Intimate Exchanges
40th Season • 388th Production JULIANNE ARGYROS STAGE / MARCH 7 - 28, 2004
David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR presents INTIMATE EXCHANGES
SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN James Youmans Angela Balogh Calin York Kennedy Drew Dalzell
ASSISTANT DIRECTOR PRODUCTION MANAGER STAGE MANAGER Michael Ambrosio Jeff Gifford *Jamie A. Tucker
DIRECTED BY Martin Benson
HONORARY PRODUCERS: The Citigroup Private Bank
Presented by special arrangement with Samuel French, Inc.
Intimate Exchanges • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS
Celia Teasdale, Sylvie Bell, Irene Pridworthy ...... *Kandis Chappell Toby Teasdale, Lionel Hepplewick, Miles Coombes ...... *Richard Doyle
SCENES
Act I. Scene 1. Celia and Toby Teasdale’s garden Scene 2. The Teasdales’ garden, five days later
Intermission
Act II. Scene 1. VIP tent on the school grounds, five weeks later Scene 2. A churchyard, five years later
LENGTH Approximately two hours, including one 15-minute intermission.
PRODUCTION STAFF Casting Director ...... Joanne DeNaut Dramaturg ...... Jerry Patch Production Assistant ...... Chrissy Church Assistant Set Designers ...... Mark Copans, Jerome Martin Costume Design Assistant ...... Julie Keen Stage Management Intern ...... Nina Evans Additional Costume Staff ...... Tracy Gray, Amber Johnson
Please refrain from unwrapping candy or making other noises that may disturb surrounding patrons. The use of cameras and recorders in the theatre is prohibited. Smoking is not permitted anywhere in the theatre. Cellular phones, beepers and watch alarms should be turned off or set to non-audible mode during the performance.
* Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.
Official Airline Media Partner
P2 SOUTH COAST REPERTORY • Intimate Exchanges Chance and Choice Alan Ayckbourn explores the roads not taken — 15 of them to be exact. bout 20 years ago, Alan Ayckbourn decided he plays, each with two possible endings, adding up to 16 wanted to write a play for two of the actors from different stories set at a small English prep school. his Scarborough theatre company. He had never The chart below shows the various ways the story Awritten a full-length play for a two-person cast, could unfold. At four points in each play, a character and it seemed like an interesting challenge. And any- makes a choice that steers the action in a new direc- one who has seen even a couple of the popular tion (see the following article, “A Turning Point,” British writer’s 39 plays knows that Ayckbourn for an illustration). The scenes below with titles thrives on challenges, the bigger, the better. Ay- HOW IT in black letters are those being presented in this ckbourn ended up writing not one but eight BEGAN production. –Lisa Wasserman
A A VISIT GARDENER FROM A
FIVE CALLS
LATER FRIEND SECONDS
A THE SELF DINNER CONFES- GARDENER IMPROVING ON THE SIONS IN A IN LOVE WOMAN GARDEN LATER PATIO SHED FIVE DAYS
EVENTS ON A A A GAME LOVE IN HOTEL PAGEANT OF GOLF THE MIST TERRACE
A AFFAIRS A A CRICKET IN A GARDEN ONE-MAN TENT FETE MATCH PROTEST FIVE WEEKS LATER
A A A A TRIUMPH OF SIMPLE SERVICE OF WEDDING THANKS- FRIENDSHIP CEREMONY GIVING
A A A HARVEST EASTER FUNERAL GREETINGS WEDDING
FIVE YEARS LATER FESTIVAL
A A A A FUNERAL CHRISTEN- SENTIMENTAL MIDNIGHT ING JOURNEY MASS
RETURN A 50TH A A NEW OF THE CELEBRATION SCHOOL WOMAN PRODIGAL CELEBRATES
Intimate Exchanges •SOUTH COAST REPERTORY P3 A Turning Point BY LISA WASSERMAN AND JERRY PATCH An ‘Intimate Exchange’ Interchange hroughout Intimate Exchanges are a number ‘A GARDENER IN LOVE’ of forks in the road, moments when the play CELIA: Toby, you say the most awful things to me. I don’t think you realize. could veer off in one of two very different di- TOBY: Really? Trections. The audience doesn’t recognize C: Really. I mean, that new dress I wore the other day for the school concert, these moments—the first one occurs less than a just as we were getting into the car, you said I looked like a baboon in drag. minute into the play, when Celia decides to (Toby laughs) No, it’s not funny, Toby. It’s very hurtful. I mean, it would be smoke a cigarette in the garden, thus ruling out very different if I was terribly glamorous and confident. Then perhaps I could half of the eight major story lines in Alan Ayck- take it but I’m not. I mean, some nights I get home, I look at myself and I bourn’s play with 16 versions. wonder if you’re right. The excerpts at right focus on one of the T: Now you know I didn’t mean that. You don’t look like a baboon. Not play’s many forks. When the scene entitled “A from this angle anyway. No, you don’t. Sorry. Anyway, that’s why I came Gardener in Love” concludes, the exchange goes back. To say I was sorry. And it’s quite the most marvelous day out there so I one of two ways. was going to ask you for a walk. If the production proceeds to “Events on a C: A walk. Hotel Terrace,” then Toby and Celia’s proposed T: Yes. holiday turns into a seaside rest cure after Toby C: Where to? keels over during a school assembly. Things are T: I don’t know. To the pub, if you like. (Seeing her face) No, not the pub. prickly as ever between Toby and Celia when Li- Just a walk. A totally publess walk. That way. There are no pubs at all that onel appears on the tea terrace. He has followed way. them to their hotel and obtained a job as a waiter. In a hilarious scene in which he repeatedly serves From here it’s . . . Or . . . tea to Celia to fool his supervisor, Lionel beautiful- ‘EVENTS ON A HOTEL TERRACE’ ‘AFFAIRS IN A TENT’ ly professes his love for Celia. She is moved, but which begins which begins her quandary is heightened when Toby suffers an- C: Toby, listen. C: Toby, listen. other, stronger heart attack. T: Uh-huh. T: Uh-huh. At the end of that scene, the final fork oc- C: I think you should know, Toby, C: I have something to say to you. curs. On the path titled “A Funeral,” Lionel ap- that this morning I came within a T: Fire ahead. pears in the graveyard at Toby’s memorial service, very inch of leaving you. C: I think I may have to go away for having taken a menial job with the church to be T: Oh, Celia. a little while, Toby. Away from you. near Celia. He proposes marriage again with the C: Yes, I know it’s something we’ve T: Ah. idea that he will study to become a vicar. Celia said before in the heat of the mo- C: I’ll take the kids. I won’t leave backs away from Lionel and his fecklessness, and ment but this time, it was quite con- you with them but—you see, I think begins her widowhood. On the other path, enti- sidered and—fairly calm. I do I’ve been walking along this path, tled “A Service of Thanksgiving,” Toby has sur- think if we carry on like we are, possibly of my own choosing, I don’t vived his attack and is nastier than ever. Lionel then I’ll probably collapse on you know, which has been getting gradu- appears at the service commemorating the or something. And that would be a ally narrower and narrower. In fact, school’s 50th anniversary. He is now a success, fat lot of use to either of us. And as I didn’t realize how quite how narrow running a transport company, and has married a for the children—well, I don’t think it had got till I nearly fell off it. Norwegian flight attendant. they’d enjoy it, seeing their mother T: What happened? For better or worse, Celia exempts herself carted off somewhere. C: It’s not important. The point is, if I from both of these fates. And, like all of us in the T: I think you’re being slightly stay here I’m probably going to finish real world, she’ll never know what might have melodramatic. up needing psychiatric treatment and been. that would be awful for all of us. If, on the other fork, the production pro- ceeds to “Affairs in a Tent,” one sees what SCR is presenting today!
P4 SOUTH COAST REPERTORY • Intimate Exchanges KANDIS CHAPPELL RICHARD DOYLE Celia/Sylvie/Irene Toby/Lionel/Miles
Artist Biographies
*KANDIS CHAPPELL (Celia/Sylvie/ Sondheim and George Furth, and at Hale, She Stoops to Folly, Wit, Hos- Irene) appeared at SCR most recent- Lincoln Center in Pride’s Crossing. pitality Suite and Highest Standard ly in The Last Night of Ballyhoo, She has also performed at the Inti- of Living. Other credits include Major Barbara, A Delicate Balance man Theatre in Seattle, Milwaukee Much Ado About Nothing, A Deli- and Everett Beekin. Previously she Repertory, Pasadena Playhouse, cate Balance, Of Mice and Men, Ah, appeared in How the Other Half Berkeley Repertory Theatre, The Wilderness!, What the Butler Saw, Loves, Collected Stories (L.A. Drama Huntington in Boston, San Jose Pygmalion, Six Degrees of Separa- Critics Circle Award), A Streetcar Repertory and Hartford Stage. Ms. tion, Arms and the Man, The Cher- Named Desire, Lettice & Lovage, Chappell has appeared in the fea- ry Orchard, Waiting for Godot, Our Dancing at Lughnasa, Hay Fever, ture film Another You and televi- Country’s Good and Intimate Ex- Woman in Mind (LADCC Award), sion’s “L.A. Law” and “Frasier.” She changes, for which he earned a Los Intimate Exchanges, The Extra Man, is a member of the Antaeus Compa- Angeles Drama Critics Circle Award Heartbreak House, The Crucible and ny in Los Angeles. nomination. He won LADCC Shadowlands (the last two also gar- Awards for his roles in Sally nering her LADCC Awards). Ms. *RICHARD DOYLE (Toby/Lionel/ Nemeth’s Holy Days and as Rev- Chappell is an Associate Artist of Miles) is an SCR Founding Artist. erend Hale in The Crucible. The Old Globe in San Diego, where He appeared earlier this season in “Cheers” fans will remember him as her credits include Collected Stories, The Last Night of Ballyhoo and A Woody’s snooty father-in-law Wal- Private Lives, King Lear, The Mer- Christmas Carol, last season in Rel- ter Gaines. Other film and televi- chant of Venice, The Snow Ball, atively Speaking, Proof and Major sion credits include Air Force One, And a Nightingale Sang, The Din- Barbara and the previous season in “NYPD Blue,” “Sisters,” movies of ing Room, Julius Caesar and Inti- The School for Wives and The the week, “The Practice” and guest mate Exchanges (for which she won Homecoming. Additional appear- star appearances on “The Pre- a San Diego Theatre Critics Circle ances include the world premieres tender” and “The Lot.” He is a Award). She appeared on Broad- of The Beard of Avon, On the Jump voice-over actor in animation, CD way in Neil Simon’s Rumors, Get- (Robby Award), But Not for Me, ROMS, television, radio commer- ting Away with Murder by Stephen BAFO, The Interrogation of Nathan cials, books on tape and documen-
Intimate Exchanges •SOUTH COAST REPERTORY P5 taries, including the Emmy-winning The Homecoming, David Hare’s atre Club), Hold Please (The Work- series The Living Edens, Impressions Skylight and the West Coast pre- ing Theater), The Fourth Wall (Pri- of California and the recent docu- mieres of Peter Hedges’ Good As mary Stages), Summer of ’42 (Vari- mentary reenactment The Bismark New and Martin McDonagh’s The ety Arts Theater), Down the Gar- and the soon to be released Green Lonesome West. He has won acco- den Paths (Minetta Lane Theater), and Green an Art-in-Architecture lades for his direction of five major The Country Club (Greenwich documentary. works by George Bernard Shaw, in- House Theatre), Hedwig and the cluding the Los Angeles Drama Angry Inch (The Jane Street The- PLAYWRIGHT, Critics Circle (LADCC) Award-win- ater), After Play (Theater Four), Jef- DIRECTOR & DESIGNERS ners Major Barbara, Misalliance frey (The Minetta Lane), Sight Un- and Heartbreak House. Among the seen (The Orpheum Theater), Zom- ALAN AYCKBOURN (Playwright) numerous world premieres he has bie Prom (The Variety Arts The- has been Artistic Director of The directed are Tom Strelich’s BAFO ater), The Petrified Prince (NYSF), Theatre in the Round in Scarbor- and Margaret Edson’s Pulitzer Prize- Pterodactyls, The Swan, Raised in ough since 1971. His first West winning Wit, which he also direct- Captivity, Bella, Belle of Byelorussia End hit, Relatively Speaking, ed at Seattle Repertory Theatre and (Drama Desk nomination) and opened in 1967 at the Duke of the Alley Theatre in Houston. He Nicky Silver’s Fit to be Tied (Play- York’s Theatre. Other successes in- has directed American classics in- wrights Horizons). Regionally his clude Man of the Moment, A Chorus cluding Ah, Wilderness!, A Streetcar work has been seen at the Guthrie, of Disapproval, Woman in Mind, Named Desire, A Delicate Balance the McCarter Theatre, Hartford Intimate Exchanges, How the Other and All My Sons. Mr. Benson has Stage, Goodspeed Opera House, Half Loves, and The Norman Con- been honored with the Drama- Long Wharf Theatre, Seattle Rep, quests, all of which have been pro- Logue Award for his direction of 21 A.C.T., the George Street Play- duced at SCR and Absurd Person productions and received LADCC house, Denver Center Theatre, The Singular, Bedroom Farce, Just Be- Distinguished Achievement in Di- Huntington Theatre, the Mark tween Ourselves, A Small Family recting awards an unparalleled Taper Forum, The Old Globe, and Business, Communicating Doors, seven times for the three Shaw pro- La Jolla Playhouse. Tours include Things We Do for Love and House ductions, John Millington Synge’s Cinderella (National), Grease (Na- and Garden. His latest play is Playboy of the Western World, tional), Barry Manilow’s Showstop- Snake in the Grass. He is also a Arthur Miller’s The Crucible, Sally pers and Hedwig and the Angry writer of plays for children. His Nemeth’s Holy Days and Wit. He Inch. He has designed television work has been translated into 35 also directed the film version of Studio Sets for The Golf Channel, languages and performed on virtu- Holy Days using the original SCR College Sports Television and The ally every continent of the globe. cast. Along with David Emmes, he Outdoor Life Network. Upcoming: accepted SCR’s 1988 Tony Award Tom Jones at North Shore Music MARTIN BENSON (Director/Artistic for Outstanding Resident Profes- Theater and the Off-Broadway pro- Director) shares co-founder credit sional Theatre and won the 1995 duction of Address Unknown. and artistic leadership of SCR with Theatre LA Ovation Award for Life- his colleague David Emmes. As time Achievement. Mr. Benson re- ANGELA BALOGH CALIN (Costume one of SCR’s chief directors, Mr. ceived his BA in Theatre from Cali- Design) designed Terra Nova at Benson has directed nearly one fornia State University, San Francis- SCR earlier this season and The third of the plays produced here in co. Carpetbagger’s Children last sea- the last 39 years. He has distin- son. Her previous SCR credits in- guished himself in the staging of JAMES YOUMANS (Scenic Design) clude set and costume design for contemporary work, including Hor- previously designed The Drawer Making It, The Lonesome West, de- ton Foote’s The Carpetbagger’s Boy, The Homecoming, Amy’s View, sign for Play Strindberg, and sets Children and the world premiere of Ah, Wilderness!, Arcadia and and costumes for SCR’s Educational Foote’s Getting Frankie Married— Raised in Captivity (for which he Touring Productions The Pride of and Afterwards, the critically ac- won Drama-Logue and Robby Weedpatch Camp, Power Play, Bad claimed California premiere of Awards) at SCR. Among his other Water Blues, My Mom’s Dad and William Nicholson’s Shadowlands, credits are the Broadway produc- The Day after Evermore. She is a Athol Fugard’s Playland, Brian tion of Swinging on a Star; the Off- resident designer at A Noise Within Friel’s Dancing at Lughnasa, David Broadway productions of Matt and where her costume designs include Mamet’s Oleanna, Harold Pinter’s Ben, Gone Home (Manhattan The- The Imaginary Invalid, The Skin of
P6 SOUTH COAST REPERTORY • Intimate Exchanges Our Teeth, The Misanthrope, Cyra- Repertory, Brooklyn Academy of DREW DALZELL (Sound Design) is no de Bergerac, Another Part of the Music and the Whitney Museum in happy to be back designing at SCR Forest (Los Angeles Drama Critics New York. Designs for SCR in- having just completed Sideways Circle Award and Garland Award), clude Proof, The Circle, Bosoms Stories from Wayside School. His Little Foxes (Garland Award), The and Neglect, All My Sons, The Nor- recent design work includes The Seagull, A Winter’s Tale, The Three- man Conquests, Good As New, Laramie Project at The Laguna penny Opera (Drama-Logue Hedda Gabler, Old Times and Lips Playhouse; Fen (Garland Award), Award) and Twelfth Night (Drama- Together, Teeth Apart. His awards The Mound Builders and As I Lay Logue Award). Ms. Calin has de- for theatrical lighting design in- Dying (Ovation nomination) at The signed over 40 productions for clude the Drama-Logue, San Diego Open Fist; and Side Show (Ovation local theatres and in her native Ro- Drama Critics Circle, Back Stage nomination), The Laramie Project, mania. Some of those productions West Garland, Arizona Theatre You’re A Good Man Charlie Brown, are The Last of Mr. Lincoln at El Award and the Bay Area Theatre Fuddy Meers, Gunmetal Blues and Portal, Diablogues at the Tiffany Critics Circle Award. In the dance Donna McKechnie: Inside the Theatre, The Sunshine Boys and world he has toured as a Stage Music with The Colony Theatre. Harvey for the La Mirada Center for Manager, Technical Director and He has designed with the Strasberg the Performing Arts, Cabaret and Lighting Designer throughout East- Theatre, the Eclectic Company The- Company for the West Coast En- ern Europe and the United States. atre, the Sacred Fools Theatre and semble, Ivona, Princess of Burgun- As an architectural lighting design- the Echo Theatre Company. His dia for the Odyssey Theatre, Blood er with Gallegos Lighting Design work has also been heard at theme Poetry (Drama-Logue Award) for he designed lighting for numerous parks owned by Disney, Universal Theatre 40, How to Teach the Histo- themed environment, theme park Studios and Paramount. He won ry of Communism for the Open and museum projects all over the the 1998 USITT Clear Com Sound First Theatre and Ancestral Voices world including the Sony Metreon Achievement Award and holds an for the Falcon Theatre. She has Sendak Playspace (2000 I.E.S. MFA in Sound Design from CCM at worked extensively in film and Award) in San Francisco, Warner the University of Cincinnati. television in the U.S. and Romania, Bros. Movie World in Madrid, Le having 16 credits with I.R.S. Media, Centre de Loisirs in Morocco, the MICHAEL AMBROSIO (Assistant Di- Cannon Films, PBS, Full Moon En- LEGO Imagination Centers in Ana- rector) returns to SCR after appear- tertainment and Romanian Films. heim at Downtown Disney and in ing in Mark Rucker’s Taming of the She graduated with an MFA in set Chicago and the new entry for the Shrew. He is a longtime member and costume design from the Los Angeles Zoo. His current pro- of Will Geer’s Theatricum Botan- Academy of Arts in Bucharest. In jects include the new Arthur Miller icum, where he has appeared in A her spare time she works at her play Resurrection Blues, three Midsummer Night’s Dream, Mac- fine arts career, having now partici- Shakespeare plays in repertory for beth, Richard III, Romeo and Juliet pated in two dozen exhibitions. The Old Globe and numerous resi- and The Tempest, among others. dential lighting designs throughout He made his leap to director with YORK KENNEDY (Lighting Design) California. Mr. Kennedy is a gradu- The Elephant Man at the Grove has designed for theatres across the ate of California Institute for the Shakespeare Festival, and has since country including Berkeley Reper- Arts and Yale School of Drama. directed the Long Beach Playhouse tory, A.C.T., The Old Globe, Seattle Originally from Charlotte, North productions of Kind Lady by Ed- Repertory, the Alley Theatre, Yale Carolina, he lives in Berkeley. ward Chodorov and the world pre-
WORLD PREMIERE In this off-beat comic take on the Salem witch trials, Cotton Mather tries hard to be a good Puritan, even though his father doubts that he’s or what possessed them ready for the Big Pulpit. by Amy Freed | directed by David Emmes Call (714) 708-5555 April 2 - May 9 or buy online at www.scr.org
Intimate Exchanges •SOUTH COAST REPERTORY P7 miere of Accidental Dancers by the theatre, he is likely to be on Center and as a theatre panelist Stephen Ludwig (OC Weekly Award the diamond. This summer he, and onsite evaluator for the Nation- for best new play), as well as with along with Scott Harrison, will be al Endowment for the Arts. He has the revival of David Steven’s The participating in the Paradise Ride served on the Executive Committee Sum of Us, which had an extended Hawaii, fundraising bike tour of the of the League of Resident Theatres, run at Hollywood’s Zephyr The- islands to help battle HIV/AIDS. and as a panelist for the California atre. Most recently Mr. Ambrosio Arts Council. After attending Or- served as director for the Broadway DAVID EMMES (Producing Artistic ange Coast College, he received his Rose’s 2002 productions of Jack Director) is co-founder of SCR, one BA and MA from California State and the Beanstalk as well as pro- of the largest professional resident University, San Francisco, and his duction manager on The Will theatres in California. He has re- PhD in theatre and film from USC. Rogers Follies, Flaming Idiots and ceived numerous awards for pro- Forever Plaid. ductions he has directed during PAULA TOMEI (Managing Director) SCR’s 39-year history, including a is responsible for the overall ad- *JAMIE A. TUCKER (Stage Manager) 1999 Los Angeles Drama Critics Cir- ministration of South Coast Reper- completed his MFA in Dance, spe- cle Award for the direction of tory and has been Managing Direc- cializing in Stage Management, at George Bernard Shaw’s The Phi- tor since 1994. A member of the UCI in 1994. This season he has landerer. He directed the world SCR staff since 1979, she has stage managed Anna in the Tropics premieres of Amy Freed’s The served in a number of administra- and Lovers and Executioners and Beard of Avon and Freedomland, tive capacities including Subscrip- last year stage managed the world Thomas Babe’s Great Day in the tions Manager, Business Manager premiere of Richard Greenberg’s Morning, Keith Reddin’s Rum and and General Manager. She current- The Violet Hour, the West Coast Coke and But Not for Me and Neal ly serves as President of the The- premiere of Horton Foote’s The Bell’s Cold Sweat; the American atre Communications Group (TCG), Carpetbagger’s Children, Relatively premiere of Terry Johnson’s Un- the national service organization Speaking and the world premiere suitable for Adults; the West Coast for the professional not-for-profit of Rolin Jones’ The Intelligent De- premieres of C.P. Taylor’s Good theatre. In addition, she has sign of Jenny Chow. He worked as and Harry Kondoleon’s Christmas served as Treasurer of TCG, Vice SCR’s stage manager for the Second on Mars; and the Southland pre- President of the League of Resident Stage productions of The Dazzle, miere of Top Girls (at SCR and the Theatres (LORT) and has been a True West, Play Strindberg, the Westwood Playhouse). Other pro- member of the LORT Negotiating world premiere of But Not for Me ductions include the West Coast Committee for industry-wide union and the Pacific Playwrights Festival premieres of Three Viewings by Jef- agreements. She represents SCR at workshop production of Land- frey Hatcher, The Secret Rapture by national conferences of TCG and locked. He also was stage manager David Hare and New England by LORT; is a theatre panelist and site of La Posada Mágica for two sea- Richard Nelson; and Arcadia by visitor for the National Endowment sons and SCR’s Festival Latino ’97 Tom Stoppard, Six Degrees of Sepa- for the Arts and the California Arts production of Rick Najera’s Latino- ration by John Guare, The Impor- Council; served on the Advisory logues. He has worked as assistant tance of Being Earnest by Oscar Committee for the Arts Administra- stage manager on the Mainstage Wilde, Ayckbourn’s Woman in tion Certificate Program at the Uni- productions of New England, Our Mind and Relatively Speaking and versity of California, Irvine; and has Town and Arcadia, and the Second You Never Can Tell by George been a guest lecturer in the gradu- Stage productions of BAFO and Bernard Shaw, which he restaged ate school of business at Stanford. Three Days of Rain. Mr. Tucker for the Singapore Festival of Arts. She graduated from the University has worked at the Long Beach His producing responsibilities in- of California, Irvine with a degree Civic Light Opera on No, No, volve the overall coordination of in Economics and pursued an addi- Nanette, Can Can, A Chorus Line, SCR’s programs and projects. He tional course of study in theatre The King and I and Man of La has served as a consultant to the and dance. Mancha. If you can’t find him in Orange County Performing Arts
The Actors and Stage Managers em- The Scenic, Costume, Lighting and The Director is a member of the Soci- ployed in this production are members Sound Designers in LORT theatres ety of Stage Directors and Choreogra- of Actors’ Equity Association, the Union are represented by United Scenic phers, Inc., an independent national of Professional Actors and Stage Man- Artists Local USA-829, IATSE. labor union. agers in the United States.
P12 SOUTH COAST REPERTORY • Intimate Exchanges