over the past three years. Though my invitation is to produce a “practitioner’s paper” it would be remiss of me if I did not, at the outset, draw your attention to the study just published by an eminent regional academic and fellow practitioner in the field of the oversight of public sector ethical infrastructure – the former Contractor General of Jamaica, Dr. Derrick V. McKoy. In his book entitled “CORRUPTION: Law, Governance and Ethics in the Commonwealth Caribbean” (Hansib Pub., May 2012) the author sets out to address the issues of corruption in the Commonwealth Caribbean, the emerging law on the subject and the institutions established by member states to discourage corruption or to promote anti-corruption initiatives. -
Does Breaking Through the •Œfinal Glass Ceiling╊ Really Pave The
Does Breaking Through the “Final Glass Ceiling” Really Pave the Way for Subsequent Women to Become Heads of State? 1 Does Breaking Through the “Final Glass Ceiling” Really Pave the Way for Subsequent Women to Become Heads of State? By Katherine Rocha, Joseph Palazzo, Rebecca Teczar and Roger Clark Rhode Island College Abstract Women’s ascension to the role of national president or prime minister of any country is a relatively new phenomenon in world history. The first woman to break the “final glass ceiling,” Sirinavo Bandaranaike of Ceylon (Sri Lanka today), did it in 1960, just 58 years ago. Since then, the ceiling has been broken in about 83 nations worldwide, but we still know little about what it takes for women to achieve such national leadership roles. Previous research (e.g., Jalalzai, 2013; Skard, 2015) has pointed to the importance of family connections, political turmoil, and the nature of a country’s political system. But only one study (Jalalzai, 2013) provided quantitative, cross-national support for any of these observations. Our paper replicates Jalalzai’s analysis, done using data from the first decade of the twenty-first century, with data from the second decade. We find that there have been dramatic changes over time. We find that family connections are now no more useful for explaining women’s rise to presidencies and prime ministerial positions than men’s; that, in fact, women are now more likely to rise in politically stable nation states than in fragile ones. And, perhaps most importantly, women are much more likely to ascend to the highest positions in countries where they have already broken the “final glass ceiling.” Keywords: final glass ceiling, women presidents, women prime ministers Introduction In a course on the Sociology of Gender we had learned that, while such a ceiling might exist in Following Hillary Clinton’s loss in the 2016 U.S. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JON HENDRICKS NEA Jazz Master (1993) Interviewee: Jon Hendricks (September 16, 1921 - ) and, on August 18, his wife Judith Interviewer: James Zimmerman with recording engineer Ken Kimery Date: August 17-18, 1995 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 95 pp. Zimmerman: Today is August 17th. We’re in Washington, D.C., at the National Portrait Galley. Today we’re interviewing Mr. Jon Hendricks, composer, lyricist, playwright, singer: the poet laureate of jazz. Jon. Hendricks: Yes. Zimmerman: Would you give us your full name, the birth place, and share with us your familial history. Hendricks: My name is John – J-o-h-n – Carl Hendricks. I was born September 16th, 1921, in Newark, Ohio, the ninth child and the seventh son of Reverend and Mrs. Willie Hendricks. My father was a minister in the African Methodist Episcopal Church, the AME Church. Zimmerman: Who were your brothers and sisters? Hendricks: My brothers and sisters chronologically: Norman Stanley was the oldest. We call him Stanley. William Brooks, WB, was next. My sister, the oldest girl, Florence Hendricks – Florence Missouri Hendricks – whom we called Zuttie, for reasons I never For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 really found out – was next. Then Charles Lancel Hendricks, who is surviving, came next. Stuart Devon Hendricks was next. Then my second sister, Vivian Christina Hendricks, was next. Then Edward Alan Hendricks came next. -
February 2008 Editor: Tim Coakley WEBSITE: DAILY Looking Back
A P A PLACE FOR JAZZ O R February 2008 Editor: Tim Coakley WEBSITE: HTTP://WWW.APLACEFORJAZZ.ORG—UPDATED DAILY Looking Back ... and Ahead By Tim Coakley The 2007 season of A Community College. As always, a great share Place for Jazz was one of Baritone saxophonist of our success is due to our most successful, both Gary Smulyan and trom- the contributions of our musically and in terms of bonist Wycliffe Gordon members, who have sup- attendance. The size and made October a memora- ported us through the VOLUNTEER HELP enthusiasm of the years. Your contributions WANTED ble month; Gary with his crowds made it clear that vigorous, swinging quartet played a major part in there is a vigorous and exploring bebop and be- enabling us to mount the dedicated audience for kind of series we had in We need help: yond, and Wycliffe with his jazz in the Capital Region. inimitable playing and 2007, and will be needed With publicity: distributing fliers and It was a season that would singing music from the again this year. posters have pleased our founder, whole spectrum of jazz ... Please take a moment Writing music reviews for the newsletter Butch Conn, who sought and on a borrowed trom- to check out the member- to build just such an audi- bone, yet! ship form on Page 10, and Greeting people and handing out pro- ence over the years. We grams at the concerts find a membership level hope to continue to please that is comfortable for you. and attract those listeners Wrapping it all up on With your support, we feel in the year ahead. -
Peacemakers Or Iron Ladies? a Cross National Study of Gender and International Conflict
Peacemakers or Iron Ladies? A Cross National Study of Gender and International Conflict Madison Schramm Alexandra Stark PhD Candidate, Georgetown University PhD Candidate, Georgetown University [email protected] [email protected] Abstract Conventional wisdom suggests that when women attain high political office they are more likely to act as peacemakers than their male counterparts. In contrast, this article argues that women political leaders may be more likely to initiate conflict than their male colleagues. The theory draws on insights from feminist theory, particularly the notion that gender is performative, to argue that the effects of a leader’s gender on foreign policy decision-making vary with social and institutional context. In order to gain and maintain status in elite policy in-groups, female leaders are incentivized to perform gender by signaling their toughness and competence through initiating conflict. Statistical tests provide evidence that female heads of state in democracies are more likely to initiate conflict than their male counterparts, and that this effect is conditioned both by domestic political constraints and overall levels of women’s political empowerment, thus providing evidence for the theorized causal mechanism. This version prepared for the Harvard International Security Conference, October 14-15, 2017. Please do not cite without permission. Word Count: 9, 347 1 “Ginger Rogers did everything that Fred Astaire did. She just did it backwards and in high heels.”- Ann Richards INTRODUCTION Prime Minister Margaret Thatcher of the UK, the original ‘iron lady,’ is commonly understood as the militaristic exception to the rule of peaceful women leaders. Yet of the relatively small number women heads of government since 1945, many have earned the “iron lady” title. -
Israël Veut Un « Changement Complet » De La Politique Menée Par L'olp
LeMonde Job: WMQ0208--0001-0 WAS LMQ0208-1 Op.: XX Rev.: 01-08-97 T.: 11:23 S.: 111,06-Cmp.:01,11, Base : LMQPAG 27Fap:99 No:0328 Lcp: 196 CMYK CINQUANTE-TROISIÈME ANNÉE – No 16333 – 7,50 F SAMEDI 2 AOÛT 1997 FONDATEUR : HUBERT BEUVE-MÉRY – DIRECTEUR : JEAN-MARIE COLOMBANI Les athlètes Israël veut un « changement complet » à Athènes de la politique menée par l’OLP Rigor Mortis a Brigitte Aubert Participation record Benyamin Nétanyahou exige de Yasser Arafat qu’il éradique le terrorisme a aux championnats ISRAÉLIENS et responsables de Jérusalem. Les premiers accusent Le premier ministre a mis Yasser maine. « On ne peut faire avancer du monde l’Autorité palestinienne se sont l’OLP de ne pas en faire assez dans Arafat en demeure d’éradiquer le le processus diplomatique alors que renvoyés, jeudi 31 juillet, la res- la lutte contre le terrorisme ; les terrorisme et a juré qu’il n’y aurait l’Autorité palestinienne ne prend une nouvelle inédite ponsabilité de l’attentat qui, la seconds affirment que la politique pas de reprise des conversations pas les mesures minimales qu’elle qui s’ouvrent samedi veille, a fait quinze morts et plus du gouvernement de Benyamin israélo-palestiniennes tant qu’Is- s’est engagée à prendre contre les de cent cinquante blessés sur un Nétanyahou favorise la montée raël ne jugerait pas l’action de foyers du terrorisme », a dit M. Né- dames a des marchés les plus populaires de des extrémistes palestiniens. l’OLP satisfaisante dans ce do- tanyahou. « Il faut un changement du noir La pollution peut complet de politique de la part des Palestiniens, une campagne vigou- perturber les épreuves reuse, systématique et immédiate pour éliminer le terrorisme », a-t-il Les Dames a lancé, jeudi soir, à la télévision. -
JELLY ROLL MORTON's
1 The TENORSAX of WARDELL GRAY Solographers: Jan Evensmo & James Accardi Last update: June 8, 2014 2 Born: Oklahoma City, Oklahoma, Feb. 13, 1921 Died: Las Vegas, Nevada, May 25, 1955 Introduction: Wardell Gray was the natural candidate to transfer Lester Young’s tenorsax playing to the bebop era. His elegant artistry lasted only a few years, but he was one of the greatest! History: First musical studies on clarinet in Detroit where he attended Cass Tech. First engagements with Jimmy Raschel and Benny Carew. Joined Earl Hines in 1943 and stayed over two years with the band before settling on the West Coast. Came into prominence through his performances and recordings with the concert promoter Gene Norman and his playing in jam sessions with Dexter Gordon.; his famous recording with Gordon, “The Chase” (1947), resulted from these sessions as did an opportunity to record with Charlie Parker (1947). As a member of Benny Goodman’s small group WG was an important figure in Goodman’s first experiments with bop (1948). He moved to New York with Goodman and in 1948 worked at the Royal Roost, first with Count Basie, then with the resident band led by Tadd Dameron; he made recordings with both leaders. After playing with Goodman’s bigband (1948-49) and recording in Basie’s small group (1950-51), WG returned to freelance work on the West Coast and Las Vegas. He took part in many recorded jam sessions and also recorded with Louie Bellson in 1952-53). The circumstances around his untimely death (1955) is unclear (ref. -
Jazz at the Crossroads)
MUSIC 127A: 1959 (Jazz at the Crossroads) Professor Anthony Davis Rather than present a chronological account of the development of Jazz, this course will focus on the year 1959 in Jazz, a year of profound change in the music and in our society. In 1959, Jazz is at a crossroads with musicians searching for new directions after the innovations of the late 1940s’ Bebop. Musical figures such as Miles Davis and John Coltrane begin to forge a new direction in music building on their previous success earlier in the fifties. The recording Kind of Blue debuts in 1959 documenting the work of Miles Davis’ legendary sextet with John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers and Jimmy Cobb and reflects a new direction in the music with the introduction of a modal approach to composition and improvisation. John Coltrane records Giant Steps the culmination of the harmonic intricacies of Bebop and at the same time the beginning of something new. Ornette Coleman arrives in New York and records The Shape of Jazz to Come, an LP that presents a radical departure from the orthodoxies of Be-Bop. Dave Brubeck records Time Out, a record featuring a new approach to rhythmic structure in the music. Charles Mingus records Mingus Ah Um, establishing Mingus as a pre-eminent composer in Jazz. Bill Evans forms his trio with Scott LaFaro and Paul Motian transforming the interaction and function of the rhythm section. The quiet revolution in music reflects a world that is profoundly changed. The movement for Civil Rights has begun. The Birmingham boycott and the Supreme Court decision Brown vs.