Kurt Beattie Carlo Scandiuzzi Artistic Director Executive Director ACT – A Contemporary Theatre presents

Beginning October 4, 2013 Opening Night October 10, 2013

CAST *Anne Allgood Charmaine *Emily Chisholm Sasha *Seán G. Griffin Val Elinor Gunn Chloe *John Patrick Lowrie Ashley

CREATIVE TEAM Director Matthew Smucker Scenic Designer Deb Trout Costume Designer Rick Paulsen Lighting Designer Brendan Patrick Hogan Sound Designer Geof Alm Fight Director Gin Hammond Dialect Coach *Jeffrey K. Hanson Stage Manager Ruth Eitemiller Production Assistant Kent Cubbage Assistant Lighting Designer

*Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Running Time: This performance runs approximately two hours and 10 minutes with intermission.

SEASONAL SUPPORT PROVIDED BY: A Contemporary Theatre Foundation Eulalie Bloedel Schneider Artists Fund

SUGAR DADDIES was first performed at The Stephen Joseph Theatre on 17 July 2003.

Audience members are cordially reminded to silence all electronic devices. All forms of photography and the use of recording devices are strictly prohibited. Please do not walk on the stage before, during, or after the show.

encoreartsprograms.com A-1 Welcometo ACT Kurt Beattie

Sir Alan Ayckbourn’s work has played an (If you choose, however, to measure, it’s enormous part in ACT’s nearly five-decade something like 77 plays and counting.) journey. Beginning with Relatively Speaking How it came to be that he gives ACT the in 1976 and on through the following four gift of his artistry in person now is a tale too decades, ACT has produced 10 of his plays (one long to tell here, and will be for the moment of them twice), one of which I had the pleasure our lucky secret. But clearly the fact that of performing in, and one of which I directed. ACT’s founder Greg Falls and second artistic My wife, Marianne Owen, has appeared in director Jeff Steitzer recognized early on how four of them. As a result, we, like many of terrific and rich his plays were, and proceeded our fellow theatre workers everywhere, have to produce them successfully in Seattle, must become captive to the inexhaustible variety of have something to do with it. And in our their brilliant constructions, human depth, and Allen Theatre, which is a gem of a theatre- hilarity. I think it fair to say that we two are in-the-round like Sir Alan’s own theatre at Ayckbournians for life. Scarborough, we have a home ideally suited to His contribution to the theatre, here, there, the work he has long created to be performed in and everywhere, has been nothing less than just such a space. remarkable. His reign in London rivals Gilbert This very special culmination of many & Sullivan’s. Since his first hit in 1967, more decades’ affinity between a theatre company and than 40 of his plays have been produced on the work of a particular playwright is also made the West End, at the Royal National Theatre, possible by you, our audience, now and in the or at the Royal Shakespeare Company – in past, who have made it known to us consistently 1975 he had five plays running simultaneously, how much you like Sir Alan’s plays, and what a a record at the time. But for me, his presence good thing it would be to continue presenting throughout the regions in both Britain and them. And for that you have, my, and ACT’s, America is almost more important. His deepest thanks. work communicates with nearly everyone, whether it be in Kansas City or Birmingham. Harold Pinter said it better than anyone: his contribution to the theatre is immeasurable. Kurt Beattie, Artistic Director

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“Sometimes a scene worked so well you wanted to applaud, even though you were in it. You know if you play what is written in the way it is written, this series of highly enjoyable treats will come your way.”

Penelope Wilton (on playing Abigail in , written and directed by Alan Ayckbourn)

Relatively Speaking 1976

a of Bit Brit: A Brief Guide to British Slang PILLOCK BETTING SHOP KNOCKING SHOP A brothel. A stupid person A semi-legal gambling organization at which bets are placed on WENT HAIRLESS THE TUBE sporting events, such as To go mad or berserk, a reference Popular name for London’s Football and horse racing. to tearing out one’s hair. underground railway system. ROLLER THE READIES PIN MONEY a nick-name for a Rolls-Royce “ready money,” money that you Originally a small sum of money automobile. can spend immediately like given regularly by a husband to his banknotes or coins wife to cover personal needs like CHIEF SUPER clothes, pins, etc.; now used more Short for “Chief Superintendant”, ALL THE BRASS MONKEYS generally to refer to a bit of extra a rank within the London ROLLED INTO ONE money a woman earns or puts aside police force, usually that of A reference to the three wise to pay for the little extras she might the commander of a particular monkeys, “see no evil, hear no want outside of basic living expenses territorial division. evil, speak no evil,” i.e. a very innocent person who sees only the TIP A dump or place where things are BOND STREET best in everyone and everything. thrown away. A fashionable shopping district in London. WITHOUT A BY YOUR LEAVE KIT Clothing. without permission.

“It was almost an orgy of acting. The wonderful thing was that one knew one could be profligate. It was not the kind of situation where you have 40 lines in a play and you know there are four good laughs and you’ve got to get them every night. You’ve got hundreds. Hundreds. And you could just fly a bit.”

Robin Herford (on originating the male roles in Ayckbourn’s epic two-hander, )

A -6 ACT THEATRE A Chorus of Disapproval 1988 “Few women care to be laughed at and men not at Intimate Exchanges 2008 all, except for large sums of money.” “If one were to guess which living Alan Ayckbourn dramatists will be performed in 100 years’ time, the name of Alan Ayckbourn would come high on the list.” www.theguardian.com/commentisfree/2007/ jun/07/theatre.comment 1994

“I’ve always had audiences if not uppermost then at least prominent in my mind. I would never dream of writing a play unless I considered what the audience might or might not enjoy at some stage. I might then decide to baffle them or push it a bit beyond them but I The Revengers Comedies 1992 would always have them in the frame. It sounds like something everybody would do but I think there ‘The fact that the house is rocking for a good part of the are writers who don’t, for evening but that they are crying too – that is the peak, that is better or worse, consider the pinnacle for me. You could say, because he (Ayckbourn) just the audience at all; they takes a family, not the whole nation, to comment on, that he’s a are much more concerned miniaturist. But for an actor they are wonderful plays to work on. with what’s happening at It’s all there. Very challenging and very, very deep.’ their end.” Penelope Keith Alan Ayckbourn (Sarah in )

encoreartsprograms.com A-7 Who's Who in

Anne Allgood (Charmaine) Elinor Gunn (Chloe) Elinor Ramayana, First Date, In the Next Room, or the vibrator has happily appeared at ACT is very honored and excited play, Vanities, The Prisoner of Second Avenue, Yankee in Mary Stuart, Ramayana, to make her debut at ACT! Tavern, Rock’n’Roll, Below the Belt, Jekyll & Hyde, The The Pinter Festival, The She received her B.A. in Trip to Bountiful, Eurydice, Clean House, The Women, Prisoner of Second Avenue, Theatre from Washington Wine in the Wilderness, Flight, Fathers and Sons, Rock ‘n’ Roll, Das Barbecü, State University and has Bach at Leipzig, The Ugly American, Jumpers, and The The Women, The Clean worked in Seattle ever since. Pillowman. Smucker’s work has appeared at The 5th House, Vincent in Brixton, Her favorite local credits Avenue Theatre, Seattle Repertory Theatre, Intiman, Eurydice, Miss Witherspoon, and A Christmas Carol include: Dogg’s Hamlet, Cahoot’s Macbeth (Sound SCT, Village Theatre, Arizona Theatre Company, (twice). Her credits encompass Broadway (Carousel, The Theatre Company), Woman in the Wall (Pacific Play Portland Center Stage, San Jose Rep, Kansas City Rep, Most Happy Fella, The Sound of Music, Beauty and the Company), and The Illusion (STC). Many thanks to Sir and Minneapolis Children’s Theatre Company. Smucker Beast, Imaginary Friends), National Tours (Floyd Collins, Alan Ayckbourn, Margaret Layne, her Lucky family, received the 2011 Gregory Award for Outstanding Parade, Evita, South Pacific, Urinetown), and regional Mom and Dad, and Matt. Enjoy the show! Scenic Design, a 2012 Seattle Magazine Spotlight theatres across the country. She has appeared at every Award, and appeared on The Stranger’s 2011 Genius major theatre in Seattle, most recently in Boeing, John Patrick Lowrie Awards short list. Smucker teaches at Cornish and Boeing at Seattle Rep, and in The Pirates of Penzance, (Ashley) has been a received his M.F.A. from the UW School of Drama. her 12th production at The 5th Avenue Theatre. professional musician, actor, composer, director, Deb Trout (Costume Designer) recent designs include: Emily Chisholm (Sasha) conductor, and author at ACT’s The Prisoner of Second Avenue, Seattle Repertory happily makes her ACT various times over the past Theatre’s Of Mice and Men and God of Carnage, debut with this production. several decades. Previously at Seattle Opera’s Lucia di Lammermoor, and Seattle She recently completed ACT: Inspector Bones in Children’s Theatre’s The Brementown Musicians. Other Pullman Porter Blues at Jumpers and Wotan in Das Barbecü. Most recently John theatre credits include: Actors Theatre of Louisville, Seattle Repertory Theatre was seen as Virgil in Trails at the Village Theatre and has Alliance Theatre (Atlanta), Arizona Theatre Company, and at Arena Stage in worked at Intiman, Seattle Rep, The 5th Avenue Theatre, Denver Center Theatre Company, Intiman Theatre, Washington D.C., which Seattle Shakespeare Company, Seattle Children’s Theatre, Children’s Theatre Company (Minneapolis), Oregon earned the Helen Hayes Nomination for Outstanding The Empty Space, Book-It, and TAG, as well as theatres Shakespeare Festival, Perseverance Theatre (Juneau), Ensemble. Other recent credits include This Wide Night across the country and in Europe. National Tour: Diary of Portland Center Stage, Shakespeare Santa Cruz, with Seattle Public Theatre (a co-production with The If Anne Frank and Death of a Salesman. Regional theatre Syracuse Stage, and Yale Repertory Theatre. Trout co- Project and Footlight Award recipient for Outstanding credits include: Henceforward … (Portland Rep) and Lend founded the New York millinery company Mackey and Acting and Production), Twelfth Night with Seattle Me A Tenor (Meadowbrook Theatre). His first novel, Trout, holds an MFA from the Yale School of Drama, Shakespeare Company/Wooden O, and the world Dancing With Eternity, was published in 2011 winning and teaches design at the University of Washington. premiere of Torso with Printer’s Devil Theatre. Emily has the ForeWord Firsts Award for debut fiction. He has appeared in several productions at Seattle Children’s voiced characters in over twenty-five computer games Rick Paulsen (Lighting Designer) is delighted to be Theatre, Seattle Public Theatre, Strawberry Theatre including the voice of the Sniper in Team Fortress 2. returning to ACT, where his lighting was first seen in Workshop, Washington Ensemble Theatre, and with 1984. Since then, Paulsen has lit more than 60 shows the educational tours for Intiman and Book-It Repertory Alan Ayckbourn (Writer/ at ACT including First Class, Vincent in Brixton, Fiction, Theatre. Emily is a former member of Washington Director) 2013 marks Alan’s The Trip to Bountiful, Lonely Planet, Becky’s New Car, Ensemble Theatre and Implied Violence and she 52nd year as a theatre Yankee Tavern, Double Indemnity, One Slight Hitch, appears regularly in Ian Bell’s Seattle Confidential series. director and his 54th as a The Pinter Festival, and Uncle Ho to Uncle Sam as well Film credits include The Bond and The Next Step, which playwright. He has spent his as this season’s Assisted Living. Paulsen’s work has premiered at SIFF last spring. Chisholm is a graduate of life in theatre, rarely if ever appeared all around Seattle and across the nation. Cornish College of the Arts. tempted by television or film, Some recent works of note include Double Indemnity which perhaps explains why (San Jose Rep), The Wizard of Oz (Seattle Childrens’ Seán G. Griffin(Val ) In a he continues to be so prolific. To date he has written 77 Theatre), and Whispering Ghosts: If Truman Met career spanning 50 years plays and his work has been translated into over 35 Einstein (Hit & Run Theatre). He is, most importantly, and over 150 productions, to languages, is performed on stage and television devoted to his wife Roberta and daughter Paige. be performing in this throughout the world and has won countless awards. American premiere of an Major successes include: Relatively Speaking, How the Brendan Patrick Hogan (Sound Designer) is the Alan Ayckbourn play and to Other Half Loves, Absurd Person Singular, Bedroom resident sound designer at ACT Theatre where he be directed by Sir Alan Farce, A Chorus of Disapproval, and The Norman has designed more than 30 productions since 2009. himself is indeed an honor. Conquests. The National Theatre recently revived his Favorite productions include Other Desert Cities, Rock Here at ACT he has been seen in A Christmas Carol, 1980 play Season’s Greetings to great acclaim and the & Roll, Dr. Jekyll & Mr. Hyde, Yankee Tavern, The The Lieutenant of Inishmore, and A Moon for the past year alone has seen West End productions of Absent Lieutenant of Inishmore, Pilgrims Musa and Sheri in the Misbegotten to name a few. Seán has appeared at all Friends and A Chorus Of Disapproval. In 2009, he retired New World, Double Indemnity, and Ramayana. Other the professional theaters in Seattle, major repertory as artistic director of the Stephen Joseph, where almost design and composition credits include Red (Seattle companies across the US as well as in six Broadway all his plays have been and continue to be first staged. Repertory Theatre/Arizona Theatre Company - Gregory productions. He has toured nationally and Holding the post for 37 years, he still feels that perhaps Award winner for Sound and Music Design), RoboPop!, internationally. He has appeared in several films, his greatest achievement was the establishment of this Titus, God’s Ear and Neighborhood 3: Requisition of television series, and commercials. Sean resides in company’s first permanent home when the two auditoria Doom (Washington Ensemble Theatre), Demonology Seattle with his wife Bernie, who is the Managing complex fashioned from a former Odeon Cinema (NextStage), This Wide Night (Seattle Public Theatre), Director at The 5th Avenue Theatre. He is a loving opened in 1996. In recent years, he has been inducted and Cymbeline (Seattle Shakespeare Company). “Pop” to Ava and Jack and has been a proud member into American Theatre’s Hall of Fame, received the 2010 of Actors’ Equity since 1968. He dedicates this Critics’ Circle Award for Services to the Arts and became Jeffrey K. Hanson (Stage Manager) Now in his performance to the memory of his mom and dad. the first British playwright to receive both Olivier and 23rd season at ACT, Hanson has stage managed Tony Special Lifetime Achievement Awards. He was more than 60 shows including The Pinter Festival, knighted in 1997 for services to the theatre. The Pitmen Painters, Double Indemnity, In the Next Room, or the vibrator play, Becky’s New Car, The Matthew Smucker (Set Designer) previous ACT Lieutenant of Inishmore, Das Barbecü, The Women, designs include Grey Gardens, Rapture, Blister, Burn, Stuff Happens, The Pillowman, Mourning Becomes

A -8 ACT THEATRE Special Fund Donors ACT Endowment Fund Donors Electra, A Skull in Connemara, Quills, Laughter on the 23rd Floor, The Gospel at Colonus, Halcyon Days, The ACT’s endowment is administered by A Contemporary Theatre Foundation. Revengers’ Comedies, and Lloyd’s Prayer. At The 5th Buster & Nancy Alvord • Joan & Larry Barokas • Michael Corliss-Investco • Katharyn Alvord Gerlich • Avenue Theatre, he has been production stage manager Becky & Jack Benaroya • Charles Blumenfeld & Karla Axell • The Ewert Family • Bruce & Dawn Goto • for Oklahoma!, Candide, Irving Berlin’s White Christmas, William Randolph Hearst Endowed Fund for Education & Outreach Programs • Hello Dolly!, and Mame. He has stage managed at Kreielsheimer Remainder Fund • Doug & Nancy Norberg • Sally Pence • Katherine & Douglass Raff • Seattle Repertory Theatre (Metamorphoses, The Cider Brooks & Suzanne Ragen • Herman & Faye Sarkowsky • David E. & Catherine E. Skinner • House Rules, Parts One and Two), Seattle Children’s Kayla Skinner • Estate of Stuart Smailes • David & Joyce Veterane • The Peg & Rick Young Foundation Theatre, Intiman Theatre, and Arizona Theatre Company. Special Thanks Kurt Beattie (Artistic Director) has been creating theater for ACT gratefully acknowledges the following for their contributions to this production and season: Puget Sound audiences for Keith Johnsen, Daqopa Brands LLC • Seattle Children’s Theatre • AJ Epstein • nearly 40 years as an actor, Seattle Repertory Theatre • UW Drama • Tango • Mike Dodge • Moby’s Restaurant • playwright, and director. His Avast! Recording Co. • Serenza Salon & Spa • Chris Ensweiler • Intiman productions at ACT include Grey Gardens, Ramayana (with Sheila Daniels), The Pitmen Painters, Double Indemnity, In the Next Room, or the New Works For The American Stage vibrator play, The Lieutenant of Inishmore, Rock ‘n’ Roll, — A Special Thanks to ACT’s Commissioners Becky’s New Car, Intimate Exchanges, First Class, The Our commissioners are venture capitalists of new ideas and we commend their bravery! Pillowman, Mitzi’s Abortion, The Underpants, Bach at Becky’s New Car Title TBA Title TBA Leipzig, Vincent in Brixton, Black Coffee, Alki, Moon for the Misbegotten, Fuddy Meers, Fully Committed, Via Dolorosa, by Steven Dietz by Jason Grote by Steven Dietz and the holiday classic, A Christmas Carol. Elsewhere he Commissioned by Commissioned by Gian-Carlo Commissioned by Laurie has directed at Seattle Repertory Theatre, The Empty Space, Charles Staadecker and Eulalie Scandiuzzi Besteman and Jack Lauderbaugh, in honor of Benita Staadecker Paul and Paula Butzi, Jim and Intiman Theatre, Seattle Children’s Theatre, University of Maggie Cassidy Jane Lyons, Charlie and Benita Washington, San Jose Repertory Theatre, Milwaukee Hell Leaves Odessa by Chris Jeffries Staadecker, Jim and Kathy Tune Repertory Theatre, The Alley Theatre in Houston, and Ojai by Julie Marie Myatt Commissioned by Dennis Forsyth Playwrights Festival. As an actor, he has appeared in leading Commissioned by Art Wahl in honor of Elaine Spencer A Long Distance and major roles at ACT (most recently as Joe Taylor in in honor of Eva Wahl by Doug Lucie Assisted Living and Ebenezer Scrooge in A Christmas Carol), The Final Days of Commissioned by Gian-Carlo the Seattle Repertory Theatre, Intiman, The Empty Space, How to Remove Blood NegroVille and Eulalie Scandiuzzi Seattle Shakespeare Company, as well as many regional from a Carpet by Keith Joseph Adkins theatres throughout the country. Beattie is a recipient of by Laura Schellhardt Commissioned by Gian-Carlo the Theatre Puget Sound Gregory A. Falls Sustained Commissioned by and Eulalie Scandiuzzi Achievement Award, and the Outstanding Achievement in Paul and Paula Butzi the Arts Award from Arts Fund.

Carlo Scandiuzzi (Executive Director) is a founder of Agate Films and Clear Pictures, The ACT Legacy Society producing such films as The ACT legacy Society honors those who remember ACT in their wills or other estate plans. Prototype, Dark Drive, Legacy Society members ensure ACT’s ongoing tradition of presenting the best of contemporary Outpatient, and The Flats, and theatre for future generations. Investments of all sizes can make significant future gifts by using Indieflix, a distribution tax-advantaged estate and financial planning techniques. Notify ACT of your arrangements by company. In 1979, Scandiuzzi started Modern Productions, bringing to Seattle such calling (206) 292-7660 ext. 1002. legendary bands as The Police, Devo, Nina Hagen, Iggy Nancy Alvord • Laurie Besteman • Jean Burch Falls • Linda & Brad Fowler • Pop, The Ramones, John Cale, Robert Fripp, James Suzanne Howard • H. David Kaplan • Catherine & Barry McConnell • Brown, Muddy Waters, and many more. He performed in Dr. Arnie & Judy Ness • Lisbeth Pisk • Brooks & Suzanne Ragen • Teresa Revelle • several plays at The Empty Space including Aunt Dan and Chuck Sitkin • GregRobin Smith • Dorothy E. Wendler Lemon, The Return of Pinocchio, and Dracula. In the early ‘80s, he collaborated with many Seattle performance artists such as Norman Durkee, Alan Lande, and Jesse Bernstein. He also acted in various films including Bugsy, Patron Information The Public Eye, Another You, Casanova’s Kiss, and Killing Emergency Evacuation Procedures In the Food Food is not allowed in the theater. Address & Website ACT Theatre is located Zoe. He graduated from the Ecole Superieure D’Art event of an emergency, please wait for an Tuxedos & Tennis Shoes is the preferred at 700 Union Street, Seattle WA 98101. Dramatique of Geneva. Carlo currently serves as a announcement for further instructions. caterer of ACT Theatre. Ticket Office Phone: (206) 292-7676. member of the Seattle Arts Commission. Ushers will be available for assistance. Administrative Office Phone: Accessibility Wheelchair seating is available. (206) 292-7660. Fax: (206) 292-7670. Emergency Number The theater’s The theater is equipped with the Sennheiser Website: www.acttheatre.org. ACT operates under agreements emergency number in the Union lobby Listening System for the hard of hearing; with the following: is (206) 292-7667. Leave your exact seat headsets are available from the house Theater Rental: For information regarding location with your emergency contact in manager for use, free of charge, with a valid booking, contact [email protected]. case they need to reach you. ID and subject to availability. ACT Theatre offers American Sign Language interpreted, Group Sales: Groups of 10 or more Smoking Policy Smoking is NOT allowed audio-described performances. For more can save. Call (206) 292-7676 or email in any part of the theater or within 25 feet information, email [email protected]. [email protected]. of the entrance. Lost & Found Call (206) 292-7676 Fragrance: Please be considerate and keep Firearms Policy No firearms of any kind between12:00pm and 6:00pm, Tues-Sun. personal fragrance to a minimum. are allowed in any part of the theater.

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ACT Community Partners ACT gratefully recognizes the following corporations, foundations, and government agencies for their generous support of our 2013 programs. Without such tremendous community support, ACT would not be able to offer outstanding contemporary theatre, in-school educational programming, or community based outreach. This list reflects community giving from August 1, 2012 through July 31, 2013.

Executive Underwriters The Peg & Rick Young Foundation Graham & Dunn ($100,000+) TEW Foundation Holland America Lines* The Norcliffe Foundation The Seattle Foundation Mitch Stuart Inc.* Moby’s* Season Sponsors Stage Partners Moss Adams L.L.P. ($50,000-99,999) ($5,000-9,999) Palmer Chiropractic Clinic* 4Culture Bob & Eileen Gilman Family Foundation Pike Brewing Company* ArtsFund Horizons Foundation Pratidhwani Office of Arts & Cultural Affairs, City of Seattle NW Motor Scooters ProFormance Racing School* The Boeing Company RealNetworks Foundation Schramsberg Vineyards* The Shubert Foundation, Inc. Sea-Tac Lighting & Controls, LLC TheFilmSchool* Tuxedos and Tennis Shoes* Travellers Advantage The Hydroplane and Raceboat Museum* Varmala The Schooner Zodiac* Producing Partners Wyman Youth Trust Thurston Charitable Foundation ($25,000-49,999) Tiffany & Co.* Amazon.com Inc. Benefactors Traver Gallery* Ballinger Family Foundation ($1,000-4,999) Urban Kitchen Company* Columbia Crest Grand Estates* A Contemporary Theatre Foundation Washington Holdings John Graham Foundation Alaskan Copper & Brass Company / Alaskan Copper Nesholm Family Foundation Works Media Partners The Paul G. Allen Family Foundation Alki Arts* City Arts Magazine* Washington State Arts Commission Barneys New York* KCTS 9* Wells Fargo Bella Vita Salon* KEXP* Bill Speidel Enterprises KUOW* Performance Partners Cave B Winery* KING FM* ($10,000-24,999) City Hardware* Seattle Magazine* Elizabeth George Foundation Fales Foundation Trust

HSBC Ferrari of Seattle* *Support provided through in-kind contributions Legacy Group* Flowers on 15th* Microsoft Corporation Gordon Biersch Brewing Co.*

Producing Partners ACT gratefully acknowledges the following for their contributions to this production and season:

BALLINGER FAMILY FOUNDATION

THE JOHN GRAHAM FOUNDATION

ACT A Theatre of New Ideas ACT Board ACT Advisory Council Artistic Sales and Costume Departments Sheena Aebig John Langs Audience Services Carolyn Keim† Of Trustees Dr. Ellsworth C. Alvord, Jr.* Associate Artistic Director Jessica Howard Costume Director Aubrey Davis Associate Director of Sales Brian Turner Margaret Layne† Connie Rinchiuso† Daniel D. Ederer Chairman Casting Director & Artistic Associate Robert Hankins Costume Shop Foreman Jean Burch Falls Sales Operations Manager Charles Sitkin Jeannie M. Falls Anita Montgomery† Kim Dancy† President John H. Faris Literary Manager and Lynch Resources First Hand & Lead Dresser Director of Education Telemarketing Richard Hesik Bradley C. Fowler Sally Mellis† Vice President, Governance Chair Carolyn H. Grinstein Christine Sumption Joe Mangialardi Wardrobe Master Sara Comings Hoppin Literary Associate Ticket Office Manager † Lisa Simonson C. David Hughbanks Joyce Degenfelder Rob Stewart Jonathan D. Klein Kenna Kettrick Georgina Cohen Wig Master Co-Treasurer and Finance Chairs Keith Larson* Education Associate A. Aiden Karamanyan Ticket Office Leads Bill Kuhn Jane W. Lyons Robert Keene Scenic Departments Secretary Louise J. McKinney* Literary Intern Dennis Hardin Steve Coulter† Gloria A. Moses Julia Nardin Daniel B. Hazzard Technical Director Nadine H. Murray Megan Tuschoff Facilities Chair Administration Derek Baylor Douglas E. Norberg Ticket Office Representatives † Judy Ness Kristin G. Olson Adam Moomey Assistant Technical Director Operations Manager Jim Moran Development Chair Donald B. Paterson Austin Smart† House Manager Eric Pettigrew Barry Scovel Susanna Pugh Master Scenic Carpenter Pamela Powers Jeremy Rupprecht Audience Development Chair Venue Manager Sean Wilkins Katherine L. Raff Assistant House Manager Brian Turner Robert McDonald Lead Scenic Carpenter Brooks G. Ragen Michelle Berweiler Past President Facilities Maintenance Jeff Manzolli Catherine Roach Katie Bicknell AC/R Services Nick Murel Christina Fraser Jo Anne Rosen Jason Boggs Engineer Scenic Carpenters Arts Fund Board Intern Sam Rubinstein* Monika Holm Faye Sarkowsky † Joan D. Barokas Lawrence Curington Isaiah Parker Mona Lang David E. Skinner IT Support Manager Luke Sayler Scenic Charge Artist Laurie P. Besteman Walter Walkinshaw* Colin Chapman Ash Hyman Adam Vanhee Lisa Bellero† Dr. Robert Willkens* Audience Services Trevor Cobb George V. Willoughby Executive Associate Assistant Charge Artist Bob Diercks David E. Wyman, Jr. Tuxedos and Christine Jew Marne Cohen-Vance† Charles Fitzgerald Jane H. Yerkes Tennis Shoes Catering Volunteer Usher Coordinator Properties Master Petra Franklin Bar and Concessions Ken Ewert† Daniel Hazzard Emeritus Council Richard Hesik Development Master Properties Artisan Richard C. Clotfelter Maria Kolby-Wolfe Stephanie Hilbert Finance Thomas Verdos P. Cameron DeVore* Director of Development Dr. Grady M. Hughes Sheila Smith Lead Properties Artisan William J. Justen Esther Schoenfeld Marvel Stewart* Director of Finance Ben Derby Bill Kuhn Corporate Giving & Diane Lind *In memoriam Tobi Beauchamp-Loya Stage Operations Payroll & Human Campaign Manager May McCarthy Nick Farwell† Resources Manager John Osebold Lauren Mikov A Contemporary Stage Operations Supervisors Kelly A. Miller Grant Writer Theatre Foundation James Nichols† Naomi Minegishi Kermit Anderson Marketing, Sales, Angela Palmer Master Stage Carpenter Judy J Ness President and Communications Donor Relations Manager Dr. George Ojemann Pam Mulkern Becky Lathrop Kyle Thompson Dr. Greg Perkins Lucinda P. Richmond Master Electrician Director of Marketing Board Liaison and Teresa Revelle Vice President and Communications Development Coordinator Max Langley Ingrid Sarapuu Katherine L. Raff Master Sound Engineer Barry B. Scovel Secretary Karen Shaw Marketing and Production Brendan Patrick Hogan Catherine Roach Resident Sound Designer John C. Siegler Joan Toggenburger Treasurer Communications Lisa Simonson Aubrey Scheffel Producing Director †Denotes staff member has worked Charles P. Sitkin Brad Fowler Associate Director of Marketing Alyssa Byer at ACT for 10 years or more Margaret Stanley John C. Siegler Central Heating Lab Rob G. Stewart Charles Sitkin Ruby Wishnietsky Production Manager Dr. Larry True Brian Turner Marketing Associate Brian Turner Mark Siano Emily Cedergreen Sita Vashee Public Relations Manager Production Office Manager Kären White ACT Staff Sebastien Scandiuzzi Skylar Hansen Kyoko Matsumoto Wright Video Manager Production Runner Executive Kurt Beattie† Linas Phillips Artistic Director Video Production Associate Stage Management Jeffrey K. Hanson† Carlo Scandiuzzi Apex Media Production Stage Manager Executive Director Advertising JR Welden Nicole Boyer Cochran† Chris Bennion Production Photographic Services Erin B. Zatloka Associate Executive Director Stage Managers Christa Fleming Graphic Design Verhanika Willhelm Ruth Eitemiller Production Assistants

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