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The 'Item Number' in Indian Cinema: Deconstructing the Paradox
Journal of Culture, Society and Development www.iiste.org ISSN 2422-8400 An International Peer-reviewed Journal Vol.39, 2018 The ‘Item Number’ in Indian Cinema: Deconstructing the Paradox Isha Jain (Corresponding author) National Law School of India University, Bangalore, India Abstract The “item number” is a hyper-sexualised song-and-dance performance that is characteristic to mainstream Bollywood cinema. When viewed in the context of a general tendency towards the censorship of public depictions of sexualized women in other spheres of the Indian polity, the ubiquity and popularity of item numbers reflects a confounding cultural paradox. The aim of this article is to deconstruct this paradox, by identifying the narrative structures and plot devices employed by film-makers to market these performances without suffering the disapproval of either the Indian State apparatus or the purportedly prudish Indian cinema- goer. Introduction The Indian State, through both its formal and informal centres of power, continues to burden the Indian woman with the charge of guarding national pride, culture, and morality.1 The defiling of the Indian woman, synonymous with her sexualisation, is the defiling of India. This parallel is evident in the title of “Mother India”, a 1957 film centred around a de-sexualised, self-sacrificial female protagonist intended to be emblematic of both the ideal Indian woman and of India herself.2 Yet, the Indian film industry has succeeded at carving out a niche for the commodification and sale of female sexuality within a broader milieu characterised by the disapprobation of that very sexuality. Nowhere is this more apparent than in the “item number”,3 a hyper-sexualised cinematic performance that is both paradoxically and quintessentially Bollywood. -
Georgia Southern Magazine University Communications and Marketing
Georgia Southern University Digital Commons@Georgia Southern Georgia Southern Magazine University Communications and Marketing Summer 2007 Georgia Southern Magazine Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/georgia-southern Part of the Higher Education Commons Recommended Citation Georgia Southern University, "Georgia Southern Magazine" (2007). Georgia Southern Magazine. 8. https://digitalcommons.georgiasouthern.edu/georgia-southern/8 This magazine is brought to you for free and open access by the University Communications and Marketing at Digital Commons@Georgia Southern. It has been accepted for inclusion in Georgia Southern Magazine by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. » BOARD OF REGENTS VISIT STADIUM RENOVATIONS CENTENNIAL CELEBRATION PHOTOS GEORGIA SOUTHERNS UMMER 2007 • V O L U M E 9 • N U M B E R 3 • WWW.GEORGIASOUTHERN.EDU GREAT PROFESSORS FIND THE BEST IN THEIR STUDENTS – AND THEMSELVES. SCHOLARSHIP MADE PERSONAL A LOOK AT SOME OF THE OUTSTANDIN G W O R K O F GEOR G I A S O U T H E R N ’ S W ORLD-CLASS FACULTY. To Our ALUMNI AND FRIENDS As we enter the home stretch of Georgia Southern’s Centennial Celebration, I want to offer a word of thanks to the many thousands of alumni and friends who have joined us for events on campus and throughout the state. We were especially pleased when more than 2,000 Eagles came to Centennial Park for our Greater Atlanta celebration on a beautiful Saturday evening in May. The extended Georgia Southern community is beginning our second century with remarkable energy and enthusiasm. -
Making Women Visible: Gender and Race Cross-Dressing in the Parsi Theatre Author(S): Kathryn Hansen Source: Theatre Journal, Vol
Making Women Visible: Gender and Race Cross-Dressing in the Parsi Theatre Author(s): Kathryn Hansen Source: Theatre Journal, Vol. 51, No. 2 (May, 1999), pp. 127-147 Published by: The Johns Hopkins University Press Stable URL: http://www.jstor.org/stable/25068647 Accessed: 13/06/2009 19:04 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=jhup. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access to Theatre Journal. http://www.jstor.org Making Women Visible: Gender and Race Cross-Dressing in the Parsi Theatre Kathryn Hansen Over the last century the once-spurned female performer has been transformed into a ubiquitous emblem of Indian national culture. -
Archives Anne Carlini
Anne Carlini - Exclusive Magazine - DVD Reviews http://www.annecarlini.com/ex_dvd.php?id=1538 Giveaways! Insider Gossip Monthly Hot Picks Book Reviews CD Reviews Concert Reviews DVD Reviews Game Reviews Movie Reviews SIGNED 2009 MOVIE POSTERS 4 SALE! PIC-N-MIX SIGNED POSTERS!!!!! AUTOGRAPHED CDs 4 SALE!!! COMMENTS FROM EXCLUSIVE MAGAZINE 'Drop Dead Rock' READERS! WELCOME TO URBAN (Adam Ant, Deborah Harry, et al / DVD / NR / (1996) 2010 / STYLE COMICS! Sony Pictures) HOME OF WAXEN WARES WAXEN WARES - Overview : Drop Dead Rock' is a no holds barred, rock and ORDER PAGE roll comedy. A down and out, rock n' roll band, Hindenburg, American Idol 2009 - Adam Lambert kidnap their favorite British rock star, Spazz-O, and hold him American Idol 2009 - hostage. The problem is, Spazz-O's ex-porn star wife Holly Allison Iraheta Everest (Playboy lingerie model Chelsey Parks) and his American Idol 2009 - Matt Giraud back-stabbing manager, Dave Donovan (Adam Ant), can't wait to get their hands on his fortune, and have hired a hitman to do American Idol 2009 - Anoop Desai him in'. American Idol 2009 - Scott MacIntyre American Idol 2009 - DVD Verdict : Admittedly, you'd have to be either a huge fan Michael Sarver of either Debbie Harry or (like me) Adam Ant to even Bronson Pinchot ('The Art Critic') contemplate renting this movie, let alone buying it. But if you ARE said biased fan, you're Willie Garson ('White gonna love this! Collar') Tiffani Thiessen ('White Collar') 'Drop Dead Rock' is a bizarre tale of a downright awful band who can't get started in the music Guy Ritchie (Director - industry. -
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' @' ! 5)'' 98'=55*<85 " !; 5)'' )-<85 " !; 5)'' RNI Regn. No. MPENG/2004/13703, Regd. No. L-2/BPLON/41/2006-2008 24(5"$2# * - - 1 2-,3 4-,0 #=! '"B5 0C 0 ? 4 + 2 . D 00 4(0 .0 .. 2 4 222 2 0 0+22 ? + 4 4 + C . D C '4 0"1&223 A 2#8-' 9 ;;! 8=!' / . 67 681 -R ./0 . + - ! ! .+/// 0 said Pilot and 18 other MLAs ndia’s Covid-19 case load had defied a whip and did not Icrossed one-million mark ebel Congress leader Sachin attend its legislature party (10,04,348) on Thursday as RPilot on Thursday virtual- meetings. the country registered 34,421 ly shut the door on the Salve was then NDA fresh cases and 680 deaths. Congress and plunged into a Government’s top law officer The overall death count legal battle against threat of dis- from 1999 to 2002 and is cur- also crossed the psychological qualification with the help of rently based out of London, figure of 25,000 on Thursday as top legal eagles considered from where he fought India’s several State Governments close to the BJP. case against Pakistan in the brought back the lockdown Pilot also paid no heed to Kulbhushan Jadhav matter. measures. advice by the Congress leader- Rajasthan BJP unit is in India is adding one lakh ship to shun the “hospitality” of “wait and watch” mode. Party cases now in four days and the BJP Government in leaders maintained that the experts feel that in a fortnight Haryana, where he is camping BJP, as the main Opposition in the rate of daily growth in with 18 other Congress MLAs Rajasthan, will take “every absolute terms could further in two different hotels under action to see that the Gehlot spike. -
Alzheimer's Association
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA1077314 Filing date: 08/24/2020 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 91245121 Party Plaintiff Alzheimer's Disease and Related Disorders Association Correspondence SHIMA ROY Address BAKER & MCKENZIE LLP 300 E RANDOLPH STREET SUITE 5000 CHICAGO, IL 60601 UNITED STATES Primary Email: [email protected] Secondary Email(s): [email protected] 312-861-8005 Submission Testimony For Plaintiff Filer's Name Shima Roy Filer's email [email protected], [email protected] Signature /Shima Roy/ Date 08/24/2020 Attachments Wendy Vizek NOTICE OF FILING EXHIBITS T-AA.pdf(361075 bytes ) EXHIBIT T - Part 1- annual-report-2019.pdf(4034396 bytes ) EXHIBIT T - Part 2- annual-report-2019.pdf(3320276 bytes ) EXHIBIT T - Part 3- annual-report-2019.pdf(3558381 bytes ) EXHIBIT T - Part 4- annual-report-2019.pdf(4500187 bytes ) EXHIBIT U - Corporate Philanthropy Report.pdf(96077 bytes ) EXHIBIT V - P2P2016.pdf(487285 bytes ) EXHIBIT W - P2P30-2017-RELEASE-2.25.18.pdf(94516 bytes ) EXHIBIT X - P2P_Top_30_2018_Quick_Reference_Guide.pdf(875439 bytes ) EXHIBIT Y - P2P2019.pdf(2540882 bytes ) EXHIBIT AA - AA000270-000271.pdf(117213 bytes ) IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD : Alzheimer’s Disease and Related : Disorders Association, Inc. : : Opposer, : : Opposition No. 91245121 v. : : Alzheimer’s New Jersey, Inc. : : Applicant. : : OPPOSER'S NOTICE OF FILING OF EXHIBITS T-AA IN SUPPORT OF TRIAL TESTIMONY OF WENDY F. VIZEK PLEASE TAKE NOTICE that pursuant to 37 C.F.R. -
Georgia Southern Magazine Marketing
Georgia Southern University Digital Commons@Georgia Southern Office of Strategic Communications & Georgia Southern Magazine Marketing Summer 2007 Georgia Southern Magazine Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/georgia-southern Part of the Higher Education Commons Recommended Citation "Georgia Southern Magazine" (2007). Georgia Southern Magazine. 8. https://digitalcommons.georgiasouthern.edu/georgia-southern/8 This magazine is brought to you for free and open access by the Office of Strategic Communications & Marketing at Digital Commons@Georgia Southern. It has been accepted for inclusion in Georgia Southern Magazine by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. » BOARD OF REGENTS VISIT STADIUM RENOVATIONS CENTENNIAL CELEBRATION PHOTOS GEORGIA SOUTHERNS UMMER 2007 • V O L U M E 9 • N U M B E R 3 • WWW.GEORGIASOUTHERN.EDU GREAT PROFESSORS FIND THE BEST IN THEIR STUDENTS – AND THEMSELVES. SCHOLARSHIP MADE PERSONAL A LOOK AT SOME OF THE OUTSTANDIN G W O R K O F GEOR G I A S O U T H E R N ’ S W ORLD-CLASS FACULTY. To Our ALUMNI AND FRIENDS As we enter the home stretch of Georgia Southern’s Centennial Celebration, I want to offer a word of thanks to the many thousands of alumni and friends who have joined us for events on campus and throughout the state. We were especially pleased when more than 2,000 Eagles came to Centennial Park for our Greater Atlanta celebration on a beautiful Saturday evening in May. The extended Georgia Southern community is beginning our second century with remarkable energy and enthusiasm. -
Read Sangita's Writing on Bollywood Dance in Confluence
COVER STORY POVERTY REDUCTION AND THE RHETORIC OF PARTICIPATION IMF/World Bank sanctimony exposed Palash Kamruzzaman he World Bank and IMF have proposed units of analysis, global measurement of ownership. First, a growing sense of ownership REFRACTIONS: Tthe Poverty Reduction Strategy Paper poverty, and the scale of planned policy has been suggested as a guiding principle AKADEMI IN THE (PRSP) framework for all poor countries intervention This ‘grand approach’ has taken for the preparation of a PRSP. Government SPOTLIGHT as a condition of receiving unconditional large communities and groups of people— authorities should draft the PRSP, which will debt relief under the HIPC Initiative. The entire countries with populations of millions ensure and reinforce country ownership. The PRSPs will also be the key vehicle for the - as the common units of analysis to assess IFI boards also agree on a more open dialogue World Bank and IMF and other donors for and understand poverty. A similar approach between governments and at least some part various assistance packages, including loans. has been adopted in the Poverty Reduction of the civil society. Such agreements show Like its predecessors, the PRSP framework Strategy Paper (PRSP) framework proposed that it is the World Bank and IMF that are promotes the ideas of ‘participation’ and by the World Bank and the IMF in 1999. not only suggesting the PRSP framework ‘ownership’. The ownership of such a grand Rather than an epic and philanthropic but also prescribing how PRSPs should framework cannot possibly rest with the discovery, the PRSP framework should be be prepared and how ownership can be poor countries or their people if the whole understood as the latest approach in the ensured. -
Entrepreneur to Address Marywood Graduates the Wood Word
THE [email protected] WOOD WORD Marywood University Scranton, PA April/May 2010 Entrepreneur to Address Marywood Graduates Inside This Issue CEO William Strickland’s Life is Devoted to Creating Cultural, Educational Opportunities opportunities to students and potter’s wheel. The relationship Corporation has evolved into a adults within an organizational that Mr. Ross and Mr. Strickland national model for education, PRSSA Holds PR Boot culture that fosters innovation, initiated with a revolving mound culture and hope. MCG Youth Camp creativity, responsibility and of clay gave form to the future & Arts and MCG Jazz are integrity. Throughout his vision of Manchester Craftsmen’s both programs of Manchester PRSSA hosts its first annual PR Boot distinguished career, he has Guild. The Guild began as an Craftsmen’s Guild: MCG Youth been honored with numerous after-school arts program in a serves approximately 3,900 Camp, with several speakers giving prestigious awards for his donated North Side rowhouse youth each year through classes students an inside look at the industry. contributions to the arts and the that Mr. Strickland secured while and workshops in ceramics, community, including the coveted still a college student at the photography, digital imaging News, 3 MacArthur “Genius” award. University of Pittsburgh. In 1969, and design art. MCG Arts The past several decades have he graduated cum laude with a gives students a chance to work been dedicated to maintaining bachelor’s degree in American intensively with visiting artists of Focus on Studying, Not successful relationships with history and foreign relations. national and international stature Facebook prominent national foundations The decline of the steel through exhibitions, lectures, and political leaders who share industry created widespread workshops, residencies and school his passion and vision for a unemployment, and Bidwell visits. -
Re-Reading the Voice of the Marginalized in Binodini's'amar
Devi, Nati or Dasi- Re-Reading the voice of the Marginalized in Binodini’s‘Amar Katha’ in the backdrop of 19th century Colonial Bengali Theatre Dr. Sujata Mukhopadhyay “These are only the shadows of an unfortunate woman’s heartache. There is nothing in this world for me but everlasting despair and the fears of a heart filled with sorrow. And yet, there is not a soul who will listen even to this. There is no one in this world before whom I can lay bare my pain, for the world sees me as a sinner—a fallen woman. I have no kith and kin, no society, no friend—no one in this world whom I may call my own” - Rimli Bhattacharya Rise of Nationalism and 19th Century Colonial Bengali Theatre The rise of the Proscenium gave a new direction to theatre viewing in the second half of the 19th century. A brand-new way of sitting in front and watching the actors on stage with three sides closed, not only changed the quality of the theatre goers but also brought a metamorphosis in the content of the plays produced. The history of colonial Bengali theatre was dominated by jatras, kheurs and kathagaans. Theatre in the true sense was exclusively within the domains of the aristocrats who dwelled upon private theatres as a mode of entertainment. It was not inclusive of the middle class and least of all the lower classes . Jatra and such open forum of entertainment was the prevalent form of cultural expression of the masses. The advent of English education created a newly emergent middle class Bhadralok, who started questioning the native vulgarities of the kheur and kabigaan that were filled with sexual innuendoes. -
A Year of Big Changes, Fading Hopes the Year in Pictures
This Weekend FRIDAY MILL Partly Cloudy 43/20 SA TURDAY Partly Cloudy 34/18 SUNDAY Partly Cloudy 34/18 Inside carrborocitizen.com DECEMBER 31, 2009 u LOCALLY OWNED AND OPERATED u VOLUME III NO. XLii FREE A year of big changes, fading hopes BY KIRk RoSS She was followed in death a month tions were released, that the market Economic anxiety and a highly un- Staff Writer later by another official town treasure woes and housing downturn that had popular property revaluation helped and one of her early political rivals started in the previous fall were go- fuel outrage and tax protests that Early on in January 2009, many — newspaperman and former Cha- ing to have a profound impact on the turned out hundreds to rallies orga- in these towns were still focused on pel Hill alderman Roland Giduz. year ahead. nized by the local chapter of Freedom- the changing of the guard in Wash- In early 2009, the effect of another State and local governments, al- Works, a group led by former U.S. ington, D.C. changing of the guard was being felt ready implementing hiring freezes House majority leader Dick Armey. With close to 72 percent of Or- in town and especially on campus as and squeezing their budgets, cut That put the focus on Orange ange County voters pulling the lever new UNC Chancellor Holden Thorp further, and reports from social ser- County commissioners, who were for Barack Obama, the election of pulled the plug on a search for a new vice agencies and local food pantries faced with not just a tax rebellion, but the first black president was still the airport site in Orange County. -
Anoop Desai Honors Thesis in American Studies
Why Barbecue Matters in the South Anoop Desai Honors Thesis in American Studies Marcie Cohen Ferris, Honors Advisor James G. Ferguson William Ferris “…barbecue is one of the institutions of the South. To have known it means happiness; not to have known it means that link in the chain of life has been lost.” 1 “Myth thus is the food that feeds our sense of identity and enables us to imagine the invisible though the visible and to give life to our faith through symbols.”2 1 Andrews, Maude. “The Georgia Barbecue” Cornbread Nation 2 2 Quesada, Jan Jaynes. “Food and Culture in a Biblical Context: Background Information and Terms,” 4 1 Table of Contents Introduction 3 Chapter 1: Why Foodways? 6 Chapter 2: Barbecue in the South 8 Chapter 4: Southern Myth 15 Chapter 5: Barbecue as Myth 21 Chapter 6: Barbecue as Religion 29 Chapter 7: Barbecue as a Lens I: Opposition Culture 35 Chapter 8: Barbecue as a Lens II: Ethnographies 40 I. Allen and Son—Chapel Hill, NC II. The Skylight Inn—Ayden, NC The Barbecue Joint—Chapel Hill, NC III. Stamey’s Barbecue—Greensboro, NC Lexington Barbecue—Lexington, NC IV. The Future Conclusion 54 Works Consulted 56 2 Introduction In the film Gone with the Wind, Scarlett exclaims “as God is my witness, I’ll never be hungry again!” This scene of Scarlett rising defiantly against the backdrop of a setting sun, cursing Yankees and defending her right to live, is an iconic representation of sectionalism and what historian C. Vann Woodward called the “sweet syrup of romanticism.” It is no coincidence that food is at the center of such an important scene.