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Sports Publishing Fall 2018
SPORTS PUBLISHING Fall 2018 Contact Information Editorial, Publicity, and Bookstore and Library Sales Field Sales Force Special Sales Distribution Elise Cannon Skyhorse Publishing, Inc. Two Rivers Distribution VP, Field Sales 307 West 36th Street, 11th Floor Ingram Content Group LLC One Ingram Boulevard t: 510-809-3730 New York, NY 10018 e: [email protected] t: 212-643-6816 La Vergne, TN 37086 f: 212-643-6819 t: 866-400-5351 e: [email protected] Leslie Jobson e: [email protected] Field Sales Support Manager t: 510-809-3732 e: [email protected] International Sales Representatives United Kingdom, Ireland & Australia, New Zealand & India South Africa Canada Europe Shawn Abraham Peter Hyde Associates Thomas Allen & Son Ltd. General Inquiries: Manager, International Sales PO Box 2856 195 Allstate Parkway Ingram Publisher Services UK Ingram Publisher Services Intl Cape Town, 8000 Markham, ON 5th Floor 1400 Broadway, Suite 520 South Africa L3R 4T8 Canada 52–54 St John Street New York, NY, 10018 t: +27 21 447 5300 t: 800-387-4333 Clerkenwell t: 212-581-7839 f: +27 21 447 1430 f: 800-458-5504 London, EC1M 4HF e: shawn.abraham@ e: [email protected] e: [email protected] e: IPSUK_enquiries@ ingramcontent.com ingramcontent.co.uk India All Other Markets and Australia Penguin Books India Pvt. Ltd. General International Enquiries Ordering Information: NewSouth Books 7th Floor, Infinity Tower C Ingram Publisher Services Intl Grantham Book Services Orders and Distribution DLF Cyber City, Phase - III 1400 Broadway, -
Uscschool of Dra- Matic Arts
USCSchool of Dra- THTR 482 STAND-UP 2: HONING YOUR ACT matic Arts Spring 2018 —Fridays—10am to 12:50pm Location: MCC 111 Instructor: Wayne Federman Office: Office Hours: By Appointment Contact Info: [email protected] Course Description and Overview This course, a follow-up to THTR 474, will primarily focus on techniques for cre- ating new comedy material and onstage performance strategies. Other topics covered include: road gigs, bar gigs, open mics, college tours, mainstream vs. alternative, creating a five-minute late-night TV set, writing for other comedi- ans, how to be an "opening act", rejection and stage fright, becoming a headlin- er, Sound Exchange, podcasting, merchandise, social media, award show and late-night monologue joke writing, getting a manager/agent, and comedy festi- vals. We will also examine modern stand-up history (1947-2018). Plus various professional guest speakers. Learning Objectives By the end of the course, the student will have specific techniques for creating material, a comprehensive intro into the world of professional stand-up, the ability to recognize various comedic devices, a greater understanding of the his- tory of stand-up, and - hopefully - a more polished and effective stand-up rou- tine. Proposed Objectives •The importance of getting on stage •Specificity - the key to great stand-up •Economy of words: another key to great stand-up •The crucial first 30-seconds •The physical basics: microphone, stand, “the light”, and the stool. •Writing techniques •Your persona •Truthfulness •Exaggeration •Getting -
Televi and G 2013 Sion, Ne Graphic T 3 Writer Ews, Rad
FOR IMMEDIATE RELEASE December 6, 2012 2013 WRITERS GUILD AWARDDS TELEVISION, NEWS, RADIO, PROMOTIONAL WRITING, AND GRAPHIC ANIMATION NOMINEES ANNOUNCED Los Angeles and New York – The Writers Guild of Ameerica, West (WGAW) and the Writers Guild of America, East (WGAE) have announced nominaations for outstanding achievement in television, news, radio, promotional writing, and graphic animation during the 2012 season. The winners will be honored at the 2013 Writers Guild Awards on Sunday, February 17, 2013, at simultaneous ceremonies in Los Angeles and New York. TELEVISION NOMINEES DRAMA SERIES Boardwalk Empire, Written by Dave Flebotte, Diane Frolov, Chris Haddock, Rolin Jones, Howard Korder, Steve Kornacki, Andrew Schneider, David Stenn, Terence Winter; HBO Breaking Bad, Written by Sam Catlin, Vince Gilligan, Peter Gouldd, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Becckett; AMC Game of Thrones, Written by David Benioff, Bryan Cogman, George R. R. Martin, Vanessa Taylor, D.B. Weiss; HBO Homeland, Written by Henry Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Chip Johannessen, Meredith Stiehm; Showtime Mad Men, Written by Lisa Albert, Semi Chellas, Jason Grote, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Brett Johnson, Janeet Leahy, Victor Levin, Erin Levy, Frank Pierson, Michael Saltzman, Tom Smuts, Matthew Weiner; AMC -more- 2013 Writers Guild Awards – TV-News-Radio-Promo Nominees Announced – Page 2 of 7 COMEDY SERIES 30 Rock, Written by Jack Burditt, Kay Cannon, Robert Carlock, Tom Ceraulo, Vali -
Top 22 Celebrities Harmed by Medical Malpractice
Center for Justice & Democracy’s TOP 22 CELEBRITIES HARMED BY MEDICAL MALPRACTICE Written by Emily Gottlieb Deputy Director for Law & Policy September 2018 Center for Justice & Democracy at New York Law School 185 West Broadway, New York, NY 10013. [email protected] ii TOP 22 CELEBRITIES HARMED BY MEDICAL MALPRACTICE TABLE OF CONTENTS Introduction ............................................................................................................................................ 1 1. Julie Andrews .................................................................................................................................. 4 2. Marty Balin ..................................................................................................................................... 4 3. Dana Carvey .................................................................................................................................... 5 4. Glenn Frey ....................................................................................................................................... 5 5. Maurice Gibb .................................................................................................................................. 6 6. Pete Hamilton ................................................................................................................................. 7 7. Hulk Hogan ..................................................................................................................................... 7 8. Michael Jackson -
Introduction
I strive to write interesting and different scenarios. I didn’t Introduction want this one to fall into the same old tropes that had Remember when your babysitter or big brother or bigger been so overused that it had actually become a Mythos sister would sit on you and tickle you until you cried? cliché. I related my fears to Jeff Campbell, and he agreed. Remember how horrible and violated you felt? Yes, you “Why don’t you make your bad guy an alien from the were laughing, but you weren’t having fun. future, like in Through the Gate of the Silver Key?” he What if you could make people laugh like that, but asked—brilliantly—and the scenario had its newer, non- without touching them—just by telling a joke? Maybe you Nyarlathotep ending that you will read shortly. learned it from a book, or maybe someone taught you, Yet it wasn’t enough to just have a new antagonist. but you could make people laugh simply by saying certain One significant difference between fiction and RPG is words. It would come with a price, of course, and wouldn’t group collaboration. The best RPGs give all the players be fun for those suffering its effects. Just like when your something to work out on their own, and what is a brother tickled you until you cried. good horror game without hallucinations, paranoia and That question crossed my mind back in 2010 and just confusion? So I made the new antagonist a future version stuck there. Such an interesting premise for a modern of one of the PCs, thus bringing the story inward for the scenario—in this day of highly successful comedians such players to understand: Why does one of our friends look as Patton Oswalt and Louis CK, being able to just switch like one of the bad guys? on the applause would be a temptation hard to resist. -
The Artillery of Critique Versus the General Uncritical Consensus: Standing up to Propaganda, 1990-1999
THE ARTILLERY OF CRITIQUE VERSUS THE GENERAL UNCRITICAL CONSENSUS: STANDING UP TO PROPAGANDA, 1990-1999 by Andrew Alexander Monti Master of Arts, York University, Toronto, Canada, 2013 Bachelor of Science, Bocconi University, Milan, Italy, 2005 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Joint Program of Communication and Culture Toronto, Ontario, Canada, 2018 © Andrew Alexander Monti, 2018 AUTHOR’S DECLARATION FOR ELECTRONIC SUBMISSION OF A DISSERTATION I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii ABSTRACT The Artillery of Critique versus the General Uncritical Consensus: Standing Up to Propaganda, 1990-1999 Andrew Alexander Monti Doctor of Philosophy Communication and Culture Ryerson University, 2018 In 2011, leading comedy scholars singled-out two shortcomings in stand-up comedy research. The first shortcoming suggests a theoretical void: that although “a number of different disciplines take comedy as their subject matter, the opportunities afforded to the inter-disciplinary study of comedy are rarely, if ever, capitalized on.”1 The second indicates a methodological void: there is a “lack of literature on ‘how’ to analyse stand-up comedy.”2 This research project examines the relationship between political consciousness and satirical humour in stand-up comedy and attempts to redress these two shortcomings. -
Everything Began with the Movie Moulin Rouge (2001)
Introduction Everything began with the movie Moulin Rouge (2001). Since I was so obsessed with this hit film, I couldn’t but want to know more about this particular genre - musical films. Then I started to trace the history of this genre back to Hollywood’s classical musical films. It’s interesting that musical films have undergone several revivals and are usually regarded as the products of escapism. Watching those protagonists singing and dancing happily, the audience can daydream freely and forget about the cruel reality. What are the aesthetic artifices of this genre so enchanting that it always catches the eye of audience generation after generation? What kinds of ideal life do these musical films try to depict? Do they (musical films) merely escape from reality or, as a matter of fact, implicitly criticize the society? In regard to the musical films produced by Hollywood, what do they reflect the contemporary social, political or economic situations? To investigate these aspects, I start my research project on the Hollywood musical film genre from the 1950s (its Classical Period) to 2002. However, some people might wonder that among all those Hollywood movies, what is so special about the musical films that makes them distinguish from the other types of movies? On the one hand, the musical film genre indeed has several important contributions to the Hollywood industry, and its influence never wanes even until today. In need of specialty for musical film production, many talented professional dancers and singers thus get the chances to join in Hollywood and prove themselves as great actors (actresses), too. -
Comedy: Stand-Up, Gay Male by Tina Gianoulis Actor and Comic Jason Stuart
Comedy: Stand-Up, Gay Male by Tina Gianoulis Actor and comic Jason Stuart. Encyclopedia Copyright © 2015, glbtq, Inc. Courtesy JasonStuart. Entry Copyright © 2002, glbtq, Inc. com. Reprinted from http://www.glbtq.com Stand-up comedy is a form of entertainment where one performer stands in front of an audience and tries to make common cause with that audience by pointing out the ridiculous and humorous in the universal problems of everyday life. Stand-up comics balance on a fine edge between the funny and the offensive. They can be social critics, prodding audiences to look at the unfairness and inequality in life and to rise above them with a laugh. They can also be part of that unfairness by using humor to make fun of women, gays, and ethnic groups, allowing some members of their audiences to feel superior to those who are the butts of the joke. The dilemma is well expressed by Henry Machtey on the Gay Comedy Links website: "Stand-up comedy. Cracking jokes. Are you going to aim those jokes at people who are less powerful? or people who are more powerful?" Too often, gay men have been the objects of hostile humor. Queer jokes, like female jokes and ethnic jokes, have long been a staple of straight stand-up comics looking for an easy laugh from audiences eager to assert their own heterosexuality in a world where it is often dangerous to be gay. At the same time, however, perhaps long before the all-male Greek theater of the fourth century B.C.E., audiences have also had a fascination with gender-bending. -
Twenty Comic Masks
Twenty Comic Masks Which One are You? Comic Mask Real World Example 1 The Stand-Up Jerry Seinfeld, Amy Schumer 2 The Aggressor Bill Burr, Chelsea Handler, Jim Jefferies, Bill Hicks, Whitney Cummings, Chelsea Handler 3 The Sad Sack Richard Lewis, Rodney Dangerfield, Gary Shandling 4 The Druggie Rebel Sam Kinison, Sandra Bernhardt, Lenny Bruce, Kat Williams 5 The Intellectual Jon Stewart, John Hodgman, Woody Allen, Mitch Hedberg, Steven Wright 6 The Socio-Political Satirist Jon Stewart, George Carlin, Lewis Black, Chris Rock, Bill Maher 7 The Storyteller Bill Cosby, Louis CK, Kevin Hart, Richard Pryor 8 The Rube Larry the Cable Guy, Jeff Foxworthy, Ron White, Bill Engvall 9 The Old-Timer George Burns, Mrs. Hughes 10 The Ethnic Type George Lopez, Maz Jobrani, Aziz Ansari, Katt Williams 11 The Immigrant Ricky Gervais, Maureen Murphy, Craig Ferguson THE TEAM 12 Partners Smothers Brothers, Key & Peele, Penn & Teller 13 The Sketch Performer Key & Peele, Monty Python, Kids in the Hall 14 The Ventriloquist Jeff Dunham, Terry Fator, Triumph, The Insult Dog THE ACTORS 15 The Impersonator Terry Fator, Jim Carrey, Kevin Pollack, Frank Caliendo 16 The Artists, Musicians, Bo Burnham, Kevin Nealon, Cartoonists Zach Galifianakis, Jimmy Fallon 17 The Vaudevillian Penn & Teller, The Flying Karamazov Brothers (Other Jugglers, Magicians and acrobats) 18 The Improvisors Lily Tomlin, Jonathan Winters, Robin Williams 19 The Buffoon/The Airhead Andrew “Dice” Clay, Larry the Cable Guy, Rita Rudner 20 The Prop Comic Carrot Top, Gallagher, Do you fit into any of these categories? Maybe you’re so unique you are creating your own? Wouldn’t that be exciting! *Note: This is not a scientific study and some comedians can easily fit in multiple categories, this is just a guide and an example of character, persona and point of view through the ‘mask’ of the fictional character. -
A Well-Respected Comedian Whose Been Compared to a Tornado on Amphetamines
STEVE PEARL - Comedian, Writer, Director, Air-guitarist Extraordinaire! Fee: $2500/exp – California Based A well-respected comedian whose been compared to a tornado on amphetamines. His high-energy comedy act is both outrageous and hysterically original. Born in Far Rockaway, and raised on Long Island New York. Steven Pearl has been performing stand-up comedy professionally since 1979. He began his stand-up career in such prestigious NYC comedy clubs as Catch A Rising Star and The Improv, moving to San Francisco in 1979. In San Francisco he immersed himself in the comedy scene and was often performing seven nights a week. By 1985, he found himself opening for the then up and coming L.A. based comic Sam Kinison. He eventually discovered a comedian could only go so far in San Francisco and moved on to Los Angeles in 1987. In L.A. he was quickly made a paid regular at the world-famous Comedy Store on Sunset Strip. In his first days there he suddenly found himself following such legendary comedy acts as Sam Kinison, Richard Pryor and Roseanne. In the highly competitive world of the 1980s L.A. comedy scene, he held his own and continued to grow both as a writer and performer. In the late 1980s he began appearing on numerous TV shows, including _A & E's An Evening at the Improv (1985)_ , and Caroline's Comedy Hour (1989). During this same period he began touring extensively clubs, colleges, and festivals all across the U.S. and around the world._ _ Some of his many credits include writing for and working with such comedic legends as Sam Kinison, Bill Hicks, Jim Carrey, Robin Williams and Rodney Dangerfield._ _ A true journeyman comic, Steven Pearl continues to push the envelope of both good taste and sanity. -
Uscschool of Dra- Matic Arts
USCSchool of Dra- THTR 482 Stand Up 2: Becoming A Pro matic Arts Fall 2019 —Mondays—6pm to 8:50pm Location: MCC 112 Prerequisite: THTR 474 Instructor: Professor Wayne Federman Office: Office Hours: By Appointment Contact Info: [email protected] Course Description and Overview This course is geared towards students who plan to pursue stand-up comedy as a profession. Stand Up 2 will primarily focus on techniques for creating new come- dy material and onstage performance strategies but will also address other im- portant topics including: road gigs, bar gigs, open mics, college tours, main- stream vs. alternative, creating a five-minute late-night TV set, writing for other comedians, how to be an "opening act", rejection and stage fright, becoming a headliner, Sound Exchange, podcasting, NACA, social media, late-night and award show joke writing, getting a manager/agent, and comedy festivals. Stand Up 2 will also explore the history of modern stand-up (since 1947). Past guest speakers have included Margaret Cho, Jeffrey Ross, Brent Forrester, Fahim Anwar, and Beth Stelling. Learning Objectives By the end of the course, the student will have specific techniques for creating material, a comprehensive intro into the world of professional stand-up, the ability to recognize various comedic devices, a greater understanding of the his- tory of stand-up, and (hopefully) a more polished and effective stand-up routine. Proposed Objectives •The importance of getting on stage •Specificity: the key to great stand-up •Economy of words: another key to great stand-up •The crucial first 30-seconds •The physical basics: microphone, stand, “the light”, and the stool. -
Comedy in Bloomington
(clockwise, from top left) The Comedy Attic’s proprietor, Jared Thompson, surrounded by cuddly friends. Tig Notaro, the opening headliner at last year’s Limestone Comedy Festival, gets down to the level of her audience. Photo by Tall + Small Photography The marquee at the Buskirk-Chumley Theater. Photo by Tall + Small Photography Bloomington- based touring comic Ben Moore. Pizza magnate and longtime Comedy Caravan supporter Ray McConn. By Jeremy Shere • Photography by Shannon Zahnle comedy mington in The Art and Business of Bl Making People Laugh 92 Bloom | April/May 2014 | magbloom.com magbloom.com | April/May 2014 | Bloom 93 enjoyed a golden age of comedy. It began in led the way, introducing fans to a new brand of He and Sobel agreed to try comedy at une 8, 2013. The Buskirk- the late-1970s and owes a debt, indirectly, to smart, socially conscious comedy. By the Bear’s Place on Monday nights. This time, Chumley Theater is packed. the launch of television’s Monday Night mid-80s, comedy clubs based on the East and McConn promoted the show heavily, and on It’s the closing night of Bloom- Football telecasts. For a few years, before most West coasts had spawned national franchises Monday, Jan. 10, 1983, comics Rob Haney, ington’s inaugural Limestone people had big TVs, football fans flocked to while TV shows such as A&E’s An Evening at Dea Staley, and Teddy LeRoi played to a full Comedy Festival. The Bear’s Place on East 3rd Street — one of the the Improv and HBO’s Comedy Hour and house.