City Profile Swansea March 2017 City Description
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Discover the Rhossili Bay Dylan Thomas Would Have Known
Discover the Rhossili Bay Dylan Thomas would have known visitswanseabay.com ‘I wish I was in schoolfriend Guido Heller ran the Worm’s Head Hotel, but at the time it Rhossili’… did not have a licence. …wrote poet and writer Dylan Thomas (when he was pining to be back home). More about Dylan And you can certainly see why; Rhossili Bay is, as Dylan also aptly put, a ‘very Many people are familiar with Dylan’s long golden beach’ on the Gower poetry and prose, some of which is Peninsula, which was the first in the influenced by Gower’s inspirational UK to be designated as an Area of countryside and coastal scenery; Outstanding Natural Beauty. but this summer, there is a unique opportunity to see some of Dylan’s A ‘VERY LONG GOLDEN personal letters and manuscripts, BEACH’ ON THE GOWER written in his own hand at an PENINSULA exceptional exhibition at Swansea’s Dylan Thomas Centre. Dylan Thomas spent his boyhood in Swansea and enjoyed camping on INFLUENCED BY Gower as depicted in his short story GOWER’S INSPIRATIONAL ‘Extraordinary Little Cough’. The COUNTRYSIDE AND COASTAL promontory of Worm’s Head is linked SCENERY to the mainland by a tidal causeway and Dylan was apt to mistime his return This exhibition is part of Dylan Thomas and get cut off by the tide – resulting 2014, a year-long celebration of his in an impromptu overnight stay on life and work in his hometown and the Worm! He writes about this in the surrounding area. story ‘Who Do You Wish Was With Us?’. -
Managing Online Communications and Feedback Relating to the Welsh Visitor Attraction Experience: Apathy and Inflexibility in Tourism Marketing Practice?
Managing online communications and feedback relating to the Welsh visitor attraction experience: apathy and inflexibility in tourism marketing practice? David Huw Thomas, BA, PGCE, PGDIP, MPhil Supervised by: Prof Jill Venus, Dr Conny Matera-Rogers and Dr Nicola Palmer Submitted in partial fulfilment for the award of the degree of PhD University of Wales Trinity Saint David. 2018 i ii DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed (candidate) Date 15.02.2018 STATEMENT 1 This thesis is the result of my own investigations, except where otherwise stated. Where correction services have been used, the extent and nature of the correction is clearly marked in a footnote(s). Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Signed (candidate) Date 15.02.2018 STATEMENT 2 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter- library loan, and for the title and summary to be made available to outside organisations. Signed (candidate) Date 15.02.2018 STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for deposit in the University’s digital repository. Signed (candidate) Date 15.02.2018 iii iv Abstract Understanding of what constitutes a tourism experience has been the focus of increasing attention in academic literature in recent years. For tourism businesses operating in an ever more competitive marketplace, identifying and responding to the needs and wants of their customers, and understanding how the product or consumer experience is created is arguably essential. -
Oldway Villa, 39 Oldway, Bishopston, Swansea SA3
Oldway Villa, 39 Oldway, Bishopston, Swansea SA3 3DE Offers in the region of £850,000 • Beautiful Period Farmhouse Set In 1.127 Acres Of Landscaped Gardens & Paddock • Stable Block With 6 Stables, Tack Room & Hay Loft • 3 Garages & Ample Parking • Secluded Bishopston Location In Rural Setting NC/WJ/44478/110915 Stairs to first floor, parquet fridge and freezer, built-in DESCRIPTION flooring, double glazed cupboard. An imposing farmhouse set in window to front elevation, over an acre of gardens and coved ceiling, covered CLOAKROOM paddock and secluded by an radiator, doors to; 5'11 x 5' (1.80m x 1.52m) grand driveway from the road. Obscure double glazed MAIN RECEPTION ROOM window to rear elevation, The eighteenth century 20'10/9'7 x 13'3 /11'10 (6.35m radiator, wall mounted wash farmhouse offers x 4.04m /11'10) hand basin, low flush WC, accommodation comprising Double glazed window to tiled walls, tiled floor. two reception rooms, a front elevation,2 radiators, spacious kitchen/family room, double glazed sliding patio FIRST FLOOR LANDING utility, cloakroom and inviting doors to rear elevation, coved Double glazed picture window reception hall on the ground ceiling, fireplace with marble to rear elevation overlooking floor. On the first, two hearth, wooden mantlepiece the paddock and over the bedrooms have been and brass chimney flue. Gower countryside, exposed incorporated to provide the beams to ceiling, built-in master bedroom, there is a DINING ROOM cupboards across one wall, further bedroom and spacious 12'11 x 9'7 (3.94m x 2.92m) stairs to second floor, family bathroom on this floor. -
14 Newton Road Mumbles Swansea Sa3 4Au
TO LET – GROUND FLOOR RETAIL UNIT 14 NEWTON ROAD MUMBLES SWANSEA SA3 4AU © Crown Copyright 2020. Licence no 100019885. Not to scale geraldeve.com Location Viewing The property is situated in the main retail pitch of Newton Strictly by appointment through sole agents, Gerald Eve LLP. Road in Mumbles. Mumbles is located four miles south west of Swansea city centre and is an affluent district which sees Legal costs many tourists throughout the year due to the nearby beaches and its tourist hotspots such as Mumbles Pier and Oystermouth Each party to bear their own costs in the transaction. Castle. Mumbles is the gateway to the Gower, the first Area of Outstanding Natural Beauty to be designated in the UK. VAT The property sits 40m from the junction of Newton Road and The property is exempt from VAT and therefore VAT will not be Mumbles Road, the main arterial route from Swansea city centre payable on rent and service charge payments. to Mumbles. There is a good mix of independent and national retailers along Newton Road including Marks & Spencers, Lloyds, Co-operative Food, WH Smith and Tesco Express. EPC Description The property comprises a ground floor retail unit with glazed frontage and recessed access doors under a canopy that extends along the north side of Newton Road. Internally the unit comprises a generous sales area that is regular in shape, leading to a storage area, an office and WC’s. The property benefits from external storage and additional access at the rear. Floor area Ground floor Sales 552 sq ft Ground Floor Ancillary 76 sq ft External rear store 76 sq ft Contact Tom Cater Tenure [email protected] Available to let on a new lease on terms to be negotiated. -
The Newsletter of the Federation of Museums & Art Galleries Of
The newsletter of the Federation of Museums & Art Galleries of Wales April 2011 The 2010 Federation AGM, Llanberis In November each year the Federation holds its AGM in a prominent museum or gallery and alternates between North & South Wales. In 2010 the AGM was hosted by the National Slate Museum in Llanberis and the keynote speaker was the new Director General of Amgueddfa Cymru, David Anderson. The event took place in the museum’s Padarn Room, one of two available conference / education rooms. The Federation President, Rachael Rogers (Monmouthshire Museums Service) presented the Federation’s Annual Report for 2009/10 and the The Padarn Room, National Slate Honorary Treasurer, Susan Dalloe (Denbighshire Federation President, Rachael Rogers and keynote speaker, Museum, Llanvberis Director-General of NMW / AC, David Anderson, at the AGM Heritage Service) presented the annual accounts. Following election of Committee Members and other business, David Anderson then gave his talk to the Members. Having only been in his current post as Director General of Amgueddfa Cymru for six weeks, Mr Anderson not only talked of his career and museum experiences that led to his appointment but also asked the Federation Members for their contributions on the Welsh museum and gallery sector and relationships between the differing museums and the National Museum Wales. Following a delicious lunch served in the museum café, the afternoon was spent in a series of workshops with all Members contributing ideas for the Federation’s forthcoming Advocacy strategy and Members toolkit. The Advocacy issue is very important to the Federation especially in the current economic climate and so, particularly if you were unable to attend the AGM, the following article is to encourage your contribution: How Can You Develop an Advocacy Strategy? The Federation is well on its way to finalising an advocacy strategy for museums in Wales. -
Charity Arts Auction Josef Herman Foundation
Charity Arts Auction Josef Herman Foundation Exhibition Auction Day 18th Nov - 6th Dec Sun 8th Dec The Welfare Hall Glynn Vivian Art Ystradgynlais Gallery Swansea Special evening viewing on Viewing from 11.30am Friday 22nd Nov at 7pm Auction starts at 1.30pm Auctioneer: Arfon Haines Davies Listings Josef Herman Foundation Lot 1: John Abell. “Adam & Eve” Lot 2: John Abell. “Cardiff Girls” Lot 5: Joan Baker. “Mouth of the Lot 6: Joan Baker. “Waterfall Cave” Temple Bay” A/P Limited edition lithographic print A/P Limited edition lithographic print of 20 on handmade paper. of 20 on handmade paper. Oil on canvas. Framed. Oil on canvas. Framed. 71.5 x 54 cms unframed. 74 x 54 cms unframed. (50.5 x 61 cms unframed). (54 x 45.5 cms unframed). Estimate: £250 - £350 Estimate: £250 - £350 Estimate: £200 Estimate: £200 Lot 3: Jacqueline Alkema. “Woman Lot 4: Jacqueline Alkema. “In the Lot 7: Joan Baker. “Caerphilly Lot 8: Joan Baker. “Witches Point” with Birds” night series II” Mountain” Oil on canvas. Framed. Oil on paper. 42 x 53 cms framed. Oil on paper. 45.5 x 53 cms framed. Oil on canvas. Framed. (61 x 76 cms unframed). (31 x 21 unframed). (29 x 20 unframed). (61 x 76 cms unframed). Estimate: £350 Estimate: £395 – £450 Estimate: £395 – £450 Estimate: £350 1 2 Listings Josef Herman Foundation Lot 9: Joan Baker. “Sun after Rain – Lot 10: Iwan Bala. “Ystad Bardd/ Lot 13: Seren Bell. “Welsh Mountain Lot 14: Gwenllian Beynon. “Llestri Merthyr Mawr” The Poet's Estate” Ewe & Lamb” Mam” Framed. -
City Centr Walking Tr
Image Credits and Copyrights National Waterfront Museum p7, Glynn Vivian Art Gallery p10: Powell Dobson Architects. The Council of the City & County of Swansea cannot guarantee the accuracy of the information in this brochure and accepts no responsibility for any error or misrepresentation, liability for loss, disappointment, negligence or other damage caused by the reliance on the information contained in this brochure unless caused by the negligent act or omission of the Council. This publication is available in alternative formats. Contact Swansea Tourist Information Centre (01792 468321. Published by the City & County of Swansea © Copyright 2014 Welcome to Swansea Bay, Mumbles and Gower City Centre Swansea, Wales’ Waterfront City, has a vibrant City Centre with over 230 shops and Wales’ largest Walking Trail indoor market. As well as a wide range of indoor attractions (including the oldest and newest museums in Wales), Swansea boasts award winning parks and gardens. Clyne Gardens is internationally famous for its superb collection of rhododendrons and Singleton Botanical Gardens is home to spectacular herbaceous borders and large glasshouses. Swansea sits on the sandy 5 mile stretch of Swansea Bay beach, which leads to the cosy but cosmopolitan corner of Mumbles. Capture its colourful charm from the promenade and pier, the bistros and boutiques, and the cafés and medieval castle. Mumbles marks the beginning of the Gower Peninsula’s coastline. Explore Gower’s 39 miles of captivating coastline and countryside. Ramble atop rugged limestone cliffs, uncover a cluster of castles or simply wander at the water’s edge - a breathtaking backdrop is a given. Your adventure starts here! This guide takes you on a walking tour of the ‘Top 10’ most asked about attractions in and near Swansea City Centre, by visitors to Swansea Tourist Information Centre. -
The Future of Our Recorded Past
A Report Commissioned by the Library and Information Services Council (Wales) The Future of Our Recorded Past A Survey of Library and Archive Collections In Welsh Repositories By Jane Henderson of Collections Care Consultancy March 2000 Table of Contents Page No… Table of Contents.............................................................................................................. ii The Future of Our Recorded Past - a Summary............................................................... iii Preface........................................................................................................................ ...... vi 1 The Project Brief ........................................................................................................... 1 1.1 The LISC (Wales) Conservation and Preservation Group.......................................... 1 1.2 A Survey of the Preservation Status of Library and Archive Collections .................. 1 1.3 The Survey Method.................................................................................................... 2 2 Background................................................................................................................... .. 3 2.1 What is Preservation?.................................................................................................. 3 2.2 Why Preservation?...................................................................................................... 3 2.3 Do we Need to Preserve Everything? ........................................................................ -
Cross-Curriculum Learning with Swansea Cultural Venues
1 CROSS-CURRICULUM LEARNING WITH SWANSEA CULTURAL VENUES Led by experienced artist-educators with specialist knowledge April 2018 – March 2019 2 Cross-Curriculum Learning Experience for Schools 4Site is a one stop cultural shop for all schools in Swansea. Check out the exciting range of work and the exhibitions going on at the Dylan Thomas Centre, the Glynn Vivian Art Gallery, Swansea Museum, and West Glamorgan Archives. We recommend reading through this pack prior to your visit and if you have any further questions, please contact the appropriate venue. This document contains all the practical information you will need to organise your schools cultural education sessions and benefit from your 4site membership. Dylan Thomas Centre Glynn Vivian Art Gallery [email protected] [email protected] 01792 463980 01792 516900 Swansea Museum West Glamorgan Archives [email protected] [email protected] 01792 653763 01792 636589 3 CONTENTS 1. Introduction Page 4 2. Venues Page 5 - Map - Information 3. Fees and Charges Page 10 - How to pay 4. How to Book Page 11 - Booking forms - Group Sizes 5. Planning your visit Page 15 - Access - Parking - Resources 6. Session Programmes Page 18 - Foundation - Key Stage 2 - Key Stage 2 + 3 - Key Stage 4 7. Funding Support Page 27 “Excellent information on Glynn “A wonderful educational visit Vivian. Excellent hands on and @swanseamuseum. We have interactive workshop. Every thoroughly enjoyed our topic on opportunity taken to develop Ancient Egypt #Year1&2” pupils’ art skills: Sketching, observing, problem solving, Teacher, St Helen’s Catholic drawing.” Primary School Teacher, YGG Bryniago 4 1. -
Pinning the Daffodil and Singing Proudly: an American's Search for Modern Meaning in Ancestral Ties Elizabeth C
Student Publications Student Scholarship 3-2013 Pinning the Daffodil and Singing Proudly: An American's Search for Modern Meaning in Ancestral Ties Elizabeth C. Williams Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the Nonfiction Commons Share feedback about the accessibility of this item. Williams, Elizabeth C., "Pinning the Daffodil and Singing Proudly: An American's Search for Modern Meaning in Ancestral Ties" (2013). Student Publications. 61. https://cupola.gettysburg.edu/student_scholarship/61 This is the author's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/student_scholarship/ 61 This open access creative writing is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Pinning the Daffodil and Singing Proudly: An American's Search for Modern Meaning in Ancestral Ties Abstract This paper is a collection of my personal experiences with the Welsh culture, both as a celebration of heritage in America and as a way of life in Wales. Using my family’s ancestral link to Wales as a narrative base, I trace the connections between Wales and America over the past century and look closely at how those ties have changed over time. The piece focuses on five location-based experiences—two in America and three in Wales—that each changed the way I interpret Welsh culture as a fifth-generation Welsh-American. -
Swansea Sustainability Trail a Trail of Community Projects That Demonstrate Different Aspects of Sustainability in Practical, Interesting and Inspiring Ways
Swansea Sustainability Trail A Trail of community projects that demonstrate different aspects of sustainability in practical, interesting and inspiring ways. The On The Trail Guide contains details of all the locations on the Trail, but is also packed full of useful, realistic and easy steps to help you become more sustainable. Pick up a copy or download it from www.sustainableswansea.net There is also a curriculum based guide for schools to show how visits and activities on the Trail can be an invaluable educational resource. Trail sites are shown on the Green Map using this icon: Special group visits can be organised and supported by Sustainable Swansea staff, and for a limited time, funding is available to help cover transport costs. Please call 01792 480200 or visit the website for more information. Watch out for Trail Blazers; fun and educational activities for children, on the Trail during the school holidays. Reproduced from the Ordnance Survey Digital Map with the permission of the Controller of H.M.S.O. Crown Copyright - City & County of Swansea • Dinas a Sir Abertawe - Licence No. 100023509. 16855-07 CG Designed at Designprint 01792 544200 To receive this information in an alternative format, please contact 01792 480200 Green Map Icons © Modern World Design 1996-2005. All rights reserved. Disclaimer Swansea Environmental Forum makes makes no warranties, expressed or implied, regarding errors or omissions and assumes no legal liability or responsibility related to the use of the information on this map. Energy 21 The Pines Country Club - Treboeth 22 Tir John Civic Amenity Site - St. Thomas 1 Energy Efficiency Advice Centre -13 Craddock Street, Swansea. -
Pre-Industrial Swansea: Siting and Development
34 PRE-INDUSTRIAL SWANSEA: SITING AND DEVELOPMENT Gerald Gabb Abstract This article is an investigation of what, in the eleventh or twelfth century, drew its founders to the location where Swansea grew up, why their successors remained there, and how and why the settlement developed the form it did. Starting with the Norse origins of Swansea followed by its Norman developments, the article draws on what limited evidence is available, including archaeological evidence from recent excavations. The article considers the importance of Swansea’s topography as a trading port and discusses some of its important medieval buildings, including the castle and major churches. This article is an investigation of what, in the eleventh or twelfth century, drew its founders to the location where Swansea grew up, why their successors remained there, and how and why the settlement developed the form it did. It addresses data from at least seven centuries, across which continuities figure strongly. Even when John Evans published his ‘Plan of Swansea’ in 1823 the area of the town had only crept a little beyond the perimeter of the town walls of the fourteenth century.1 Industrialization was soon to trigger rapid expansion, but what follow are some thoughts on the slower changes which came before that. Two things should be borne in mind. In any study of this sort, direct evidence is minimal. To adopt the technique of reductio ad absurdum for a moment, there is no extant report made by a steward to the first lord of Gower, Henry, Earl of Warwick, on the best place for his caput castle and town, nor, and this is less ludicrous, a burgess minute from the 1640s on where the new market house should go.