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Super Ticket Student Edition.Pdf
THE NATION’S NEWSPAPER Math TODAY™ Student Edition Super Ticket Sales Focus Questions: h What are the values of the mean, median, and mode for opening weekend ticket sales and total ticket sales of this group of Super ticket sales movies? Marvel Studio’s Avi Arad is on a hot streak, having pro- duced six consecutive No. 1 hits at the box office. h For each data set, determine the difference between the mean and Blade (1998) median values. Opening Total ticket $17.1 $70.1 weekend sales X-Men (2000) (in millions) h How do opening weekend ticket $54.5 $157.3 sales compare as a percent of Blade 2 (2002) total ticket sales? $32.5 $81.7 Spider-Man (2002) $114.8 $403.7 Daredevil (2003) $45 $102.2 X2: X-Men United (2003) 1 $85.6 $200.3 1 – Still in theaters Source: Nielsen EDI By Julie Snider, USA TODAY Activity Overview: In this activity, you will create two box and whisker plots of the data in the USA TODAY Snapshot® "Super ticket sales." You will calculate mean, median and mode values for both sets of data. You will then compare the two sets of data by analyzing the differences graphically in the box and whisker plots, and numerically as percents of ticket sales. ©COPYRIGHT 2004 USA TODAY, a division of Gannett Co., Inc. This activity was created for use with Texas Instruments handheld technology. MATH TODAY STUDENT EDITION Super Ticket Sales Conquering comic heroes LIFE SECTION - FRIDAY - APRIL 26, 2002 - PAGE 1D By Susan Wloszczyna USA TODAY Behind nearly every timeless comic- Man comic books the way an English generations weaned on cowls and book hero, there's a deceptively unas- scholar loves Macbeth," he confess- capes. -
KEVIN SCOTT Second Unit Director / Stunt Coordinator
KEVIN SCOTT Second Unit Director / Stunt Coordinator FEATURE FILMS DIRECTORS PRODUCERS/STUDIOS GRUDGE MATCH Peter Segal Ravi Mehta, Bill Gerber, Mark Steven Johnson Stunt Coordinator Bob Dohrmann / Warner Bros. LONE SURVIVOR Stunt Coordinator Peter Berg Louis Friedman, Sarah Aubrey / Emmett/Furla Films BATTLESHIP Peter Berg Scott Stuber, Sarah Aubrey, Duncan Henderson Stunt Coordinator Universal Pictures LOVE, WEDDING, MARRIAGE Dermot Mulroney Joel Hatch, Michelle Chydzik Sowa, Gary Raskin Stunt Coordinator IFC Films INHALE Stunt Coordinator Baltasar Kormakur Michelle Sowa, Nathalie Marciano / IFC Films RACE TO WITCH MOUNTAIN Andy Fickman Andrew Gunn, Mario Iscovich Assistant Stunt Coordinator Walt Disney Pictures STOPPING POWER prepped only Jan De Bont Doug Curtis, John Cusack, Jan De Bont Stunt Coordinator THE DUKES OF HAZZARD Jay Chandrasekhar Bill Gerber, Eric McLeod / Warner Bros. Assistant Stunt Coordinator THE DAY AFTER TOMORROW Roland Emmerich Kelly Van Horn, Mark Gordon Assistant Stunt Coordinator 20th Century Fox THE BIG EMPTY Stunt Coordinator Newton Thomas Sigel George Clooney, Steven Soderbergh & J. Lisa Chang Section Eight Films TELEVISION BLOODLINE Pilot Peter Berg Sarah Aubrey, David Graziano Stunt Coordinator Universal Television / NBC SWEET NOTHING IN MY EAR MOW Joseph Sargent Larry Albucher, Marian Rees Stunt Coordinator CBS / Hallmark AMERICAN DREAMS Season 1 Dan Lerner, David David Semel, Jonathan Prince, Dick Clark Stunt Coordinator Semel & Various Dirs. NBC GOOD MORNING MIAMI Series Various Directors Tim Kaiser, David Kohan / NBC Assistant Stunt Coordinator MONK Series Asst. Stunt Coordinator Randall Zisk & Various Randall Zisk, Tom Scharpling, Phil Goldfarb / USA STUNT PERFORMER SAVAGES Oliver Stone Eric Kopeloff, Shane Salerno / Universal THE SECRET LIFE OF WALTER MITTY Ben Stiller Barry Waldman, Stuart Cornfeld / 20th Century Fox SALT Phillip Noyce Ric Kidney / Sony/Columbia IRON MAN Jon Favreau Avi Arad, Kevin Feige / Paramount I AM LEGEND Francis Lawrence Michael Tadross, Akiva Goldsman / Warner Bros. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Paramount Pictures' 3-D Movie Transformers: Dark of The
PARAMOUNT PICTURES’3 -D MOVIE TRANSFORMERS: DARK OF THE MOON LAUNCHES BACK INTO IMAX® THEATRES FOR EXTENDED TWO-WEEK RUN Film Grosses $1,095 Billion to Date Los Angeles, CA (August 23, 2011) – IMAX Corporation (NYSE:IMAX; TSX:IMX) and Paramount Pictures announced today that Transformers: Dark of the Moon, the third film in the blockbuster Transformers franchise, is returning to 246 IMAX® domestic locations for an extended two-week run from Friday, Aug. 26 through Thursday, Sept. 8. During those two weeks, the 3-D film will play simultaneously with other films in the IMAX network. Since its launch on June 29, Transformers: Dark of the Moon has grossed $1,095 billion globally, with $59.6 million generated from IMAX theatres globally. “The fans have spoken and we are excited to bring Transformers: Dark of the Moon back to IMAX theatres,”said Greg Foster, IMAX Chairman and President of Filmed Entertainment. “The film has been a remarkable success and we are thrilled to offer fans in North America another chance to experience the latest chapter in this history making franchise.”Transformers: Dark of the Moon: An IMAX 3D Experience has been digitally re-mastered into the image and sound quality of The IMAX Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology for presentation in IMAX 3D. The crystal-clear images, coupled with IMAX’s customized theatre geometry and powerful digital audio, create a unique immersive environment that will make audiences feel as if they are in the movie. About Transformers: Dark of the Moon Shia LaBeouf returns as Sam Witwicky in Transformers: Dark of the Moon. -
Activision Ships Over Two Million Units of Spider-Man 2TM Video Game
Activision Ships Over Two Million Units Of Spider-Man 2TM Video Game Santa Monica, CA - July 7, 2004 - Activision, Inc. (Nasdaq: ATVI) announced today that the company's North American Publishing unit has shipped more than two million units of its Spider-Man 2™ video game timed to the theatrical release of Sony Pictures Entertainment's Columbia Pictures Spider-Man® 2. The game, which is currently available at retail stores, lets players experience what it's like to be the world's most celebrated Super Hero as they web sling from buildings, dive from rooftops to the streets and scale the heights of Manhattan, a living breathing city complete with pedestrians, traffic, trains and helicopters. Gamers can re-live the film's storyline or embark on exclusive game missions as they perform heroic deeds, protect citizens from random crimes, and face off against the nefarious Doc Ock and other Marvel super-villains. Spider-Man 2 for the PlayStation®2 computer entertainment system, the Xbox® video game system from Microsoft and Nintendo GameCube™ carry a "T" (Teen with violence) rating by the ESRB and the Game Boy® Advance and PC versions carry an "E" (Everyone with violence) rating. In Columbia Pictures' Spider-Man 2, two years have passed since Peter Parker (Tobey Maguire) walked away from his longtime love Mary Jane Watson (Kirsten Dunst) and decided to take the road to responsibility as Spider-Man. Peter must face new challenges as he struggles to cope with "the gift and the curse" of his powers while balancing his dual identities as the elusive superhero Spider-Man and life as a college student. -
Composer (Films)
NOAH SOROTA TELEVISION AMAZING STORIES (Ep. 103) Steven Spielberg, exec. prods. Universal Television Brian Wankum, prod. Composer SIGMUND AND THE SEA Marty Kroffit, Sid Kroffit, Bradley Sweig, exec. prods. MONSTERS (series) Amazon Studios Composer FALLING SKIES (series) Steven Spielberg, Justin Falvey, Darryl Frank, Amblin Television / TNT Robert Rodat, Graham Yost, exec. prods. Composer REBUILDING GROUND ZERO (series) Jessica Lyne de Ver, prod. Discovery John Hock, dir. Composer MOTION PICTURES THE RIVER AND THE WALL Dennis Aig, prod. Fin & Fur Films Phillip Baribeau, dir. Composer UNBRANDED Dennis Aig, prod. Cedar Creek Productions Phillip Baribeau, dir. Composer THE GRACEFIELD INCIDENT Mathieu Ratthe, prod / dir. Matt Ratt Productions Composer JINN Richard Mandell, prod. Exodus Pictures Ajmal Zaheer Ahmad, dir. Composer CLASH OF THE TITANS Kevin De La Noy, Basil Iwanyk, Guy Warner Brothers Wilson, prods. Additional Music Louis Leterrier, dir. SHERLOCK HOLMES Bruce Berman, Dana Goldberg, Warner Brothers Michael Tadross, exec. prods. Featured Soloist: Violin Guy Ritchie, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 NOAH SOROTA HENRI IV Regina Ziegler, prod. Ziegler Films Jo Baier, dir. Additional Music Solo Violin TRANSFORMERS: REVENGE OF Ian Bryce, Tom DeSanto, THE FALLEN Lorenzo di Bonaventura, DreamWorks Don Murphy, prods. Technical Score Assistant Michael Bay, dir. ANGELS AND DEMONS John Calley, Brian Grazer, Columbia Pictures Ron Howard, prods. Synth Programmer Ron Howard, dir. MONSTERS VS ALIENS Lisa Stewart, prod. DreamWorks Animation Rob Letterman, Conrad Vernon, dirs. Musician: Solo Violin THE DARK KNIGHT Kevin De La Noy, Warner Brothers Benjamin Melniker, Thomas Tull, Sequencer Programmer Michael E. Uslan, exec. prods. Musician: Violin (uncredited) Christopher Nolan, dir. -
A Time Series Study on Marvel from 2000 - 2009: Marvel’S Movies Impact Relative to Stock Price
9th Global Business Conference February 7, 2015 Journal of Global Business Volume 4, Issue 1 De La Salle University, Manila, Philippines A Time Series Study on Marvel from 2000 - 2009: Marvel’s Movies Impact Relative to Stock Price Junius W. Yu De La Salle University [email protected] Abstract: Marvel studios have provided an interesting study for many business students particularly generating more than $1.5 billion box office receipts for the movie “Avengers” last 2012. Disney bought Marvel for $4.24 billion and the question arises from the valuation of the company relative to the acquisition price. The study focuses on Marvel Entertainment’s impact from movie releases relative to stock price. A time series analysis was used in gathering Marvel’s daily stock price changes from 2000 – 2009. This was also used in parallel to 20 movies released by Marvel within that time period. The behavior of the market was examined using the GARCH (Generalized Autoregressive Conditional Heteroskedasticity) model and the EWMA (Exponentially Weighted Moving Average). A linear regression was used in testing the hypothesis on whether gross sales of movies and movie release (development, pre-production, production, post-production and release) have any significant to changes in stock price. GARCH (1,1) was used to measure the outliers for the signaling effect relative to huge changes on the time series data. The data results provided no empirical evidences due to relatively large p- values; however the spike of increase in changes were identified due to the release of Spider- Man 2 in 2004 and Iron Man in 2008. -
Marvel Entertainment LLC FACT SHEET
Marvel Entertainment LLC FACT SHEET FOUNDED PRODUCTS & SERVICES June 1998 Publishing: comics, trade paperbacks, advertising, custom project HISTORY • Licensing: portfolio of characters (Food, cloth, accessories, and more) Marvel Entertainment, LLC was formerly and toy licensing and production known as Marvel Enterprises, Inc. and • Film Production: motion pictures, changed its name to Marvel Entertainment, direct to videos, television, and video LLC in September 2005. As of December 31, games 2009, Marvel Entertainment, LLC operates as a subsidiary of The Walt Disney WEBSITE Company. www.marvel.com CORPORATE PROFILE AWARRDS Headquarter: Oscar Awards New York City, New York Nominations Annual Revenue Iron Man (2008) Disney Studio Entertainment 2014 Revenue: • Best Visual Effects 7,278 million • Best Sound Editing Iron Man 2 (2010) Number of Employees: • Best Visual Effects Over 250 employees The Avengers (2012) • Best Visual Effects MISSION STATEMENT Iron Man 3 (2013) • Best Visual Effects Our mission to expand enables our legends Captain America: The Winter Solider like Thor and The X-Men to come to life in (2014) unexpected ways. We also want to resonate • Best Visual Effects with people today and to evolve with X-Men: Days of Future Past (2014) generations to come. • Best Visual Effects Guardians of the Galaxy (2014) LEADERSHIP • Best Visual Effects • Best Makeup and Hairstyling Isaac Perlmutter CEO Learn more about Marvel Entertainment’s numerous awards at Alan Fine http://marvel.disneycareers.com/en/about-marvel/over President view/ Kevin Feige President of Production – Marvel Studios MARVEL CINEMATIC UNIVERSE PHASES POSITION See Official Timeline for Phase 1 to Phase 3 - FORTUNE named Marvel one of the on the next page. -
A Time Series Study on Marvel from 2000 - 2009: Marvel’S Movies Impact Relative to Stock Price
9th Global Business Conference February 7, 2015 De La Salle University, Manila, Philippines A Time Series Study on Marvel from 2000 - 2009: Marvel’s Movies Impact Relative to Stock Price Junius W. Yu De La Salle University [email protected] Abstract: Marvel studios have provided an interesting study for many business students particularly generating more than $1.5 billion box office receipts for the movie “Avengers” last 2012. Disney bought Marvel for $4.24 billion and the question arises from the valuation of the company relative to the acquisition price. The study focuses on Marvel Entertainment’s impact from movie releases relative to stock price. A time series analysis was used in gathering Marvel’s daily stock price changes from 2000 – 2009. This was also used in parallel to 20 movies released by Marvel within that time period. The behavior of the market was examined using the GARCH (Generalized Autoregressive Conditional Heteroskedasticity) model and the EWMA (Exponentially Weighted Moving Average). A linear regression was used in testing the hypothesis on whether gross sales of movies and movie release (development, pre-production, production, post-production and release) have any significant to changes in stock price. GARCH (1,1) was used to measure the outliers for the signaling effect relative to huge changes on the time series data. The data results provided no empirical evidences due to relatively large p- values; however the spike of increase in changes were identified due to the release of Spider- Man 2 in 2004 and Iron Man in 2008. The conclusion of the study reflected on the impact Marvel has on mainstream Hollywood perhaps not on the valuation, but the future business earnings it may generate in the next decade. -
Activision and Marvel Enterprises Expand Alliance and Extend Interactive Rights for Spider- Man™, -Xmen™, Fantastic Four™ and Iron-Man™
Activision and Marvel Enterprises Expand Alliance and Extend Interactive Rights for Spider- Man™, -XMen™, Fantastic Four™ and Iron-Man™ Santa Monica, C.A. and New York, N.Y. - January 8, 2003 -- Activision, Inc. (Nasdaq: ATVI) and Marvel Enterprises (NYSE: MVL) jointly announced today that the companies have expanded their long-term, broad-based strategic alliance and signed a multi-year extension for their current video game licensing agreements. The expanded agreements grant Activision the exclusive rights to develop and publish video game products based on Marvel's comic book franchises Spider-ManTM , X- MENTM , Fantastic FourTM and Iron ManTM through 2009. The new agreement represents the largest deal to date between Marvel and Activision, with improved financial terms commensurate with the enormous popularity of the Marvel franchises. Under the terms of these agreements, Activision has secured the exclusive worldwide publishing rights to each of the four properties for all platforms and operating systems that deliver interactive entertainment software products to consumers. The terms of the new agreements also provide Activision with the option to acquire the interactive entertainment rights to develop products in conjunction with motion pictures and television series involving the X-MEN, Fantastic Four and Iron Man. Activision also publishes games based on the phenomenally successful Spider-Man motion picture and its sequels under a separate agreement with Spider-Man Merchandising LLP. "Our association with Marvel has resulted in -
Downloaded,” and Galen Tryol Has a Son, Nicholas, with His Human Wife, Cally, When the Couple Lives on the Planet New Caprica
DISTRIBUTION AGREEMENT In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in who or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation ____________________________________ July 16, 2014__________ Sarah Toton Date From Mechanical Men to Cybernetic Skin-Jobs: A History of Robots in American Popular Culture By Sarah Toton Doctor of Philosophy Graduate Institute of the Liberal Arts ________________________________________________ Cristine Levenduski, Ph.D. Co-Chair ________________________________________________ Kevin Corrigan, Ph.D. Co-Chair ________________________________________________ Ted Friedman, Ph.D. Outside Co-Chair ________________________________________________ Karla Oeler, Ph.D. Committee Member Accepted: ________________________________________________ Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies _______________________ Date ! From Mechanical Men to Cybernetic Skin-Jobs: A History of Robots in American Popular Culture -
Transformers Franchise, and Redefines What It Means to Be a Hero
Paramount Pictures Presents In Association with Hasbro A Don Murphy/Tom DeSanto / di Bonaventura Pictures / Ian Bryce Production A Michael Bay Film Executive Produced by Steven Spielberg Michael Bay Brian Goldner Mark Vahradian Produced by Lorenzo di Bonaventura, p.g.a. Tom DeSanto Don Murphy Ian Bryce, p.g.a. Story by Akiva Goldsman and Art Marcum & Matt Holloway & Ken Nolan Screenplay by Art Marcum & Matt Holloway & Ken Nolan Directed by Michael Bay Cast: Mark Wahlberg, Josh Duhamel, Anthony Hopkins, Laura Haddock, Jerrod Carmichael, Isabela Moner, Santiago Cabrera Synopsis: The Last Knight shatters the core myths of the Transformers franchise, and redefines what it means to be a hero. Humans and Transformers are at war, Optimus Prime is gone. The key to saving our future lies buried in the secrets of the past, in the hidden history of Transformers on Earth. Saving our world falls upon the shoulders of an unlikely alliance: Cade Yeager (Mark Wahlberg); Bumblebee; an English Lord (Anthony Hopkins); and an Oxford Professor (Laura Haddock). There comes a moment in everyone’s life when we are called upon to make a difference. In Transformers: The Last Knight, the hunted will become heroes. Heroes will become villains. Only one world will survive: theirs, or ours. TRANSFORMERS: THE LAST KNIGHT is in theatres [local date], 2017 TRANSFORMERS: THE LAST KNIGHT has been rated [local rating]. ABOUT THE CAST MARK WAHLBERG (“Cade Yeager”) earned both Academy Award® and Golden Globe® nominations for his standout work in the family boxing film The Fighter and Martin Scorsese’s acclaimed drama The Departed.