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To Sunday 31St August 2003
The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made. -
Alastair Reynolds
Alastair Reynolds Born in 1966, Alastair Reynolds trained as an astronomer before working for the European Space Agency on a variety of science projects. He started publishing science fiction in 1990, and has now produced more than sixty short stories, as well as fourteen solo novels. His recent books include the Poseidon's Children trilogy, a Doctor Who novel, and a collaboration with Stephen Baxter, entitled The Medusa Chronicles. He has won the BSFA, Sidewise, Seiun and European Science Fiction Society awards, and has been a finalist for the Hugo, Arthur C Clarke, Locus and Sturgeon awards. After a long residence in the Netherlands, he now lives with his wife in the Welsh valleys, not too far from his place of birth. Other than writing, he enjoys hillwalking, astronomy, birdwatching, guitars, and indulging his passion for steam trains. Agents Robert Kirby Associate Agent 0203 214 0800 Kate Walsh [email protected] 020 3214 0884 Publications Fiction Publication Notes Details United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Elysium Fire Featuring Inspector Dreyfus - one of Alastair Reynolds most popular characters - 2018 this is a fast paced SF crime story, combining a futuristic setting with a gripping Gollancz tale of technology, revolution and revenge. One citizen died a fortnight ago. Two a week ago. Four died yesterday . and unless the cause can be found - and stopped - within the next four months, everyone will be dead. For the Prefects, the hunt for a silent, hidden killer is on . -
Explorations in the Typology of Anaphora A
UNIVERSITY OF CALIFORNIA SANTA CRUZ BEYOND DEEP AND SURFACE: EXPLORATIONS IN THE TYPOLOGY OF ANAPHORA A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in LINGUISTICS by Andrea Thompson June 2014 The Dissertation of Andrea Thompson is approved: Professor Jorge Hankamer, chair Professor James McCloskey Associate Professor Pranav Anand Tyrus Miller Vice Provost and Dean of Graduate Studies x Table of Contents Abstract iv Dedication v Acknowledgments vi 1 Introduction 1 2 The Typology of Anaphora 5 2.1 Theacceptedtypology ............................ 9 2.1.1 Therecord............................... 10 2.1.2 The record, reference, and mixed anaphors . 13 2.1.3 Thetests................................ 14 2.1.4 Methodofinterpretation . 14 2.1.5 Testing for syntactic complexity . 23 2.1.6 OvertA-bardependencies . 25 2.1.7 UnpronouncedA-bardependencies . 29 2.1.8 Adependencies............................ 31 2.1.9 Headmovement ........................... 33 2.2 Thecommonanalyses ............................ 34 2.2.1 Thestructuralapproaches . 35 2.3 Mixedanaphors................................ 43 2.4 Buildingananalysis............................. 49 2.4.1 Deepanaphoricapproaches . 49 2.4.2 A general problem for derivational theories of ellipsis .... 63 2.5 Acopyinganalysisformixedanaphors . .. 82 3 A Dependencies in Mixed Anaphora 89 3.1 ThenatureofAdependencies . 90 3.2 TheuseofAdependenciesastests . 92 iii 3.2.1 Morphological dependencies in A phenomena . 93 3.2.2 Syntactic dependencies in A phenomena . 96 3.2.3 The morphosyntactic nature of the antecedent and its inter- actionwithanaphorstructure. 99 3.3 Theanaphors ................................. 104 3.3.1 British do ...............................105 3.3.2 DutchMCA .............................. 119 3.3.3 Do so ..................................152 3.3.4 Swedish det ..............................166 3.4 Amovementandmixedanaphors . 195 4 A-bar Dependencies in Mixed Anaphora 197 4.0.1 A-bar dependencies and mixed anaphora: The data . -
The Apocalyptic Book List
The Apocalyptic Book List Presented by: The Post Apocalyptic Forge Compiled by: Paul Williams ([email protected]) As with other lists compiled by me, this list contains material that is not strictly apocalyptic or post apocalyptic, but that may contain elements that have that fresh roasted apocalyptic feel. Because I have not read every single title here and have relied on other peoples input, you may on occasion find a title that is not appropriate for the intended genre....please do let me know and I will remove it, just as if you find a title that needs to be added...that is appreciated as well. At the end of the main book list you will find lists for select series of books. Title Author 8.4 Peter Hernon 905 Tom Pane 2011, The Evacuation of Planet Earth G. Cope Schellhorn 2084: The Year of the Liberal David L. Hale 3000 Ad : A New Beginning Jon Fleetwood '48 James Herbert Abyss, The Jere Cunningham Acts of God James BeauSeigneur Adulthood Rites Octavia Butler Adulthood Rites, Vol. 2 Octavia E. Butler Aestival Tide Elizabeth Hand Afrikorps Bill Dolan After Doomsday Poul Anderson After the Blue Russel C. Like After the Bomb Gloria D. Miklowitz After the Dark Max Allan Collins After the Flames Elizabeth Mitchell After the Flood P. C. Jersild After the Plague Jean Ure After the Rain John Bowen After the Zap Michael Armstrong After Things Fell Apart Ron Goulart After Worlds Collide Edwin Balmer, Philip Wylie Aftermath Charles Sheffield Aftermath K. A. Applegate Aftermath John Russell Fearn Aftermath LeVar Burton Aftermath, The Samuel Florman Aftershock Charles Scarborough Afterwar Janet Morris Against a Dark Background Iain M. -
Kulturní Stereotypy V Seriálu Futurama Petr Bílek
Filozofická fakulta Univerzity Palackého v Olomouci Katedra žurnalistiky KULTURNÍ STEREOTYPY V SERIÁLU FUTURAMA Magisterská diplomová práce Petr Bílek Vedoucí práce: Mgr. Lukáš Záme čník, Ph.D. Olomouc 2013 Prohlášení Prohlašuji, že jsem p řiloženou práci „Kulturní stereotypy v seriálu Futurama“ vypracoval samostatn ě a použité zdroje jsem uvedl v seznamu pramen ů a literatury. Celkový po čet znak ů práce (bez poznámek pod čarou a seznam ů zdroj ů) činí 148 005. V Olomouci dne ........... Podpis: 2 Pod ěkování Rád bych pod ěkoval Mgr. Lukáši Záme čníkovi, Ph.D., za vedení mé práce. Mé díky pat ří také Mgr. Monice Bartošové a Mgr. Šárce Novotné za jejich inspirativní p řipomínky a Zuzan ě Kohoutové za neúnavný dohled nad jazykovou stránkou práce. 3 Anotace Kulturní stereotypy jsou b ěžnou sou částí mezilidské komunikace a pomáhají lidem v orientaci ve sv ětě. Zárove ň v sob ě skrývají spole čenské hodnoty a mohou být nástrojem moci. Má práce zkoumá jejich užití v amerických animovaných seriálech Futurama a Ugly Americans. V práci jsem užil metodu zakotvené teorie. Pomocí jejích postup ů jsem vytvo řil osm tematických kategorií užitých stereotyp ů. Ty jsem pak mezi ob ěma seriály komparoval. Krom ě samotného obsahu stereotypního zobrazování má práce zkoumala jednotlivé strategie jejich užití. Klí čová slova: kulturní stereotyp, animovaný seriál, Futurama, Ugly Americans 4 Summary Cultural stereotypes are a common part of interpersonal communication, they help people to understand the world. They also include the social value and they can be an instrument of power. My theses investigates their using in American animated series Futurama and Ugly Americans. -
Coler-Carter-Newsletter-2015091.Pdf
Published by Coler Rehabilitation and Nursing Care Center and Henry J. Carter Specialty Hospital and Nursing Facility for our employees, patients, residents and friends. Vol. 34 Coler Rehabilitation and Issue 1 Nursing Care Center 900 Main Street Roosevelt Island, NY 10044 (212) 848-6000 Henry J. Carter Specialty CONTENTS Hospital and Nursing Facility 1752 Park Avenue New York, NY 10035 Message from our Executive Director ............................................ 1 (646) 686-0000 Client Navigators Greet Carter Visitors ......................................... 2 Executive Director: Fighting the Flu in the Hospital & Community ...................... 3 Robert K. Hughes Breast Cancer Fundraising Success .................................................. 3 Editors: Harlem Community Outreach ................................................................ 4 Robert K. Hughes Floyd R. Long IMSAL: State-of-the-Art Cardiac Training ..................................... 5 Howard Kritz Patient Safety: Our Winning Teams ................................................... 6 Linda Wyatt National Nutrition Month Celebrated ............................................ 7 Creative Directors: Guns Down, Life Up Assembly ................................................................ 8 Jose Torres Linda Wyatt The Power of Forgiveness ............................................................................. 9 Wheelchair Charities Hosts Multiple Events .............................. 10 Photography: Jose Torres Weaning Success Stories .............................................................................. -
I Huvudet På Bender Futurama, Parodi, Satir Och Konsten Att Se På Tv
Lunds universitet Oscar Jansson Avd. för litteraturvetenskap, SOL-centrum LIVR07 Handledare: Paul Tenngart 2012-05-30 I huvudet på Bender Futurama, parodi, satir och konsten att se på tv Innehållsförteckning Förord ......................................................................................................................................... 3 Inledning ..................................................................................................................................... 4 Tidigare forskning och utmärkelser ................................................................................... 7 Bender’s Head, urval och disposition ................................................................................ 9 Teoretiska ramverk och utgångspunkter .................................................................................. 11 Förförståelser, genre och tolkning .................................................................................... 12 Parodi, intertextualitet och implicita agenter ................................................................... 18 Parodi och satir i Futurama ...................................................................................................... 23 Ett inoriginellt medium? ................................................................................................... 26 Animerad sitcom vs. parodi ............................................................................................. 31 ”Try this, kids at home!”: parodins sammanblandade världar ........................................ -
SIMPSONS to SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M
CONTEMPORARY ANIMATION: THE SIMPSONS TO SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M. Social Work 134 Instructor: Steven Pecchia-Bekkum Office Phone: 801-935-9143 E-Mail: [email protected] Office Hours: M-W 3:00 P.M.-5:00 P.M. (FMAB 107C) Course Description: Since it first appeared as a series of short animations on the Tracy Ullman Show (1987), The Simpsons has served as a running commentary on the lives and attitudes of the American people. Its subject matter has touched upon the fabric of American society regarding politics, religion, ethnic identity, disability, sexuality and gender-based issues. Also, this innovative program has delved into the realm of the personal; issues of family, employment, addiction, and death are familiar material found in the program’s narrative. Additionally, The Simpsons has spawned a series of animated programs (South Park, Futurama, Family Guy, Rick and Morty etc.) that have also been instrumental in this reflective look on the world in which we live. The abstraction of animation provides a safe emotional distance from these difficult topics and affords these programs a venue to reflect the true nature of modern American society. Course Objectives: The objective of this course is to provide the intellectual basis for a deeper understanding of The Simpsons, South Park, Futurama, Family Guy, and Rick and Morty within the context of the culture that nurtured these animations. The student will, upon successful completion of this course: (1) recognize cultural references within these animations. (2) correlate narratives to the issues about society that are raised. -
0 OPĆENITO 001 ZNANOST I ZNANJE OPĆENITO 001 CORSO Dan CORSO, Philip J
POINT Software Varaždin Str. 1 0 OPĆENITO 001 ZNANOST I ZNANJE OPĆENITO 001 CORSO dan CORSO, Philip J. 001 Dan poslije Roswella / Philip J. Corso u suradnji Williama J. Birnesa ; s engleskog preveo Predrag Raos. - Zagreb : AGM, 2010. - 443 str. : ilustr. ; 22 cm. - (Biblioteka Obelisk : koja razotkriva svijet zagonetnih sila i rubnih područja ljudskog znanja) znanja) Prijevod djela : The day after Roswell. ISBN 978-953-174-374-7 Prema Corsu, temelj američke politike prema NLO-ima udaren je ubrzo nakon pada NLO-a kraj Roswella. U konfuznim satima nakon otkrića srušene letjelice vojska je odlučila da, u nedostatku drugačijih informacija, smatra da je riječ o izvanzemaljskoj letjelici. Te su letjelice nadgledale vojne instalacije tehnologijom za koju su već znali da su s njom bili upoznati i nacisti, što je potaknulo vojsku da pretpostavi da imaju neprijateljske namjere i da su interferirali sa ljudima tijekom rata. Nije se znalo što su htjela bića u letjelicama, ali su iz njihova ponašanja, kao što su intervencije u ljudske živote ('otmice') i sakaćenje stoke, zaključili da su potencijalni neprijatelji. 001 FORBE mac FORBES, Peter 001 Macaklinovo stopalo / Peter Forbes ; s engleskoga prevela Snježana Ercegovac. - Zagreb : Profil multimedija, 2010. - 362 str. ; 21 cm. - (Biblioteka Indigo) Prijevod djela: Gecko's foot. ISBN 978-953-319-013-6 Ovo je knjiga o suvremenim znanstvenicima koji proučavanjem prirode nastoje iskoristiti njezina načela i izume te ih primijeniti u svakodnevnom ljudskom životu, ovo je knjiga o nanotehnologiji. 001 GJURI kru GJURINEK, Stjepan 001 Krugovi nove budućnosti / Stjepan Gjurinek. - Zagreb : AGM, 2010. - 166 str. ; 22 cm. - (Biblioteka Obelisk : koja razotkriva svijet zagonetnih sila i rubnih područja ljudskoga znanja) znanja) ISBN 978-953-174-376-1 Piktogrami u usjevima jedan su od najvećih misterija današnjice, koji se uporno opiru brojnim pokušajima njihova objašnjenja, kako onima znanstvene naravi, tako i onim egzotičnijima. -
Wojciech Szabaciuk Obraz Polityki I Polityków Na Przykładzie Serialu Animowanego "Futurama"
Wojciech Szabaciuk Obraz polityki i polityków na przykładzie serialu animowanego "Futurama" Media – Kultura – Komunikacja Społeczna 11/4, 123-131 2015 Obraz polityki i polityków na przykładzie serialu animowanego Futurama 123 Wojciech Szabaciuk Uniwersytet Wrocławski Obraz polityki i polityków na przykładzie serialu animowanego Futurama Słowa kluczowe: politycy, polityka, Futurama, politicotainment, stronniczość Keywords: politicians, politics, Futurama, politicotainment, bias Wstęp Pojęcie „kultura masowa” odnosi się do pokazywania licznym odbiorcom identycznych treści z nielicznych źródeł oraz do dostarczania licznemu gronu ludzi rozrywki i zabawy1. Ujednolicony i ustandaryzowany produkt jest rozpo- wszechniany za pomocą środków masowego przekazu2. Produkty medialne lub też kulturowe nie zawsze są wolne od ideologicznych przekazów, na co wska- zywali między innymi przedstawiciele Szkoły Frankfurckiej. Zgodnie z teorią krytyczną Szkoły Frankfurckiej istotą kultury masowej jest przekazywanie prostych i płytkich komunikatów, które dotrą do masowego odbiorcy3. Prezentowanie polityki w utworach zaliczanych do gatunków rozrywkowych nosi nazwę politicotainment. Neologizm ten stworzyła Kristina Riegert, dzieląc i łącząc słowa politics i entertainment4. Kategoria ta oznacza ujawnianie sposobu, w jaki polityka i życie polityczne są negocjowane, reprezentowane i interpre- towane przez przemysł rozrywkowy, na przykład w serialach telewizyjnych5. Zdaniem K. Riegert przedstawianie tematów politycznych w rozrywkowych formach nie jest zjawiskiem nowym; występuje od czasów starożytnych, na przykład w dramatach Ajschylosa, przez dzieła nowożytne, przykładowo Szeks- pira, aż do czasów współczesnych. Jednak obecna sytuacja państw demokracji liberalnych diametralnie różni się od poprzednich epok, gdyż polityka zajmuje wiele miejsca w przestrzeni medialnej i komunikacji społecznej i nie jest ogra- niczona do wąskiej grupy osób6. Nie można zapomnieć, że scenarzyści i producenci filmów i seriali telewi- zyjnych posiadają określoną wiedzę polityczną, własne poglądy i preferencje 1 Por. -
Starlog Magazine
—' 'IV \ j, ! t ''timmffy* STAR WARS Christopher Lee vs. Yoda! REIGN OF FIRE Total future dragon war! EIGHT LEGGED FREAKS Spider nightmare fun! Discover the power af the dark side with the Star Wars Trading Card Game. The tempting new Sith Rising card set lets you crush your enemies with weapons, ships, and villains from The Star Wars saga. Or refuse to give in to your anger, and thwart those who would tyrannize the galaxy. Once you learn to control the Force, take your battle into a new arena the Star Wars TCG League. You will embark on Jedi training, and even a Sith Lord can't stop you from earning exclusive promo cards and learning Jedi secrets. Rules only available in: Two-Player Starter Game Advanced Starter Decks Dfficial Star Wars Web Site www.starwars.CDm © 2002 Lucasfilm Ltd. & TM. All rights resen/ed. Wizards of the Coast is a registered trademark of Wizards of the Coast, Inc. BACK IN BLACK Barry Sonnenfeld directs the scum of the universe again FILING MINORITY REPORT i { Producer Bonnie Curtis takes a reel view of future paranoia TOM CRUISE ON THE RUN He's desperate to prove he's an innocent guilty man SECRETS OF FARSCAPE Pssst! David Kemper reveals all—or not—on the series' new year MISSION: ODYSSEY 5 Only creator Manny Coto knows why the world ends MY PET KILLER ALIEN watercolor Lilo's world with thoughts of Elvis & Stitch WEBS OF SPIDER DEATH Producer Dean Devlin Preeds Eight Legged Freaks HERE THERE BE DRAGONS Director RoP Bowman readies Earth for a Reign of Fire CHRISTOPHER LEE SPEAKS Now, the legend in starlight can talk aPout Star Wars MIND READER Anthony Michael Hall predicts success for The Dead Zone NIGHT, ARES Not content with munching GOOD SWEET STARLOG's indicia The late Kevin Smith recalled life with (see the replacement on xena & Hercules page 6), Stitch taste-tests the logo. -
The Study of Novelisation: a Typology and Secondary Bibliography
Belphégor Thomas Van Parys K.U. Leuven The study of novelisation: A typology and secondary bibliography The phenomenon of novelisation is remarkably widely underresearched, even within adaptation studies, which has generally limited itself – until quite recently – to the one-sided direction of literature to film. Considering that the field of ‘film and literature’, which has vigorously started emancipating itself over the past decade, has traditionally been regarded as only a subfield of film studies, it is obvious that the study of novelisation is rather marginal in the grand scholarly universe, in the film department as well as the literature department. While film adaptation studies focus on the adaptation from novel to film, literary science is primarily occupied with the study of highbrow literature. Needless to say, novelisations are widely derided and discarded as low forms of paraliterature. But the genre is peripheral in content as well, since the novelisation is a ‘hybrid’ form, often mixing film, literature, screenplay, and even film photography into one package. It is in other words ‘the odd novel out’ in the disciplinary academic world. Here I make a plea for more attention to novelisations, not to demand respectability for these novels per se (for bad writing is unfortunately the rule rather than the exception), but to show its significance and ubiquity as a cultural and literary practice. The novelisation is ideally suited to refine, modify, and perhaps subvert the typical pet peeves in film adaptation studies, such as the assumption of linearity or the notion of fidelity. In this essay, though, I will not concern myself much with the theoretical implications or the historical roots of novelisation.