Felix Issue 351, 1974

Total Page:16

File Type:pdf, Size:1020Kb

Felix Issue 351, 1974 Royal College of Science Union ANNUAL GENERAL MEETING (with initiations) PHYSICS TH 3 1.00 p.m. (later at the Round Pond) NEWSPAPER OF IMPERIAL COLLEGE UNION TUESDAY, 14th MAY — TODAY 14th MAY 1974 FREE No. 358 ACCOMMODATION HOW TO SOLVE QUESTIONNAIRE UNION THE LANGUAGE GENERAL PROBLEM OF As reported in Felix last term a questionnaire an student accommodation at Imperial College has been prepared by the Union Accommodation Com- MEETING OVERSEAS mittee. This questionnaire is being sent to all those students not living in Halls of Residence, Student (AGAIN!) Houses, or Union Flats. Some of you will have STUDENTS already received copies through the departmental In an article entitled "can you speak English" letter racks ;the remaining questionnaires are be- (felix 30th April) Ida Glaser the retiring chair- person of the overseas students committee drew ing sent out at the moment. Elections for attention to the serious and neglected language problems of overseas students. After giving some The short-term aim of the questionnaire is to NUS Delegation fascinating information such as the fact that draw up a register of accommodation and to dis- about 60% of the world's population can't speak cover if any extra accommodation will be available (Nomination Papers in Union Lower Lounge) English she established that many overseas stu- dents at this College do have difficulties with the for IC students next session. In the long term the English language and that these difficulties analysis of the questionnaires will be useful in severely handicap their academic and social highlighting the acute housing problem facing stu- life. Then she goes on to pass her judgement on MOTIONS: this situation: "That students should have such dents in London. handicaps is not advisable (?!): one might even call it ludicrous, inadmissible, or to quote a The questionnaire will go a long way to provid- FREE SPEECH member of the board of studies immoral". Ob- ing the information only if a large enough section viously Ida doesn't approve. But who is to be of IC participates. Please oblige the college and blamed for this "immoral" and "inadvisable" state of affairs? We have to read on to the end the Union by taking a few minutes off work to fill of the judgement to get the answer. But first we it in. Union Concert Hall get some advice from the wise judge: "clearly students should have a sufficient mastery of the Please return the questionnaires to the Union English language before embarking on a highly Office as soon as possible—ignore the bottom line THURSDAY, MAY 23 demanding course of study." The judgement ends with: "Those without such ability should of the introduction asking you to return them by obtain it before entering college". At last we 1st May I 1.00 have been told who was being tried — the over- seas students who can't speak English. They Keith Arundale, have been found guilty of bringing about this ICU Student Residence Officer. DON'T MISS IT "immoral" and "inadvisable" situation by not learning English before they come to the Col- lege. Having established the guilt the guilty ones are sentenced, in the proposals which come further on, to taking a compulsory English exam before they are allowed to enter the College. Ida who is supposed to represent overseas stu- SAVE YOURSELF TIME, TROUBLE AND dents has acted as judge and jury to them. We MAGGIE MADE POSTAGE! had heard of people acting as both judge and jury but that is not enough for Ida because she wants to be judge, jury and defence. A GOVERNOR Get your Life Membership of I.C. Union before you leave college this Continued on Page 8 SIR ALAN COTTRELL FRS and MRS MAR- term. GARET THATCHER PC, MP, have been appointed SOUTHSIDE BAR to serve on the Governing Body of Imperial Col- Only £3. Forms from Jen, Much of the bar committees time this year lege. Sir Alan Cottrell, Master of Jesus College, Union Office. has been spent dealing with renovations to Cambridge, and until recently Chief Scientific Southside bar. These have been split into two Adviser to the Government, has been appointed by phases, the first of which was carried out over Easter. This was to remove what was left of the the University of London to succeed Sir Charles carpet and replace with Courtaulds AMTICO Goodeve. Mrs. Thatcher, former Secretary of State LIFE MEMBERSHIP entitles you to use bar, tiles, to have fixed the wooden panelling of the for Education and Science, has been appointed by bar, to have the old furniture completely re- sports facilities, join clubs and societies, upholstered, and to buy new stools. The total the Royal Commissioners for the Exhibition of 1851 cost of phase I will be of the order of £1,500. etc. in succession to Sir Frank Turnbull. Phase II will involve moving the present parti- tion between the bar and the lounge out, past -"-"--"------"--"-"-------"-"-----"-------^-"--,.-_---_-----«----------------™---,"-™-----------"-r"-L'«,'-''--------_---_-_v-_- the stairs, towards the TV, so creating a new 1 area for games—darts and bar-billiards. WEEKEND IN PARIS - £9 Any suggestions that members of the Union or Academic staff may wish to make should be including travel, insurance, accommodation sent to me. David Sinclair, LEAVE I.C. 6.00 p.m. Thursday May 16 Deputy President ICU, IC Bar Chairman. VISIT all the famous sights HOSTED by the National Chemistry ALL THE BARS ARE GETTING SHORT School OF GLASSES RETURN 12.00 Midnight Sunday May 19 Will Union members return glasses from their rooms. — INTERESTED? — D. SINCLAIR Hall residents can leave glasses in Contact: NORM SAYLES, Int. Phone No. 2488 or Union Office nearest lounge when bar is closed. 2 FELIX 14th May, 1974 for overseas students to It is also a fact that the specified night for a £1500, is being used by only way of getting specified wage. If the racists, who say it is a home after 1 a.m. is ef- casual barman does not privilege for 'wogs' to fectively by taxi. Taxi think it's worth his while LETTERS study here, fares are not reimbursed, he refuses. Obviously, so a couple of hours pay late night extension bars I hope all students at are lost just getting e.g. for College Block IC will welcome as I do, home. Exploitation of dinners, are better suited amendment. Clearly, at number of people pres- the news that the Vice- cheap student labour? to people who live fin U.G.M.'s 2.15, he could not have ent, or if one half of the Chairman of that racist It may be stated by Hall or near to College. been worried about the Union is actively sup- rabble, the Monday Club, the authorities that the If you must get, and pay & Free Speech time factor. pressed. was stopped from speak- bar cannot afford to pay through the nose for,* a from T. Phillips I would suggest that ing in Oxford last week, a fairer wage. This is not taxi home in the early since Mr. Bartley was D. M. BROWN and condemns the fact the case; the bars always hours, after working all Sir opposed to my position P. R. LYNCH that Consoc have invited make a considerable pro- evening, you must judge I am writing regarding on the issue, he attempt- him here. fit, thousands of pounds whether, all things con- the UGM of May 2nd. (Publicity Department, ed to prevent me from We should take note a year—note the recent sidered, it's worth it. It may be as well to putting forward my point I.C. vast modernisation of of the people of the East I would say again that clear up some miscon- of view. To quote a Conservative Society) bar facilities. ceptions which have End of London who in this is a personal opinion prominent member of 1930 refused Mosely a arisen, and to make a I wrote this letter be- and I have not had time the Union "Maybe he platform, when he tried few comments on the cause I feel the system to consult the relevant didn't want to hear what teo march with his facist conduct of the meeting. from J. East to be unjust. I am quite committee but this will you wanted to say". Mr. bands through Cable This can be done by out- prepared to argue the be done. Bartley himself claimed Sir, Street. 25,000 people lining the proceedings case with anyone (who that the situation was As a result of the stopped them. But these Yours sincerely, chronologically. quite clear: "the social- buys me a pint!) D. Sinclair. At 2.13 p.m. the ballot criticism I have receiv- events are not all in the ists" (whoever they are) ed, I will explain why I past, the NF have march- Finally, I was glad to for the floor reps was were trying to stop completed. At this point called 'quorum' at the ed through Britain with hear the Rector has set people they didn't like last Union Meeting. Mr. Lolley called the their racist filth, and up a working party to ex- NUS/ from speaking. There- A motion which would regularly stand in elec- amine how the college quorum several times. fore, he claimed, there NEW STATESMAN Those who remained at decide whether Racists tions. WE MUST REA- can get more benefit was no reason for me to and Fascists would be LISE THAT FREE from outside people us- STUDENT the meeting, including say anything. myself, wanted to see able to peddle their re- SPEECH WONT STOP ing the facilities here.
Recommended publications
  • 2 Collana Diretta Da Dario Calimani
    UNIVERSITÀ CA’ FOSCARI DI VENEZIA LINGUE STRANIERE A FINI SPECIALI 2 Collana diretta da Dario Calimani Da molti anni, lo studio della lingua straniera — per lo più inglese — a fini speciali ha avuto per oggetto primario la lingua commerciale. Ogni altro ap- proccio, anche negli ambiti universitari più diversi, si è spesso dovuto servire di testi di carattere generico, sia sul piano linguistico che su quello dei contenuti. A rendere pressante, per ogni ambito professionale e culturale, la necessità di comunicare nelle maggiori lingue europee con precisa cognizione dei diversi lessici specialistici, è l’ormai diffusa realtà del “villaggio globale” e delle sue più dirette implicazioni. Da queste considerazioni, e da esperienze pluriennali di insegnamento uni- versitario, deriva l’esigenza di agili strumenti didattici, improntati a fini pra- tici e funzionali piuttosto che genericamente culturali, per un insegnamento della lingua più funzionale alle aree disciplinarie dei diversi Corsi di laurea. Una nuova strategia didattica che, coniugando insieme competenze linguisti- che diverse, ha come scopo primario la concentrazione dell’impegno e l’incisività del risultato. La presente collana intende rispondere a queste esigenze. Lo studente adulto potrà così acquisire rapida padronanza di strutture grammaticali, lessico di base e forme idiomatiche, appropriandosi al tempo stesso del lessico speciali- stico del suo specifico campo di interesse. Una finalizzazione sempre più mirata della didattica delle lingue straniere sembra ormai il passaporto
    [Show full text]
  • Mick Taylor © Felix Aeppli 07-2020 / 08-2021
    Blues Breaker Mick Taylor © Felix Aeppli 07-2020 / 08-2021 5001 January 17, 1949 (not 1948) Born in Welwyn Garden City, Hertfordshire: Michael Kevin (not James) Taylor. 5001A 1963 Hatfield, Hertfordshire, or London: THE STRANGERS, MEET THE STRANGERS (One-sided 10" acetate, 1963): 1. A Picture Of You (Beveridge, Oakman), 2. The Cruel Sea (Maxfield), 3. It’ll Be Me (Clement), 4. Saturday Night At The Duck Pond (Owen, based on a section from Tchaikovsky's Swan Lake) MT, Alan Shacklock: guitar; Malcolm Collins: vocals (1, 3); John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5001B 1964 Hatfield, Hertfordshire, or London: THE JUNIORS, Single (Columbia DB 7339 [UK], Aug. 1964); MADE IN ENGLAND VOL. 2 – BRITISH BEAT SPECIAL 1964 - 69 (LCD 25-2, CD [France], Spring, 2000): 1. There’s A Pretty Girl (Webb), 2. Pocket Size (White) MT, Alan Shacklock: guitar; Malcolm Collins: vocals; John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5002 May, 1967 Probably London THE GODS (THOR, HERMES, OLMPUS, MARS), Single (Polydor 56168 [UK], June, 1967): 1. Come On Down To My Boat Baby (Farrell, Goldstein), 2. Garage Man (Hensley) NOTES: Cuts 1, 2: MT’s participation in this session is very much open to speculation and his own interviews on the subject are full of contradictions; most likely MT had taken part in some live shows, but he never was in THE GODS’ actual line-up (Lee Kerslake: guitar; Ken Hensley: organ, vocals; John Glascock: bass, back-up vocals; Brian Glascock, perhaps alternating with Lee Kerslake: drums); – Nor is MT identical with MICK TAYLOR playing guitar and singing on a Single (CBS 201770 [UK], June, 1965), London Town, Hoboin’ (both Taylor - produced by Jimmy Duncan and Peter Eden); or involved in Cockleshells (Taylor), a track recorded by MARIANNE FAITHFULL (NORTH COUNTRY MAID, Decca LK 4778 [UK], Feb.
    [Show full text]
  • Press Contacts: Rebecca Brighenti
    Press Contacts: Rebecca Brighenti, (413) 448-8084 x11 [email protected] www.BerkshireTheatreGroup.org Madelyn Gardner, (413) 448-8084 x15 [email protected] www.BerkshireTheatreGroup.org Please Embargo until: Thursday, October 22, 2015 Berkshire Theatre Group Presents “The Godfather of British Blues,” John Mayall Pittsfield, MA– Berkshire Theatre Group presents “The Godfather of British Blues,” John Mayall at The Colonial Theatre on Thursday, March 24 at 8pm. Tickets to John Mayall are $60, $50 and $35. Contact the Colonial Ticket Office at 111 South Street, Pittsfield by calling 413-997-4444, or online at www.berkshiretheatregroup.org. Ticket Offices are open Monday-Friday 10am-5pm, Saturdays 10am-2pm or on any performance day from 10am until curtain. John Mayall was born on the 29th of November 1933 and grew up in a village not too far from Manchester, England. It was here as a teenager that he first became attracted to the jazz and blues 78s in his father's record collection. Initially it was all about guitarists such as Eddie Lang, Lonnie Johnson, Brownie McGhee, Josh White and Leadbelly. However once he heard the sounds of boogie woogie giants Albert Ammons, Pete Johnson and Meade Lux Lewis, his desire to play was all he could think of. At the age of 14 when he went to Manchester's Junior School of Art, he had access to a piano for the first time and he began to learn the basics of this exciting music. He also found time to continue learning the guitar and a couple of years later, the harmonica, inspired by Sonny Terry, Sonny Boy Williamson and Little Walter.
    [Show full text]
  • John Mayall the Godfather of British Blues by Mike Shivvers
    Even into his eighties, John is still performing — here he is at the 2016 King Living Legend: Biscuit Blues Festival Photo by Ÿ Marilyn Stringer John Mayall The Godfather of British Blues By Mike Shivvers John Mayall told the audience at his Blues Hall of Fame piano in his early teens, the mold was cast. As a teen, John induction ceremony in May 2016 that he would continue to attended junior art school in Manchester, and began to learn perform and make music as long as he was able to do it with piano. It was a lonely existence for John at first, as there was full energy and enthusiasm… that it was all he knew how to little interest locally in the type of music he chose to play. do, then wryly added, “you’ll soon be sick of me, I’m sure.” In the early ‘50s, John worked in display advertising, As his career continues strong over fifty years since its start, served in the army for two years, and afterwards continued his fans beg to differ. To really get the true idea of who John his studies at the Regional College of Art – during which he Mayall is, go no further than his last three studio albums – A became a more proficient musician and taught music to local Special Life, Find A Way To Care and his most recent 2017 youth. Upon graduating in 1959, John worked in advertising release, Talk About That – three of his most reflective and until 1963, when he turned to music full time.
    [Show full text]
  • 2019 Catalogue
    7 d 199 ishe establ s a voice tist ha where the ar 22001199 CCaattaalloogguuee CD/ DIGITAL/ DVD REDISCOVERING THE PAST, ENJOYING THE PRESENT AND RELEASING THE FUTURE www.angelair.co.uk www.facebook.com/AngelAirRecords www.angelair.co.uk www.twitter.com/AngelAirRecords www.youtube.com/user/AngelAirRecords www.soundcloud.com/angelair AFFINITY - Origins 1965 -1967 - SJPCD167 Autumn leaves/ Django / My Funny Valentine/ I Got Plenty Of Nothing /Date Dere / Lover Man/ Blues GUIDE TO COLOUR CODING Etude / Some Day My Prince Will Come / Cubano Chant / Jordu / My Funny Valentine· Autumn leaves · You Look Good To Me / The Preacher BONUS TRACK : My Funny Valentine Audio CD’s only 2 disc - CD & DVD AFFINITY - Origins: The Baskervilles 1965 - SJPCD238 Christmas Ball, December 1965: She’s Not There/ I Feel Fine / It’s Good News Week/ Mr Tambourine Man / I Saw Her Standing There / Hallelujah I Love Her So / Freight Train/ Love Potion No9 / You like Me DVD only Too Much / Day Tripper / We Can Work It Out / Peggy Sue Got Married / I Can’t Get No Satisfaction/ Yesterday / Bumble Bee / Perfidia / Another Girl/ Summertime Blues / We Wish You A Merry Christ - mas/ Get Off My Cloud / Sweets For My Sweet/ DIGITAL only Hang On Sloopy / Get Off My Cloud· BONUS TRACKS: /Rehearsal, January 65: Mr Tambourine Man / Always Something There To Remind Me / You Like Me Too Much I Re - hearsal, June 65: Perfidia / Trains And Boats And Planes/ The last TIme /Chem - ADAM FAITH - I Survive - SJPDCD314 istry Society Party, December 65: Hey You’ve Got To Hide Your love Away/
    [Show full text]
  • Mayall Bio WIDE
    JOHN MAYALL B I O G R A P H Y John Mayall was born on the 29th of November 1933 and grew up in a village not too far from Manchester, England. It was here as a teenager that he first became attracted to the jazz and blues 78s in his father's record collection. Initially it was all about guitarists such as Eddie Lang, Lonnie Johnson, Brownie McGhee, Josh White and Leadbelly. However once he heard the sounds of boogie woogie piano giants Albert Ammons, Pete Johnson and Meade Lux Lewis, his desire to play in that style was all he could think of. At the age of 14 when he went to Manchester's Junior School of Art, he had access to a piano for the first time and he began to learn the basics of this exciting music. He also found time to continue learning the guitar and a couple of years later, the harmonica, inspired by Sonny Terry, Sonny Boy Williamson and Little Walter. After his two years at art school, he joined the art department of a major department store while starting to build up his own record collection that was to be his source of inspiration to play the blues. At age eighteen when he was due for National Service he spent three years in the Royal Engineers as an office clerk in the south of England and in Korea all the time playing whenever he got a chance. As no- one seemed to be interested in this type of music, John felt pretty much of an outsider throughout his twenties until 1962 when the news broke in the British music magazine Melody Maker that Alexis Korner and Cyril Davies had opened a club in Ealing devoted to blues music.
    [Show full text]
  • JOHN MAYALL BLUES from LAUREL CANYON Mp3, Flac, Wma
    JOHN MAYALL BLUES FROM LAUREL CANYON mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: BLUES FROM LAUREL CANYON Country: UK Released: 1968 MP3 version RAR size: 1995 mb FLAC version RAR size: 1351 mb WMA version RAR size: 1261 mb Rating: 4.9 Votes: 770 Other Formats: AHX AC3 TTA ADX AU MPC AIFF Tracklist Hide Credits A1 Vacation 2:47 A2 Walking On Sunset 2:50 A3 Laurel Canyon Home 4:33 A4 2401 3:42 A5 Ready To Ride 3:32 A6 Medicine Man 2:43 A7 Somebody's Acting Like A Child 3:27 B1 The Bear 4:40 B2 Miss James 2:30 First Time Alone B3 4:49 Guitar – Peter Green B4 Long Gone Midnight 3:27 B5 Fly Tomorrow 8:59 Companies, etc. Copyright (c) – The Decca Record Company Limited Copyright (c) – St. George Music Ltd. Recorded At – Decca Studios Mastered At – Decca Studios Made By – British Celanese Limited Printed By – Robert Stace Credits Bass Guitar – Stephen* Drums, Tabla – Colin* Engineer – Derek Varnals Engineer [Assistant] – Adrian Martins Lead Guitar, Slide Guitar [Hawaiian] – Mick* Liner Notes, Design, Artwork By, Composed By – John Mayall Mastered By – B Other [Fan Club Secretary] – Miss Doreen Pettifer* Performer – Colin Allen, John Mayall, Mick Taylor, Stephen Thompson* Photography By – Dominique Tarle* Photography By [All Colour Photographs] – Steve LaVere* Photography By [Black And White Mayall Portrait] – Rob Bosboom Producer – John Mayall, Mike Vernon Notes Label variant with year, record number and matrix number (not upside down) at three o'clock (see detailed image) High gloss varnished on the front and no varnish on the back.
    [Show full text]
  • The Rolling Stones, December, 1974 - May, 1975
    TUMBLING DICE 1974 Pt.1 A. Media Appearances (No Live Performances) JANUARY Songs 1-3: Probably premiered in the US in “Don Kirshner’s 14-28 Musicland Studios, Munich (see Section B) Rock Concert”, TV show, October 19, 1974; released on BEAST OF EDEN (BT CD); on GET A LINE ON YOU (BT CD); on KEITH RICHARD AND HIS ROLLING APRIL STONES (BT). 10-15 Rolling Stones Mobile (RSM), Stargroves, Newbury, Songs 1, 2 (both incomplete): Shown in “ROLLING STONES Berkshire (see Section B) - DIE ERSTEN 20 JAHRE”, Austrian TV (ORF), June 26, 1982. JUNE Song 2: Probably premiered in the UK in late July, 1974; 1 Promotional film recordings, LWT Studios, London released in “VIDEO REWIND: THE ROLLING STONES GREAT VIDEO HITS”, Vestron 11016/MA 1016, November 4, 1984; in “25 X 5: THE CONTINUING DECEMBER ADVENTURES OF THE ROLLING STONES”, CMV 6-14 Musicland Studios, Munich (see Section B cont.) Video 49027-2/CMV 190-49027, February 13, 1990 (incomplete); in “ROCK‘N’ROLL THE GREATEST JUNE 6, 1974 ♦ PROMOTIONAL FILM RECORDINGS, LWT YEARS: ‘74”, The Video Collection VC4097, early STUDIOS, LONDON, Director Michael Lindsay-Hogg 1991. NOTES: Songs 1-3: Instrumental backing tracks of official 1 Till The Next Goodbye versions; Song 2: New lead guitar, different back-up 2 It’s Only Rock ‘n Roll vocals. 3 Ain’t Too Proud To Beg (Whitfield, Holland) B. Studio Sessions JANUARY 14-28, 1974 ♦ MUSICLAND STUDIOS, MUNICH, 12 Drift Away (Williams) Producers: The Glimmer Twins, Engineers: Andy Cuts 1-5: Released on IT’S ONLY ROCK ‘N ROLL, Rolling Johns, Keith Harwood Stones Records COC 79101/COC 59103, October 15/ October 18, 1974; IT’S ONLY ROCK ‘N ROLL (CD), 1 Till The Next Goodbye Virgin Records 39500-2 (Collector’s Edition), June 28, 2 Time Waits For No One 1994, and Virgin Records 39522-2, July 26, 1994.
    [Show full text]
  • 2-Britblues-V.1-5.27.2020.Pdf
    A selective discography compiled by Leslie Fancourt This selective discography is a revision of the editions published in 1989 and 1992 as ‘British Blues On Record 1957-1970’ and now extended with compact disc issues, selected bootlegs and digital downloads, along with examples of blues and R&B from the ‘Beat’ era of the 1960s. To conserve space, largely original issues are included. Standard abbreviations used. Thanks in particular to Joe ‘Dzsanesz’ Kovacs and Peter Moody and the following: R. Allen, Ian Anderson, Alan Balfour, Tony Burke, Raphael Callaghan, Sonita Cox (EMI Archives), Norman Darwen, Roger Dopson, Bob Fisher, Jim Greaves, Christopher Hjort, John Holmes, Cilla Huggins, John Juggins, Klaus Killian, Barry Kinsella, Joachim Kirstein, Tibor Koos, Dino Lugoz, Tom McGuinness, Phillip Moreno, Richard Orlando, Daniel Parlouar, Bob Pearce, Martin Peel, Paul Pelletier, Chris Robinson, Neil Rosser, Steve Shillito, Neil Slaven, Fritz & Franziska Svacina, Keith Tillman, Mike Vernon, Mike Weston, George White, Phil Wight, Pete Wingfield. Information also derived from album notes, and the following magazines: Beat Instrumental, Blues Unlimited, Melody Maker, New Musical Express, R&B Monthly, Record Collector, Record Mirror and Blues & Rhythm and the services of The British Library. Designed by Bob McGrath. Not forgetting the resources of the internet, in particular 45cat and Discogs. My apologies to those I have missed. Additional information and corrections always welcome. Bibliography: Massimo Bonanno – The Rolling Stones Chronicle
    [Show full text]
  • Ellis Biography Where Are They Now?
    Ellis biography Ellis was a raw-energy rock band built around two sucessful musicians, combining their talents after years in vastly different fields - former Love Affair vocalist Steve Ellis and musician extra-ordinaire Zoot Money. They joined forces in December 1971 to fulfil an idea formed during the Christmas of 1969, Steve had finally left the Love Affair to pursue a solo career - for a twenty year old (as he was then) he possessed incredible vocal maturity allied to a totally original style, Zoot, one of the most experienced contemporary musicians around, was quick to spot his talent and even quicker to realise Steve's voice had never been exploited to its full potential. So, when Steve suggested teaming up, Zoot was obviously attracted by the idea although his numerous commitments prevented him giving a definite 'yes' until two years later. By this time, Steve already knew whom he wanted as a lead guitarist - Andreas Gröber (better known as Andy Gee), a brilliant young German musician he had known and admired for years. Andy joined and Ellis was three-fifths complete. Again with drummer Dave Lutton, Steve knew him from the past as they bumped into each other through various stages of their careers. Steve had liked Dave's work with bands such as Heavy Jelly and The Greaseband and simply called him up and invited him into the band. Dave's first band was the Northern Ireland band Eire Apparent which released an album produced by Jimi Hendrix. All they needed now was a bass guitarist - a problem solved when former Fat Matress and Juicy Luicy man Jim Leverton heard about the vacancy from Mitch Mitchell.
    [Show full text]
  • 1004 JOHN MAYALL.Cdr
    International PO Box 935, Byron Bay Tel: 61 2 6687 4441 NSW, 2481 Australia Fax: 61 2 6687 4445 Tel: (02) 6687 4441 Web:http://www.aiminternational.com Fax: (02) 6687 4445 E-Mail:[email protected] TRADING GROUP Pty Ltd ABN 78 093 907 914 "NOW AVAILABLE" AIM 1004CD JOHN MAYALL'S BLUESBREAKERS "Return of the Bluesbreakers" John Mayall's love of the Blues, which he himself called a "crusade" Return of the Bluesbreakers probably did more in the 60's to turn the youth of the world's ears back toward the real Blues than any other Featuring artist. On this AIM recording, first Mick Taylor released in the early 80's, John Mayall Coco Montoya returns to the Blues in the company Don McMinn of numerous great musicians. Many cuts feature Mick Taylor latter of the Rolling Stones, after a tenure in the Bluesbreakers. TRACKS 1 - 5: 1. An Eye For An Eye JOHN MAYALL (vocals, harmonica, piano) DON McMINN (lead guitar) LARRY 2. The Same Old Blues RASPBERRY (piano on tracks 2, 3 & 5) BOBBY MANUEL (rhythm guitar) 3. Rock 'N' Roll Kitchen JEFF DAVIS (bass guitar) MIKE GARDNER (drums) 4. Rock It In The Pocket TRACKS 6 - 10: 5. Keep On Rollin' JOHN MAYALL (vocals, harmonica, piano, organ, guitar) MICK TAYLOR (lead guitar, slide guitar) 6. My Time After Awhile KEVIN McCORMICK (bass guitar) COLIN ALLEN (drums) 7. Ridin' On The Santa Fe TRACKS 11 - 13: 8. Howlin' Moon JOHN MAYALL (vocals, harmonica, keyboards and 12 string guitar) 9. You Never Can Be Trusted COCO MONTOYA (lead guitar) KAL DAVID (lead guitar) 10.
    [Show full text]
  • Still on the Road Musician Index 1956 – 2020
    STILL ON THE ROAD MUSICIAN INDEX 1956 – 2020 STILL ON THE ROAD MUSICIAN INDEX 1956-2020 2 Musicians that have played with Bob Dylan more than 100 times: Rank Song # 1. Tony Garnier 3049 2. George Receli 1648 3. Donnie Herron 1384 4. Stuart Kimball 1343 5. Charlie Sexton 1275 6. Larry Campbell 890 7. Bucky Baxter 762 8. John Jackson 607 9. David Kemper 587 10. Denny Freeman 479 11. Winston Watson 397 12. Ian Wallace 321 13. Christopher Parker 266 14. Jim Keltner 259 15. G.E. Smith 250 16. Tim Drummond 230 17. Fred Tackett 221 18. David Mansfield 218 19. Steven Soles 218 20. Regina Havis 185 21. Madelyn Quebec 184 22. Helena Springs 183 23. Carolyn Dennis 181 24. Clydie King 160 25. Steve Douglas 153 26. Alan Pasqua 145 27. Billy Cross 143 28. Bobbye Hall 140 29. Jo Ann Harris 138 30. Freddie Koella 122 31. Benmont Tench 121 32. Jerry Scheff 115 33. Mike Campbell 111 34. Howie Epstein 108 35. Roger McGuinn 108 36. Tom Petty 108 37. Queen Esther Marrow 106 38. Rob Stoner 105 39. Stan Lynch 102 40. Spooner Oldham 101 41. Terry Young 100 Number of different names in this index: 1054 7 March 2021 STILL ON THE ROAD MUSICIAN INDEX 1956-2020 3 Kenny Aaronson 1988 (71) 09100 09110 09120 09130 09140 09150 09160 09170 09180 09190 09200 09210 09220 09230 09240 09250 09260 09270 09280 09290 09300 09310 09320 09330 09340 09350 09360 09370 09380 09390 09400 09410 09420 09430 09440 09450 09460 09470 09480 09490 09500 09510 09520 09530 09540 09550 09560 09570 09580 09590 09600 09610 09620 09630 09640 09650 09660 09670 09680 09690 09700 09710 09720 09730
    [Show full text]