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Gregory Clarke Sound Designer
Gregory Clarke Sound Designer Agents Giles Smart Assistant Ellie Byrne [email protected] +44 (020 3214 0812 Credits In Development Production Company Notes THE HOUSE OF SHADES Almeida By Beth Steel 2020 Dir. Blanche McIntyre ALL OF US National Theatre By Francesca Martinez 2020 Dir. Ian Rickson THE REALISTIC JONESES Theatre Royal Bath By Will Eno 2020 Dir. Simon Evans Theatre Production Company Notes THE BOY FRIEND Menier Chocolate Factory Book, Music and Lyrics by Sandy Wilson 2020 Dir. Matthew White THE WIZARD OF OZ Chichester Festival Adapted by John Kane from the motion 2019 Theatre picture screenplay A DOLL'S HOUSE Lyric Hammersmith By Henrik Ibsen in a new adaptation by 2019 Tanika Gupta Dir. Rachel O’Riordan. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE SECRET DIARY OF Ambassadors Theatre Based on the novel by Sue Townsend ADRIAN MOLE AGED 13 3/4 Dir. Luke Sheppard Book & Lyrics by 2019 Jake Brunger, Music & Lyrics by Pippa Cleary Transfer of Menier Chocolate Factory production THE BRIDGES OF MADISON Menier Chocolate Factory Book by Marsha Norman COUNTY Music & Lyrics by Jason Robert Brown 2019 Based on the novel by Robert James Waller Direction Trevor Nunn THE BEACON Druid By Nancy Harris 2019 Dir. Garry Hynes RICHARD III Druid / Lincoln Center NYC By William Shakespeare 2019 Dir. Garry Hynes ORPHEUS DESCENDING Theatr Clwyd / Menier By Tennessee Williams 2019 Chocolate Factory Dir. Tamara Harvey THE BAY AT NICE Menier Chocolate Factory By David Hare 2019 Dir. -
Albion Full Cast Announced
Press release: Thursday 2 January The Almeida Theatre announces the full cast for its revival of Mike Bartlett’s Albion, directed by Rupert Goold, following the play’s acclaimed run in 2017. ALBION by Mike Bartlett Direction: Rupert Goold; Design: Miriam Buether; Light: Neil Austin Sound: Gregory Clarke; Movement Director: Rebecca Frecknall Monday 3 February – Saturday 29 February 2020 Press night: Wednesday 5 February 7pm ★★★★★ “The play that Britain needs right now” The Telegraph This is our little piece of the world, and we’re allowed to do with it, exactly as we like. Yes? In the ruins of a garden in rural England. In a house which was once a home. A woman searches for seeds of hope. Following a sell-out run in 2017, Albion returns to the Almeida for four weeks only. Joining the previously announced Victoria Hamilton (awarded Best Actress at 2018 Critics’ Circle Awards for this role) and reprising their roles are Nigel Betts, Edyta Budnik, Wil Coban, Margot Leicester, Nicholas Rowe and Helen Schlesinger. They will be joined by Angel Coulby, Daisy Edgar-Jones, Dónal Finn and Geoffrey Freshwater. Mike Bartlett’s plays for the Almeida include his adaptation of Maxim Gorky’s Vassa, Game and the multi-award winning King Charles III (Olivier Award for Best New Play) which premiered at the Almeida before West End and Broadway transfers, a UK and international tour. His television adaptation of the play was broadcast on BBC Two in 2017. Other plays include Snowflake (Old Fire Station and Kiln Theatre); Wild; An Intervention; Bull (won the Olivier Award for Outstanding Achievement in an Affiliate Theatre); an adaptation of Medea; Chariots of Fire; 13; Decade (co-writer); Earthquakes in London; Love, Love, Love; Cock (Olivier Award for Outstanding Achievement in an Affiliate Theatre); Contractions and My Child Artefacts. -
Parliament Square by James Fritz
by James Fritz Parliament Square Registered Charity: 270080 Education Pack 2 Introduction This includes political context, Parliament Square is a powerful production photography, discussion examination of the consequences of points and exercises that have been being alienated from a political system. devised to unpack the play’s themes and What does it take to provoke change? stylistic devices. In line with the national Will our quest to change society take us curriculum, Parliament Square would be to dark places? a suitable live theatre production for PARLIAMENT analysis. It will also provide an invaluable These are questions that the winner resource for students who are focusing of the Judges’ Award in the 2015 on new writing and theatre productions Bruntwood Prize, James Fritz explores based on politics and activism. in Parliament Square. The resources, research and information in this study The play will provoke students to ask pack are intended to enhance your pertinent questions, think critically, and understanding of Parliament Square develop perspective and judgement. and to provide you with the materials If you have any further questions please SQUARE to assist students in both the practical don’t hesitate to get in touch with study of this text and in gaining a deeper Holly Smith on 020 8743 3584 or at Cross-Curricular: Drama and Theatre Studies, Art & Design, understanding of this new play. [email protected] Music, English Language, English Literature, Politics and PSHE Key Stages 4 & 5 Contents Introduction 2 Classroom Exercise 4: Types of 10 Change Synopsis 3 Political and Social Context 11 Classroom Exercise 1: Reflecting on 4 the production Interview: James Fritz, Playwright 12 Classroom Exercise 2: Building New 6 Worlds Resources and links 13 Classroom Exercise 3: Performing 7 Protest Interview: Jude Christian, Director 8 Esther Smith (Kat). -
Custodians for Covid, Theatres Press Release
Oxford-based photographer Joanna Vestey and collaborator Tara Rowse have set up a bold fundraising initiative, Custodians for Covid, to raise funds for threatened arts institutions. Its first edition focuses on raising money for theatres currently in crisis due to the Covid-imposed lockdown. This includes world renowned theatres such as the National Theatre, the Roundhouse and the Young Vic. (L) Deborah McGhee, Head of Building Operations, The Globe. London, June 2020 © Joanna Vestey (R) Charlie Jones, Building Services Manager, The Royal Albert Hall. London, June 2020 © Joanna Vestey Vestey has produced a collection of 20 photographs, each featuring an affected London theatre, portraying the custodian who is charged with its care during this time of crisis. The photographs are being sold in limited editions to raise funds for each theatre. The target is to raise £1million in charitable donations for the 20 London theatres, amounting to £50,000 per theatre. Each image in the series features an iconic theatre space in which Vestey has highlighted a custodian. The custodian’s presence brings the setting to life and celebrates the often-unknown role of the guardians who continue to maintain these institutions. The series explores themes such as heritage, stewardship, identity and preservation, which feel even more poignant given the isolation so many are currently experiencing and the uncertainties so many face. The images are for sale through Joanna Vestey's website and build on her widely acclaimed series custodians, the first of which focused on the hallowed institutions of Oxford, together with the custodians responsible for them. The series was exhibited at the Venice Biennale, Oxford Biennale as well as published by and exhibited at The Ashmolean Museum, Oxford. -
Women in Theatre 2006 Survey
WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female). -
Press Release
PRESS RELEASE Shakespeare’s Globe announces casting for The Taming of the Shrew and Women Beware Women 10 January 2020 Shakespeare’s Globe is delighted to announce full casting for the next two productions opening in the candlelit Sam Wanamaker Playhouse in February: The Taming of the Shrew, directed by Maria Gaitanidi, and Thomas Middleton’s Women Beware Women, directed by Amy Hodge. In an exciting and experimental production, roles for The Taming of the Shrew are to be played by different company members at different performances. The full company comprises: Raymond Anum: Raymond graduated from RADA last year and recently appeared in Youth Without God at The Coronet Theatre. Theatre credits while training include Love and Money, Romeo & Juliet, Philistines and The Last Days of Judas Iscariot (RADA). Ryan Ellsworth: Ryan returns to the Globe, having performed in a Read Not Dead rehearsed reading of The Custom of the Country in 2017. Other recent theatre work includes The Wizard of Oz (Sheffield Crucible), Labyrinth (Hampstead Theatre), Henry V (Regent’s Park Open Air Theatre) and Cat on a Hot Tin Roof (Theatr Clwyd). Television includes Angel of Darkness (Netflix) and Island at War (ITV). Film includes A Royal Winter and Bel Ami. Mattia Mariotti: Mattia’s recent theatre work includes La Mai Banale Banalità del Male (Teatro Instabile Genoa), The Temptation of St Anthony (Venue 45, Edinburgh Fringe Festival) and We Long Endure (Barron Theatre, St Andrews). Television includes Invisible Milk. Evelyn Miller: Evelyn returns to the Playhouse having appeared in Deep Night Dark Night earlier this year. She was also part of the Globe on Tour 2019 company, where she performed around the world in Pericles, Comedy of Errors and Twelfth Night. -
Hamlet West End Announcement
FOLLOWING A CRITICALLY ACCLAIMED & SELL-OUT RUN AT THE ALMEIDA THEATRE HAMLET STARRING THE BAFTA & OLIVIER AWARD-WINNING ANDREW SCOTT AND DIRECTED BY THE MULTI AWARD-WINNING DIRECTOR ROBERT ICKE WILL TRANSFER TO THE HAROLD PINTER THEATRE FOR A STRICTLY LIMITED SEASON FROM 9 JUNE – 2 SEPTEMBER 2017 ‘ANDREW SCOTT DELIVERS A CAREER-DEFINING PERFORMANCE… HE MAKES THE MOST FAMOUS SPEECHES FEEL FRESH AND UNPREDICTABLE’ EVENING STANDARD ‘IT IS LIVEWIRE, EDGE-OF-THE-SEAT STUFF’ TIME OUT Olivier Award-winning director, Robert Icke’s (Mary Stuart, The Red Barn, Uncle Vanya, Oresteia, Mr Burns and 1984), ground-breaking and electrifying production of William Shakespeare’s Hamlet, starring BAFTA award-winner Andrew Scott (Moriarty in BBC’s Sherlock, Denial, Spectre, Design For Living and Cock) in the title role, will transfer to the Harold Pinter Theatre, following a critically acclaimed and sell out run at the Almeida Theatre. Hamlet will run for a limited season only from 9 June to 2 September 2017 with press night on Thursday 15 June. Hamlet is produced by Ambassador Theatre Group (Sunday In The Park With George, Buried Child, Oresteia), Sonia Friedman Productions and the Almeida Theatre (Chimerica, Ghosts, King Charles III, 1984, Oresteia), who are renowned for introducing groundbreaking, critically acclaimed transfers to the West End. Rupert Goold, Artistic Director, Almeida Theatre said "We’re delighted that with this transfer more people will be able to experience our production of Hamlet. Robert, Andrew, and the entire Hamlet company have created an unforgettable Shakespeare which we’re looking forward to sharing even more widely over the summer in partnership with Sonia Friedman Productions and ATG.” Robert Icke, Director (and Almeida Theatre Associate Director) said “It has been such a thrill to work with Andrew and the extraordinary company of Hamlet on this play so far, and I'm delighted we're going to continue our work on this play in the West End this summer. -
Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s -
WHAT the WOMEN DID Theatre Includes Lizzie Siddal (Arcola Theatre), Virgin (Watford Palace), Jack Off the Beanstalk (Above the Stag)
Southwark Playhouse Cafe/Bar FORGOTTEN VOICES FROM THE GREAT WAR: NOW OPEN ALL DAY WHAT THE Mon - Fri 9am - Midnight WOMEN DID Sat 12.30pm - Midnight A TRIPLE BILL OF PLAYS ABOUT THE FIRST WORLD WAR A fantastic menu of simple hot food A wide selection of Hot & Cold drinks Free Wi-Fi A friendly and welcoming atmosphere Experienced baristas Fairtrade, seasonal, locally sourced Great for meetings! For bookings call our Front of House Manager, Nathan, on 020 7407 0234 Enjoy a hot drink on us! Bring this voucher to the cafe between 9am-5pm Mon-Fri for a free hot drink of your choice.* * One voucher per person. Photocopies not accepted. Valid until Friday 14th March 2014 LINDA HAPGOOD | StageAs a protestManager against the US/ inShiverman 2005, which (Theatre503), showed Murder the incomradeship The Cathedral (Oxfordand Playhouse). Her next production is Trained at Royal CentralUK Schoolinvasion of Speech of Iraq and in Drama.2003, For Two’s Company: London Wall humour,Martine (Finborough fading to Theatre). disillusion, Emily of was a theplatoon winner of the Best Costume Designer award at the (Finborough and St James Theatres, and winner of the Stage Management Association Award 2011 OffWestEnd Awards. 2013). Other Theatre Two’sincludes Company Handbagged quickly (Tricycle Theatre), Khadija is 18 (Finborough Theatre), facing misery and death in the trenches. DUNCAN COOMBE | Lighting Designer Tosca (New Diorama),mounted Less Than a Kind production (Jermyn Streetof Miles and national tour), Play it Again Sam TheLighting last Designs rediscovery for Two’s was Company: Velona London Pilcher’s Wall (Finborough and St James Theatres), Ex (Soho (Upstairs at the Gatehouse), Bewitched, Bothered and Bewildered, The Art of Concealment, Mother Malleson’s Black ‘Ell at Soho Theatre), My Real War 1914-? (Trafalgar Studios and national tour). -
Film Slate 2019 / 2020
Film Slate 2019 / 2020 hutchinsonpictures.com We tell stories of truth and beauty, seeking to compel and move audiences. Based in London, Hutchinson Pictures Co. specialises in creating top quality film and television, rooted in theatrical imagination. David Hutchinson CEO David trained at the Liverpool Institute (West End); Ghosts (UK tour); Sincerely, Mr for Performing Arts. He also trained in Toad (UK tour); A Midsummer Night’s Dream writing at the Everyman Theatre, Liverpool. (UK tour); The History Boys (Greenwich David is Artistic Director of Sell A Door Theatre); Sealand (Arcola Theatre); Rainbow Theatre Company, Producer for Hutchinson (Edinburgh Fringe); Spring Awakening Rowntree Ltd and International Associate of (UK tour); A Taste of Honey (Buxton Opera Brooklyn Youth Company in New York. House); The Comedy of Errors (Greenwich Playhouse); Stitching (Edinburgh Fringe); Producing credits include: Fame (UK Tour), The Philanderer (Greenwich Playhouse); Madagascar A Musical Adventure (UK Tour), Where the Solitary Eagle Flies (Liverpool Kindertransport (UK Tour), Of Mice And Men Unity Theatre); Twelfth Night (Greenwich (UK Tour), The Producers (international tour); Playhouse); Six Ways (Edinburgh Fringe) Jersey Boys (international tour); Peter Pan and By Order of Ignorance (Greenwich (Blackpool Winter Gardens); Monty Python’s Playhouse). Spamalot (UK tour); Flashdance (UK tour); Footloose: The Musical (UK Tour 2017); Directing credits include: Jekyll & Hyde Guess How Much I Love You (UK Tour); The (UK Tour), Alice in Wonderland (Greenwich -
Hampstead Theatre Recruitment Pack for Head of Stage
HAMPSTEAD THEATRE RECRUITMENT PACK FOR HEAD OF STAGE Thank you for your interest in the role of HEAD OF STAGE at Hampstead Theatre. To apply for the position, please complete the application form with particular emphasis on how you meet the person specification. You should send your completed application form to [email protected]. The deadline for applications is Midday on 31st January 2020. Interviews are likely to be held w/c 3rd February 2020 Diversity Statement Hampstead Theatre is committed to reflecting the diversity of contemporary England in the work presented on stage, with colleagues who work here in whatever capacity and the audience we welcome. We must ensure we engage with people from a wide range of backgrounds and work to eliminate barriers, both actual and perceived, that prevent people from engaging with the theatre. Hampstead Theatre’s diversity action plan, which is reviewed regularly at board level, commits the organization at all levels to making positive, measureable and tangible changes to achieve these goals. We are especially keen to receive applications from people of colour, trans people and disabled candidates. All disabled candidates who demonstrate they meet the essential criteria for the role will be invited for interview. Access Statement If this form is not an appropriate application method for you because of an impairment or disability please contact us to make alternative arrangements. [email protected]. All disabled candidates who demonstrate they meet the essential criteria will be invited for interview. Privacy Statement Hampstead Theatre takes its responsibility for protecting your personal information seriously. Hampstead Theatre’s job application process will only request data relevant to verifying the identity of a candidate or determining their suitability for a position. -
Chronological Table of Productions at the Theatre Royal
1 CHRONOLOGICAL TABLE OF PRODUCTIONS AT THE THEATRE ROYAL 1884 17 - 20 December Richelieu 22 - 24 December Belphegor The Loan of a Lover 26 December-9 Jan Proof 1885 10 January The Lady of Lyons 12 - 17 January The Duke’s Motto 19 - 21 January East Lynne 22 - 23 January Leah 24 - 30 January Richard III 31 January The Stranger Robert Macaire 2 - 6 February Ambition (Catherine Howard) 7 February William Tell East Lynne 9 - 21 February Never Too Late to Mend 23 - 28 February Drink 2 - 4 March Macbeth 5-7 March Hamlet 9 - 14 March The Danites 16 - 20 March Streets of London 21 March Don Caezar de Bazan Black Eyed Susan 23 - 25 March The Octoroo 26 - 27 March The Merchant of Venice The Royalist and the Republican 28 March The Bells Black Eyed Susan 30 March - 1 April The Colleen Bawn 2 April Ingomar The Watermen 3 April CLOSED (GOOD FRIDAY) 4 April Othello 6 - 11 April Mazeppa The Little Pest 13 - 14 April Othello 15 - 16 April Belphegor 17 April Ingomar 18 April Pizarro Cartouche 20 - 22 April Ticket of Leave Man 23 April The Honeymoon Withered Leaves 24 April Ticket of Leave Man 25 April - 1 May Forsaken 2 May The Beggar’s Petition Forsaken (two acts) 4 - 5 May Rob Roy 2 6 May The Shaughraun 7 May Don Caesar de Bazan 8 May The Shaughraun 9 May The Devil in Paris Poor Joe 11 May Chevalier St George 12 May Richelieu 13 May Hamlet 14 May Romeo and Juliet 15 May Richard III 16 May Romeo and Juliet 18 - 20 May My Comrade 21 May Arra-na-pogue 22 May My Comrade 23 - 30 May Uncle Tom’s Cabin 1 - 13 June My Sweetheart 15 - 20 June Mardo 22 June -